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Midwest emo

Midwest emo is a subgenre of emo music that developed in the Midwestern United States during the mid- to late 1990s, distinguished by its jangly guitar work, math rock-inspired rhythms, and emotionally introspective lyrics often exploring themes of youth, relationships, and suburban ennui.^[1] It represents the second wave of emo, evolving from the aggressive emotional hardcore pioneered in Washington, D.C., by bands like Rites of Spring, but softening the intensity with melodic indie rock and post-hardcore influences to create a more accessible, twinkly sound.^[2]^[3] The genre's roots trace back to the early 1990s underground scene in cities like Chicago, Urbana, and Lawrence, where DIY labels such as Polyvinyl Records and Jade Tree fostered a tight-knit community of musicians blending punk energy with intricate instrumentation.^[4] Highly influential early bands included Cap'n Jazz, formed in 1989 in suburban Chicago by brothers Tim and Mike Kinsella, whose chaotic yet melodic style helped define the subgenre's raw emotional core.^[5] Other foundational acts like Mineral from Houston (often grouped with the Midwest sound despite its Texas origins) and Boys Life from Kansas brought sentimental takes on DC hardcore, emphasizing dynamic shifts between quiet verses and explosive choruses.^[3] By the late 1990s, Midwest emo gained wider recognition through bands such as Braid, the Promise Ring, and American Football, whose self-titled 1999 debut album—featuring interwoven guitar lines and spoken-word confessions—became a cornerstone of the style and an enduring influence on indie rock.^[1]^[4] These groups shifted emo toward a more polished, guitar-driven aesthetic, with lyrics delivered in a conversational, vulnerable tone that contrasted the era's dominant pop-punk trends.^[2] The scene peaked around 1998–2000 but waned as mainstream emo (often called "emo pop") rose with acts like Jimmy Eat World and the Get Up Kids, who bridged Midwest emo to broader audiences before the subgenre largely went dormant in the early 2000s.^[1] In the 2010s, a revival sparked renewed interest, with younger bands like the World Is a Beautiful Place & I Am No Longer Afraid to Die and Mom Jeans drawing directly from Midwest emo's playbook, incorporating orchestral elements and themes of mental health amid a digital-age resurgence of vinyl and streaming nostalgia.^[6] This "emo revival" expanded the genre's reach globally, though purists debate its boundaries, emphasizing the original Midwest acts' role in prioritizing emotional authenticity over commercial polish.^[7] By the mid-2020s, the subgenre continues to inspire diverse fusions, from indie folk to hyperpop, underscoring its lasting impact on alternative music.^[8]

Musical Characteristics

Instrumentation and Style

Midwest emo distinguishes itself from its hardcore punk roots by blending indie rock and math rock elements, particularly through the prominent use of arpeggiated guitar melodies and intricate fingerpicking techniques that create a twinkly, ethereal texture.^[9]^[10] These guitar approaches emphasize melodic interplay over aggression, often employing rapid arpeggios to evoke nostalgia and emotional depth. Rhythms draw heavily from math rock influences, incorporating odd time signatures such as 5/4 or 7/8 to introduce tension and irregularity that heightens the genre's introspective quality.^[11]^[12] A defining feature is the dramatic dynamic shifts between subdued, quiet verses—built on sparse, clean strumming—and explosive choruses that unleash layered intensity, frequently with dual guitars trading interlocking riffs for a conversational feel.^[13]^[14] Bass lines play a crucial role in propelling these builds, providing driving, melodic foundations that underscore emotional crescendos without overpowering the guitars.^[15] Chord progressions often nod to jazz influences, using extended voicings and unconventional resolutions to add harmonic sophistication and melancholy.^[16] Production in Midwest emo favors clean, reverb-heavy tones for the guitars, evoking spaciousness and vulnerability, while occasional bursts of distortion add raw contrast during peaks.^[17] Drumming evolves beyond punk's straightforward speed, shifting to nuanced, syncopated patterns that weave through complex rhythms and support the melodic layers with subtle fills and off-beat accents.^[18]^[19] These elements collectively foster a sound that prioritizes emotional nuance over brute force, aligning with the genre's focus on personal introspection.

Lyrics and Vocal Delivery

Midwest emo lyrics frequently delve into themes of personal vulnerability, suburban ennui, fractured relationships, and the transience of youth, often framed through confessional, diary-like narratives that invite listeners into intimate emotional landscapes.^[20] These songs prioritize raw self-examination over external critique, continuing the inward-focused introspection that originated in earlier emo styles—which shifted from the political and socially charged edge of 1980s hardcore punk—to emphasize individual emotional turmoil.^[21]^[22] Poetic devices in Midwest emo draw heavily on metaphors from everyday Midwestern life, such as endless drives through rain-slicked highways or the stifling isolation of small-town routines, evoking a sense of quiet desperation without resorting to aggressive confrontation.^[23] This approach fosters a subtle, reflective tone, where suburban boredom becomes a symbol for broader existential unease, allowing the narratives to resonate as personal yet universally relatable confessions.^[7] Vocal delivery in the genre employs unconventional techniques to amplify this emotional core, featuring strained, off-key shouts that crack with authenticity, falsetto harmonies for moments of fragile elevation, and spoken-word interludes that mimic unfiltered diary entries.^[7] These elements create a sense of immediacy and imperfection, prioritizing raw expression over polished performance to mirror the lyrics' vulnerability. Call-and-response vocals between band members further enhance this, building a communal release that draws audiences into shared catharsis during live performances and recordings.^[24]

History

Origins and Early Development (1980s–1990s)

Midwest emo emerged in the late 1980s from the post-hardcore scene in the Midwestern United States, drawing influence from the emotional hardcore pioneered by Washington, D.C. bands such as Rites of Spring, but adapting it to a more localized, introspective style amid the region's DIY punk communities. This development was particularly concentrated in urban and college-town hubs like Chicago and Urbana-Champaign in Illinois, where the genre's raw energy began to incorporate indie rock and math rock elements, fostering a distinct sound tied to youthful alienation and experimentation.^[25] The scene's roots in post-hardcore's aggressive foundations were evident in early bands that blended punk's intensity with emerging melodic structures, setting the stage for emo's second wave.^[20] Key early milestones included the formation of influential groups like Cap'n Jazz in Chicago in 1989, which fused punk's high energy with indie experimentation through chaotic yet catchy songwriting, and Braid in Urbana-Champaign in 1993, which emphasized intricate guitar arpeggios and dual vocals to explore personal themes.^[26] These bands exemplified the genre's initial phase, performing at local venues and releasing material via small-run cassettes and 7-inch records that captured the era's grassroots ethos. The DIY infrastructure was bolstered by labels such as Polyvinyl Records, founded in 1994 by Matt Lunsford and Darcie Knight initially as a zine documenting the Midwest underground, which evolved into a label by 1996 and supported the scene through affordable cassette releases and compilations like the 1996 Direction album featuring regional acts.^[27] Polyvinyl's focus on local shows and accessible distribution helped nurture a tight-knit community, amplifying the visibility of these early ensembles without commercial pressures.^[28] By the mid-1990s, around 1995, Midwest emo began shifting from post-hardcore's overt aggression toward greater melodic introspection, prioritizing emotional vulnerability and complex arrangements over sheer intensity—a transition reflected in releases that balanced punk roots with indie accessibility.^[20] This evolution was marked by Braid's 1998 album Frame & Canvas, a milestone that showcased soaring melodies, interwoven guitars, and confessional lyrics, influencing the genre's trajectory while solidifying its ties to college-town environments in Illinois, Indiana, and surrounding states like Michigan.^[26] These areas, with their vibrant student populations and affordable living, served as breeding grounds for the scene, enabling frequent gigs and collaborative networks that emphasized communal creativity over mainstream ambitions.^[29]

Peak and Evolution (Late 1990s–Early 2000s)

The late 1990s marked the peak of Midwest emo's creativity and visibility, as bands released albums that solidified the genre's signature sound of intricate, arpeggiated guitars and introspective lyrics. Mineral's The Power of Failing (1997), released on Crank! Records, exemplified this era with its twinkling guitar lines and raw emotional delivery, establishing a blueprint for the subgenre's heartfelt vulnerability.^[30] Similarly, The Promise Ring's Nothing Feels Good (1997) on Jade Tree Records introduced a slight pop-inflected polish to the style, blending earnest confessions with melodic hooks that propelled the band toward broader recognition.^[30] American Football's self-titled debut (1999), issued by Polyvinyl Records, further defined the peak through its math-rock-infused structures and themes of youthful longing, becoming an instant cult classic within the Midwestern scene.^[31] This period saw expanded exposure beyond regional DIY venues, with bands embarking on national tours and appearing at festivals that amplified word-of-mouth promotion through zines and fan networks. The Vans Warped Tour, running annually from 1995, provided key platforms for Midwest emo acts to reach diverse audiences across the U.S., fostering connections in the burgeoning punk and alternative scenes.^[32] Groups like The Get Up Kids and Braid leveraged these opportunities to build momentum, transitioning from local Midwest shows to cross-country van tours that heightened the genre's underground buzz.^[20] As the scene matured, Midwest emo evolved toward a more polished indie rock aesthetic, incorporating atmospheric elements from Sunny Day Real Estate's grunge-tinged emotionality and Jawbox's angular post-hardcore riffs. Sunny Day Real Estate, despite their Seattle origins, influenced the shift by blending indie introspection with dynamic builds, inspiring Midwestern bands to refine their sound for greater accessibility without losing raw intensity.^[33] Jawbox's precise, riff-driven approach from the early 1990s DC scene contributed to this polish, encouraging experimentation with cleaner production and melodic layers in albums like those from The Promise Ring.^[20] However, growing visibility brought challenges, including major label interest that led to mixed receptions and band burnout. Sunny Day Real Estate's 1995 signing to Capitol Records after their Sub Pop debut exemplified this tension, as the deal amplified their reach but ultimately contributed to internal pressures and lineup changes.^[20] Similarly, Jawbox's 1993 Atlantic Records contract drew backlash from punk purists for perceived commercialization, highlighting the scene's resistance to mainstream co-option.^[20] These shifts often resulted in creative exhaustion for touring bands, as relentless schedules eroded the communal spirit that defined early Midwest emo. By 2000, the genre's fanbase had notably expanded through college radio play and nascent online forums, providing vital conduits for discovery amid limited commercial airtime. American Football's debut garnered rotation on stations like those at Midwestern universities, introducing the sound to broader student audiences and sustaining grassroots enthusiasm.^[31] Early internet communities, such as music discussion boards, further disseminated tracks and zine reviews, cultivating a dedicated following that bridged regional isolation to national dialogue.^[31]

Decline and Underground Persistence (2000s)

By the early 2000s, Midwest emo faced a decline in prominence as the mainstream music landscape shifted toward the aggressive sounds of nu-metal and the more accessible energy of pop-punk, which overshadowed the genre's introspective and melodic variants.^[34] This overshadowing was compounded by the disbandment of several influential bands, including American Football in 2000 after a brief run as a university side project, and Braid shortly after their 1998 album Frame & Canvas, marking the end of a key era for the scene.^[31]^[35] Despite these setbacks, the genre persisted underground through side projects and solo endeavors that preserved its emotional core, such as Mike Kinsella's Owen, which debuted with a lo-fi, vulnerable self-titled album in 2001 and continued releasing introspective works onward.^[36] Early digital platforms like MySpace and music blogs facilitated this persistence by enabling bands and fans to share tracks and build niche communities without relying on major label promotion, sustaining the DIY spirit amid waning commercial interest.^[37] Regional all-ages venues and basement shows in Midwestern cities like Chicago and Urbana-Champaign kept the ethos alive through the mid-2000s, fostering intimate performances that emphasized community over spectacle.^[38] The influence of Midwest emo gradually seeped into broader indie rock during this period, with bands like Death Cab for Cutie echoing its understated emotional introspection and relatable themes of everyday struggle, despite their Pacific Northwest origins.^[39] This absorption helped maintain the genre's melodic focus indirectly, as elements of its twinkly guitars and confessional lyrics informed the indie scene's evolution without overt commercial revival.^[40]

Revival and Modern Iterations (2010s–2025)

The revival of Midwest emo in the 2010s was catalyzed by a series of band reunions that reintroduced the genre's signature twinkly guitars and introspective lyrics to new audiences. American Football, a foundational act from the late 1990s, reunited for live performances in 2014 after a 15-year hiatus, selling out venues worldwide and reigniting interest in their self-titled debut album.^[41] This momentum led to the release of their second album, American Football (LP2), in 2016 on Polyvinyl Records, which blended the band's original math-rock-inflected sound with matured production while maintaining emotional vulnerability.^[42] Platforms like Tumblr and Bandcamp played crucial roles in amplifying back catalogs, fostering online communities where users shared rare tracks and playlists, thus democratizing access to obscure 1990s releases and bridging generational gaps.^[6] Emerging second-wave bands in the mid-2010s further propelled the genre by fusing Midwest emo's melodic structures with pop-punk energy, creating more accessible entry points for younger listeners. Modern Baseball's 2014 album You're Gonna Miss It All, released on Run for Cover Records, exemplified this blend through its raw, youthful narratives of relationships and insecurity, delivered over punchy riffs and gang vocals that echoed Cap'n Jazz influences while appealing to a broader indie crowd.^[43] These acts, often self-released or distributed via Bandcamp, contributed to a DIY ethos that sustained the revival amid shifting music industry landscapes.^[44] In the 2020s, the genre experienced renewed growth through post-pandemic streaming surges and digital platforms, with Spotify and TikTok facilitating viral rediscoveries of classics and new material. Quarantine-era content creation on TikTok spurred an emo resurgence, where users remixed tracks like American Football's "Never Meant" into nostalgic edits, expanding the genre's reach beyond the Midwest to global audiences.^[45] Festivals such as When We Were Young, held annually in Las Vegas since 2022, underscored this by featuring reunited Midwest acts alongside contemporary performers, drawing tens of thousands and rooting the revival in live Midwestern tours while achieving international visibility.^[46] By 2025, a "second wave emo revival" had emerged, highlighted by acts like the Arizona band Stitching, which released a self-titled EP in March 2025 with DIY aesthetics and influences from bands like Braid, and supported by labels such as Seattle-based Milkcrate Merch, which promotes physical media for emo revival bands.^[47] Contemporary trends reflect increased thematic diversity, with lyrics delving deeper into mental health struggles and identity exploration, building on the genre's confessional roots to address modern issues like anxiety and self-discovery.^[48] Home recording technologies have democratized production, enabling lo-fi experimentation that mirrors the intimacy of early Midwest emo while adapting to digital distribution.^[49] This evolution has destigmatized emotional expression, fostering community through shared vulnerability in an era of heightened awareness around personal well-being.^[50]

Key Artists and Bands

Pioneering Groups

The pioneering groups of Midwest emo, active primarily in the 1990s, laid the genre's foundations through their innovative fusion of punk aggression, intricate guitar interplay, and introspective themes, drawing from Midwestern scenes in Illinois and Wisconsin.^[51] Cap'n Jazz, co-founded in the early 1990s by brothers Tim and Mike Kinsella in Chicago, Illinois, emerged as highly influential pioneers of Midwest emo with their chaotic energy and signature twin guitar attacks inspired by Dischord Records acts like Fugazi.^[5]^[4] The band's raw, high-velocity style shaped the genre's early sound, culminating in the 1997 compilation Analphabetapolothology, which collected their most dynamic recordings and solidified their legacy before disbanding in 1998.^[52] Their offshoots influenced nearly every form of popular emo for decades.^[53] Braid, formed in 1993 in Champaign, Illinois, defined 1990s Midwestern emo through mathy, angular song structures and soaring emotional crescendos, drawing from Washington, D.C., emo influences while establishing a distinctly regional voice.^[54]^[7] Their third album, Frame & Canvas (1998), stands as a genre-defining work for its brilliant interplay of complexity and vulnerability, released amid relentless touring that led to the band's disbandment in August 1999.^[55]^[54] American Football, assembled in 1997 in Urbana, Illinois, pioneered the twinkly, arpeggiated guitar tones and gradual builds that became synonymous with Midwest emo's atmospheric introspection.^[51] Their self-titled debut LP, released in 1999 on Polyvinyl Records, captured this sound in tracks like "Never Meant," earning cult acclaim for its earnest, college-era sensibility before the group disbanded in 2000.^[7]^[56] The Promise Ring, formed in 1995 in Milwaukee, Wisconsin, brought pop-infused melodies to emo's punk roots, broadening the genre's appeal with urgent, heartfelt songcraft.^[57] Their breakthrough album Nothing Feels Good (1997), released on Jade Tree Records, exemplified this approach through anthemic tracks that retained punk velocity while emphasizing emotional accessibility, marking a pivotal moment before the band's 2002 disbandment.^[7]^[57] Mineral, active from 1994 to 1998 and hailing from the broader emo circuit influencing Midwest scenes, contributed atmospheric melancholy and raw vulnerability to the genre's emotional core.^[58] Their debut full-length The Power of Failing (1997), issued on Crank! Records, captured this through meditative, failure-embracing lyrics and spacious instrumentation, cementing their status on the DIY emo circuit.^[7]^[59]

Revival and Contemporary Acts

Modern Baseball, formed in 2012 in Philadelphia, Pennsylvania, became a cornerstone of the Midwest emo revival with their blend of humorous yet heartfelt lyrics exploring themes of youth, relationships, and personal growth.^[60] Their 2014 album You're Gonna Miss It All captured this essence through infectious, sharply observed songs that balanced wit and vulnerability, marking a pivotal release in the genre's resurgence.^[61] The band went on indefinite hiatus in 2017, leaving a legacy of emo-pop that influenced subsequent acts.^[62] Mom Jeans, established in 2014 in Berkeley, California, brought slacker-rock vibes to the revival scene with their heart-on-sleeve, emo-tinged indie rock that emphasized raw emotional delivery and relatable introspection.^[63] Their debut full-length Best Buds, released in 2016, showcased this style through lo-fi production and lyrics delving into friendship and everyday anxieties, solidifying their place among 2010s emo innovators.^[63] The band remains active, continuing to evolve their sound within the DIY ethos of the genre. Joyce Manor, originating in 2008 in Torrance, California, evolved from an acoustic pop-punk duo into a full four-piece band known for fast-paced, concise songs that pack emotional intensity into short bursts.^[64] Their 2014 album Never Hungover Again exemplified this approach, delivering 10 diverse tracks in just 19 minutes that fused raw energy with melodic hooks, earning acclaim as a high point in the emo revival.^[65] Still active into the 2020s, they have maintained their reputation for ambitious, hook-driven punk that resonates with Midwest emo's emotional core. The Hotelier, formed in 2010 in Worcester, Massachusetts, contributed progressive emo narratives to the revival, crafting intricate stories of trauma, recovery, and identity across expansive song structures.^[66] Their breakthrough 2014 album Home, Like Noplace Is There featured verbose, ambitious tracks that unpacked personal and societal struggles, positioning the band as a driving force in the 2010s emo wave.^[67] Active through 2025, they continue to push narrative depth in their releases. Emerging acts in 2025, such as Stitching from Flagstaff, Arizona, and Milkcrate Merch from Seattle, Washington, are reinvigorating Midwest emo by blending its introspective elements with indie pop influences and emphasizing DIY digital distribution.^[47] Stitching's self-titled EP, released on March 21, 2025, via Bandcamp, features emotive tracks like "birchwood, overdrawn" that fuse melodic emo with pop accessibility, highlighting the genre's ongoing evolution through independent platforms.^[68] Milkcrate Merch, a DIY label from Seattle, Washington, supports this scene with releases that incorporate indie pop textures, promoting shoegaze-infused emo hybrids in their 2025 output and underscoring the revival's emphasis on community-driven innovation.^[47]

Cultural Impact and Legacy

Influence on Other Genres and Scenes

Midwest emo's introspective lyrics, twinkly guitar arpeggios, and dynamic shifts profoundly shaped the emo revival of the late 2000s and 2010s, as well as adjacent indie rock scenes. Bands like Death Cab for Cutie, though originating from the Pacific Northwest, embodied a Midwestern emo sensibility through their understated emotional delivery and melodic introspection, earning them recognition as one of the most "Midwestern" emo acts despite their geography.^[69] Similarly, Manchester Orchestra drew from Midwest emo's raw vulnerability and building crescendos, incorporating these elements into their indie rock framework to create emotionally charged anthems that bridged the genres. This influence extended to the revival's core, where groups like The World Is a Beautiful Place & I Am No Longer Afraid to Die channeled Midwestern emo's post-rock-infused catharsis into orchestral indie arrangements, helping redefine emo as a more expansive, genre-blending force.^[6] The genre's rhythmic complexity and unconventional structures also contributed to developments in math rock and post-rock. British band TTNG (formerly This Town Needs Guns) explicitly built upon Midwestern emo's emotional core, blending it with math rock's intricate guitar work and odd time signatures, as seen in their 2008 debut Animals, which echoes the confessional style of American Football while adding technical polish.^[70] Their sound, rooted in '90s emo influences, exemplifies how Midwest emo's melodic introspection inspired a wave of math pop acts that prioritized emotional depth alongside progressive rhythms.^[71] In the 2010s pop-punk revival, Midwest emo added layers of emotional nuance and technical guitar interplay to the scene's high-energy hooks. The revival's DIY ethos merged with Midwest emo's second-wave foundations, influencing bands that incorporated its themes of isolation and personal turmoil into accessible pop-punk formats.^[72] Acts like Neck Deep adopted this depth, drawing from emo's heartfelt lyricism to elevate their pop-punk sound beyond straightforward anthems. Midwest emo's confessional lyricism further paved the way for evolutions in hyperpop and bedroom pop, where raw personal narratives became central. Artist Michelle Zauner of Japanese Breakfast, who began her career in the emo band Little Big League, carried forward these traditions into indie pop, using introspective storytelling to explore grief and identity in a more polished, genre-fluid context.^[73] This shift highlighted emo's broader legacy in fostering vulnerable, diary-like songwriting across electronic-tinged and lo-fi scenes. The genre's enduring impact is evident in critical retrospectives and streaming metrics. Pitchfork has frequently cited Midwestern emo's pivotal role in shaping emo's trajectory, as in their analysis of The Get Up Kids' Something to Write Home About, which introduced poppier dynamics that influenced subsequent indie and emo acts like Jimmy Eat World.^[74] Classics like American Football's self-titled album maintain strong listenership, with the band garnering approximately 1.07 million monthly Spotify listeners as of November 2025, while Sunny Day Real Estate holds around 391,000, underscoring sustained popularity among younger audiences.^[75]^[76]^[77]

Regional Identity and Community

Midwest emo's regional identity is deeply rooted in the Midwestern United States, particularly in states like Illinois, Indiana, and Iowa, where the genre emerged from college towns such as Urbana-Champaign, Illinois, capturing elements of suburban isolation and fleeting youth, as seen in American Football's self-titled debut album, which uses twinkly guitar lines to mirror the infinite, barren horizons of the region.^[78] This geographic specificity fostered a sense of place-based authenticity, distinguishing Midwest emo from coastal punk scenes by emphasizing quiet desperation amid industrial decline and everyday mundanity.^[8] The DIY ethos of the Midwest emo community has been pivotal in nurturing its longevity, relying on grassroots infrastructure like all-ages venues, zine culture, and independent labels to create self-sustaining local ecosystems. Polyvinyl Record Co., founded in 1996 in Champaign, Illinois, exemplifies this by releasing foundational albums from bands like American Football and Braid, while preserving cultural landmarks such as the purchase of the iconic McKinley Avenue house where early recordings took place.^[79] Zines and flyers circulated through college campuses and punk spaces documented shows and shared personal stories, reinforcing anti-corporate values and accessibility for underage fans in areas with limited commercial options.^[80] All-ages matinees at venues like Chicago's Fireside Bowl allowed teens to participate without barriers, building a tight-knit network that prioritized communal support over profit.^[6] Fan rituals within the Midwest emo scene emphasize intimacy and rebellion against mainstream culture, including house shows in suburban basements that blurred lines between performers and audiences, mixtapes traded as personal emotional artifacts, and online forums where enthusiasts dissect lyrics and share rare recordings. These practices cultivated an anti-commercial vibe, with house shows often held in DIY spaces to evade venue costs and foster raw, unpolished interactions reflective of the genre's heartfelt ethos.^[80] Mixtapes, compiled from cassette demos and vinyl rips, served as gateways for discovering obscure tracks, while digital communities in the revival era extended this tradition by curating playlists that evoke nostalgic connection.^[3] Social dynamics in the Midwest emo community have evolved significantly, beginning with a predominantly white, middle-class demographic centered on 1990s college scenes in Midwestern universities, where participants were often introspective suburban youth navigating privilege and alienation.^[7] By the 2020s, diversification has occurred through inclusive events that welcome broader audiences, including queer and BIPOC participants, as seen in revival shows emphasizing emotional vulnerability across identities. Legacy events have solidified the scene's communal bonds, with gatherings like Midwest Emo Fest—launched around 2019 in venues such as Wichita's DIYMCA—bringing together revival acts for multi-band bills celebrating the genre's roots.^[81] Larger festivals like Lollapalooza in Chicago have nodded to Midwest emo and related styles through bookings of influential acts, while separate events such as Emo Nite in Chicago draw thousands to honor the subgenre's enduring regional spirit.^[82]^[83]^[84]

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Mar 20, 2019 · The Promise Ring, Braid, The Get Up Kids, Cursive, Mineral and a ... The record was an instant success within the Midwestern American emo scene, ...
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Sunny Day Real Estate's Emo Classic 'Diary' Turns 30 - PopMatters
May 28, 2024 · Emerging from the grunge scene of early 1990s Seattle, Washington, Sunny Day Real Estate are credited with sparking Midwest emo without being ...
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Emo and Nu-Metal - Museum of Youth Culture
As nu metal dominated the mainstream, the early 2000s saw emo incorporating the tropes and teen angst of pop-punk, further increasing the disparity between the ...<|separator|>
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Braid reflect on 25 years of 'Frame & Canvas,' early days, various ...
Apr 14, 2023 · Chris and Bob also got into the story behind Frame & Canvas, the story of how Braid broke up ... Braid - Killing A Camera [OFFICIAL MUSIC VIDEO] ...
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The Year That Emo Broke: The 20 Best Emo Albums of 2001
Dec 7, 2021 · Accordingly, Owen is a very humble affair, perhaps the most humble-sounding album Mike Kinsella has ever released. Its hissy, lo-fi bedroom folk ...
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Dashboard Confessional, Get Up Kids, and the Emo Gold Rush
Aug 14, 2023 · ... emo gold rush of the early 2000s. Emo. It even sounds goofy to say ... Dashboard Confessional, Get Up Kids, Jimmy Eat World: Emo Myspace Era ...
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25 newer bands every 2000s emo fan needs to know - BrooklynVegan
Feb 7, 2022 · It touches on so many different thrills, from arena-sized pop punk to basement-dwelling Midwest emo, from throat-shredding melodic hardcore to ...
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Unraveling the Sexism of Emo's Third Wave - Pitchfork
Nov 17, 2017 · It's time for the bands that shaped third-wave emo to acknowledge women as whole human beings, something they've hardly done in their songs. If ...Missing: genre | Show results with:genre
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American Football (LP2): CDs & Vinyl - Amazon.com
In 2014 and 2015 American Football played their first shows in 15 years, selling out venues the world over. Organically, the band started to write new ...
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It Holds Up: Modern Baseball – 'You're Gonna Miss It All'
Mar 20, 2025 · ... All was released with fanfare only in the Philadelphia local circuit and Midwest emo scenes in February 2014. With a tight runtime that ...
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Midwestern emo catches its second wind - Chicago Reader
Aug 5, 2013 · Midwestern emo catches its second wind. The 90s underground sound shaped by the likes of Cap'n Jazz and Braid is back—and this time it's turning ...
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Emo and Pop-Punk Fest When We Were Young: Questions We Have
Jan 18, 2022 · October mega-fest When We Were Young will bring together a slew of emo and pop-punk scene faves. We have many questions.
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A Deep Dive Into The 2025 2nd Wave Emo Revival, Ft. Talks With ...
Sep 25, 2025 · Named after another second wave emo band (Braid) song, Santa Cruz's own First Day Back is bringing that classic second wave sound to the modern ...Missing: key | Show results with:key
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Jan 24, 2022 · From the viral success of When We Were Young Festival to musicians Lil Huddy and Machine Gun Kelly, emo culture is thriving online – but why?
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The Emo Music Movement and the Destigmatization of Mental Health
Jan 11, 2025 · The emo music movement was a powerful force that resonated with youth culture and played a significant role in addressing mental health.
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American Football Album Review | Pitchfork
Oct 26, 2016 · Earnest, energetic and often ignored by critics, late-90s, Midwestern emo—defined by American Football, Braid and the Promise Ring—was ripe for ...
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Shmap'n Shmazz | Pitchfork
Aug 26, 2018 · Today we revisit a touchstone of Midwestern emo, the 1995 debut from Cap'n Jazz.Missing: history | Show results with:history
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Indian Summer: Giving Birth to Thunder Album Review | Pitchfork
Sep 19, 2019 · ... Midwest emo ambassador who ran Man With Gun, the imprint that ... lyrics about his sex life and distaste for music critics ...Missing: themes | Show results with:themes
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Braid Songs, Albums, Reviews, Bio & More | All... | AllMusic
The band's relentless schedule ground them to a halt shortly after the release of their standout third album, 1998's Frame and Canvas, but a 2011 reunion ...Missing: history | Show results with:history
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Braid: Frame & Canvas (25th Anniversary Edition) - Pitchfork
Apr 14, 2023 · On a remastered and remixed edition, the brilliant third record by the Champaign, Illinois band represents the platonic ideal for what Midwest emo has to offer.Missing: history | Show results with:history
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The 150 Best Albums of the 1990s - Pitchfork
Sep 28, 2022 · From Lauryn Hill to Radiohead, My Bloody Valentine to Janet Jackson, Nirvana to Wu-Tang Clan, and so many more, these are the albums that ...
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Nothing Feels Good Album Review - The Promise Ring - Pitchfork
Oct 20, 2015 · The Promise Ring were in their very early twenties in 1997, when Nothing Feels Good was released. They retained the urgency and velocity of ...
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A Band That Couldn't Wait to Quit Now Lingers a Bit - The New York ...
Nov 1, 2014 · Mineral was a seminal emo band. While emo music, with its emotional ... combines remastered versions of both 1997's “The Power Of Failing” and ...
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Mineral's Chris Simpson: Between Emo and a Hard Place
Sep 5, 2014 · Mineral's previous album, The Power of Failing, had done well enough to cement their place on the DIY circuit, but they were still a far cry ...
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Modern Baseball Songs, Albums, Reviews, Bio & ... - AllMusic
Modern Baseball (followed by 47 users) ; Active. 2010s ; Formed. 2012 in Philadelphia, PA ; Genre. Pop/Rock ; Styles. Pop Punk, Emo-Pop, Alternative/Indie Rock, Lo- ...
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Modern Baseball: You're Gonna Miss It All Album Review | Pitchfork
Feb 11, 2014 · The Philadelphia emo band Modern Baseball's second album features a wealth of infectious songs that are both sharply observed and sharply ...
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Modern Baseball Announce 10th Anniversary Reissue of You're ...
Jun 24, 2024 · Modern Baseball went on an indefinite hiatus in 2017, but, today, they're announcing a special reissue of their breakout album, You're Gonna Miss It All, to ...
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Mom Jeans. Songs, Albums, Reviews, Bio & More ... - AllMusic
Heart-on-sleeve, emo-tinged indie rock from Berkeley-based four-piece. Read Full Biography Active 2010s - 2020s Formed 2014 in Berkeley, CAMissing: band | Show results with:band
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Joyce Manor Songs, Albums, Reviews, Bio & More... - AllMusic
Conceived as an acoustic pop-punk duo, this California band evolved into a more traditional pop-punk four-piece.
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Joyce Manor: Never Hungover Again Album Review | Pitchfork
Jul 21, 2014 · Joyce Manor's most ambitious and diverse album is just like their other ones—10 songs, 19 minutes, every second as weird as it is instantly ...
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The Hotelier Songs, Albums, Reviews, Bio & Mor... - AllMusic
Explore The Hotelier's discography including top tracks, albums, and reviews. Learn all about The Hotelier on AllMusic.
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The Hotelier: Home, Like Noplace Is There Album Review | Pitchfork
Feb 28, 2014 · On the opening track of the Hotelier's sophomore record, Home, Like Noplace Is There, Christian Holden is a man of many words: 288 of them, to ...
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stitching | stitching
stitching by stitching, released 21 March 2025 1. birchwood, overdrawn 2. i wanna be a rockstar when i grow up 3. once out, gone forever 4. head towards ...
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Why Death Cab for Cutie is the most Midwestern of emo bands ...
Jan 21, 2023 · No region is more proud of its averageness than the Midwest, and no modern emo band is more aggressively average than Death Cab for Cutie.
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A SCENE IN RETROSPECT: TTNG - "Animals" - Everything Is Noise
Oct 7, 2023 · Given the antecedent legacy of Midwestern emo acts and math rock-adjacent household names seen and heard long before this 2008 debut release ...Missing: contributions | Show results with:contributions
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TTNG Songs, Albums, Reviews, Bio & More | AllM... - AllMusic
English indie rockers formerly known as This Town Needs Guns, whose music bears a '90s emo influence with intricate rhythms. Read Full Biography. Active.
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“I Felt That, Man”: Midwest Emo and Pop-Punk in Ohio - Midstory
Oct 10, 2024 · To understand the origins of Midwest emo, we hearken back to the mid-1990s, when second-wave emo bands started to find their way out of the ...
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Something to Write Home About (25th Anniversary Deluxe Edition ...
Aug 26, 2024 · A 25th anniversary reissue of the Kansas group's 1999 breakthrough looks back at a crucial turning point for Midwestern emo—but a dozen demos
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American Football | Spotify
Listen to American Football on Spotify. Artist · 1.1M monthly listeners ... Sunny Day Real Estate · Tigers Jaw · Macseal · Camping In Alaska · Modern Baseball.Missing: Cap'n Jazz
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Sunny Day Real Estate | Spotify
Listen to Sunny Day Real Estate on Spotify. Artist · 468.8K monthly listeners ... American Football. Far Apart. The Jazz June. Appears On. The Glamour & The ...Missing: Cap'n | Show results with:Cap'n
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American Football, Polyvinyl Records partner to buy iconic Urbana ...
May 5, 2023 · Midwest emo band American Football has partnered with Champaign-based independent record label Polyvinyl Records to buy the 130-year-old Urbana house.<|separator|>
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Midwest Emo, Accidentally Filling the Gap in Midwest Culture | Rivet
Nov 6, 2024 · The band, based in Muncie, has been together for seven years and despite having members in separate towns in Indiana, keeps performing together.
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Midwest Emo Fest at DIYMCA - Facebook
Midwest Emo Fest at DIYMCA · Public · Hosted by DIYMCA and Zamboni Western Creative Solutions · Friday, October 18, 2019 at 5:00PM – 10:00PM CDT · DIYMCA.
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Lolla Day 4: Curated for the Pop-Punk Emo Kids - luckbox magazine
Aug 5, 2024 · Lollapalooza weekend wrapped up with a day full of metalcore, pop-punk and indie rock acts. It was a lineup made for The Rockhound, ending with a glorious set ...