Matty Healy
Matthew Timothy Healy (born 8 April 1989) is an English singer-songwriter, musician, and performer best known as the lead vocalist, rhythm guitarist, and principal songwriter of the pop rock band The 1975, which he co-formed as a teenager in Wilmslow, Cheshire.[1][2] Originally playing drums in early iterations of the group, Healy shifted to frontman duties, contributing to the band's evolution from local covers act to global act signed to Dirty Hit Records, with debut album The 1975 released in 2013.[3][4] The 1975 have since issued five studio albums, including the chart-topping A Brief Inquiry into Online Relationships (2018) and Being Funny in a Foreign Language (2022), earning acclaim for blending indie rock, synth-pop, and electronic elements while exploring themes of modern alienation, mental health, and substance use—drawing partly from Healy's own experiences with opioid addiction and recovery.[5][6] The band has secured multiple Brit Awards, such as British Album of the Year in 2019 and Best Rock/Alternative Act in 2023, alongside Ivor Novello recognition for Healy's songwriting and Grammy nominations for tracks like "Give Yourself a Try."[7][8][9] Healy's public persona, marked by improvisational live antics and candid commentary on cultural and political topics, has sparked notable incidents, including a 2023 performance in Malaysia where he protested the country's anti-LGBTQ laws by kissing bandmate Ross MacDonald, resulting in the band's set cancellation, a festival shutdown, and subsequent legal demands for damages exceeding $2 million from organizers.[10][11][12] Earlier, podcast remarks mocking aspects of rapper Ice Spice's heritage drew onstage apologies from Healy but highlighted tensions with expectations of performative allyship in music circles.[13][14] These events underscore Healy's rejection of conventional boundaries in art and discourse, often positioning him at odds with institutional norms in the industry.Early Life
Family Background and Childhood
Matthew Timothy Healy was born on April 8, 1989, in London, England, to actors Tim Healy and Denise Welch, who had married the previous year.[15][16] Tim Healy, originally a welder from a working-class family with Irish roots, rose to fame portraying Neville Hope in the British television series Auf Wiedersehen, Pet, while Denise Welch, also from working-class origins, became known for roles in soap operas like Coronation Street and later as a panelist on Loose Women.[4][17] The couple welcomed a second son, Louis Healy, in 2001; Louis later pursued acting, appearing in productions such as Holby City.[3][18] Healy's maternal grandfather, Vin Welch, was a notable drag queen performer, adding a layer of performative arts to the family heritage.[4] His parents' acting careers, which often required travel and public appearances, shaped Healy's early years; he became accustomed to their celebrity status and the accompanying fan interactions from a young age.[4][19] Raised initially in Newcastle upon Tyne due to his parents' professional commitments, Healy later moved with his family to Wilmslow in Cheshire, an affluent area bordering Greater Manchester, where he attended Wilmslow High School.[3][20] This relocation reflected the family's transition from the working-class environments of his parents' upbringings to more stable, middle-class settings enabled by their television success.[4]Education and Early Musical Exposure
Healy received his early education at Lady Barn House School, a private preparatory institution, followed by attendance at King's School in Macclesfield, from which he was expelled for instigating fights.[21][22] He subsequently transferred to Wilmslow High School, a state secondary school in Cheshire, where he met his future bandmates—guitarist Adam Hann, drummer George Daniel, and bassist Ross MacDonald—in 2002.[3][23] At Wilmslow, the group began experimenting with music, with Healy initially playing drums before transitioning to lead vocals.[3][24] After secondary school, Healy briefly enrolled at the British and Irish Modern Music Institute (BIMM) in London to study music but withdrew to focus on the band's development.[25][26] Growing up in a creative family environment shaped by his parents—actor Tim Healy and actress Denise Welch—Healy was exposed to a wide array of music from an early age, as his parents frequently shared recordings and records with him.[27][28] This household influence fostered his interest in diverse genres, including a childhood obsession with Michael Jackson, whose performance videos inspired Healy to pursue a distinctive style diverging from conventional rock archetypes.[29] By his mid-teens, these early encounters culminated in collaborative jam sessions at Wilmslow High School, marking the informal origins of what would become The 1975 in 2002.[23][24]Musical Career
Formation and Early Struggles with The 1975 (2002–2011)
The 1975 originated in 2002 at Wilmslow High School in Cheshire, England, when guitarist Adam Hann assembled a group with bassist Ross MacDonald and recruited Matthew Healy, then aged 13, as the drummer.[2][3] The lineup began performing covers of punk and alternative rock tracks in local venues around Manchester, reflecting the members' early exposure to genres like post-punk revival and indie rock.[2] Healy has recalled starting the band at age 13 with the same core members who remain today, emphasizing the persistence required from adolescence.[30] Following the departure of an initial vocalist, Healy transitioned to lead singer, with George Daniel joining as drummer to complete the quartet.[31] The group cycled through several names during this period, including Talkhouse, The Slowdown, Bigsleep, and Drive Like I Do, under which they composed original material that would later form the basis of their debut album.[32][33] These iterations allowed experimentation with song structures and themes of youth, romance, and suburban ennui, though recordings remained limited to demos and self-produced tracks.[34] Throughout the mid-2000s, the band self-released early EPs and singles under pseudonyms like Bigsleep and Drive Like I Do, distributing them via limited physical copies and online platforms such as MySpace.[35] Tracks including precursors to "Chocolate," "Robbers," and "Sex" emerged during this era, often recorded in makeshift sessions with local producers.[34] They gigged extensively in Manchester's underground scene, playing small clubs and house parties to cultivate a grassroots following, with performances documented in low-fi videos from as early as 2009.[35][2] The period was marked by significant challenges, including repeated rejections from major record labels despite persistent touring and self-promotion efforts spanning nearly a decade.[36] Operating independently without management or industry backing, the members balanced band activities with day jobs and education, facing financial constraints and lineup stability issues common to unsigned acts in the UK indie circuit.[30] This grind honed their collaborative songwriting but yielded no commercial breakthrough until 2012, when they adopted the name The 1975 and secured a deal with Dirty Hit Records.[32] Healy later reflected on this era as foundational to the band's unpolished aesthetic, forged through trial-and-error rather than immediate validation.[2]Rise to Recognition (2012–2014)
The 1975 began gaining traction in 2012 with the release of their debut EP Facedown on August 6 through Dirty Hit, followed by the Sex EP on November 19, which featured the title track and helped build an underground following through online buzz and live shows.[37][38] These releases marked the band's transition from local Manchester acts to national attention, with Healy's raw vocal delivery and introspective lyrics drawing comparisons to indie rock influences. In early 2013, the band issued the Music for Cars EP on March 4, propelled by the single "Chocolate," which debuted at number 71 on the UK Singles Chart in February and eventually peaked at number 19, spending 35 weeks on the chart.[39] This success coincided with signing a deal with Polydor Records, enabling wider distribution and a rigorous touring schedule, including a UK and Ireland headline tour extending into early 2013 and a subsequent US tour in the spring.[40] Healy's energetic stage presence, characterized by audience interaction and improvisational elements, became a hallmark of their live performances, contributing to growing word-of-mouth popularity.[41] The band's self-titled debut album, released on September 2, 2013, via Dirty Hit and Polydor, debuted at number 1 on the UK Albums Chart on September 8, selling 31,538 copies in its first week.[42] Tracks like "Sex," "Chocolate," and "Girls" (the latter peaking at number 32) further solidified their breakthrough, blending pop hooks with alternative sensibilities. Throughout 2013 and 2014, The 1975 undertook extensive world touring, including US dates and festival appearances such as Hangout Festival in 2014, which amplified their international profile and cemented Healy's reputation as a compelling frontman amid the rapid ascent.[43][44]Commercial Breakthrough and Mainstream Acclaim (2015–2018)
The 1975's second studio album, I Like It When You Sleep, for You Are So Beautiful yet So Unaware of It, marked their commercial breakthrough upon its release in early 2016. The record debuted at number one on the Billboard 200 chart, securing the band's first chart-topping position in the United States.[45] It also topped the UK Albums Chart with first-week combined sales of 58,000 units.[46] Singles from the album contributed to its momentum, including "The Sound," which peaked at number 15 on the UK Singles Chart, and "Somebody Else," which achieved similar mid-tier success in streaming and sales metrics during the period.[39] Supporting the album's promotion, The 1975 undertook an extensive world tour in 2016, performing 211 concerts across North America, Europe, and other regions, which expanded their live audience and reinforced their rising profile.[47] The album's critical reception bolstered its acclaim, earning a nomination for the Mercury Prize, with band members expressing surprise at the scale of their achievements in interviews that year.[48] This period solidified Healy's role as the band's charismatic frontman, whose onstage energy and lyrical introspection drew comparisons to influences like Talking Heads while appealing to a broadening pop-rock demographic. By 2018, The 1975 sustained their momentum with the release of their third studio album, A Brief Inquiry Into Online Relationships, on November 30. The album debuted at number one on the UK Albums Chart, marking their third consecutive chart-topper there.[49] In the US, it reached number four on the Billboard 200, reflecting continued transatlantic appeal amid evolving production styles that incorporated electronic and orchestral elements.[50] Lead singles like "Give Yourself a Try" and "Love It If We Made It" generated buzz through thematic explorations of modern relationships, further cementing the band's mainstream presence before transitioning into more experimental phases.Experimental Phases and Critical Peaks (2019–2021)
In 2019, The 1975 conducted extensive touring in support of their 2018 album A Brief Inquiry Into Online Relationships, including a North American leg from March to June and additional fall dates from September to December.[51] [52] The band received significant recognition that year, winning British Group and British Album at the Brit Awards on February 20, 2019.[53] At the Ivor Novello Awards on May 23, 2019, they secured Songwriters of the Year for A Brief Inquiry Into Online Relationships and Best Contemporary Song for "Love It If We Made It," written by Matty Healy, George Daniel, Adam Hann, and Ross MacDonald.[54] [55] The band began previewing their next project with the release of "Frail State of Mind" on October 24, 2019, as the second single from the forthcoming album Notes on a Conditional Form.[56] This period marked an experimental shift, as The 1975 adopted a non-traditional rollout strategy, releasing multiple singles over nearly a year before the full album.[57] "People," released on February 21, 2020, accompanied the initial album announcement, with subsequent delays pushing the release from an original February date to April and finally May 22, 2020, amid production refinements and external factors.[58] [57] Notes on a Conditional Form exemplified the band's experimental phases through its genre-spanning structure, incorporating electronic, art pop, indie folk, pop rock, heavy rock, garage, country, dance, and folk elements across 22 tracks.[59] The album opens with a monologue by Greta Thunberg on climate crisis, reflecting Healy's influences from radical art movements, Joan Didion's writings, and personal experiences like a friend's wedding, aiming to create a narrative of an alienated mind without conventional cohesion.[57] [60] Healy described the project in interviews as closing a chapter for the band, emphasizing open-ended interpretation and ambitious swings that prioritized conceptual depth over streamlined pop accessibility.[61] Critically, Notes on a Conditional Form garnered mixed reception, aggregating a Metacritic score of 62 out of 100 based on 22 reviews, with praise for its bold eclecticism and ideas but criticism for bloat and uneven execution.[59] Publications like Pitchfork highlighted its haywire narrative and genre drifts as a spiral into Healy's mindset, while others noted overwhelming filler amid standout tracks.[57] In 2021, amid the COVID-19 pandemic, The 1975 canceled all scheduled tour dates in January, shifting focus to developing a new record rather than live promotion.[62] This hiatus underscored the experimental album's release into a disrupted global context, limiting immediate peaks in live acclaim but allowing for reflective production cycles.Recent Projects and Performances (2022–present)
In October 2022, The 1975 released their fifth studio album, Being Funny in a Foreign Language, on October 14 via Dirty Hit, marking a return to more straightforward pop-rock structures after experimental phases.[63] The album debuted at number one on the UK Albums Chart and number four on the US Billboard 200, featuring singles such as "Part of the Band," "Happiness," and "I'm in Love with You."[64] To promote the record, the band launched the At Their Very Best tour in late 2022, which Healy directed with immersive staging and thematic explorations of modern life, including critiques of digital culture and personal relationships.[65] The tour included high-profile shows like Madison Square Garden on November 7, 2023, later documented in a Prime Video special.[65] An extended leg, dubbed Still... At Their Very Best, ran through North America from September to December 2023, culminating in arena performances across the US and Canada.[64][66] Healy contributed to external projects during this period, including songwriting and features on Beabadoobee's album Beatopia, released July 15, 2022, where he provided vocals and co-writing input on select tracks.[67] In March 2024, he shared an ambient solo track, "Loads Of Crisps," via SoundCloud, described as an experimental piece diverging from his band work.[68] The band headlined Glastonbury Festival's Pyramid Stage on June 28, 2025, delivering a 90-minute set blending hits like "Chocolate," "About You," and "The Sound" with newer material, praised for its energy despite Healy's restrained stage antics compared to prior tours.[69][70] A live album, Still... At Their Very Best, recorded in Manchester in 2024, was released on August 3, 2025, capturing the tour's production.[71] As of May 2025, The 1975 were actively developing their sixth studio album, with Glastonbury as their sole confirmed performance that year.[72]Artistic Contributions
Influences and Inspirations
Matty Healy's musical influences draw from an eclectic array of genres, reflecting a deep engagement with post-punk, experimental rock, emo, and ambient sounds. In March 2025, he shared a comprehensive Tumblr list of his all-time favorite albums, featuring works by Joy Division (Unknown Pleasures), The Fall (Hip Priest And Kamerads), Captain Beefheart & His Magic Band (Trout Mask Replica and Clear Spot), Bob Dylan (multiple entries including Highway 61 Revisited and Blood On The Tracks), and Radiohead (Amnesiac and A Moon Shaped Pool).[73] These selections underscore Healy's appreciation for raw emotional intensity, avant-garde experimentation, and introspective lyricism, which inform The 1975's genre-blending approach.[73] Healy has particularly emphasized 1980s albums as foundational to his aesthetic, citing The Blue Nile's Hats (1989) for its dramatic romanticism and British restraint, Talking Heads' Speaking in Tongues (1983) for its rhythmic innovation, My Bloody Valentine's Loveless (though released in 1991, influential in his 1980s retrospectives), and Liquid Liquid's Optimo EP (1983).[74] This era's synth-driven pop, new wave, and shoegaze elements are evident in The 1975's polished production and nostalgic synth textures, as seen in albums like I Like It When You Sleep, for You Are So Beautiful yet So Unaware of It (2016).[74] Additional favorites from the decade, such as The Sugarcubes' Life's Too Good (1988), highlight his draw to quirky, emotive indie sounds that blend accessibility with subversion.[74] Beyond music, Healy's inspirations extend to literature, visual art, and cultural critique. For the 2020 album Notes on a Conditional Form, he drew from Joan Didion's essays on counterculture (e.g., Slouching Towards Bethlehem), post-World War II art movements like Zero and Gutai for their radical repurposing of forms, and internet memes as markers of societal fragmentation.[60] Figures like Mick Jagger and Brian Eno also shaped the record's ambient and performative layers, while personal events, such as a friend's wedding, prompted reflections on legacy and reconnection.[60] These non-musical sources contribute to Healy's lyrical focus on modernity's contradictions, emphasizing self-examination over conventional protest.[60]Songwriting Approach and Lyrical Themes
Matty Healy serves as the primary lyricist for The 1975, crafting words through a personal, stream-of-consciousness process that emphasizes meticulous refinement and emotional honesty.[75] He often begins by scatting to establish rhythms and rhymes, later honing them into precise lines that balance specificity with universality, as seen in phrases like "Vaccinista tote-bag-chic baristas" from the band's fifth album, Being Funny in a Foreign Language (2022).[76] Healy collaborates closely with bandmate George Daniel on musical composition, describing their partnership as symbiotic, where shared vocabulary allows remote work to yield cohesive results, though lyrics remain predominantly his domain.[77] He has likened the lyric-writing process to crafting stand-up comedy routines, aiming to condense expansive personal identities—including flaws and anxieties—into concise, multifaceted expressions that provoke thought without overintellectualization.[78] Healy prioritizes lyrics that unsettle him, favoring sincerity over irony to achieve deeper impact, a shift evident in his preference for earnest tracks like "I’m in Love With You" from Being Funny in a Foreign Language, which he found challenging yet rewarding to write.[76] This approach involves retaining vulnerable or self-critical lines despite fears of self-mythologizing or misinterpretation, ensuring the work reflects raw personal evolution rather than manufactured drama.[77] Recorded often during periods of isolation, such as the COVID-19 pandemic, his process underscores a commitment to live instrumentation and thematic maturity, evolving from earlier ironic detachment to direct explorations of human connection.[75] Lyrical themes in Healy's work frequently draw from autobiographical experiences, including struggles with heroin addiction and rehab, as in "It’s Not Living (If It’s Not With You)" from A Brief Inquiry Into Online Relationships (2018), where he employs a persona like "Danny" to narrate his own recovery post-rehab.[79] Relationships and intimacy form a core motif, blending wistful fatalism with vulnerability—evident in ballads like "Be My Mistake," which confronts guilt in casual encounters, and "When We Are Together," reflecting on past breakups such as his split from FKA Twigs.[79][76] Broader social critiques permeate his lyrics, targeting online culture's distortions, fame's insincerity, and political absurdities, as in "Love It If We Made It," which weaves references to Donald Trump, Kanye West, and Lil Peep into a collage of tabloid headlines and millennial disillusionment.[79][77] Recurring explorations of loneliness, distance, and the desire for authentic connection appear across albums, such as meditations on FaceTime-era isolation in Notes on a Conditional Form (2020), where tracks like "Playing On My Mind" infuse anxieties with humor.[78] Healy's themes often intersect personal demons with societal observations, as in rehab-inspired narratives drawing from David Foster Wallace's Infinite Jest in "Surrounded by Heads and Bodies," highlighting therapeutic bonds amid disconnection.[79] This blend yields work that critiques performative online personas while advocating unfiltered self-examination, evolving toward greater earnestness in later releases like Being Funny in a Foreign Language, where maturity supplants youthful hedonism.[75][77]Vocal Style and Stage Presence
Matty Healy's vocal style is marked by an emotive and raw delivery, frequently stretched across intricate, zigzagging melodies that amplify vulnerability.[80] His technique draws from direct emulation of tracks he admires, incorporating a louche, Elvis-like phrasing alongside versatile elements such as falsetto, head voice, and occasional distorted screams for dynamic expression.[4][81] This approach contributes to The 1975's eclectic sound, blending indie pop with broader influences, though some observers note strain in prolonged live sets due to the demands of his phrasing.[82] Healy's stage presence fuses concert performance with theatrical performance art, often featuring elaborate sets like constructed houses or wax figures to evoke suburban anxiety and intimacy.[83][66] Signature elements include traversing a travelator in sharp suits while executing smooth, provocative movements, alongside audience interactions that border on chaotic.[84] During the 2022–2023 Still... At Their Very Best tour, he incorporated multimedia and physical props, such as crawling through televisions or lying with effigies, to theatricalize personal and cultural themes.[85][66] Critics have described his persona as polarizing, with praise for its charisma and innovation contrasted by accusations of pretentiousness, self-absorption, or clumsiness, particularly in instances of apparent inebriation or extended monologues.[86][87] At Glastonbury 2025, his headlining set, featuring casual props like pints and cigarettes, divided audiences, with some labeling it "bland" or "insufferable" amid his provocative antics.[88][84] Despite such backlash, Healy's approach has solidified The 1975's reputation for boundary-pushing live shows, influencing perceptions of indie rock performance as immersive narrative.[89]Public Controversies
On-Stage Provocations and Incidents
Matty Healy, frontman of The 1975, has incorporated provocative and theatrical elements into the band's live performances, often blending physical stunts, audience interactions, and political statements to challenge social norms or highlight perceived injustices. These actions, which escalated during the 2022–2023 Being Funny in a Foreign Language tour, have drawn both acclaim for their raw energy and criticism for perceived recklessness or insensitivity, particularly in regions with strict laws on public displays of affection or speech.[90][91] In September 2019, during a concert in Dubai, Healy kissed a male fan on stage as a protest against the United Arab Emirates' anti-LGBTQ+ laws, which criminalize same-sex acts. This act resulted in the band being banned from performing in the country, with authorities citing violations of performance contracts prohibiting political statements or displays deemed offensive to local culture. Healy defended the gesture as consistent with the band's ethos of authenticity over contractual constraints.[92] Throughout 2022 and 2023 tours, Healy's antics included kissing male and female fans during shows, getting a tattoo onstage in Lexington, Kentucky, on December 17, 2022, and consuming raw meat—reportedly licking bacon from a fan's armpit in one instance—prompting health concerns like potential tapeworm infection. Other behaviors encompassed simulating masturbation, performing topless push-ups, spitting toward cameras, and incorporating a nude mannequin resembling himself in fetal position on a moss-covered platform during a Newark, New Jersey, performance on November 7, 2023. These elements, while energizing audiences and generating viral attention, faced accusations of creepiness or boundary-crossing, with some observers questioning consent in fan interactions.[93][90] The most consequential incident occurred on July 21, 2023, at Malaysia's Good Vibes Festival in Kuala Lumpur, where Healy delivered a profane speech condemning the country's laws banning same-sex relationships—punishable by up to 20 years imprisonment—stating, "Technical issues can go fuck themselves, but I don't want to go fuck myself because of a law." He then kissed bassist Ross MacDonald passionately onstage before the set was abruptly halted. The festival's remaining days were canceled by organizers, citing breach of contract, and Future Sound Asia sued The 1975 for $2.4 million in damages, alleging the actions were deliberate provocation rather than standard performance. Malaysia's LGBTQ+ advocates criticized Healy for endangering local queer individuals by inflaming conservative backlash without meaningful follow-through, viewing it as performative allyship in a context where subtlety might better protect vulnerable communities. Healy countered that the kiss was "an ongoing part of the 1975 stage show," not a targeted stunt, and joked on Instagram about the difficulty of avoiding such interactions. In July 2024, the band countersued, and by February 2025, a Malaysian court ruled that individual members, including Healy, held no personal liability, though the case against the band entity persists.[94][95][96][97][98]Media Statements and Social Backlash
In September 2019, Healy expressed concerns about the excesses of cancel culture in an interview, stating that "keyboard warriors" required boundaries and that public shaming often lacked nuance, arguing for accountability without permanent ostracism.[99] This drew criticism from outlets framing his views as dismissive of valid social justice concerns, though Healy maintained that rigid ideological enforcement stifled discourse.[100] Following the death of George Floyd in May 2020, Healy tweeted support for Black Lives Matter but included a link to The 1975's song "People," prompting accusations of exploiting the movement for band promotion.[101] He subsequently apologized, clarifying the intent was to highlight the track's anti-racism themes without commercialization, yet social media users and commentators persisted in labeling it opportunistic.[101] In October 2022, Healy discussed his decision to quit Twitter after a 2020 post perceived as controversial, declaring he would no longer engage in "morally obvious" debates to avoid performative virtue-signaling, which he linked to broader cultural pressures.[100] This elicited backlash from progressive media and fans who interpreted it as evasion of accountability, amid his growing reputation for rejecting identity politics in favor of individual merit.[100] During a January 2023 concert, Healy referenced Kanye West's recent antisemitic statements by performing a mock Nazi salute onstage while critiquing West's separation of artistic genius from personal flaws, saying to "separate the antisemitism" and praising West's "self-belief."[102] Videos circulated widely, igniting accusations of antisemitism from social media users and outlets like the Times of Israel, which highlighted Healy's amplification of edgy rhetoric; Healy's defenders argued it satirized hypocrisy in celebrity cancelations, but the incident fueled demands for boycotts.[103] In February 2023, Healy appeared on The Adam Friedland Show podcast, where he laughed along with hosts' jokes mocking rapper Ice Spice's mixed ethnicity—referring to her as an "Inuit Spice Girl"—and admitted attempting to message her privately.[104] The episode resurfaced in May amid his relationship with Taylor Swift, sparking viral outrage on platforms like Twitter for perceived racism and objectification, with critics from NBC News and others decrying it as emblematic of unchecked privilege; Healy responded that the humor targeted performative offense rather than individuals, insisting "it doesn't actually matter" and later issuing private apologies to Ice Spice, who confirmed in September 2023 that they had reconciled after multiple discussions.[101][105][106] Healy reiterated his critique of identity-driven backlash in May 2023 interviews, arguing against judging people by group affiliations and emphasizing personal actions over ideological purity tests, which intensified scrutiny from fans and media aligned with progressive norms.[104] In November 2023, at the Grammys, he again praised West's "heroic" conviction while distancing from bigotry, prompting renewed condemnation.[107] By October 2023, Healy publicly apologized during a Hollywood Bowl performance for "recent wrongdoings," acknowledging harm from his provocative style without retracting his anti-conformist stance, as backlash from left-leaning outlets and social media—often amplified without full context—highlighted tensions between his irony-laced commentary and expectations of unassailable moral alignment.[108][109]Professional and Legal Consequences
In July 2023, during The 1975's performance at Malaysia's Good Vibes Festival in Kuala Lumpur on July 21, lead singer Matty Healy kissed bassist Ross MacDonald onstage, criticized the country's laws prohibiting public same-sex affection, and poured beer on himself in protest, prompting authorities to terminate the set midway and cancel the festival's remaining days.[110][96] The actions violated festival guidelines and national regulations, leading to an indefinite ban on The 1975 performing in Malaysia.[95][111] Festival organizer Future Sound Asia (FSA) initiated legal proceedings against The 1975 in London's High Court in July 2024, alleging breach of contract and seeking roughly $2.4 million (or 1.1 million pounds) in compensation for financial losses, including revenue shortfalls and regulatory penalties.[111][98] The suit claimed the band's conduct deliberately sabotaged the event, which had drawn international artists and attendees.[96] On February 24, 2025, High Court Justice Fabiana Bettini dismissed claims of personal liability against Healy and the other individual members (Ross MacDonald, Adam Hann, and George Daniel), ruling that FSA failed to establish a direct duty of care owed by them personally beyond their contractual obligations as band representatives.[110][111] Claims against The 1975 as a corporate entity persisted, with FSA's counsel arguing the protest was premeditated rather than spontaneous.[112] Healy later recounted that the band was "briefly imprisoned" by Malaysian authorities post-incident before being permitted to depart.[113] Separate from the Malaysian case, Healy's May 2023 guest appearance on "The Adam Friedland Show"—where he laughed at jokes invoking antisemitic tropes, including references to "Jewish space lasers" in connection to rapper Ice Spice—drew widespread condemnation but yielded no documented legal repercussions or professional cancellations for The 1975.[114] Spotify promptly removed the episode following public outcry.[114] In October 2023, Healy issued a onstage apology at the Hollywood Bowl for his recent "wrongdoings," acknowledging missteps amid broader backlash.[108] In December 2024, rapper Azealia Banks sent Healy a cease-and-desist letter demanding $1 million in damages over an online dispute involving alleged defamation and harassment, though no formal lawsuit had been filed as of that date.[115] No additional professional fallout, such as tour cancellations or sponsorship losses, has been verifiably linked to Healy's controversies beyond the Malaysian ban and litigation.Political and Social Positions
Advocacy for LGBTQ+ Rights
Healy has publicly stated his support for LGBTQ+ equality, attributing it to his upbringing in environments influenced by the gay community, where he witnessed same-sex affection from an early age.[116] In a 2019 interview, he described himself as an "aesthete" drawn to beauty regardless of gender, recounting instances of kissing men he found attractive and expressing an open-minded stance on sexuality that prioritizes personal connection over rigid labels.[117] [118] In June 2018, The 1975 contributed funding to establish the New Eel Brook Common LGBTQ+ Centre in Hackney, London, responding to a crowdfunding appeal for £50,000 by providing support at a critical stage to secure the project's viability amid local council funding shortfalls.[119] The band also participated in The Ally Coalition's 2022 benefit concert, an annual event founded by Jack Antonoff and Lena Dunham to aid LGBTQ+ youth organizations through proceeds from performances.[120] Additionally, in October 2023, The 1975 donated $500 to the San Diego LGBT Community Center, presenting an oversized check during a publicity moment, though the gesture drew scrutiny for its modest scale relative to the band's resources.[121] During a July 21, 2023, performance at Malaysia's Good Vibes Festival, Healy condemned the country's anti-LGBTQ+ laws—which prohibit same-sex relations and public advocacy for them—declaring that The 1975 would not perform in nations restricting queer expression, before kissing bassist Ross MacDonald onstage in protest.[97] This action led to the band's set being halted and the festival's cancellation, resulting in a lawsuit against The 1975 for contract breaches, though a UK court ruled in February 2025 that the band bore no financial liability for the organizers' losses.[122] [123] While some viewed it as solidarity against homophobic policies, Malaysia's LGBTQ+ activists criticized the stunt as performative and potentially harmful, arguing it reinforced "white savior" narratives, heightened scrutiny on local queer individuals, and exacerbated crackdowns without consulting affected communities.[124] [125]Environmental and Climate Activism
Healy has publicly endorsed climate activism, particularly through collaboration with Greta Thunberg. In July 2019, The 1975 released the track "The 1975" from their album A Brief Inquiry Into Online Relationships, featuring Thunberg's spoken-word introduction calling for urgent action against the climate emergency, stating, "This is the greatest crisis that humanity has ever faced."[126] The band approached Thunberg after other artists declined the feature, with Healy later crediting her for shifting his previously pessimistic stance on the movement, describing her as "the most punk person I've ever met."[127][128] The band's efforts extended to practical measures for reducing touring's environmental impact. In 2019, Healy urged fans via social media to plant trees as a commitment to climate action, aligning with broader endorsements of emergency climate campaigns.[129] By 2020, amid discussions on post-pandemic live music, Healy advocated for "some kind of sacrifice" in concerts to enhance sustainability, emphasizing reduced carbon footprints for events he likened to "religious pilgrimages."[130] The 1975 partnered with the nonprofit Reverb to implement greener touring practices, including powering buses and equipment with vegetable oil.[131][132] In 2023, The 1975 performed four "carbon-removed" shows at London's O2 Arena in February and March, billed as the venue's first such events, where emissions were offset through verified carbon removal projects.[133][129] These initiatives followed the band's 32-date North American tour starting September 26, 2023, reflecting ongoing attempts to mitigate the high-emission nature of global touring, though critics have questioned the net effectiveness of such offsets given aviation and logistics demands.[129][134]Criticisms of Performative Politics and Personal Evolution
Matty Healy's onstage protest at the Good Vibes Festival in Kuala Lumpur, Malaysia, on July 21, 2023, drew accusations of performative activism from local LGBTQ+ advocates. During the performance, Healy criticized the country's anti-LGBTQ laws, calling them "fascist" and attributing the festival's restrictions to government suppression, before kissing male bandmate Ross MacDonald.[124] This action led to the immediate cancellation of the three-day event, prompting Malaysian queer community members to label it a "white saviour complex" that prioritized Healy's self-expression over the safety of locals already facing legal risks under Section 377A of the Penal Code, which criminalizes same-sex acts.[135] Critics argued the stunt, lacking prior consultation with affected groups, exacerbated dangers for Malaysian LGBTQ+ individuals by fueling conservative backlash and government scrutiny, rather than fostering sustainable change.[97] [136] Healy's broader political engagements have similarly faced scrutiny for superficiality. Earlier instances, such as retweeting anti-Islam content in 2017, were cited by observers as inconsistent with his professed progressive stance, suggesting selective or opportunistic advocacy.[134] By 2025, during The 1975's Glastonbury headline set on June 27, Healy publicly distanced the band from political legacies, stating, "We honestly don't want our legacy to be one of politics. We want it to be that of love and friendship," a position that fellow artist Jade Thirlwall condemned as "disappointing" for evading responsibility, particularly given Healy's platform as a white male artist.[137] [138] Thirlwall emphasized that pop artists cannot "cover [their] eyes" on issues like politics, viewing Healy's pivot as a retreat amid prior controversies.[139] Healy's personal evolution reflects a shift from fervent political commentary to reticence. In 2020, he described himself as a "political pop star" driven by necessity, using performances to address social issues like government suppression.[140] However, by late 2022, observers noted a departure from earlier "social justice warrior" tendencies toward views prioritizing free expression over institutional activism, evidenced in his defenses against cancel culture.[141] This progression culminated in 2025 vows to minimize politics in shows, attributed by some to backlash fatigue, including the Malaysia fallout and 2023 media storms over personal remarks, though Healy has framed it as a focus on universal themes like connection over division.[142] Such changes have divided fans, with critics interpreting them as maturation away from insincerity, while others see evasion of accountability for past inconsistencies.[143]Personal Life
Romantic Relationships
Healy's first publicly reported romantic involvement was with model Gemma Janes in 2013, though details remain limited.[144] In 2014, he was briefly linked to model Aliana Lohan, sister of Lindsay Lohan, following sightings together at events.[145][146] That same year, Healy began dating singer Halsey, with their relationship lasting into 2015; Halsey later referenced Healy in her music, including the song "Graveyard" from her 2019 album Manic.[145][147] From 2015 to 2019, Healy was in a four-year relationship with Australian model Gabriella Brooks, which ended reportedly due to the challenges of his touring schedule and her inability to cope with the lifestyle.[148][145] In 2019, he started dating singer FKA twigs (Tahliah Debrett Barnett), with the couple going public that September; their relationship lasted until 2022, marked by periods of separation amid Healy's substance issues and twigs' recovery from prior abuse allegations against her ex, Shia LaBeouf, whom Healy publicly defended in 2020 interviews.[149][145][150] Following the breakup, Healy was seen with model Charlotte Briar D'Alessio in late 2022, including at a New Year's Eve party, though the relationship was short-lived.[145][150] In May 2023, shortly after Taylor Swift's breakup with Joe Alwyn, Healy and Swift began a brief, highly publicized romance that lasted about a month; they were spotted kissing at a New York Yankees game on May 30, 2023, and Healy appeared onstage with Swift during her Eras Tour in Philadelphia on June 2, 2023, but the relationship ended by June amid public scrutiny over Healy's past comments and associations.[147][151][149] Healy was briefly linked to model Meredith Mickelson in early 2023, with photos emerging of them together, but no confirmed duration.[152] Since mid-2023, Healy has been in a relationship with model Gabbriette Bechtel, whom he began dating after meeting at a New York Fashion Week event; the couple announced their engagement on June 11, 2024, via Bechtel's Instagram post showing a black diamond ring, with Healy confirming the news in subsequent interviews.[153][149][154]Health Issues and Recovery
Matty Healy developed a heroin addiction starting in late 2014, during a period of intense touring and rising fame with The 1975, which he described as a means to counteract the manic highs of success and manage underlying anxiety.[155][4] The habit escalated over the following years, leading to blackouts, strained relationships, and professional disruptions, including instances where he could not recall recording sessions due to heavy use.[156][157] By 2017, Healy's addiction reached a crisis point, prompting an intervention from his bandmates, who funded a seven-week stay at a rehabilitation facility in Barbados from November to December of that year.[155][158] There, he underwent treatment including equine therapy to address his dependency on heroin, opiates, and anxiety medications, marking the beginning of his sustained recovery.[159] Healy has maintained sobriety from heroin since completing the program, though he continues to consume alcohol and cigarettes.[160][155] In subsequent years, Healy has publicly reflected on recovery as an ongoing process, noting in 2018 that it involved reframing his identity beyond drug use and submitting to weekly drug tests to rebuild trust with his band.[161] He incorporated themes of addiction and withdrawal into The 1975's music, such as the 2018 track "It's Not Living (If It's Not with You)," which directly references his heroin struggles and path to sobriety.[156] By 2020, Healy likened the isolation of the COVID-19 quarantine to a "second rehab stint," emphasizing the mental discipline required for long-term abstinence.[162] He has stated that maintaining sobriety is facilitated by stable relationships, which provide accountability absent during his most vulnerable periods.[163]Reception and Legacy
Critical and Commercial Assessment
The 1975, fronted by Healy, have achieved substantial commercial success, with over 2.7 million albums sold worldwide, including 1.5 million in the United States and 1.2 million in the United Kingdom.[164] Their self-titled debut album topped the UK Albums Chart upon release in September 2013 and was certified triple platinum by the British Phonographic Industry in October 2025, having accumulated more than 791,000 chart units in the UK by August 2023.[165] Subsequent releases, such as I Like It When You Sleep, for You Are So Beautiful yet So Unaware of It (2016) and A Brief Inquiry Into Online Relationships (2018), also debuted at number one on the UK Albums Chart and reached the top five on the US Billboard 200.[164] On streaming platforms, tracks like "Somebody Else" have surpassed 949 million Spotify streams, while "About You" exceeded 800 million, reflecting sustained digital popularity.[166] Critically, The 1975's albums have generally received positive reviews, with Metacritic scores ranging from 75 for I Like It When You Sleep... to 83 for A Brief Inquiry Into Online Relationships, praising their blend of pop experimentation, lyrical introspection, and genre influences from 1980s new wave to indie rock.[167][168] Being Funny in a Foreign Language (2022) earned an 82, lauded for its refined production and emotional depth amid Healy's personal reflections on fame and relationships.[169] However, some reviews noted divisions, particularly for ambitious but sprawling efforts like Notes on a Conditional Form (2020), where critics highlighted inconsistencies in pacing despite innovative elements.[59] The band has garnered multiple nominations but limited major award wins, including two Grammy nods—for Best Rock Song ("Give Yourself a Try," 2020) and Best Boxed or Special Limited Edition Packaging (2017)—without victories, a point Healy described as an "outrage" in November 2023, attributing it to overlooked artistic merits.[9][170] They secured four Brit Awards and two Ivor Novello Awards, the latter recognizing Healy's songwriting, underscoring peer acclaim in the UK despite broader industry recognition gaps.[9] Commercial metrics and streaming dominance indicate enduring fan engagement, even as critical discourse emphasizes Healy's evolving persona influencing perceptions of their output.[166]Cultural Influence and Debates
Healy's stage persona and lyrical content have influenced youth culture by embodying a self-aware irony toward fame and social media dynamics, blending vulnerability with provocation to critique modern authenticity. Through The 1975's albums, he addresses themes like internet aesthetics, masculinity, and addiction, drawing from diverse influences including 1980s synth-pop and emo to create a sound dubbed "Healywave" for its impact on indie pop's emotional introspection.[77][30] His emphasis on sincerity amid performative online personas has resonated with millennials and Gen Z, positioning him as a commentator on 21st-century pop culture fragmentation.[171] This influence extends to broader cultural dialogues, where Healy's omnivorous artistic inputs—from protest songs avoiding naïveté to explorations of tactile authenticity—have encouraged artists to navigate irony without full cynicism.[30][172] In interviews, he has argued that music's boundary-pushing has stagnated due to social media pressures, advocating for raw expression over sanitized appeal.[173] His public evolution from chaotic impulses to deliberate sincerity has modeled personal growth in the public eye, influencing how musicians engage with mental health and recovery narratives.[174] Debates surrounding Healy often center on the line between genuine provocation and performative excess, particularly in his advocacy for free speech and LGBTQ+ rights abroad. On July 21, 2023, during The 1975's set at Malaysia's Good Vibes Festival, Healy kissed bassist Ross MacDonald onstage while denouncing the country's anti-LGBTQ+ laws as incompatible with live music, leading to the event's cancellation, the band's blacklist, and a 2024 lawsuit seeking $12.7 million from festival organizers.[97] [95] [96] Malaysian LGBTQ+ advocates criticized the act as Western-imposed and risky, potentially heightening local dangers without sustained impact, while Healy defended it as unaltered from their standard set, unchanged for optics.[97] [175] In October 2023, he elaborated that Western liberals expressed more outrage over the kiss than over Malaysia's laws, highlighting perceived selective indignation.[175] Further contention arose from Healy's 2023 appearance on "The Adam Friedland Show," where jokes about rapper Ice Spice's ethnicity and references to adult site Ghetto Gaggers—intended as mockery of the content—drew racism accusations, amplified amid his brief relationship with Taylor Swift from May to June 2023.[101] [176] Healy apologized in October 2023 at the Hollywood Bowl, acknowledging harm without retracting intent, amid fan backlash questioning his anti-racist credentials given prior defenses of controversial figures like Ye.[108] [102] Healy's critiques of "woke" culture, as in the 2022 lyric "Am I ironically woke? The butt of my joke?" from Being Funny in a Foreign Language, have fueled debates on irony's role in art versus offense, with some viewing his stance as anti-performative hypocrisy and others as pushback against cultural orthodoxy stifling discourse.[174] [4] In 2025, he warned of "cultural erasure" from venue closures, tying it to broader free speech erosion in music ecosystems.[177] These incidents underscore tensions between Healy's authenticity-driven ethos and interpretations framing him as recklessly provocative, often amplified by social media decontextualization.[178]Creative Output
Discography with The 1975
The 1975, with Matty Healy as lead vocalist, released four extended plays—Facedown (October 30, 2012), Sex (November 1, 2012), IV (May 20, 2013), and Music for Cars (December 2, 2013)—prior to their full-length debut, establishing an early fanbase through indie and alternative rock circuits.[6] These EPs featured raw, youthful tracks like "The City" and "Sex," which gained traction via streaming and live performances, setting the stage for the band's shift toward polished pop-rock production.[6] The band's five studio albums have all debuted at number one on the UK Albums Chart, demonstrating consistent commercial dominance in their home market with a combined 329 weeks on the chart as of 2025.[179] Each release showcases Healy's evolving lyrical focus on personal introspection, societal critique, and relationships, backed by genre-blending instrumentation from bandmates Adam Hann, Ross MacDonald, and George Daniel.[180]| Title | Release date | UK peak | US Billboard 200 peak | Selected certifications |
|---|---|---|---|---|
| The 1975 | September 2, 2013 | 1 | 28 | UK: 3× Platinum (900,000) US: Platinum (1,000,000)[179][181][182][183] |
| I Like It When You Sleep, for You Are So Beautiful yet So Unaware of It | February 26, 2016 | 1 | 1 | —[179][45] |
| A Brief Inquiry into Online Relationships | November 30, 2018 | 1 | 1 | —[179] |
| Notes on a Conditional Form | May 22, 2020 | 1 | 4 | —[179] |
| Being Funny in a Foreign Language | October 14, 2022 | 1 | 3 | —[179] |