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Margo Price


Margo Rae Price (born April 15, 1983) is an American country singer-songwriter, producer, and author based in Nashville, Tennessee. Raised in Aledo, Illinois, she moved to Nashville in 2003 after dropping out of college, where she met her husband and collaborator, musician Jeremy Ivey, and initially fronted the band Buffalo Clover before pursuing a solo career. Price achieved breakthrough success with her debut solo album, (2016), self-funded in part by pawning her wedding ring and released on Jack White's , which debuted in the country top ten—the first such entry for a solo female artist without major label support—and garnered widespread critical acclaim for its raw depictions of rural hardship, personal loss, and resilience. Subsequent albums including (2017), Strays (2020), and (2021) expanded her sound toward rock and psychedelic influences while maintaining themes of and social observation, earning her a Grammy nomination, appearances on , and tours alongside artists such as and . In 2024, she released the memoir , reflecting on her life's trials and triumphs.

Early life and background

Childhood in Illinois

Margo Price was born on April 15, 1983, in , a rural town of approximately 3,500 residents in near the border. She was raised in a working-class family on a , where the rhythms of agricultural life defined daily existence amid the broader economic pressures facing Midwestern farming communities in the . Her father's occupation as a farmer ended with the loss of the around 1985, coinciding with widespread foreclosures triggered by debt accumulation, , and falling commodity prices—a crisis symbolized in contemporary culture by John Mellencamp's album . Following this setback, her father transitioned to work as a guard, while her mother served as a teacher, reflecting the adaptive resilience required in such environments. These financial strains instilled early lessons in perseverance, as the family's shift from self-sustaining to wage labor underscored the vulnerabilities of rural economies dependent on unpredictable markets and weather. Price's initial exposure to music occurred through local and familial channels, including in choirs and playing during her youth in Aledo. She received her first guitar after completing , marking an entry point into personal instrumentation amid the community's conservative, faith-oriented setting. This groundwork, rooted in the unpretentious traditions of small-town , laid the foundation for her artistic sensibilities, emphasizing authenticity over commercial polish from the outset.

Education and early influences

Price grew up in , a rural farming community that exposed her to traditional elements through everyday observations of agricultural life and small-town dynamics. In her early years, she engaged in local musical activities, including playing and in a church choir, which provided initial exposure to performative expression without formal training. During high school, Price began developing self-directed musical skills, learning guitar in her senior year while also pursuing lessons and vocal coaching, reflecting an early preference for hands-on practice over structured . She composed her first song at age 13, drawing from innate structural intuition honed by extensive listening to various genres, marking the start of her songwriting as a personal outlet amid adolescent experiences. Literary encounters in junior high, including works by , , and , shaped her lyrical approach by emphasizing raw, confessional narratives over polished conventions, influencing her shift toward unfiltered expression in pre-professional writing. After high school, she briefly attended on a , initially majoring in communications before switching to , theater, and ; however, she left at age 20 without completing a degree, prioritizing self-taught artistic pursuits over institutional frameworks. This abrupt departure underscored her independent trajectory, rooted in non-traditional inspirations that favored and outsider perspectives from rural and literary sources.

Musical career

Early struggles and Nashville relocation

Price relocated to , in 2003 at age 20 after dropping out of college near , arriving with just $57 in her pocket. There, she soon met musician Jeremy Ivey, whom she later married, and the couple formed the band Buffalo Clover, drawing from traditions amid the local scene's dive bars and street performances. The band's topical tunes reflected early artistic experimentation, but Price supported herself through odd jobs, including waiting tables and residential window installations, while facing immediate setbacks like totaling her car in her first week in the city. These challenges echoed broader family hardships, as Price's grandfather lost the family's farm in Buffalo Prairie, , in 1985 during the agricultural crisis, prompting her father to take a job as a prison guard. In Nashville, financial desperation intensified; to independently produce her debut solo album at , Price and Ivey sold their family car and pawned her wedding ring, funding the sessions amid rejections from labels that prioritized commercial pop-country over her raw, non-conformist style. This self-reliant approach underscored persistence against industry preferences for polished, market-driven acts, particularly for women diverging from mainstream formulas.

Breakthrough with Midwest Farmer's Daughter

After enduring rejections from numerous record labels in Nashville, Margo Price self-financed the recording of her debut album at in , in 2015, pawning her wedding ring and selling the family's minivan to fund the sessions. The project stemmed from her determination to capture authentic, personal narratives amid industry disinterest in non-conventional sounds. In September 2015, Price signed with Jack White's , becoming the label's inaugural country artist and securing a release for the independently produced album. Midwest Farmer's Daughter was issued on March 25, 2016, comprising 10 tracks that blend traditional country elements with raw, first-person storytelling drawn from Price's experiences of hardship, including , child loss, and economic struggles in rural America. Critics lauded the album's gritty authenticity and resistance to polished genre formulas, with highlighting its personal specificity over conformity to country tropes, emphasizing its emotional authority from lived adversity, and praising its fierce detail-oriented truth-telling rooted in tradition. Themes of rural decay and personal resilience, as in tracks like "Hands of Time" and "This Town Gets Around," positioned it as an counterpoint to mainstream country's formulaic hits. Commercially, the album achieved modest initial sales but debuted at number 8 on the chart, fostering a among listeners drawn to its unvarnished narratives. Post-release media buzz, including a debut on The Late Show with and live performances showcasing her defiant energy, solidified Price's emergence as a distinctive voice challenging Nashville's commercial dominance.

Mid-career albums and experimentation

Price's second studio album, , released on October 20, 2017, by , marked a turn toward explicit social and political commentary in her lyrics. Tracks such as "Pay Gap" critiqued gender-based wage disparities, highlighting economic struggles faced by working women, while the reflected broader disillusionment with American societal promises. The album featured a duet with on "Learning to Lose," blending traditional country elements with R&B and influences to underscore its thematic depth. Despite critical praise for its bold lyrical risks, achieved modest commercial success, peaking at No. 12 on the Top Country Albums chart with sales described as subpar relative to industry expectations for a follow-up to her debut. It earned Price her first Grammy nomination for Best Americana Album in 2018, affirming its artistic merit among peers, though the polarizing content on issues like may have hindered broader mainstream appeal in Nashville's conservative-leaning market. Building on this foundation, Price further experimented with genre boundaries in her third album, , released July 10, 2020, in collaboration with producer of . The record shifted from country toward a and psychedelic sound, drawing comparisons to and incorporating groovy, introspective tracks that prioritized atmospheric production over twangy instrumentation. This evolution represented a deliberate artistic pivot, allowing Price to explore personal rumors and self-reflection amid career pressures. Reviews lauded the album's sonic experimentation and vocal delivery, positioning it as a successful merge that expanded Price's palette, yet some critics and fans noted its departure from country norms risked alienating her core audience raised on her earlier style. Lacking major Grammy recognition and facing a fragmented market during the , the release underscored the trade-offs of such risks: heightened critical acclaim but persistent challenges in achieving crossover sales beyond niche Americana and rock circles.

Recent releases and tours (2023–2025)

In January 2023, Price released her fourth studio , Strays, which explored themes of personal turmoil and recovery, aligning with narratives of sobriety and resilience detailed in her contemporaneous promotions. The album marked a raw, collaborative effort produced with co-writers like Jonathan Wilson, emphasizing unfiltered country-rock introspection amid her documented struggles with and industry pressures. Price's fifth studio album, , arrived on August 29, 2025, via , signaling a deliberate pivot back to traditional sounds after prior experimental phases. Featuring 12 tracks including the defiant opener "Prelude {Hard Headed Woman}" and anthems like "Don't Let The Bastards Get You Down," the record confronts themes of perseverance, heartbreak, and female autonomy through pedal steel-driven arrangements and lyrics evoking resilience against adversity. Critics noted its infectious energy and sentimental depth, positioning it as a for "hard times" rooted in authentic Nashville traditions. Supporting , Price launched the Wild at Heart Tour in fall 2025, with dates spanning U.S. venues such as Delmar Hall in on October 23 and extensions into 2026 across cities like and . The tour showcased material from the new album alongside staples, demonstrating sustained fan engagement in niche country circuits. She performed at the Festival on September 27, 2025, at Doheny State Beach, delivering sets that included fresh cuts like "Red Eye Flight" and a cover of Bob Dylan's "," underscoring her interpretive range and live vitality. These outings reflect pragmatic adaptations to evolving dynamics, prioritizing direct audience connections over mainstream radio dependence.

Musical style and influences

Genre evolution and sound

Price's core sound draws from country-folk foundations infused with staples like and rhythmic twang, paired with songwriting that foregrounds narrative causality—transforming lived adversities, such as her family's farm foreclosure into debt-fueled hardship, into resilient anthems of defiance and survival. Her vocals exhibit a powerful, urgent delivery with inflection, conveying raw emotional authenticity through unfettered phrasing and . This stylistic base has undergone notable evolution across her discography, beginning with the straightforward traditional arrangements of her 2016 debut , which emphasized acoustic-driven storytelling and ethos. Subsequent releases incorporated broader influences, culminating in the experiments of Strays (January 13, 2023), produced by Jonathan Wilson and featuring distorted guitars, hallucinatory textures, and genre-blending energy. By her 2025 album , released August 29, Price returned to rooted parameters, utilizing simple, gut-punch production at with twang-heavy instrumentation and introspective, tradition-cherishing compositions that reclaim purity. Distinguishing her approach from mainstream country's prevalent escapism and formulaic party anthems, Price consistently favors verifiable, intellect-driven narratives over superficial hooks, fostering an insurgent lane within the genre that privileges personal veracity and causal realism in lyricism. This emphasis on empirical hardship tales, rather than abstracted romance or bravado, aligns her output with country music's historical capacity for unflinching social documentation.

Key artistic influences

Margo Price draws primary artistic inspiration from pioneering female musicians who navigated and challenged male-dominated genres, including for her raw emotional delivery and unfiltered expression, for her interpretive depth in country and traditions, for resilient storytelling rooted in personal adversity, and for blending , rock, and with candid lyricism. These figures inform Price's emphasis on authenticity, evident in her refusal to conform to commercial expectations and her integration of and elements to convey lived hardship without embellishment. Bobbie Gentry's influence manifests in Price's narrative songcraft, particularly Gentry's enigmatic, slice-of-life depictions that prioritize everyday causality over romanticized tropes, as demonstrated by Price's 2022 cover of Gentry's on the deluxe edition of . This approach aligns with Price's broader folk roots, where unpolished accounts of Midwestern rural life—drawing from economic struggles and familial dynamics—reject sanitized industry narratives in favor of direct, experiential truth. Bob Dylan's songwriting further shapes Price's anti-authority and lyrical precision, with Dylan cited as her favorite songwriter for embedding political and social critique in accessible, truth-driven structures that influenced her own honest explorations of power imbalances and personal agency. Collectively, these influences foster Price's commitment to causal realism in composition, prioritizing verifiable personal and cultural cause-effect chains—such as poverty's tangible impacts—over abstract or ideologically filtered portrayals, sustaining her evolution across psychedelic and traditional hybrids.

Activism and political views

Advocacy on gun control and social issues

Following the October 1, , Las Vegas shooting at the festival, which killed 58 people and injured over 500 at a event, Price publicly called for stricter measures, stating, "We need stricter gun control, plain and simple." She criticized the silence of many country music figures on the issue, highlighting what she described as Nashville's hypocrisy in embracing while avoiding policy discussions. Price specifically opposed high-powered automatic weapons used in such attacks, positioning herself against the genre's predominant pro-Second Amendment stance. In response to the March 27, 2023, Covenant School shooting in Nashville, which claimed six lives including three children, Price participated in a for the victims and joined protests demanding legislative action. She penned the essay "Sit Beside Me in the Darkness," published on May 15, 2023, where she detailed the emotional toll on the city, criticized Tennessee's 2021 permitless carry law, and urged reforms like universal background checks and red-flag laws, again decrying the industry's reluctance to confront despite its cultural ties to firearms. While Price's emphasizes restrictions to curb mass shootings, empirical analyses of similar policies, such as assault weapon bans, show inconclusive effects on overall rates or incident frequency, with factors like and criminal compliance complicating causal links. Price has incorporated critiques of social inequities into her songwriting, notably on her album . Tracks like "Pay Gap" address the gender wage disparity, with lyrics decrying systemic economic inequalities affecting women: "Pay gap, pay gap / Ripping my dollars in half." Other songs lament barriers to healthcare access and working-class struggles, framing them as failures of the amid broader societal critiques, though without explicit policy prescriptions. These lyrical themes contrast with mainstream country norms, using personal narratives to highlight issues like economic rather than endorsing solutions.

Positions on feminism, abortion, and Trump

Price has critiqued and within , describing the genre as "at times... a very , even " environment, while positioning herself as an outspoken advocate for women's . In a 2018 , she highlighted rising resistance among women, stating, "Women are not going to put up with s--t anymore," and expressed skepticism about achieving full , questioning whether for men and women might be preferable. Her 2018 album includes "Pay Gap," a addressing wage disparities after she learned of being underpaid relative to male peers of similar stature. Price's 2025 release draws inspiration from icons and country legends, emphasizing self-determination and challenging industry norms for women. On abortion, Price has advocated for , releasing the 2022 single "Lydia" as a reflection on bodily autonomy amid post- restrictions. During a November 2023 appearance on , she discussed access alongside performer , framing it within broader issues. In May 2019, while nine months pregnant, she protested Alabama's near-total ban, questioning male lawmakers' authority over women's bodies and collaborating with to fund opposition efforts. She endorsed Planned Parenthood's 2019 "Bans Off My Body" campaign against state-level restrictions and, in July 2022, released "Fight" with and to support , decrying such rights as a "luxury" increasingly unavailable. Price has consistently opposed Donald Trump, emerging as a rare liberal voice in Nashville's conservative-leaning country scene by publicly criticizing him since 2016. Following his 2016 election victory, she performed in Washington, D.C., the day after, later reflecting on the political divide in the genre where "no one was going to utter that they didn't like Trump." In October 2020, she expressed disdain for Trump's Nashville visit but praised local venues' anti-Trump signage. During a November 2024 NPR Tiny Desk concert, she dedicated her song "About to Find Out"—originally about a deceitful acquaintance—to Trump. In a 2024 Substack essay urging voting, Price recounted wearing an "ICKY TRUMP" shirt onstage post-2020 election, underscoring her rejection of his leadership.

Criticisms, backlash, and counterarguments

Price's public call-out of in February 2021 for past use of Confederate flag imagery drew accusations of opportunism and selective outrage from some observers, who argued she was weaponizing old photos to undermine a peer and generate attention rather than engage in genuine . This incident, amid Combs' comments on avoiding , highlighted tensions in the genre, with critics viewing her actions as prioritizing ideological signaling over collegiality. Her outspoken liberal positions, including criticism of Donald Trump and advocacy for gun control, have alienated portions of country music's traditional, conservative fanbase, contributing to perceptions that she prioritizes activism over broad appeal in a genre historically skewed toward rural, right-leaning audiences. Industry commentators have noted that such stances foster backlash, including online harassment and reduced radio play, as evidenced by her limited mainstream crossover compared to apolitical peers like Combs, whose albums have topped Billboard charts multiple times while Price's efforts have remained niche. Counterarguments to Price's gun control advocacy emphasize empirical data showing limited efficacy in reducing crime; macro-level analyses of U.S. gun laws find no significant negative association between restrictions and violent crime rates, with some permissive carry laws correlating to stable or lower homicide figures in certain states. Critics contend her emphasis on policy overlooks causal factors like socioeconomic conditions and enforcement failures, as post-reform data from jurisdictions with strict measures often show persistent or rising urban violence unrelated to firearm availability. Defenders of Price counter accusations of virtue-signaling by pointing to her consistent personal history of hardship and authenticity, arguing that her willingness to risk commercial viability underscores genuine conviction rather than calculated posturing, though this has arguably confined her to a dedicated but smaller audience rather than achieving the mass stardom of less politicized contemporaries.

Personal life

Family and relationships

Margo Price married musician Jeremy Ivey in 2008 after meeting him in Nashville, where she relocated in 2003 following her departure from college. The couple welcomed twins and in 2010, though died two weeks later from a congenital heart condition. Their third child, daughter Ramona Lynn Ivey, was born on June 4, 2019. Price and Ivey have described their family as a source of amid professional uncertainties in Nashville's music scene during the early , when the couple faced financial strains common to emerging artists. In a March 2025 interview, Price stated that she and Ivey, both then in their 40s, had "somehow beaten all the odds" through sustained partnership and parenthood. This domestic stability contrasts with the instability of her pre-breakthrough years, including the lingering impact of her childhood family's loss of their farm when she was two, an event Price has cited as shaping her emphasis on familial endurance.

Health challenges and sobriety

In her 2022 memoir Maybe We'll Make It, Price recounts extensive substance use during her early career struggles, including heavy consumption and experimentation with marijuana, mushrooms, and other drugs, which she linked to coping with poverty, industry rejection, and personal hardships in rural and Nashville. She describes these patterns as self-destructive choices amid relentless touring and financial instability, rather than external victimhood, noting failed prior attempts to moderate drinking before a decisive break. Price achieved from on January 8, 2021, during the , citing a mushroom-induced epiphany as the catalyst for her commitment, which she framed as "the most rebellious thing I've ever done" in defiance of norms glorifying excess. This followed reading Quit Like a Woman by Holly Whitaker, prompting her to reject entirely without formal programs, emphasizing resolve over dependency narratives. She has maintained for over four years as of January 2025, crediting psilocybin's perspective shift for sustaining it amid ongoing use of other substances like . Throughout her life, Price has battled insecurities, including over her nose shape from childhood, which compounded breathing difficulties from a deviated causing chronic infections, migraines, and impaired hearing. In July 2024, she underwent combined and to address these functional issues, reporting improved physical capacity for performance despite temporary post-surgical and anxiety. These challenges, detailed candidly in her and essays, reflect persistent self-perception struggles tied to societal pressures on female artists, yet she attributes progress to deliberate interventions rather than passive endurance. Sobriety has correlated with enhanced mental clarity and productivity, enabling focused output such as her 2023 album Strays, which directly explores and themes, and subsequent creative pursuits without the fog of . Price reports this state as her "best headspace," yielding sharper songwriting and performance stamina, evidenced by sustained touring and releases post-2021.

Discography and achievements

Studio albums and notable singles

Margo Price's debut studio album, , was released on March 25, 2016, via . Produced by Alex Muñoz and Matt Ross-Spang at in , the album includes the breakout single "Hurtin' (On the Bottle)", which gained attention for its raw portrayal of personal struggle and became one of her most streamed tracks. Her second album, , followed on October 20, 2017, also on . Co-produced by Price alongside Matt Ross-Spang, Alex Muñoz, and Jeremy Ivey at in , it featured guest appearances such as on "Learning to Lose" and addressed themes of American identity. Notable singles from the release include "A Little Pain" and "Pay Gap". That's How Rumors Get Started, Price's third studio album, came out on July 10, 2020, through Loma Vista Recordings. Produced primarily by Sturgill Simpson with co-production from Price and David Ferguson, the record marked a shift toward a more psychedelic sound. Key singles included "Twinkle Twinkle" and "Stone Me". The fourth album, Strays, was issued on January 13, 2023, by Loma Vista Recordings. Co-produced by Price and Jonathan Wilson, it incorporated psychedelic rock elements with contributions from artists like Mike Campbell and Sharon Van Etten. This was followed by Strays II on October 13, 2023, expanding the project with additional tracks under the same production team. Price's fifth studio album, , arrived on August 29, 2025, via . Recorded at in Nashville, it features 12 tracks emphasizing influences alongside personal resilience themes. Among her notable singles, "Hurtin' (On the Bottle)" from 2016 peaked in popularity with over 13,000 page views and live performances on shows like . More recently, "Don't Wake Me Up" featuring was released in 2025 as a standalone , drawing comparisons to in its video homage and groovy arrangement.

Awards, nominations, and commercial reception

Price earned a nomination for Best New Artist at the in 2019, recognizing her album , though she did not win. She received multiple nominations at the 2023 Americana Honors & Awards, including , for Strays, and Song of the Year for "Change of Heart," positioning her as a leading contender alongside , but again without securing a win. Earlier honors included nominations for International Artist of the Year and International Song of the Year at the 2017 UK Americana Awards. Commercially, Price's breakthrough album Midwest Farmer's Daughter (2016) debuted at No. 10 on the Top Country Albums chart, with first-week sales of approximately 4,000 units, marking a modest entry amid broader market benchmarks where comparable debuts often exceeded 20,000 copies. Subsequent releases like (2017) and (2020) similarly achieved niche visibility, topping the UK Country Albums Chart but failing to crack the U.S. top 100 or sustain high-volume sales. Touring revenue reflects steady but limited draw; for instance, a 2023 Ryman Auditorium show grossed $93,615 from 2,155 tickets sold, indicative of dedicated fan support in Americana circuits rather than arena-scale profitability. While critically lauded for advancing indie perspectives among female artists, Price's commercial metrics underscore a disparity: strong niche influence without translating to mass-market dominance, as evidenced by persistent low-to-mid-tier chart peaks and sales figures trailing mainstream peers.

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