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Mads Sjøgård Pettersen

Mads Sjøgård Pettersen (born 21 January 1984) is a , , and from Sørfold in county. Renowned for his versatile performances in film and television, Pettersen first gained prominence with his supporting role as Ulrik in the drama (2009), for which he won the for Best Male Supporting Actor at the Norwegian International Film Festival in . His breakthrough in international cinema came with the role of Erik Moberg in the biographical (2016), directed by and starring and . He followed this with the supporting role of Marius Grønnvoll in the thriller The 12th Man (2017), a production that became one of the country's highest-grossing films. In 2022, Pettersen portrayed Captain Kristoffer Holm in the monster film , directed by , which drew widespread attention for its blend of folklore and action-horror elements and became a global streaming hit; he is set to reprise the role in the sequel (2025). On television, Pettersen has delivered notable performances in several acclaimed series, including the role of Petter Bjørnstad in the Occupied (Okkupert, 2015–2018), Håvard Bakkeli in the drama Nobel (2016), and Fredrik Kayser in the historical miniseries (Kampen om tungtvannet, 2015). He achieved further popularity as the romantic lead Stein in the comedy-drama Home for Christmas (Hjem til jul, 2019–2020), a series that explores modern relationships in a setting and earned praise for its witty scripting and ensemble cast. Beyond acting, Pettersen debuted as a with the documentary Human Tsunami (2019), which addresses themes of human resilience, and has credits as a on select projects. With over 40 acting credits across and English-language productions as of 2025, he continues to be a prominent figure in , often collaborating with directors like and Erik Skjoldbjaerg.

Early life and education

Early life

Mads Sjøgård Pettersen was born on January 21, 1984, in Sørfold, a in county, . He entered the world weighing just 2.6 kilograms and was described in his early years as a tough yet quiet , often characterized as a devoted who enjoyed playing with a stroller and other childhood toys. Pettersen's family background includes relatives who worked in the local mines, reflecting the industrial heritage of the Sørfold region. Reflecting on his upbringing, Pettersen has shared that his childhood was largely positive but interspersed with difficult periods, including a familial pattern of intense anger that traces back through generations. These experiences contributed to his before he pursued formal studies.

Education

Mads Sjøgård Pettersen pursued his formal training in the at the Norwegian Theatre Academy in , a department of Østfold University College, where he enrolled in 2003. The academy, known for its international programs in and , provided a rigorous environment focused on practical and theoretical aspects of and . Pettersen specialized in acting and during his three-year program, which emphasized interdisciplinary skills combining with technical elements of visual media. This dual focus equipped him with a versatile approach to and , allowing him to integrate with innovative and techniques that would later define his contributions as both an and a video designer. He graduated in 2006, completing his bachelor's-level studies with a in collaborative artistic practices. His education at the academy, rooted in Norway's tradition of , honed skills in ensemble work, , and multimedia integration, influencing his ability to adapt across , screen, and design roles.

Career

Early career

Following his graduation from the Norwegian Theatre Academy in in 2006, where he studied and , Mads Sjøgård Pettersen transitioned into professional work by co-founding the independent theatre company AKT 5 with fellow alumni Kim Atle Hansen, Anders Høgli, and Niklas Westerberg. This collective focused on experimental productions, performing at prominent Norwegian venues such as Teater in and Den Nationale Scene in , allowing Pettersen to build experience in contemporary theatre amid the competitive Norwegian scene. One of his initial theatre roles came in 2006 with AKT 5's staging of Henrik Ibsen's Sancthansnatten (St. John's Night), directed by Kim Atle Hansen at Den Nationale Scene, where he portrayed the character Birk. Pettersen also began contributing to elements in these early productions, integrating into performances as an extension of his training. Pettersen's entry into cinema began with his debut role as Johan in the horror film (2008). He followed this with the role of Ulrik in the 2009 Norwegian drama , directed by Rune Denstad Langlo. The performance in earned him the for Best in 2009, highlighting his emerging presence in Norwegian film.

Television and film breakthrough

Pettersen's breakthrough in television and film began with his supporting role as Fredrik Kayser, a fighter involved in the sabotage of the Nazi program, in the 2015 NRK miniseries . This six-episode production dramatized one of World War II's lesser-known chapters, emphasizing the high-stakes espionage and heroism that delayed Germany's atomic ambitions, and Pettersen's portrayal contributed to the series' acclaim for its tense historical narrative. Building on this momentum, Pettersen took on the role of Håvard Bakkeli in the 2016 NRK Nobel, appearing in all eight episodes. As a officer entangled in the moral ambiguities of the conflict and its repercussions back home, his performance underscored the series' exploration of dramatic tension between duty, politics, and personal ethics, earning praise for the ensemble's realistic depiction of military life. A pivotal early recognition came with Pettersen's 2009 Amanda Award for Best Supporting Actor for his role in the film , which marked a significant step in establishing his domestic reputation before his television surge. This win highlighted his ability to deliver nuanced supporting performances in Norwegian cinema. Pettersen further demonstrated his versatility in the late with comedic and dramatic television roles. In the 2019–2020 Netflix series Home for Christmas, he played Stein, a charming doctor and romantic interest, across eight episodes, bringing warmth and humor to the show's lighthearted take on holiday pressures and relationships. Complementing this, he portrayed Petter Bjørnstad, a pragmatic politician navigating geopolitical intrigue, in five episodes of the third season of Occupied (2019–2020), showcasing his range in the thriller's blend of drama and amid a fictional Russian occupation of . These roles solidified his status as a prominent figure in Norwegian screen acting, drawing on his theatre training for seamless transitions between genres.

International work and directing

Pettersen's international breakthrough came with his supporting role as Erik Moberg, a ski jumper, in the 2015 biographical sports comedy Eddie the Eagle, a British-American production directed by that highlighted his ability to portray competitive athletes in a context. This marked his first significant exposure beyond cinema, contributing to the film's global release and positive reception for its uplifting portrayal of . Building on this momentum, he portrayed Marius Grønnvoll, a key member of the team, in the 2017 thriller The 12th Man, a film with co-production elements and an English-language release featuring . The role underscored his versatility in historical dramas, aiding the film's distribution in and the through platforms like . In more recent years, Pettersen expanded his presence in global streaming content with the role of Captain Kristoffer Holm, a leader confronting mythical threats, in the 2022 Norwegian monster film , a original that achieved widespread international viewership for its blend of and action. He reprises this character as Captain Kris in the upcoming sequel , set for release on December 1, 2025, where the narrative escalates with a new ancient troll awakening devastation across . These projects represent his growing involvement in high-profile fantasy genres with broad appeal, directed by and emphasizing large-scale visual effects. Venturing beyond acting, Pettersen made his directing debut with the 2019 documentary Human Tsunami, which he also co-wrote, capturing the political atmosphere in , during Trump's 2017 and its implications for and . The film served as an exploratory work on contemporary , shot over five days to reflect on rising . In 2024, he co-created and directed the theatre production 1969 – True. Crime. Theatre. in collaboration with Kate Pendry, a play examining crime, memory, and family history through a reported historical offense, premiering at Black Box Teater in from December 6 to 15. From 2020 to 2025, Pettersen has evolved into a multifaceted , incorporating writing, directing, and elements across and , as evidenced by his credits in Human Tsunami and 1969 – True. Crime. Theatre., alongside acting roles that demonstrate a shift toward creative control in international narratives. This progression builds on earlier domestic successes like Nobel, which provided a platform for his global opportunities.

Filmography

Television

Pettersen's television career began with supporting roles in Norwegian series before gaining prominence in historical and dramatic miniseries.
  • Dag (2013, To Tom Fire)
  • Erobreren (2012, Axel ung)
  • Lilyhammer (2012, Sverre Falck)
  • The Heavy Water War (2015, Fredrik Kayser)
  • Nobel (2016, Håvard Bakkeli)
  • State of Happiness (2018–2024, Martin Lekanger)
  • Home for Christmas (2019–2020, Stein)
  • Occupied (2019–2020, Petter Bjørnstad)
  • Wisting (2019–, Tommy Kvanter)
  • Billionaire Island (2024–2025, Cato Johnsen)

Film

Pettersen's contributions to film encompass acting roles in Norwegian features, international co-productions, and occasional directing in documentaries, with his international work exemplified by the English-language biopic Eddie the Eagle (2016). The following table lists his film credits chronologically by release year, including feature films, shorts, and documentaries where applicable.
YearTitleRole
2008Cold Prey 2Johan
2009UpperdogPer
2009NordUlrik
2012All That Matters Is PastWilliam 18
2013VictoriaDitlef
2013August FoolsRobert
2015Dark Woods 2Even
2016Eddie the EagleErik Moberg
2016CaveAdrian
2017The 12th ManMarius Grønvoll
2017The Ash Lad: In the Hall of the Mountain KingPer
2019The Ash Lad: In Search of the Golden CastlePer
2019AmundsenHelmer Hanssen
2019Human TsunamiDirector
2022TrollKristoffer
2023The RiotPer Melien
2023Ocean DeepTheis
2023Christmas as UsualJørgen
2024Explosions in the HeartJon
2024Dead Men in the SkitrackLeif Slogum
2025Troll 2Captain Kristoffer Holm

Theatre

Mads Sjøgård Pettersen began his professional theatre career shortly after graduating from the Norwegian Theatre Academy in 2006, initially performing at and Nationaltheatret. His early stage roles often explored themes of youth, identity, and social tension, establishing him as a versatile actor in Norway's regional and national theatre scenes. At , Pettersen debuted in 2007 with , a collaborative production he co-conceived and in which he portrayed one of the central male characters, delving into themes of excess and aftermath through improvised physicality and dialogue. Later, he created and performed the solo piece KRAFT at the same venue, showcasing his ability to carry intimate, introspective narratives. Pettersen's tenure at Nationaltheatret from 2007 onward featured several notable roles. In 2007, he appeared as the second robber in the holiday classic Reisen til julestjernen (Journey to the Christmas Star), adapted from the Norwegian folktale. That same year, he played a member of the elders' chorus and the Nazi photographer in Ulrike Maria Stuart, Elfriede Jelinek's provocative adaptation of Schiller's tragedy, directed by Melanie Mederlind. In 2008, as part of the ensemble AKT 5 (also known as the ), he contributed to Bestialitetens historie del 3 (The History of Bestiality, Part 3), performing the role of Spania while also co-writing the script, directing, and developing the concept in this experimental multimedia piece. By 2013, he took on the role of Birk in Ronja Røverdatter, Astrid Lindgren's adventure story adapted for the main stage, emphasizing themes of friendship and rebellion. At Rogaland Teater, Pettersen built on his early momentum with roles in 2010 and 2011. He played the young boy in Verdens ende (The End of the World), Astrid Saalbach's fable-like exploration of displacement and fear, directed by Erik Ulfsby. Later that year, in Kosmisk frykt eller dagen da fikk paranoia (Cosmic Fear, or the Day Brad Pitt Got Paranoia), he embodied the titular in Christian Lollike's satirical thriller about celebrity, conspiracy, and global threats. In 2011, he portrayed in Haugtussa, a musical of Arne Garborg's novel about a young woman's spiritual awakening, opposite Maria Dommersnes Ramvi. Pettersen also performed with Riksteatret, Norway's national touring theatre. In 2011, he acted in Jeg var Fritz Moen, a biographical drama about the wrongful conviction of a deaf man in a notorious murder case, directed by Kjersti Horn; while not the lead, his ensemble role supported the production's focus on injustice and rehabilitation. In 2013, he played Karl (or Carl) in Søstra mi (My Sister), Hannah Helseth's play examining female empowerment and sexuality in a modern context, again under Horn's direction. Beyond acting, Pettersen has contributed to as a , dramaturg, and . In , he directed My Dinner with Putin, a one-woman show written and performed by Kate Pendry at Vega Scene, blending personal memoir with on and identity. In 2019, his for Raskolnikov at Det Norske Teatret and Det Vestnorske Teatret—adapting Dostoevsky's —earned a nomination for the Hedda Award in audiovisual design, shared with Sven Haraldsson and Erik Hedin. Most recently, in 2024, Pettersen co-created and directed 1969 – True. Crime. . with Pendry at Black Box Teater, a documentary-style piece investigating an unsolved through police archives, memory, and performance, probing themes of crime, forgetting, and justice.

Awards and nominations

Awards

Mads Sjøgård Pettersen received the for Best Supporting Actor (Årets mannlige birolle) in 2009 for his performance as Ulrik in the film , directed by Rune Denstad Houge. This recognition highlighted his early breakthrough in Norwegian cinema, where he portrayed a complex character in the drama about a depressed ski jumper's journey across . The , presented annually by the Norwegian Film Institute, are the premier honors for Norwegian film achievements.

Nominations

Mads Sjøgård Pettersen was nominated for the Hedda Award in the Best Audiovisual Design category in 2020 for his contribution to the video concept in the theatre production Raskolnikov at Det Norske Teatret. The production, directed by Kjersti Horn and adapted from Fyodor Dostoevsky's , featured Pettersen collaborating with Sven Haraldsson on the video elements and Erik Hedin on sound design. The nomination recognized their innovative integration of to enhance the psychological intensity of the narrative, though the award was ultimately presented to Tore Vagn Lid for 03:08.38 – Tilstander av unntak. This marked Pettersen's recognition in theatre design, reflecting his multifaceted role beyond acting in contemporary works.

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