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Lizzy McAlpine

Elizabeth Catherine McAlpine, known professionally as Lizzy McAlpine (born September 21, 1999), is an American , , and actress from the suburbs. Raised in , McAlpine began writing songs on at age 12 and later learned guitar, initially gaining recognition by sharing original music and covers on platforms like and during her studies at , from which she dropped out after two years to pursue her career full-time. Her breakthrough came with the 2022 album , which featured the viral hit "Ceilings" that amassed over 235 million views and propelled her to wider acclaim, earning her a Grammy nomination for Best Arrangement, Instruments and Vocals for her collaboration "" with and that same year. McAlpine's discography includes her debut album Give Me a Minute (2020), the introspective Five Seconds Flat (2022), and her third studio album Older (2024), which explores themes of mortality and personal growth with a stripped-back folk sound; she has also ventured into filmmaking, writing and starring in the short film Five Seconds Flat, the Film (2022), and made her Broadway debut as Nellie Collins in the 2025 revival of Floyd Collins. By 2025, McAlpine has headlined sold-out tours across the U.S. and internationally, solidifying her status as a rising figure in and with empathetic, narrative-driven songwriting.

Early life and education

Upbringing and family

Elizabeth Catherine McAlpine was born on September 21, 1999, in . She grew up in the nearby suburbs of Wynnewood, Narberth, and Merion Station in Lower Merion Township. McAlpine is the daughter of Mark McAlpine and Robin Lacey. She has a , Emory. Raised in a nurturing environment outside , McAlpine benefited from a that fostered her artistic inclinations early on. Her mother and grandmother, avid fans of , exposed her and Emory to productions like and beginning at age eight. This encouragement aligned with a household where creative expression was valued, even as music was initially more of a familial than a professional pursuit. McAlpine's passion for music emerged in childhood; she began lessons in the and started songwriting in the sixth grade at around age 12. From onward, she delighted in and would perform learned songs for her parents, sharing her budding talents at home.

Schooling and musical beginnings

McAlpine attended in , where she graduated in 2018. During her time there, she actively participated in the school's musical community, singing in the general and chamber choirs, joining a co-ed group, and performing in theater productions such as Noises Off and Arcadia. These early experiences allowed her to hone her vocal and performance skills in a supportive school environment. Following high school, McAlpine enrolled at in in 2018 to study songwriting. She completed two years of the program before leaving during her junior year in 2020 to focus on her music career independently. Amid the , she launched the #BerkleeAtHome Instagram Live concert series in April 2020, which featured virtual performances by Berklee students and artists, starting with her own set to provide a creative outlet during lockdowns. McAlpine's initial musical experiments began in her youth, supported by her family's encouragement to explore creativity. She developed her skills on guitar and through self-directed practice, often using online tabs for guitar and improvising on the piano available at home until she could play proficiently. These foundational efforts laid the groundwork for her songwriting approach, emphasizing personal expression over formal training beyond her Berklee studies.

Personal life

Family influences and loss

Lizzy McAlpine's father, Mark McAlpine, a mechanical engineer and former deputy state game warden, died suddenly on March 13, 2020, at the age of 57, while his daughter was a sophomore at . The loss occurred amid the early stages of the , just as McAlpine was developing her debut album, creating an overwhelming juxtaposition of personal and emerging professional success. She has described the timing as "kind of crazy," noting how it forced her to confront profound emotional turmoil during a period of isolation and transition. This event deeply shaped her sense of identity, fostering resilience through the healing process of , which she has characterized as an ever-present force in her life over the subsequent years. In response to her father's passing on the 13th of , McAlpine established a poignant tradition of dedicating the 13th track on each of her albums to him, beginning with "Headstones and Land Mines" on her 2020 debut Give Me a Minute. This practice continued with "" on her 2022 breakthrough and "" on her 2024 release , where the song—positioned as the 10th track on the standard edition but dedicated in keeping with the tradition—reflects on the ongoing ache of absence through imagery tied to family memories; in the October 2024 deluxe edition Older (and Wiser), "" was repositioned as the 13th track. She has vowed to maintain this ritual in future projects, viewing it as a way to honor his memory and process the unplanned of the date. McAlpine's mother, Robin Lacey, and her , Emory, have remained vital sources of familial support throughout her personal development. Lacey, who introduced McAlpine to musical theater by playing soundtracks like in the car and facilitating early outings, provided a nurturing environment that encouraged her creative interests from childhood. Following her father's death, McAlpine returned home to , where the family home became a space for reflection and songwriting, underscoring their role in her emotional recovery. Emory, with whom McAlpine shared formative experiences such as attending shows like and starting at age eight, continues to represent a close that bolsters her amid life's challenges.

Mental health and privacy

In 2023, Lizzy McAlpine canceled the and leg of her "The End of the Movie" tour due to and deteriorating mental and physical health, a decision she described as necessary after experiencing exhaustion from constant travel, inadequate sleep, and illness during performances. She has since shared that earlier tours felt inauthentic and overwhelming, leading her to rethink her approach to live shows by incorporating rest days, hotel stays between dates, and eliminating opening acts to reduce pressure and preserve her energy. McAlpine has emphasized prioritizing well-being over rigid touring schedules, stating that without such adjustments, she risks hating the process entirely, and she credits with helping her manage her sensitivity to public feedback. Through public interviews, McAlpine advocates for awareness in the music industry, openly discussing how and performance demands exacerbate anxiety and overstimulation, while encouraging others to set boundaries for . She has highlighted music as a vital outlet for processing these struggles, noting that songwriting prevents deeper , but insists on protecting her mental space by avoiding exploitative promotional tactics like viral challenges. There have been no major controversies surrounding her disclosures, which focus instead on fostering for artists facing similar pressures. As her fame grew, McAlpine adopted a more guarded stance on , limiting revelations about her relationships and daily life to establish firm boundaries against public intrusion. She has scaled back activity significantly, explaining that excessive sharing previously invited unwanted opinions that harmed her well-being, and now prefers a "life of slowness, , quiet" over constant online exposure. McAlpine has stated explicitly that she does not want audiences to know "my every move and every thought," using her platform selectively to maintain personal autonomy amid rising scrutiny.

Professional career

Early music releases

McAlpine began her recording career with the self-released debut EP Nice!, which she issued on August 31, 2016, via Bandcamp. The six-track project featured original songs like "bite" and "waiting," alongside a cover of Joy Williams' "sweet love of mine," showcasing her early acoustic folk influences during her high school years. She followed this with her second EP, , released independently on February 9, 2018. The stripped-back collection, available initially on streaming platforms, included tracks such as "I know a boy" and "Honeydew," emphasizing intimate, lo-fi production. McAlpine later removed from major streaming services, limiting its availability to and due to her evolving artistic direction. McAlpine's debut studio album, Give Me a Minute, arrived on August 13, 2020, as a self-released effort through her own channels. The 13-track record blended introspective elements, exploring themes of , loss, and vulnerability in a cottagecore-inspired style, with standout songs like "Pancakes for Dinner" and "Anxiety." Critics praised its heartfelt lyricism and emotional depth, noting its ability to convey heartache through wistful harmonies and relatable storytelling. Around this time, McAlpine gained initial online traction through , where her covers and snippets from Give Me a Minute contributed to early buzz as a rising during the platform's growing music discovery role in 2020. Following the album's release, she signed with the independent label Harbour Artists & Music in partnership with , providing support for her subsequent projects while maintaining creative control.

Breakthrough albums and collaborations

McAlpine achieved her commercial breakthrough with her second studio album, , released on April 8, 2022. The album marked her first entry on the , debuting at No. 160 in March 2023, driven by the momentum of its "ceilings." That track, which explores the lingering pain of a breakup, gained massive traction on through sped-up versions and emotional lip-sync videos, propelling it to a peak of No. 54 on the Billboard Hot 100. The success of led to McAlpine signing with in 2023, transitioning her from independent releases to major-label support. This period also saw her expand through notable collaborations, including a feature on Finneas' track "hate to be lame" from the album, which blended introspection with polished production. She joined and on "" in 2022, contributing harmonies to the song's layered, jazz-infused arrangement, and later appeared on Niall Horan's Spotify Singles session with a of his track "A Little Bit of Everything." In 2023, McAlpine duetted with on "Call Your Mom," a poignant addressing struggles, which resonated widely as part of Kahan's Stick Season deluxe edition. Building on this momentum, McAlpine released her third studio album, , on April 5, 2024, via . The project delves into mature themes of aging, regret, self-discovery, and the passage of time, reflecting her personal growth amid fame's pressures. The , "Older," released in February 2024, sets a contemplative tone with its piano-driven melody and lyrics contemplating mortality and emotional evolution.

Acting ventures

McAlpine first ventured into acting with the short film Five Seconds Flat, the Film (2022), which she wrote and starred in, accompanying her album of the same name and exploring its narrative themes through visual storytelling. McAlpine transitioned into acting as a creative extension of her musical endeavors, marking a return to her early theater interests. Following the momentum from her 2023 RCA Records signing and album releases, she pursued stage work to explore narrative storytelling beyond songwriting. Her formal vocal training at Berklee College of Music, where she studied songwriting from 2018 to 2020, provided a foundation that bridged her music and acting pursuits, emphasizing emotional delivery in performance. McAlpine made her Broadway debut as Nellie Collins, the sister of the titular character, in the Lincoln Center Theater revival of Adam Guettel's Floyd Collins, directed by Tina Landau. The production began previews on March 27, 2025, at the Vivian Beaumont Theater, with its official opening on April 21, and ran through June 29, 2025. In the role, she portrayed a devoted sibling grappling with family tragedy, delivering folk-infused numbers like "Through the Mountain" that highlighted her vocal range and yodeling skills honed through years of indie-folk music. Critics praised her singing as a standout, with The New York Times noting the production's "glorious-sounding" ensemble, including McAlpine's contributions to the score's emotional depth, while her Berklee background was credited for the seamless integration of musical theater elements. Some reviews, such as those in Vogue and Rolling Stone, commended her authentic stage presence as a self-proclaimed "theater kid," though outlets like BroadwayWorld forums observed that her acting, while earnest, showed room for refinement in dramatic nuance during her debut run. McAlpine's next acting engagement is the role of Susan Hunsecker in a concert production of , with music by , lyrics by Craig Carnelia, and book by . Produced by MasterVoices and starring opposite as J.J. Hunsecker, the performances are scheduled for November 21 and 22, 2025, at Jazz at Lincoln Center's Frederick P. Rose Hall. This limited run continues her exploration of character-driven musical theater, building on the vocal and interpretive skills from her experience.

Musical style and artistry

Genres and evolution

Lizzy McAlpine's music is primarily rooted in and , often characterized as bedroom pop with intimate, emotive arrangements that incorporate blends of , R&B, and elements. Her style emphasizes vulnerability and storytelling, drawing listeners into personal narratives through , , and subtle instrumentation that evokes a sense of closeness and introspection. McAlpine's sound evolved notably from the folk-pop introspection of her debut album Give Me a Minute (2020), which relied on minimalistic production to highlight raw emotional delivery and themes of personal , to the more expansive, cinematic textures in Five Seconds Flat (2022). In the latter, she incorporated layered arrangements featuring elements, strings, horns, and fuller , shifting toward a pop-rock rebellion while maintaining confessional lyrics that explored uncertainty and discovery. This progression marked a departure from sparse, guitar-driven simplicity to a more dynamic and produced aesthetic, reflecting her growing artistic confidence. By her third album, (2024), McAlpine refined her approach into a stripped-down indie-folk sound, emphasizing mellow piano-based compositions and raw, less polished elements inspired by aesthetics. Thematically, her work advanced from the grief-centered introspection of earlier releases to broader explorations of emotional maturity, including self-doubt, accountability, regret, and the complexities of love and fame. A deluxe edition, Older (and Wiser), released on October 4, 2024, continued this style with five additional tracks featuring similar poignant lyricism and stripped-down production focused on heartbreak and growth.) This evolution underscores a maturation in both sonic depth and lyrical scope, prioritizing authenticity over elaborate production.

Influences and production

McAlpine's musical influences draw heavily from and traditions, with artists like and shaping her emotive, introspective style. She has cited Bridgers' raw vulnerability and narrative depth as a key inspiration, particularly in crafting personal lyrics that explore emotional turmoil. Similarly, Bon Iver's atmospheric folk elements, including layered vocals and organic instrumentation, have informed her approach to blending minimalism with subtle orchestration. Other influences include , whose acoustic resonates in McAlpine's early work, and , whose intricate songwriting and guitar techniques contribute to her focus on storytelling through melody. Her training in songwriting introduced elements, such as complex harmonies and improvisational phrasing, which she absorbed from her circle of jazz musician friends and later collaborators. This foundation is evident in her use of unconventional chord progressions and vocal arrangements that add depth to her folk base. McAlpine's production evolved from hands-on involvement in her early releases to collaborative efforts that enhance her sound's intimacy. For her 2020 debut album Give Me a Minute, she co-produced tracks alongside Philip Etherington, Dillan Witherow, and Ehren Ebbage, emphasizing a DIY aesthetic with simple recordings captured in home settings. By her 2022 album , production became more polished through partnerships with Ebbage and guest producers like Finneas on "hate to be lame," incorporating electronic textures and dynamic builds while retaining her core acoustic feel. Her 2024 release further refined this, co-produced with Mason Stoops and contributions from Ryan Lerman, Jeremy Most, and , prioritizing live instrumentation for a warmer, piano-driven intimacy. Jacob Collier's involvement on "erase me" from brought -infused vocal layering, highlighting McAlpine's growing affinity for genre-blending production techniques. Central to McAlpine's artistry are her primary instruments—guitar and —paired with expressive vocals that prioritize lyrical over elaborate arrangements. She often begins compositions on , using fingerpicking patterns inspired by roots to underpin confessional about love, loss, and growth, as seen in her emphasis on vulnerability in tracks across albums. serves as a secondary anchor, providing emotional swells in ballads and underscoring introspective moments, while her vocals, delivered with a breathy, , convey subtle shifts in mood to draw listeners into personal anecdotes. This instrumental restraint amplifies her focus on narrative clarity, allowing stories to unfold like intimate conversations. TikTok has significantly influenced the dissemination of McAlpine's , accelerating her rise through and reshaping her creative process. The "ceilings" exploded on the via , amassing millions of views and propelling the to chart success, which introduced her work to a broader beyond traditional circles. This -driven phenomenon not only boosted streams but also encouraged McAlpine to evolve her output, incorporating more accessible, emotionally resonant elements while navigating the pressures of to maintain artistic .

Discography

Studio albums

Lizzy McAlpine's debut studio album, Give Me a Minute, was independently released on August 13, 2020, and features 13 tracks that delve into themes of young love, heartbreak, and personal introspection through a lens. The record, characterized by its raw authenticity and cottagecore-inspired intimacy, garnered critical acclaim for capturing the emotional nuances of early adulthood relationships and loss. Her sophomore effort, , arrived on April 8, 2022, via , comprising 14 tracks that blend with pop elements and center on the cyclical nature of toxic relationships and emotional turmoil. Featuring the viral single "ceilings," the album marked McAlpine's commercial breakthrough, earning widespread praise for its confessional storytelling and dynamic production, including collaborations with artists like . It achieved her first entry on the chart following the single's TikTok-fueled success. McAlpine's third studio album, , released on April 5, 2024, through , consists of 14 tracks reflecting on maturity, the passage of time, and evolving romantic dynamics amid personal growth and fame's pressures. Produced with a and sensibility, it received positive reception for its vulnerable lyricism and sonic evolution, debuting at number 93 on the Billboard 200. A deluxe edition, Older (and Wiser), followed on October 4, 2024, expanding the album to 19 tracks with five new additions: "Method Acting (Demo)", "Pushing It Down and Praying", "Soccer Practice", , and "Spring Into Summer".

Extended plays

Lizzy McAlpine's extended plays represent her initial forays into self-released music, characterized by experimental songwriting and a focus on personal introspection rather than commercial promotion. These early projects, distributed primarily through platforms like and , allowed her to hone her craft as a teenager without the pressures of major label expectations. Her debut EP, Nice!, was released on August 31, 2016, when McAlpine was 16 years old. Self-produced and featuring six tracks including originals like "bite" and "her" alongside a cover of Joy Williams' "sweet love of mine," the EP showcases raw influences with minimalistic arrangements that highlight her emerging vocal style and lyrical vulnerability. This non-commercial release served as an exploratory outlet, establishing her voice through intimate, unpolished demos that reflected her early songwriting experiments. Following in 2018, marked a step toward more structured compositions, released on February 9 via and later Bandcamp. Comprising eight songs such as the title track "," "I Know a ," and "," the EP adopts a stripped-back acoustic sound with elements, delving into themes of young love and self-doubt. McAlpine later removed from most streaming platforms, citing dissatisfaction with its quality, though it remains available on as a testament to her evolving artistry. This follow-up demonstrated refined songwriting while retaining the experimental, DIY ethos of her beginnings. In 2021, amid the , McAlpine issued When the World Stopped Moving: The Live EP on April 21, capturing eight acoustic performances of tracks like "In Agreement" and "Let Light Be Light." Recorded in , the EP emphasizes raw emotion and delicate vocals, reflecting on , loss, and the standstill of global events through unadorned arrangements. As a bridge between her early work and fuller studio productions, it underscored her adaptability and deepened her focus on lyrical intimacy during a period of personal and creative constraint. These EPs collectively paved the way for her transition to more expansive studio albums, building a foundation of authentic, unfiltered expression.

Singles and appearances

Lizzy McAlpine's singles have played a pivotal role in her rise to prominence, blending introspective lyrics with sensibilities and often achieving viral success through platforms like . Her breakthrough came with tracks from her 2022 album , but subsequent releases have further solidified her chart presence and collaborative appeal. Key lead singles include "Ceilings," which marked her first entry on the , peaking at No. 54 in 2023 after debuting at No. 75, driven by its emotional resonance and virality. In 2024, McAlpine released "Older" as the lead single and title track for her third studio album, exploring themes of mortality and personal growth; it peaked at No. 33 on the Billboard Hot Rock & Alternative Songs chart. Singles from the deluxe edition Older (and Wiser) included "Pushing It Down and Praying," released on September 20, 2024, addressing themes of vulnerability in relationships, and "Spring Into Summer," which reflects on recurring romantic cycles. A live version of "Spring Into Summer (Live from MGM Music Hall, Boston)" was issued as a single in 2025. Additionally, McAlpine released a cover of "Celebrate Me Home" as a holiday single on October 31, 2024. Another notable collaboration single, "Call Your Mom" with Noah Kahan, was issued in September 2023 as part of the expanded edition of his album Stick Season (We'll All Be Here Forever), offering a poignant duet on mental health support that resonated widely with fans. McAlpine has also made significant featured appearances, showcasing her versatility across genres. On her 2022 track "hate to be lame" from Five Seconds Flat, she collaborated with producer Finneas, whose distinctive production elevated the song's confessional tone about relational indecision. Earlier, in 2021, featured on "erase me" from the same album, adding harmonic complexity to its raw exploration of self-erasure in love. Their partnership continued in 2022 with "Never Gonna Be Alone," a single from Collier's project featuring McAlpine and , emphasizing themes of enduring connection through layered vocals and instrumentation. In 2023, McAlpine guested on Niall Horan's "You Could Start a Cult (Encore Version)," the lead single from the expanded The Show: The Encore, where her verse infused the romantic devotion narrative with intimate vulnerability. Additionally, her 2023 contribution "Hold On," the theme for the Apple TV+ series Dear Edward co-written with Pasek & Paul, earned a nomination for Best Main Title Theme Music - TV Show/Limited Series at the 2023 Hollywood Music in Media Awards, highlighting her expanding footprint in television soundtracks. These appearances underscore McAlpine's ability to enhance collaborative projects while maintaining her signature emotional depth.

Live performances

Headlining tours

McAlpine launched her first headlining tour, known as the , in 2022 to promote her sophomore album five seconds flat. The tour primarily focused on , featuring sold-out shows across various venues and reflecting her rising popularity following the album's release. It included upgraded dates in cities such as , , and due to high demand, marking a significant step in her live performance career. In 2023, McAlpine's subsequent headlining outing, the End of the Movie Tour, faced disruptions when she cancelled the European and leg citing mental and physical health concerns, including . This decision impacted her touring momentum but allowed her to prioritize recovery, influencing the structure of future tours to better accommodate her well-being. McAlpine returned to headlining in 2024 with The Older Tour, supporting her third album Older, which ran from April 21 in , , to October 31 in Dublin, Ireland. Spanning , , and select dates, it featured over 30 shows at major venues including in , the Greek Theatre in , and in , establishing it as her most extensive and ambitious production to date. The tour's staging replicated the cabin-like recording studio where Older was created, emphasizing intimate, thematic elements tied to the album's themes of growth and reflection, while setlists evolved to highlight new material alongside select earlier tracks.

Notable concerts and festivals

In April 2020, amid the onset of the , McAlpine served as the inaugural performer in Berklee College of Music's #BerkleeAtHome series, delivering intimate live streams from her home that showcased her early songwriting and garnered initial attention for her style. The series, hosted on Live by the Berklee Institute, featured McAlpine performing tracks like "Give Me a Minute" in stripped-down arrangements, providing a platform for emerging artists during lockdowns. McAlpine has made several high-profile supporting appearances, including opening for on the Build a Problem Tour in 2022, where she performed sets of her debut album material to enthusiastic crowds at venues like the Union Event Center in . In 2022, she supported at in , marking a significant milestone in her rising profile with a performance before tens of thousands. She later joined onstage at the Greek Theatre in on August 11, 2023, for a collaborative rendition of their duet "Call Your Mom," surprising fans with her harmonies during his Stick Season Tour. Similarly, in July 2024, McAlpine appeared as a special guest for at The Forum in , performing their collaboration "You Could Start a Cult" live during his The Show: Live on Tour. At festivals, McAlpine debuted at on August 1, 2024, in Chicago's Grant Park, where she played a set including "ceilings" and premiered the unreleased track "spring into summer" to a large audience. She returned to major festivals in 2025, joining at (ACL) Festival on October 10 for a surprise duet of "Sally, When the Wine Runs Out" during Weekend 2, blending their sounds in . For special one-off events, McAlpine hosted an album release for on April 8, 2022, at the Masonic Lodge at in , performing the full tracklist in an intimate cemetery setting that emphasized the album's emotional themes. She also delivered a memorable NPR Tiny Desk on November 8, 2022, with backing vocals from the band Tiny Habits, featuring reimagined versions of songs like "" and "ceilings" that highlighted her .

Awards and nominations

Music accolades

McAlpine received a Grammy Award nomination in 2023 for Best Arrangement, Instrumental or A Cappella for her collaboration "Never Gonna Be Alone" with Jacob Collier and John Mayer. McAlpine received her first major music industry nomination at the 2023 Hollywood Music in Media Awards (HMMA) for co-writing the main title theme "Hold On" for the Apple TV+ series Dear Edward, in the Best Main Title Theme - TV Show/Limited Series category. The song, composed with Benj Pasek and Justin Paul, highlighted her emerging role in television scoring alongside her singer-songwriter career. In 2025, McAlpine earned a at the Music Awards for her featured appearance on Tiny Habits' "For Sale Sign," recognized in the Song of the Year (1 million+ streams) category. This accolade underscored her collaborative impact within the , though she has yet to secure a win in major ceremonies as of November 2025.

Theater recognition

McAlpine's Broadway debut as Nellie Collins in the 2025 revival of at Theater's garnered critical acclaim for her vocal delivery, particularly her ability to convey emotional fragility through the folk-inflected score. Reviewers praised her full-bodied singing and the suitability of her intimate, indie-folk style to the role of Floyd's psychologically troubled sister, marking a seamless transition from her music career to musical theater. The production earned six Tony Award nominations, including Best Revival of a Musical and acting nods for co-stars Jeremy Jordan and , underscoring the show's impact though McAlpine did not receive a personal nomination. She was, however, nominated for the Outer Critics Circle Award for Outstanding Lead Performer in a Musical, recognizing her contributions to the ensemble. In the broader theater community, McAlpine's work has been noted for demonstrating her vocal versatility, drawing on her background to infuse roles with raw authenticity and emotional nuance. Her lead role opposite in the November 2025 concert production of with Master Voices showcased this range in a jazz-inflected score. Given the early stage of her acting career, McAlpine's theater recognitions to date are primarily in the form of critical praise and select nominations, with potential for expanded accolades as she takes on more stage roles.

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