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Looper

''Look up looper in , the free dictionary.'' Looper may refer to:

Biology

Looper Caterpillars

Looper caterpillars are the larval stage of moths belonging primarily to the families Geometridae and , characterized by their smooth, hairless bodies and reduced s that enable a distinctive looping mode of locomotion. In Geometridae, commonly known as geometrid loopers or inchworms, larvae possess only two pairs of abdominal s, while in , referred to as false loopers, they have three to four pairs. This proleg reduction distinguishes them from most other caterpillars, which typically have five pairs. The locomotion of looper caterpillars involves anchoring the front thoracic legs to the , elevating the posterior end to form a loop-shaped arch, and then extending the anterior body forward using the abdominal prolegs before repeating the process. This results in a rhythmic, undulating motion that gives the appearance of measuring distances, from which the name "inchworm" derives for geometrid species. In false loopers from , the motion is semi-looping due to the additional prolegs, which provide more stability but still produce a similar wobbly . Classificationally, true loopers encompass the diverse Geometridae family, with approximately 24,000 species worldwide distributed across nine subfamilies, while false loopers are a subset of the , one of the largest families with over 11,000 species. The reduced prolegs represent an evolutionary adaptation that enhances , as the elongated, twig-like body form allows larvae to blend with branches and foliage, thereby evading predators. For instance, the (Trichoplusia ni), a false looper, exemplifies this in . These caterpillars inhabit temperate and tropical regions globally, excluding , and are commonly found on foliage in forests, scrublands, urban areas, and agricultural fields. As primarily herbivorous feeders, they consume leaves of woody and herbaceous , often acting as polyphagous pests that defoliate crops and influence plant succession during population outbreaks.

Notable Species

The (Trichoplusia ni), a member of the family, is a prominent example of a looper whose larvae exhibit the characteristic looping gait due to vestigial prolegs on abdominal segments three and four. Adults have a of 33–38 mm and are highly dispersive, capable of flights up to 200 km. Larvae are green with white lateral stripes, reaching 3–4 cm in length, and undergo complete metamorphosis with life stages including eggs, larvae, pupae, and adults; development takes 18–25 days at temperatures between 21–32°C, allowing for 5–7 generations per year in warmer regions like . This species is a major polyphagous pest, primarily targeting cruciferous crops such as , , and , as well as tomatoes, , and , causing significant defoliation that justifies control when larval densities exceed 0.3 per plant. Native to the , it has spread to and , overwintering in southern U.S. states and reinvading northern areas annually without . The soybean looper (Chrysodeixis includens), another noctuid species, shares the looping locomotion of its larvae, which possess only two pairs of abdominal prolegs and taper toward the head, forming a hump during movement. Adults are tawny-black to gray moths with a distinctive silver "figure eight" mark on the forewings. The , from to , spans 27–30 days under optimal conditions, with four generations possible in southern U.S. states; larval development accelerates at 27°C, and peaks at 27 eggs per day around 29°C. As a polyphagous , it severely impacts soybeans by feeding on undersides, creating window-pane and lace-like damage, with each larva consuming up to 114 cm² of foliage—97% during later instars—leading to yield losses during reproductive stages (R3 to R6). It also affects and other crops like and tomatoes, though transgenic provides effective control. Unlike the noctuids, the winter moth (Operophtera brumata) belongs to the Geometridae family and represents a geometrid looper, with larvae that are pale green inchworms featuring two pairs of prolegs and faint white stripes. Adult males are tan to brown with a wingspan up to 30 mm and fringed forewings, while females are grayish-black and nearly wingless, relying on pheromones to attract mates. The life cycle involves eggs overwintering under bark (150–350 per female), hatching in mid-March to mid-May; larvae feed for about six weeks on expanding buds and foliage before dropping to the soil on silk threads for pupation in mid-May, with adults emerging from late November to early January. Introduced to in the 1930s via , it has become invasive in the northeastern U.S. and , spreading at rates of 7–8 km per year and causing widespread defoliation of trees, particularly oaks, maples, and fruit trees like apples, which can lead to reduced radial growth, tattered leaves, and occasional tree mortality. Economically, these species pose significant challenges, with the developing resistance to various insecticides, varying by location and complicating chemical controls. Biological controls, such as the bacterium (Bt), are widely recommended for the , targeting early-instar larvae effectively at rates of 1–2 lb/acre while preserving natural enemies and being suitable for organic production; resistance to Bt is sporadic, often in settings. Bt products like Condor WP have a pre-harvest interval of zero days and are applied with spreader-stickers for better adhesion. For the soybean looper, integrated management including Bt crops mitigates impacts, while control often involves targeted parasitoids to curb its invasive spread.

People

Surname Origin

The surname Looper originates from , where it literally translates to "runner" and functioned as an occupational name for a messenger or an individual who made excursions into wooded areas. In the Dutch colonial context of (present-day ), the related term Boschlooper specifically denoted traders who dashed through forests to exchange goods with Native American communities. This reflects broader occupational naming practices prevalent in the , where surnames often derived from professions involving mobility or trade. The name first emerged in the , with historical concentrations in areas like . It spread to the through waves of immigration spanning the 17th to 19th centuries, evolving into an established family name in Anglo-North America. Early American records highlight its presence in the 1840 U.S. Census, which documented nine Looper households in —comprising roughly 30% of all recorded Looper families nationwide at the time. As of 2014, Looper is most prevalent in the United States, borne by over 4,900 individuals and accounting for the bulk of the surname's global incidence of approximately 5,247 bearers. It maintains densities in and Anglo-North , alongside a modest continued presence in the with about 164 individuals. Common variations include the Americanized Loper and the Loeper, both sharing occupational connotations related to running or woodland activities. While some interpretations propose loose connections to English topographic terms like "" (referring to a river bend), the primary etymology remains rooted in occupational usage, with no linguistic ties to the biological "looper" denoting certain caterpillars.

Notable Individuals

Braden Looper (born October 28, 1974) is an American former pitcher who played from 1998 to 2009, primarily as a reliever before transitioning to a starting role later in his career. Drafted third overall by the St. Louis Cardinals in 1996 out of , he debuted with the Cardinals in 1998 and later played for the Florida Marlins (2000–2003), (2004–2005), Cardinals again (2006–2008), and Milwaukee Brewers (2009). Over his 12-season career, Looper appeared in 670 games, compiling a 72–65 record with a 4.05 ERA, 669 strikeouts, and 103 saves in 1,126.2 innings pitched. He achieved notable success in postseason play, contributing to championships with the Marlins in 2003 and the Cardinals in 2006, where he recorded a save in the clinching Game 5 against the Detroit Tigers. After retiring, Looper transitioned to a career as a sports agent with Hendricks Sports. Aaron Looper (born September 7, 1976), a cousin of , is a former who briefly reached the majors with the Seattle Mariners in 2003. Selected in the 30th round of the 1997 MLB Draft by the Mariners out of community college, he pitched in six relief appearances that season, allowing seven hits and one over seven innings with a 5.14 and six strikeouts. Although he spent several years in the Mariners' farm system and later scouted for the Cardinals organization, Aaron did not sustain a major league career. The Looper cousins shared a family connection to professional baseball through their relative Benny Looper (died 2021), a former MLB executive and Aaron's father, highlighting a multi-generational involvement in the sport despite their differing levels of success. Byron Looper (1966–2013) was an American politician and property assessor who became infamous for murdering State Senator on October 7, 1998, to eliminate competition in a state senate election. Convicted in 2000, he was sentenced to life without parole and served time until his death in prison. Looper, who legally changed his middle name to "Low Tax" for his campaign, won the election posthumously for Burks but was later expelled from the senate. Among historical figures, Joseph Looper (c. 1745–1830) stands out as an early American settler of possible descent, born in , and later relocating to the Pendleton District of , where he farmed and raised a family. Limited records indicate he married Sarah Pharis around 1765 and died around 1830, buried in Looper Cemetery in , representing one of the earliest documented bearers of the surname in colonial America. While other individuals with the surname Looper have appeared in various fields, including politics and crime, notability is shared among figures and historical settlers.

Arts and Entertainment

Film

Looper is a 2012 American action thriller written and directed by . The film stars as a young assassin, as his older counterpart, and as a farm owner entangled in their conflict. Released on September 28, 2012, by , it was produced on a $30 million budget and grossed $176 million worldwide, with $66 million from and $110 million internationally. The plot is set in 2044, where time travel exists but is illegal except for use by organized crime in 2074 to dispose of bodies by sending targets back 30 years to be executed by contract killers known as "loopers." The protagonist, Joe, is a looper who receives silver-bound targets for payment, but loopers' contracts end when they must "close their loop" by killing their future selves, sent back hooded and bound in gold. When Joe's future self arrives and escapes during the execution, young Joe faces pursuit by his employers while old Joe races to eliminate the source of his regrets—a telekinetic crime lord called the Rainmaker—to alter the future. At its core, Looper delves into time travel paradoxes, the illusion of , and the perpetuation of across generations, exemplified by the loopers' of self-destruction as a for inescapable personal and societal cycles. Old Joe's quest highlights how attempts to rewrite through only reinforce destructive patterns, while young Joe's evolving relationships underscore choices that can break such loops. Production spanned Louisiana—primarily New Orleans and surrounding areas doubling as a dystopian Kansas City—and , , for scenes depicting a futuristic . To align Gordon-Levitt's appearance with a younger , the film employed subtle around the nose, lips, and brow, supplemented by digital enhancements for seamless integration. Looper garnered critical acclaim, achieving a 93% approval rating on from 274 reviews, praising its intelligent script and direction; it received 47 award nominations across various bodies, including for Best at the .

Music

Looper is a Scottish and music group formed in 1998 by , the co-founder and former bassist of Belle & Sebastian. The band, which also includes David's wife Karn David as a key collaborator, blends minimalist pop with quirky samples, spoken-word elements, and narrative-driven lyrics that often tell whimsical stories. Their sound draws from influences while experimenting with lo-fi production and unconventional song structures, earning acclaim for its warm, creative approach to storytelling through music. The group's debut album, Up a Tree, released in 1999, introduced their signature style with tracks like "Clap Your Hands" that mix playful narratives with beats. Follow-up releases such as The Geometrid (2000) and The Snare (2002) expanded on this foundation, incorporating more diverse samples and guest contributions while maintaining a focus on introspective, character-based tales. Looper remained active through the with a series of EPs, and after a period of relative quiet, they resumed releasing material in the , including the These Things (2015) and A Luminous Place (2023), reflecting sporadic reunions and ongoing evolution. In addition to the band, "Looper" serves as the title of an instrumental guitar track by American virtuoso , featured on his 2018 album What Happens Next. The song showcases looping guitar riffs that explore innovative techniques, pushing boundaries on the instrument amid funky rhythms and melodic interplay. This recording is part of an album collaboration with Glenn Hughes, formerly of , and drummer of , adding a robust rock foundation to Satriani's signature style.

Video Games

LOOPERS is a 2021 Japanese visual novel developed by Key under Visual Arts, written by Ryukishi07 with illustrations by Kei Mochizuki. The game centers on high school student Tyler and his friends, who become trapped in a time loop reliving August 1st during summer vacation while participating in geohunting, a GPS-based treasure hunt activity. Forming a group called the Loopers, the characters navigate emotional challenges involving friendship, love, regret, and the consequences of repeated choices as they seek to break the cycle. Released initially for PlayStation 4 on May 28, 2021, in Japan, it later ported to Nintendo Switch on June 2, 2022, and PC via Steam on June 26, 2023, with English localization. As a kinetic novel—a linear without player choices—LOOPERS emphasizes narrative-driven gameplay focused on reading and experiencing the unfolding story, clocking in at 4-6 hours for a single playthrough. The time manipulation mechanic manifests through the plot's repetitive structure, allowing characters to retain memories across s to alter events and uncover truths, exploring themes of personal growth and the weight of decisions. Critics praised its engaging cast, heartfelt moments, and concise storytelling but noted mixed for pacing issues, repetitive elements inherent to the loop concept, and occasionally underdeveloped subplots, resulting in an aggregate user score of 84% on . Beyond , the term "looper" appears informally in various time-loop games to describe protagonists or mechanics, though few titles directly incorporate it in their official naming. For instance, the 2018 mobile Looper! by involves tapping to loop musical patterns in a casual, beat-matching format, amassing over 400,000 positive reviews on for its addictive simplicity. Similarly, the 2022 puzzle platformer Looper by solo developer FeatureKreep features space-folding mechanics in a breakout-style format, earning acclaim for innovative level design in circles. An earlier titled Looper (1982) by depicted a navigating mazes to collect nuts, representing a minor historical entry in the genre. These examples highlight conceptual overlaps with time-loop narratives seen in like the film Looper, but emphasize interactive player agency unique to .

Online Media

Looper.com is an entertainment news website launched in 2015 as the flagship brand of , an Indianapolis-based digital media company founded in 2012. The platform focuses on delivering content related to , , video games, and broader pop culture topics, serving as a hub for , reviews, interviews, and trailers. Owned and operated by —which also runs the content recommendation engine ZergNet—Looper was the company's first major acquisition and has since become a cornerstone of its portfolio. The site's content style blends professional editorial pieces with formats optimized for online virality, such as listicles and shareable articles that capitalize on trending topics. This approach has helped Looper attract a substantial , contributing to Static Media's overall reach of more than 100 million monthly unique visitors as of 2023, with the company's total growing to over 220 million by 2025. In August 2025, Static Media acquired , further expanding its holdings. However, the emphasis on attention-grabbing headlines and rapid content production has drawn controversies, with critics labeling it a "" that prioritizes over depth, leading to among writers and accusations of misleading readers. By 2025, Looper's operations reflect broader industry shifts toward efficiency in digital publishing, though it maintains a mix of human-curated and algorithm-driven content distribution via ZergNet's recommendations. The site occasionally covers notable entertainment releases like the 2012 film Looper, but its primary role remains as a rather than a production entity.

Technology and Tools

Audio Looping Devices

Audio looping devices are electronic hardware and software tools designed for recording, playing back, and layering audio loops in real-time, primarily used in live music performances to enable solo artists to create complex, multi-layered arrangements. These devices capture short audio phrases—such as guitar riffs, vocal lines, or beats—and repeat them continuously, allowing musicians to build songs incrementally without additional performers. Pedal-based hardware, like the , exemplifies this by providing footswitch controls for seamless operation during performances. The concept gained popularity in the 1970s through analog tape delay systems, such as the reel-to-reel setups used in and Brian Eno's "Frippertronics," which allowed for basic looping via physical tape manipulation. The transition to digital technology began in the early , with introducing the 2 Second Delay in 1981—the first digital delay pedal featuring an "Infinite" footswitch for sustained looping. By the 1990s and 2000s, dedicated digital loopers proliferated; the Looperlative LP1, launched in 1995, offered eight independent stereo tracks with low-latency overdubbing, while Boss's RC-20 Loop Station in 2001 brought compact, user-friendly digital looping to a wider audience with up to 5 minutes of recording time per loop. These advancements marked the shift from cumbersome analog methods to portable, precise digital hardware suitable for stage use. Core functionalities of audio looping devices include overdub modes for adding successive layers to an existing without erasing the original, synchronization to align loops with a master clock or external sources, and integration with effects processors for real-time manipulation like reverb or . Advanced models support multiple synchronized tracks, /redo functions, and export capabilities to digital audio workstations. Artists like have leveraged these features with the Boss RC-20XL to construct intricate one-person band setups, layering guitar, vocals, and percussion during live shows. Similarly, KT Tunstall popularized looping in acoustic performances, using devices to dynamically build songs from simple motifs into full ensembles. In the 2020s, looping technology continued to evolve with models like the Boss RC-600 (released 2020), offering six stereo tracks and advanced integration, and the RC-505mkII (2021), which incorporates tablet-style controls and vocal effects for enhanced . Software developments include Ableton Live 12 (2023), with improved clip launching and looping automation, and Mobius 3 (early release circa 2023), adding 64-bit support and plugin formats for modern DAWs. Software equivalents extend these capabilities to computer-based environments, offering greater flexibility for studio and live applications. Live's built-in Looper device enables clip-based recording and manipulation within its session view, supporting multi-track layering and synchronization with the DAW's tempo grid. Mobius, developed by Circular Labs, functions as a standalone or looper with up to 32 tracks, customizable scripting for complex behaviors, and support for controllers, making it a favorite among experimental performers seeking hardware-like control in software form. Tape loops represent an early analog technique for generating repetitive audio patterns, involving the physical splicing of magnetic tape into continuous, endless segments that are then played back on reel-to-reel machines to produce layered, rhythmic, or ambient soundscapes. This method, which relies on manual cutting, adhesion with splicing tape, and playback via motorized or hand-operated mechanisms, allows for the creation of dense sonic textures through overlapping repetitions and variable speeds. The technique was pioneered in the 1940s by French composer as part of his development of , an experimental approach that treated recorded environmental sounds—known as objets sonores—as raw material for composition, often looped to explore timbral evolution and abstraction. Schaeffer's innovations, including early closed-loop experiments on disk and later tape, laid the groundwork for manipulating sound independently of traditional instruments, influencing by emphasizing acousmatic listening where sources are obscured. In the , British musician advanced tape looping within , using multiple synchronized reel-to-reel decks to generate generative, non-repetitive patterns that evolved organically through slight speed variations and overlaps, as heard in his 1975 album . Tape loops found applications in and , enabling composers to build immersive environments from fragmented recordings, such as reversed speeches, phrases, or natural noises. A notable example is the 1966 Beatles track "," where engineer and the band employed approximately 16 spliced tape loops—contributed by each member—to create swirling, psychedelic effects like oscillating drones and seagull cries, marking a pivotal use in production. Unlike loopers, which offer precise, non-destructive repetition via electronic buffering and quantization, tape loops demand physical intervention for starting, stopping, or layering, resulting in inherent imperfections like wow and flutter from mechanical inconsistencies and gradual signal degradation over repeated plays due to magnetic wear. In contemporary practice, emulations replicate these analog characteristics through software algorithms that simulate hiss, , and speed instability, allowing producers to achieve similar organic repetition without physical media. This evolution from analog methods to electronic devices has preserved the looping concept while enhancing accessibility for in experimental contexts.

Other Uses

Boating

In the context of recreational boating, a "looper" refers to a who has successfully completed the , a continuous 6,000-mile waterway circumnavigation of the eastern portion of . This route combines natural and man-made waterways, including the Atlantic Intracoastal Waterway, the , inland rivers such as the and Tennessee-Tombigbee Waterway, and the , traversing parts of 15 U.S. states and two Canadian provinces. The journey typically begins and ends in , allowing participants to leverage the state's mild climate as a starting point. follows a seasonal pattern, with boaters heading northward in spring and summer to avoid freezing conditions in the and rivers, then southward in fall and winter toward warmer Gulf and Atlantic waters. Vessels must maintain an of under 19 feet (or 19 feet 6 inches at maximum, often requiring adjustments like lowering antennas) to clear the numerous fixed bridges along the route, particularly in the and area. The looper community is supported by the America's Great Loop Cruisers' Association (AGLCA), founded in 1999 to provide resources, planning guides, and camaraderie for aspiring and current participants. The organization hosts an annual , seminars, and online forums where share experiences on challenges such as operating through over 100 locks, contending with variable , and managing and provisioning . The Great Loop's history dates to the late , with the first documented traversal completed in 1898 by a group of young adventurers in a small . It gained widespread popularity in the as recreational boating expanded, evolving into a celebrated adventure for retirees and families alike. By 2025, the route sees a record number of completions, with 270 boats finishing in alone, reflecting growing interest in this extended cruising experience.

Miscellaneous Terms

In sewing, the term "looper" historically referred to a component in early 19th-century machines that caught and manipulated loops to form stitches, particularly in chainstitch designs predating widespread lockstitch adoption. For instance, in Saint's (rebuilt in the 1870s by William Newton Wilson with looper adjustments), the looper detained the needle to create interlocking chainstitches, serving as a precursor to more advanced -handling mechanisms. By the , Barthelemy Thimonnier's machines employed a looper beneath the worktable to grasp from a barbed needle, enabling efficient chainstitching for and fabric. These loopers functioned similarly to a holder, expanding loops for subsequent stitches, though they were largely supplanted by bobbin-based systems in lockstitch machines by mid-century. In programming, "looper" occasionally denotes iterative code structures that process repeated tasks, but it is rarely used as a standalone noun outside specific contexts like Android development. The Java-based class in the Android OS manages message loops for s, enabling asynchronous communication by continuously polling a and dispatching s to associated . Introduced as part of Android's core architecture, this class prepares a for handling without blocking, supporting UI updates and operations in a single-threaded environment. Its usage remains specialized to mobile app development, distinguishing it from general looping constructs like for-loops. Other niche applications of "looper" include manual tools for forming or threading loops in and fabric, such as the bodkin, a slender, eye-ended implement used in and crafting to pull cords, ribbons, or through casings or to create small loops for buttons and drawstrings. Variants like the Dritz Loop Turner or Ezy-Pull Bodkin grip and maneuver materials to form precise loops without specialized machinery, often in historical or handmade work. These tools represent obsolete or specialized applications, with no significant modern equivalents beyond basic crafting aids, setting them apart from dominant meanings in entertainment or audio technology.

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