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Millions of Cats

Millions of Cats is a children's written and illustrated by American artist , first published in 1928 by Coward-McCann. The story follows an elderly man and woman who, living in loneliness, decide to find a cat for companionship; the man ventures out and discovers a hillside teeming with "hundreds of cats, thousands of cats, millions and billions and trillions of cats," but unable to choose just one, he leads them all home. Overwhelmed by the multitude, the couple asks the cats to decide which is the prettiest, sparking a fierce quarrel in which the cats devour one another until only a small, scruffy, but kind kitten survives to become their beloved pet. The book, featuring Gág's distinctive black-and-white lithographic illustrations and rhythmic, repetitive text inspired by folktales, was awarded the Newbery Honor in 1929—the first to receive this distinction—and the in 1958. Wanda Gág (1893–1946), born to Bohemian immigrant parents in , was a self-taught artist who studied at the Minneapolis School of Art and later moved to , where she worked as a commercial illustrator before gaining recognition for her and writing. Millions of Cats marked Gág's debut as a children's book author and illustrator, drawing from her childhood experiences and European folk traditions, and it introduced innovative double-page spreads that influenced the format of modern s. The book has remained continuously in print since its release, making it the oldest American children's still commercially available, and by 1993, it had sold over one million copies. It entered the in the United States in 2024. Its enduring appeal lies in its simple yet whimsical narrative, which explores themes of choice, excess, and humility, while the catchy refrain—"hundreds of cats, thousands of cats, millions and billions and trillions of cats"—has made it a favorite for read-aloud sessions.

Creation and Publication

Wanda Gág's Background

Wanda Hazel Gág was born on March 11, 1893, in , the eldest of seven children to Czech immigrant parents Anton Gág, a painter, , and decorator, and Elisabeth Biebl Gág, who came from an artistic family. Growing up in a creative household steeped in customs, , and , Gág was immersed in art from an early age, with her father's work as a commercial artist providing a direct influence on her developing talents. In 1908, when Gág was 15, her father died of , leaving the family in financial hardship and compelling her to support her siblings through her art while vowing to fulfill his dying wish that she pursue a as an . This event fostered her self-reliance and determination, as she began selling drawings and illustrations to local publications to sustain the household. Her mother's death in 1917 further solidified her role as family provider, but Gág's artistic drive remained unwavering. Gág received scholarships to attend the St. Paul School of Art in 1913 and the Minneapolis School of Art from 1914 to 1917, where she honed her skills under the patronage of newspaper publisher Herschel V. Jones. In 1917, she moved to with a to the Art Students League, immersing herself in the bohemian art scene and forming connections with fellow artists such as lithographer Adolf Dehn. There, she initially worked as a illustrator while experimenting with , producing her first prints in the early , including innovative techniques like drawing on for textured effects; representative early lithographs from the showcased her bold lines and intimate domestic scenes. Gág's artistic influences drew heavily from her heritage, incorporating European elements like simple forms and rhythmic patterns, blended with modernist sensibilities from her surroundings. After achieving success with adult-oriented illustrations and numerous fine-art prints by the mid-1920s, including a brief relocation to rural in 1923 for inspiration, Gág shifted toward following an invitation from an editor, culminating in the 1928 publication of Millions of Cats as a pivotal milestone in her career.

Development of the Book

Wanda Gág drew inspiration for Millions of Cats from the cumulative structure of traditional folktales, reflecting her heritage and familiarity with storytelling traditions featuring and escalating abundance, such as elements reminiscent of tales where characters encounter multiplying entities or seasonal motifs. Although Gág did not travel to herself, her family's immigrant background from exposed her to such oral narratives during her upbringing, which she adapted into an original tale emphasizing rhythmic escalation. The story originated as an impromptu narrative Gág created in 1925 to entertain the children of friends, evolving over time into a polished that captured the charm of folkloric without direct from a single source. The writing process unfolded primarily between 1927 and 1928 at Tumble Timbers, a rented three-acre farmhouse in rural Glen Gardner, , where Gág sought solitude and inspiration amid the countryside. There, she refined the manuscript from her personal "rejection box" of unpublished ideas, crafting it as an original with a simple, melodic structure suited for young readers. Gág meticulously developed the repetitive —"hundreds of cats, thousands of cats, millions and billions and trillions of cats"—to enhance its rhythmic appeal, ensuring it built tension and humor through auditory flow when read aloud, a technique honed through iterative revisions for natural cadence. For the illustrations, Gág began with initial sketches in , outlining characters and cats with fluid lines to convey movement and scale, while integrating tonal shading for depth. She chose as the printing method to preserve the organic, hand-drawn quality of her artwork, allowing for rich blacks and subtle textures that complemented the narrative's whimsical tone. The hand-lettered text, executed by her brother Howard Gág, was seamlessly woven into the images, creating a unified visual-textual experience that emphasized the book's panoramic double-page spreads. Gág faced several challenges during development, including multiple rejections from publishers who were initially skeptical of her unconventional integration of text and illustration in a full-color format. Determined to maintain artistic , she shopped the independently until Ernestine Evans, an editor at Coward-McCann, recognized its potential and commissioned it in early 1928, leading to a remarkably swift production timeline of just five months. This process underscored Gág's insistence on overseeing every aspect, from ink selection—"Wanda Gág black ink" for vivid contrasts—to the final layout, ensuring the book's folktale essence translated effectively to print.

Publication Details

Millions of Cats was first published in 1928 by Coward-McCann in as a 32-page . The production of the first edition featured innovative double-page spreads, treating facing pages as a single panoramic illustration, which was a novelty for children's at the time. Subsequent editions have included reprints by publishers such as under its Puffin imprint, among others, all preserving Gág's original black-and-white artwork and hand-lettered text. The book entered the in the United States on January 1, 2024, following the expiration of its of 95 years from publication.

Narrative and Style

Plot Summary

In the tale, an elderly man and his wife live a lonely life in their simple , yearning for companionship. The wife expresses a desire for a , prompting the man to embark on a journey to find the most beautiful in the . After traveling far, he discovers a sunlit teeming with an immense number of felines, leading him to exclaim the book's iconic refrain: "Hundreds of , thousands of , millions and billions and trillions of ." Overwhelmed by the sheer quantity and unable to select just one—since each appears more beautiful than the last—the man asks all of them to follow him home. The vast horde trails behind, devouring every blade of grass and drinking an entire pond dry along the way. Upon arriving, the wife is astonished by the multitude and realizes they cannot possibly feed or care for so many. To resolve the dilemma, they suggest that the cats decide among themselves which is the prettiest. The cats begin to quarrel, each insisting, "There is no prettier ," and in the ensuing chaos, they turn on one another, devouring nearly all in a frenzied fight—leaving only a small, skinny, and rather homely that had hidden quietly in a bunch of high grass without participating. The couple adopts the surviving kitten, nurturing it with food and milk. Over time, the little cat grows sleek, plump, and beautiful, becoming a beloved and affectionate companion that fills their home with joy. The repetitive throughout the story enhances its rhythmic, chant-like quality, making it memorable for young readers.

Illustrations and Visual Elements

employed black-and-white ink illustrations in Millions of Cats, using bold outlines to define characters and scenes while applying and cross-hatching for and tonal depth. This technique, rooted in her expertise as a lithographer, allowed for expressive, detailed reproductions that captured the whimsy and scale of the narrative. Her artistic style blended folk-art simplicity with influences from German Expressionism, evident in the strong, twisting contours and homespun warmth that reflected her immigrant heritage. A hallmark of the book's visual design is Gág's innovative use of double-page spreads, which she pioneered in American to create immersive, panoramic compositions. These spreads guide the viewer's eye from left to right across facing pages, building a sense of movement and expanse, as seen in the depiction of the hillside overflowing with cats—rendered through dense clusters of repetitive, stylized figures that emphasize abundance without overwhelming detail. The process enhanced this effect, producing crisp lines that maintain clarity even in crowded scenes, immersing young readers in the story's fantastical world. The integration of hand-lettered text, executed by Gág's brother to avoid mechanical , further unifies the visuals and . The lettering weaves directly into the illustrations, becoming an active element of the composition—curving around figures or filling to enhance rhythm and cohesion. This approach, inspired by Gág's background, treats typography as illustrative art, reinforcing the folkloric tone and making the book a seamless blend of word and image. In key scenes, such as the selection of the lone kitten amid the throng, Gág's subtle use of highlights its initial plainness through minimalistic lines and unadorned forms, contrasting with the more animated crowds to underscore narrative themes visually. This evolution in depiction, from overlooked runt to central figure, mirrors the story's progression via compositional focus and tonal variation rather than drastic stylistic shifts.

Language and Repetition Techniques

"Millions of Cats" employs a cumulative structure reminiscent of traditional folktales, where the builds progressively through escalating , creating a sense of mounting absurdity and tension as the old man encounters ever-increasing numbers of cats. This technique, drawn from traditions, allows the story to accumulate details in a layered fashion, mirroring the repetitive patterns found in tales like "," and engages young listeners by inviting participation in the unfolding escalation. The book's language is characterized by simple, lyrical prose consisting of short sentences and rhythmic phrasing, making it ideal for read-aloud sessions and early development. This straightforward style reflects Wanda Gág's roots in immigrant oral traditions, prioritizing accessibility and flow over elaborate description. Central to the narrative's memorability is the recurring —"hundreds of cats, thousands of cats, millions and billions and trillions of cats"—which uses numbers to evoke whimsy and , reinforcing the theme of abundance while providing a chant-like for children to anticipate and repeat. This device not only builds rhythmic but also underscores the story's folkloric , turning the selection of a single into a comically overwhelming quest. The pairs effectively with the book's visual spreads to amplify the sense of proliferation. Gág avoids moralizing dialogue, instead letting the characters' actions and the natural consequences of their choices propel the , which maintains a light, undidactic tone suited to audiences. By focusing on descriptive narrative and implied lessons through events—like the cats' self-destruction due to —the text trusts the story's progression to convey its essence without overt preaching.

Themes and Analysis

Central Themes

One of the central themes in Millions of Cats is the contrast between superficial and inner worth, illustrated through the survival of the "ugliest of all" amid a multitude of seemingly attractive s. The elderly couple initially seeks the "prettiest" , but the vain felines destroy each other in a dispute over , leaving the humble, underfed untouched because it modestly claims to be only "a pretty good ." This critiques judgments based on external looks, as the couple's care transforms the kitten into a beloved that becomes "as beautiful to its owners as the others," emphasizing that lies in and nurturing rather than . The book also explores and the quest for companionship, particularly in , reflecting the of the rural elderly couple who lament, "We might be a little less lonely if we had a ." The old man's arduous journey to find a stems from his wife's desire for emotional connection, and the narrative resolves with the surviving providing mutual affection, underscoring companionship as a remedy for in later life. This theme draws from Gág's observations of rural life, where elderly individuals often faced without nearby. Another key motif is the folly of excess and greed, depicted in the old man's acquisition of "hundreds of cats, thousands of cats, millions and billions and trillions of cats," which overwhelms their simple home and leads to catastrophe. The cats' greedy competition—"No, I am the prettiest! . . . No, I am! I am! I am!"—results in them devouring each other out of vanity, leaving devastation and highlighting how unchecked desire and overabundance breed destruction rather than fulfillment. This serves as a cautionary tale against hoarding and self-centered rivalry. The book has been included in discussions of the environmental imagination in , with its portrayal of the cats' and conflict leading to a barren suggesting consequences of excess on natural resources.

Literary and Cultural Interpretations

Millions of Cats has been analyzed through its repetitive structure that builds rhythmically to emphasize abundance and choice, drawing from European cumulative folktales. Scholars note that Americanized these traditions by synthesizing from her childhood into a modern format with double-page spreads, marking a shift from European oral roots to visual innovation. This highlights Gág's role in transforming immigrant folklore into accessible , prioritizing simplicity over complexity in tale construction. The book's cultural impact resonates with immigrant narratives, rooted in Gág's Czech-Bohemian heritage, which infuses themes of familial simplicity and communal harmony amid American assimilation. Born to Czech immigrants in , Gág wove elements of into the tale, portraying a modest life that echoes the values of and modest in immigrant family dynamics. This interpretation underscores how Millions of Cats bridges traditions with identity, promoting simplicity as a cultural antidote to industrial excess.

Reception and Recognition

Initial Critical Response

Upon its publication in September 1928, Millions of Cats garnered enthusiastic praise from critics for its innovative integration of text and illustration, marking it as a pioneering American picture book. The New York Times noted the book's inclusion in the American Institute of Graphic Arts' third annual exhibition of outstanding book illustrations. The Horn Book Magazine later highlighted the book as a promising development in American picture books. The book achieved strong commercial success shortly after publication, reflecting broad public enthusiasm, further evidenced by its receipt of the 1929 Newbery Honor, which signaled critical validation from the . While most reviewers celebrated the story's whimsical structure and Gág's simple yet evocative artwork, the prevailing sentiment emphasized the tale's playful tone and moral simplicity. Librarians and parents quickly noted the book's suitability for read-aloud sessions, praising its chant-like —"Hundreds of cats, thousands of cats, millions and billions and trillions of cats"—for engaging children through repetition and fostering in homes and libraries.

Awards and Honors

Millions of Cats was awarded the Newbery Honor in 1929 by the for its distinguished contribution to for children, marking the first time a received this recognition. The honor highlighted the book's innovative blend of text and illustrations, selected from titles published in 1928. In 1958, the book posthumously received the from the , honoring works deemed worthy to sit alongside Lewis Carroll's on library shelves. This retrospective accolade recognized its enduring literary merit and influence on . The book has been translated into numerous languages, reflecting its international appeal and Gág's folkloric influences. Although ineligible for the , which began in 1938 to specifically honor American illustration for children, Millions of Cats is often cited as a precursor due to its Newbery recognition of visual elements. The book entered the in the United States on January 1, 2024, prompting new editions and digital availability.

Legacy and Influence

Enduring Popularity

Millions of Cats, published in 1928, holds the distinction of being the oldest still in print, having remained continuously available for nearly a century. This enduring availability underscores its status as a cornerstone of , with over one million copies sold worldwide. The book's initial recognition, including a Newbery Honor in , helped cement its place in the canon, contributing to its sustained commercial success. The book's lasting appeal is evident in its inclusion in influential modern compilations, such as Julia Eccleshare's 1001 Children's Books You Must Read Before You Grow Up (2009), where it is highlighted for its enchanting narrative and folk-art style illustrations. In 2024, Millions of Cats entered the in the United States, allowing for unrestricted adaptations, reproductions, and digital dissemination, which has further broadened its accessibility to new generations. Educators continue to employ the book in classrooms to illustrate key literary elements, particularly its repetitive phrasing and folktale structure, which aid young readers in recognizing patterns and building comprehension. This pedagogical value reinforces its role as a timeless resource in development.

Adaptations and Modern Uses

The book Millions of Cats has inspired several audio and animated adaptations, notably a 1992 segment in the television series , where provided for an animated retelling of the story. This episode, aired as part of the Weekend Specials, featured simple to accompany the , emphasizing the book's rhythmic and whimsical plot. Additional read-aloud audio recordings exist, often used in educational settings or available through platforms like , though they typically feature various narrators rather than celebrity voices. In theater, Millions of Cats has been adapted into minor stage plays primarily for children's groups, including reader's theater scripts designed for classroom or community performances. Author Aaron Shepard created a popular adaptation in his 1993 collection Stories on Stage: Children's Plays for Reader's Theater, which simplifies the narrative into a script for 9+ roles, focusing on themes of choice and excess to engage young audiences in group readings. These scripts have been widely used in educational theater, promoting interactive storytelling without elaborate sets or costumes. No major feature films, Broadway musicals, or large-scale productions have been developed from the book. Student-created adaptations have appeared in the 90-Second Newbery Film Festival, an annual contest encouraging short films based on Newbery Medal and Honor books. Entries for Millions of Cats span the 2010s and 2020s, such as a 2014 submission by Tacoma Public Library students depicting the cat-hill scene with playful props, and a 2023 version by gifted students from Forbes Elementary reimagining the story in a modern style. More recent examples include a 2025 Chicago festival entry styled as a remake of the Jaws shark attack sequence and a Tacoma Center for the Expressive Arts film using creative visuals to capture the book's humor. These short films, limited to 90 seconds, highlight the book's enduring appeal in youth media projects. Following its entry into the in the United States in 2024, Millions of Cats has seen increased modern uses in digital formats, including full-text and illustrated versions hosted on platforms like for free access and . This availability has facilitated creative remixes, such as open-source illustrations or online read-alouds, while merchandise remains limited to books and related educational materials rather than extensive toy lines..pdf)

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