Knxwledge
Knxwledge, born Glen Earl Boothe on March 8, 1988, in Freehold Township, New Jersey, is an American record producer, songwriter, and multi-instrumentalist renowned for his lo-fi hip-hop instrumentals, sample-based production drawing from soul, jazz, and funk, and extensive collaborations in hip-hop and R&B.[1] Based in Los Angeles since the early 2010s, he has built a cult following through his hyper-prolific output, releasing over 100 beat tapes and EPs on Bandcamp since 2009, often featuring short, looping tracks completed in single sessions using tools like the SP-303 and Ableton Live.[2][3] Raised across central New Jersey and Philadelphia in a musical, church-going family, Boothe began producing beats at age 15, self-taught on software like Fruity Loops and heavily influenced by pioneers such as J Dilla and Madlib.[3] His early work emphasized raw, layered soul samples over gritty drum patterns, leading to his debut EP 3P in 2009 and official releases like Kouds on All City Records in 2010.[2] Signing with Stones Throw Records in 2015 marked a pivotal moment, where he debuted his first full-length album Hud Dreems, a collection of hazy, atmospheric beats that solidified his signature style.[4] Knxwledge's production credits extend to major artists, including the track "Momma" on Kendrick Lamar's acclaimed 2015 album To Pimp a Butterfly, as well as contributions to Joey Bada$$'s 1999 and Earl Sweatshirt's projects.[1] He gained wider recognition through his duo NxWorries with vocalist Anderson .Paak, releasing the critically praised Yes Lawd! in 2016 and Why Lawd? in 2024, the latter earning a Grammy Award for Best Progressive R&B Album in 2025—the first such win for Stones Throw Records.[5] Recent works like the 2020 album 1988 (named for his birth year) and remixes for video game soundtracks, such as Capcom's Fighting Collection in 2022, highlight his ongoing evolution and versatility in blending hip-hop with electronic and R&B elements, continuing with releases in his Video Game Music series into 2025.[2][6]Early life and career
Early life
Glen Earl Boothe, known professionally as Knxwledge, was born on March 8, 1988, in Freehold Township, New Jersey.[7] He was raised primarily in central New Jersey, with his upbringing also spanning Philadelphia, where his family had roots.[8][9] As one of three boys in a church-going household, Boothe grew up surrounded by music; his parents, who cleaned the church every weekend, granted him unrestricted access to instruments and choir rehearsals, fostering an early immersion in gospel sounds.[10] His father, an avid music enthusiast originally from Jamaica, introduced him to bass lines and drums through a home DJ setup with Technics equipment, while the family's creative environment—complete with his mother's basement full of cassettes and VHS tapes—provided raw material for sampling.[11] During his childhood and adolescence, Boothe's interest in music deepened through these familial influences, evolving from church-based gospel to broader genres. He began producing beats at age 15, self-taught on software like Fruity Loops.[2] He began playing drums after services in the family-run church and, as he grew older, tuned into radio hits from artists like The Notorious B.I.G. and Mary J. Blige, sparking a fascination with hip-hop and soul that evoked the "warm feeling" of his early gospel exposure.[11] This period also saw him experimenting with jazz and funk elements, drawn from his father's record collection and the soulful progressions reminiscent of church music.[11] In adulthood, Boothe relocated to Los Angeles in 2008, seeking professional opportunities in the vibrant hip-hop scene after a friend invited him for a performance.[11] This move marked the beginning of his transition to music production in the late 2000s.[2]Career beginnings (2009–2014)
Knxwledge, born Glen Boothe, began his music production career in 2009 by releasing his first EP, 3P, on Bandcamp on August 11, featuring tracks like "Bile(JustforU)" and "Velvet Rope."[12] This marked the start of his prolific output, with subsequent EPs and beat tapes uploaded regularly to the platform, drawing from his early exposure to jazz and soul records. By 2025, he had amassed over 200 projects on Bandcamp, establishing a foundation for his independent release strategy.[13] In 2010, Knxwledge released his debut album, Klouds, through the Irish label All City Records on April 5, comprising nine tracks such as "Enkounters" and "Pattern Klear" that showcased his emerging style of layered, instrumental beats.[14] The album received attention within beatmaking circles for its concise yet textured production, solidifying his presence in the underground electronic and hip-hop scenes.[15] By 2013, Knxwledge had experimented extensively with lo-fi aesthetics, heavy sampling from soul and jazz sources, and genre-blending techniques, distributing much of this work via Bandcamp and SoundCloud to build a grassroots following.[16] That year, Leaving Records issued his 53-track compilation Anthology on double cassette, curating selections from his 2009–2013 Bandcamp releases into a cohesive overview of his early sound, including tracks like "OpinyunGayme" and "Dntleave."[17] This release garnered initial underground recognition in hip-hop beatmaking communities, where his raw, iterative approach was praised for echoing influences like J Dilla while innovating through digital dissemination.[15]Professional breakthrough
Signing with Stones Throw (2015–2017)
In 2015, Knxwledge signed with the independent label Stones Throw Records, marking a significant step in his career from underground beat-making to broader recognition within the hip-hop community.[18] His debut release on the label, the instrumental album Hud Dreems, arrived on May 5, 2015, featuring 26 tracks of lo-fi, sample-heavy beats that showcased his signature chopped-and-screwed production style.[19] The project, which drew from soul, jazz, and funk samples, was later reissued on vinyl in June 2015 with additional bonus material, highlighting its immediate appeal to collectors and fans of experimental hip-hop.[19] That same year, Knxwledge gained prominent exposure through his production on Kendrick Lamar's critically acclaimed album To Pimp a Butterfly, specifically co-producing the track "Momma" alongside Taz Arnold.[20] The beat for "Momma," built around a looped sample from Lalah Hathaway's "On Your Own," contributed to the album's innovative fusion of jazz, funk, and conscious rap.[21] To Pimp a Butterfly won the Grammy Award for Best Rap Album at the 58th Annual Grammy Awards in 2016, providing Knxwledge with early major award recognition tied to his production credits.[22] Around this period, Knxwledge formed the duo NxWorries with vocalist and multi-instrumentalist Anderson .Paak, debuting their collaboration with the single "Suede" on February 10, 2015, via Stones Throw.[23] Their early joint work emphasized a seamless blend of Paak's soulful delivery and Knxwledge's dusty, groove-oriented beats, laying the groundwork for their shared aesthetic. This partnership culminated in the release of their debut album Yes Lawd! on October 21, 2016, which earned widespread critical acclaim for its infectious mix of funk, soul, and hip-hop elements across 19 tracks.[24] Reviewers praised the project's laid-back yet innovative sound, often citing it as a standout neo-soul hip-hop effort of the year.[25]Major collaborations (2018–2019)
During 2018 and 2019, Knxwledge expanded his production reach within hip-hop, applying his signature lo-fi, sample-heavy aesthetic to collaborations that bridged underground and more established artists, while drawing from the momentum of his prior work including tracks with Joey Bada$$ ("Killuminati Pt. 2"), Ghostface Killah ("I Ain't Even Done"), Earl Sweatshirt ("Balance"), and Hodgy ("Dreaminofthinkin").[26][27][28] A key highlight was his 2018 EP dntaskmefrshit. with Roc Marciano, a concise four-track release totaling under four minutes, featuring Knxwledge's dusty loops and filtered samples overlaid with Marciano's dense, abstract bars on themes of introspection and street life. Released independently on July 26, 2018, the project exemplified Knxwledge's minimalist approach, earning acclaim for its atmospheric brevity and seamless fusion of producer and rapper visions.[29][30] That same year, Knxwledge produced "Prince Charming" for Action Bronson's album White Bronco, crafting a hazy, soul-infused beat with chopped vocals and subtle percussion that underscored Bronson's vivid, food-infused narratives and energetic flow. The track, released on November 1, 2018, via Empire, marked Knxwledge's growing integration into broader rap circles, with reviewers highlighting its warm, nostalgic vibe as a perfect counterpoint to Bronson's charisma.[31][32] These endeavors reflected Knxwledge's evolution from niche beat tapes to versatile production across rap subgenres, with his lo-fi techniques—marked by grainy textures and innovative flips—garnering praise for elevating diverse artists while preserving an underground ethos; as noted in contemporary reviews, his work during this period solidified his role in shaping modern hip-hop's sonic landscape.[33]Recent developments
Solo and series releases (2020–2022)
In 2020, Knxwledge released his second full-length album, 1988, through Stones Throw Records on March 27. The 22-track project primarily features instrumental hip-hop compositions built around chopped and looped samples from 1980s R&B, soul, and funk records, evoking a sense of retro introspection while incorporating subtle vocal snippets and occasional guest appearances, including from his NxWorries collaborator Anderson .Paak.[34][35][36] Throughout 2021 and 2022, Knxwledge continued his prolific output via Bandcamp with installments in his ongoing EP series, maintaining his signature lo-fi, sample-heavy aesthetic. The Hexual Sealings series advanced with HX.20 on November 5, 2021, followed by HX.21 on March 4, 2022, HX.22 on May 6, 2022, and HX.23 on October 7, 2022; these volumes consist of eight-track beat tapes remixing vocal acapellas over soulful, hazy instrumentals drawn from classic hip-hop and R&B sources.[37][38][39][40] Similarly, the Wrap Taypes series saw WT.19 released on March 4, 2022, and WT.20 on October 7, 2022, each offering eight remixed tracks that layer underground rap vocals atop dusty, tape-warped beats inspired by early 1990s production styles.[41][42] In the Video Game Music series, Knxwledge issued VGM.20 on July 1, 2022, VGM.21 on September 3, 2022, and VGM.22 on November 4, 2022, flipping chiptune and synth elements from classic arcade and console soundtracks into eight-track instrumental loops that blend nostalgia with modern hip-hop rhythms.[43][44][45] Beyond his solo work, Knxwledge contributed production to external projects during this period. He co-produced Quelle Chris's album DEATHFAME, released May 13, 2022, via Mello Music Group, providing beats for several tracks that fuse experimental hip-hop with introspective sampling.[46] Additionally, he handled production on the track "Street Life" featuring MC Eiht for Fatlip and Blu's Live From The End of The World, Vol. 1 Demos, an April 29, 2022, release on GBA Studios that captures West Coast rap's raw energy through gritty, sample-driven backdrops.[47][48] The COVID-19 pandemic, which began coinciding with 1988's release, influenced Knxwledge's workflow by increasing his focus on home-based production and digital releases, aligning with a broader surge in nostalgic music consumption as listeners sought comfort in retro sounds. This period saw his sampling evolve toward more overt 1980s and 1990s influences, evident in the hazy, memory-laden textures of his series EPs, though he maintained a high release frequency through Bandcamp's direct-to-fan model.[2][3]Ongoing projects and NxWorries (2023–present)
In 2023, Knxwledge released 家.V2, a deep house-oriented album that continued his exploration of house music themes following earlier installments in the series.[49] This was followed by 家.V3 in March 2024, featuring eight instrumental tracks that emphasized rhythmic grooves and atmospheric sampling.[50] In May 2025, he issued FGCテーマ.V1, an instrumental project drawing from fighting game community aesthetics with tracks evoking arcade and competitive gaming vibes.[51] Knxwledge expanded his longstanding series during this period, building on formats established earlier in his career. The Hexual Sealings series saw releases of HX.24 in February 2023 and HX.25 in October 2023, each comprising eight soul-infused beat tapes available exclusively via Bandcamp.[52][53] Similarly, the Wrap Taypes series advanced with WT.21 in March 2023 and WT.22 later that year, maintaining the project's focus on looped, sample-heavy instrumentals.[54][55] The Video Game Music series experienced the most prolific growth, with entries from VGM.23 in February 2023 through VGM.40 in September 2025, totaling over a dozen volumes that remixed and reinterpreted classic video game soundtracks into hip-hop beats.[56][6] As part of the duo NxWorries with Anderson .Paak, Knxwledge co-produced and contributed beats to the album Why Lawd?, released in June 2024 via Stones Throw Records.[57] The project featured guest appearances, including Thundercat on the track "KeepHer," and blended soulful R&B with jazzy production elements across 19 songs.[58] NxWorries announced a supporting tour in 2024, with dates extending into 2025 across North America, culminating in a homecoming show in Los Angeles on October 19, 2025.[58] The duo's work on Why Lawd? earned them the Grammy Award for Best Progressive R&B Album (tied with Avery*Sunshine) at the 67th Annual Grammy Awards in February 2025, reaffirming Knxwledge's acclaim in collaborative settings.[59][60] In September 2025, Knxwledge released a remix of the track "KeepHer" (feat. Thundercat) from Why Lawd?.[61] Based in Los Angeles, California, Knxwledge has focused primarily on self-released Bandcamp projects during this time, with limited documented production credits for other artists beyond his NxWorries contributions.[13] This emphasis on independent output highlights his ongoing commitment to prolific, direct-to-fan beat-making.Musical style and influences
Production techniques
Knxwledge's production is characterized by a deliberate embrace of lo-fi aesthetics, incorporating elements such as vinyl crackle, tape hiss, and low-bitrate effects to evoke a sense of nostalgia and imperfection.[3] These textures are achieved through analog-inspired processing, giving his beats a warm, degraded quality that contrasts with polished modern production norms.[2] His sampling techniques center on chopping source material from jazz, soul, old-school hip-hop, and video game soundtracks, often layering fragmented loops to create dense, evolving compositions. Drum patterns draw inspiration from J Dilla's style, featuring rapid-fire sequencing that adds urgency and swing to the rhythms.[3] In series like Video Game Music, he innovates by flipping 8-bit and chiptune elements—such as synth leads from games like Mega Man or Chrono Trigger—into hip-hop frameworks, blending retro pixelated sounds with crisp drums and melodic overlays.[62] Knxwledge's workflow relies heavily on hardware like Akai MPC samplers for hands-on chopping and sequencing, complemented by software for additional layering and effects.[3] He emphasizes brevity, crafting short loops typically under two minutes that are designed for seamless repetition, allowing tracks to function as infinite, meditative cycles. This approach stems from a high-output process where beats are assembled intuitively in 10-15 minutes, prioritizing experimentation over perfection.[2] Such methods are evident in albums like Hud Dreems, where soul and gospel samples form hypnotic foundations.[3]Genre influences
Knxwledge, born Glen Earl Boothe in New Jersey and raised partly in Philadelphia, incorporates East Coast hip-hop traditions into his sound, reflecting the raw energy and storytelling of artists from his formative environments.[63][64] His production draws heavily from old-school hip-hop, particularly the innovative sampling and drum programming of J Dilla and Madlib, whom he cites as key heroes alongside soul records.[15][11] Core influences also encompass 90s R&B for its nostalgic, soulful vibes and jazz elements like soul-jazz samples, which add harmonic depth and fusion textures to his beats.[20][65][10] Modern rap shapes his approach as well, with early inspirations from East Coast acts like Mobb Deep and Nas emphasizing dark loops and lyrical authenticity.[64] These genres manifest distinctly in his projects, such as the funk-soul integration in NxWorries collaborations with Anderson .Paak, blending hip-hop rhythms with R&B and soul grooves at the intersection of those styles.[66] His Video Game Music (VGM) series nods to 90s gaming soundtracks from platforms like SNES and Sega, sampling classics to infuse nostalgic electronic elements.[62] Knxwledge's style has evolved from underground lo-fi hip-hop to Grammy-level production, as seen in his 2025 win for Best Progressive R&B Album with NxWorries' Why Lawd?, merging neo-soul sensibilities with instrumental hip-hop innovation.[67][5]Discography
Studio albums
Knxwledge's studio albums represent key milestones in his evolution as a producer, shifting from lo-fi hip-hop instrumentals to more experimental and genre-blending works, often released through independent labels or self-distributed via Bandcamp.[68][50] His debut, Klouds (2010), marked his entry into the beat scene with raw, sample-heavy tracks that laid the foundation for his signature style of chopped soul and jazz influences. Released on All City Records, the 15-track album features concise vignettes like "Enkounters" and "Bibimbap," emphasizing atmospheric beats over extended compositions, and it received praise for its innovative take on instrumental hip-hop, earning a 3.1/5 average user rating on Rate Your Music for its wonky, experimental edge.[14][69] Hud Dreems (2015), his first full-length on Stones Throw Records, expanded this approach into a 26-track beat tape clocking in at just 36 minutes, blending lo-fi hip-hop with fleeting vocal snippets and hazy production. Tracks such as "aromatic" and "klear dem" showcase his technique of layering obscure samples into dreamlike loops, establishing him as a pivotal figure in the instrumental hip-hop revival. The album garnered positive critical reception, with Pitchfork awarding it a 7.3/10, noting its "short-bursting vignettes" that prioritize mood over individual standouts, though it remains a cult favorite rather than a commercial blockbuster.[68][70] In 2020, 1988 arrived as a nostalgic sophomore effort on Stones Throw, comprising 22 tracks that evoke late-'80s and early-'90s R&B and hip-hop through meticulous sampling, including cuts from artists like Kut Klose on opener "dont be afraid." Running 38 minutes, it refines Knxwledge's lo-fi aesthetic with warmer, more melodic arrangements, earning acclaim for its emotional depth and retro homage. Pitchfork rated it 7.8/10, highlighting its "sensuous, yearning" qualities, while it achieved modest streaming success, amassing over 250,000 listeners on Last.fm.[35][71][72] Knxwledge's later Bandcamp-exclusive releases delve into house and thematic explorations. 家.V2 (2023), a self-released deep house album, features eight tracks like "unlucky" and "krusin" that fuse his beat-making roots with pulsating rhythms and subtle melodic variations, marking a pivot toward electronic dance influences. It holds a 3.4/5 rating on Rate Your Music, appreciated for its conceptual cohesion in the "家" (house) series.[49][73] Similarly, 家.V3 (2024) continues this trajectory with another eight tracks, including "oishii," emphasizing layered percussion and ambient textures for a more introspective house sound, also averaging 3.4/5 on Rate Your Music for its refined production.[50][74] Most recently, FGCテーマ.V1 (2025), released on Bandcamp in May, comprises eight tracks inspired by fighting game culture, such as "EVO" and "3RDSTRIKE," blending chiptune elements with house beats to create high-energy, thematic instrumentals. This conceptual album, with its nod to arcade nostalgia, has been noted for its playful innovation, earning a 2.8/5 on Rate Your Music shortly after release.[51][75]Hexual Sealings series
The Hexual Sealings series, often abbreviated as HX or Hex, represents a cornerstone of Knxwledge's prolific output, consisting of a long-running sequence of instrumental EPs released exclusively via Bandcamp. Initiated in 2011 with the debut Hexual.Sealings.LP (also known as HX.1), the series delivers intimate, lo-fi hip-hop instrumentals characterized by hazy, atmospheric production and a thematic focus on sensuality and emotional connection, with "hexual" evoking a playful, enchanting twist on intimacy. These releases emphasize Knxwledge's signature style of layering chopped samples from soul, R&B, and jazz sources to create dreamy, bedroom-oriented beats that feel personal and exploratory.[76][77] The series gained momentum in the early 2010s with frequent drops, including HX.2 (2011) and subsequent volumes like HX.7.8 (2014), each typically featuring 8–12 tracks of concise, sample-driven compositions. By the late 2010s, installments such as HX.PRT_13.8 (2019) incorporated warped R&B flips, showcasing Knxwledge's experimental approach to remixing obscure vocal snippets and loops into hypnotic grooves. This evolution highlights the project's role as a testing ground for his production techniques, prioritizing mood over structure.[78][79] In the 2020s, the series continued its annual rhythm with key entries like HX.20 (November 2021), an 8-track EP blending soulful samples into tracks such as "Do4luhv" and "Physikal," evoking themes of affection and introspection. This was followed by HX.21 (early 2022), HX.22 (May 2022), and HX.23 (October 2022), each maintaining the 8-track format and delving into experimental sampling with layered, distorted elements—HX.23 notably features cuts like "itstime" and "loveudwn," underscoring romantic motifs through fragmented loops. The 2023 releases, HX.24 (February 2023) and HX.25 (October 2023), further refined this intimacy; HX.24 includes 8 tracks with evocative titles like "intentions_" and "myboo," sampling ethereal R&B to craft tender, hazy soundscapes, while HX.25 mirrors this with pieces such as "giveitome" and "itsabtme," emphasizing emotional vulnerability via intricate sample flips.[80][40][52][53] As of 2025, the Hexual Sealings series encompasses 25 core numbered installments, alongside variants like PRT editions, solidifying its status as Knxwledge's most enduring Bandcamp project and a platform for his boundary-pushing sampling innovations, where he dissects vintage records into surreal, intimate tapestries. These EPs align with his broader discography by prioritizing raw, unpolished experimentation over commercial polish.[81]Wrap Taypes series
The Wrap Taypes series comprises a collection of extended plays (EPs) released exclusively on Bandcamp since the early 2010s, designed to evoke the lo-fi aesthetics of analog cassette tapes through warped, looped samples and bootleg-style remixes that blend hip-hop, soul, and obscure vocal snippets over Knxwledge's signature beats.[82][83] This ongoing project emphasizes raw, immersive production techniques, simulating tape degradation and continuous playback to create a hazy, nostalgic soundscape distinct from Knxwledge's other series.[84] Recent installments from 2020 onward include WT.19 on March 4, 2022, and WT.20 on October 7, 2022, each featuring eight tracks of tightly looped hip-hop souls and instrumental flips.[41][42] For instance, WT.19 includes "silent" and "norap," which layer subtle vocal echoes over distorted drum patterns, while WT.20 highlights tracks like "1luhv" and "spent," showcasing elongated soul samples warped into hypnotic grooves.[41][42] These installments maintain the series' concise format, with runtimes around 20-25 minutes, prioritizing mood and texture over elaborate arrangements.[41][42] The series progressed in 2023 with WT.21, released on March 3, which continues the cassette-inspired ethos through tracks such as "relax" and "home," employing looped R&B-infused samples to foster a sense of intimate, degraded fidelity.[54] By 2024, WT.22 arrived on September 6, expanding on prior entries with examples like "tomodachi!" and "labor," where hip-hop souls are further abstracted via tape-like artifacts and seamless sample splicing.[55] Over time, the Wrap Taypes series has evolved into a reliable platform for Knxwledge's experimental remixing, with each EP refining the warped-loop aesthetic while sharing the Bandcamp ecosystem with his other projects.[13] Up to 2025, these releases have cemented their role as underground staples, appreciated for their unpolished innovation and consistent delivery of lo-fi hip-hop essence that resonates in niche beat communities.[82][85]Video Game Music series
The Video Game Music (VGM) series by Knxwledge consists of extended plays released exclusively on Bandcamp, where he samples 8-bit, 16-bit, and other console-era video game sounds to create lo-fi hip-hop instrumentals and beats.[86][62] The series draws from chiptune aesthetics and game soundtracks, transforming nostalgic elements into layered, drum-heavy tracks that blend retro gaming vibes with modern production techniques.[87] Inception traces back to 2020, with initial entries like VGM's.Prt_1 establishing the format of short, sample-driven EPs that pay homage to classic arcade and console music while avoiding direct remixes in favor of creative flips.[88] The series expanded rapidly, with key releases including VGM.20 through VGM.22 from 2020 to 2022, marking a shift to numbered titles and consistent monthly drops.[43] In 2023, VGM.23 to VGM.30 continued the momentum, featuring denser sampling from diverse game libraries such as Sega and Nintendo titles.[89][90] By 2024, VGM.31 through VGM.37 maintained the prolific pace, often produced live on Twitch streams, while 2025 saw VGM.38 to VGM.40 conclude the documented run to date, totaling over 40 entries and solidifying it as Knxwledge's most voluminous project.[91][6] Standout installments include VGM.30 (2023), praised for its innovative sample manipulations that fuse obscure video game motifs with hazy, atmospheric beats, exemplifying the series' evolution toward more experimental hip-hop structures.[62][90] This body of work reflects Knxwledge's broader nostalgic ties to early gaming culture, influencing his sampling ethos across projects.[92]Extended plays
Knxwledge began releasing extended plays in 2009 through his Bandcamp page, initially as self-released digital downloads that showcased his early experimental beats blending hip-hop, jazz, and lo-fi elements. These early EPs, often limited to 4-8 tracks, served as foundational works in his prolific output, emphasizing looped samples and atmospheric production before his association with larger labels.[12] By 2013, a compilation titled Anthology collected 53 tracks from his 2009-2013 Bandcamp releases, issued as a limited-edition double cassette on Leaving Records, providing a thematic overview of his evolving sound through raw, instrumental vignettes. The release highlighted his growth in sample-based composition, drawing from soul and funk influences, and was later reissued on vinyl in 2015.[17][93] Post-2015, Knxwledge issued fewer standalone EPs outside his series, focusing on concise digital and vinyl formats via Stones Throw Records. These works maintained his signature dusty, nostalgic aesthetic while incorporating more polished arrangements.| Title | Year | Format | Label | Tracks | Notes |
|---|---|---|---|---|---|
| 3P | 2009 | Digital (MP3) | Self-released (Klipmode) | 4 | Early digital EP featuring abstract hip-hop instrumentals like "Velvet Rope."[12] |
| K∆NN∆LOUPE.EP | 2010 | Digital (MP3) | Self-released | 6 | Explores jazzy loops and introspective beats, including "Highland."[94] |
| Mango.EP | 2011 | Digital (MP3) | Love on the Beat | 4 | Jazzy hip-hop tracks with abstract electronic touches.[95] |
| Gwapes.EP | 2011 | Digital (MP3) | Self-released | 8 | Features smooth, sample-heavy productions like "Pho."[96] |
| Komposure.EP | 2011 | Digital (MP3) | Self-released | 7 | Emphasizes tension-building beats, such as "Tension."[97] |
| Flowrs.EP | 2011 | Digital (MP3) | Self-released | 7 | Lo-fi soul-infused tracks including "Kiwi."[98] |
| ShadySide.EP | 2011 | Digital (MP3) | Self-released | 5 | Darker, moody instrumentals like "Kards[YngMry]."[99] |
| Hud.Dreems.EP | 2011 | Digital (MP3) | Self-released | 8 | Dreamy, extended loops evoking urban nights, precursor to later full-length expansions.[100] |
| Anthology | 2013 | Double Cassette (Limited Edition) | Leaving Records | 53 | Compilation of early Bandcamp material, thematic survey of 2009-2013 works.[17] |
| Gladwemet | 2018 | 7" Vinyl / Digital | Stones Throw Records | 6 | Adult Swim Singles release with warm, collaborative-feeling beats like "summrain[rton]."[101][102] |
| Koko | 2020 | Digital (MP3) / 7" Vinyl | Stones Throw Records | 5 | Part of the "Knx Box" series, featuring tender, nostalgic tracks such as "lateonyarent."[103][104] |