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Off

Off is a multifaceted English word originating around 1200 as an emphatic variant of the preposition "of" in , denoting separation, distance, or removal, and functioning primarily as an , preposition, and across various contexts such as spatial relations, cessation of activity, or states of inferiority. Its adverbial use conveys movement away from a position or attachment, as in "fall off," while as a preposition it indicates derivation or distance from an origin, exemplified by "off the coast." As an , it describes something not functioning properly, reduced in quality, or canceled, such as "off color" or "the meeting is off." Less commonly, "off" serves as a referring to the beginning of a , like "the off" in racing starts, or as a meaning to kill, a usage emerging later in English. This evolution reflects its roots in Proto-Germanic "*uf" (away), emphasizing directional or relational divergence without reliance on external derivations. The word's versatility has led to idiomatic compounds like "off-and-on" for intermittent actions since the 1530s, underscoring its integral role in idiomatic English expression despite no notable controversies beyond occasional prescriptive debates over phrases like "off of."

Etymology

Historical origins

The English word "off" originated as a stressed or emphatic variant of the preposition "of" in Old English, with the earliest known uses dating to the period before 1150 CE. Both "off" and "of" stem from the Old English preposition of (also appearing as af or æf in some dialects), which conveyed notions of separation, origin, or removal, such as "away from" or "out of." This Old English form traces further to Proto-Germanic *af(i) or *ub(i), a root shared across Germanic languages like Old High German aba ("away") and Old Norse af ("from"), reflecting a common Indo-European heritage. The Proto-Germanic *af itself derives from the Proto-Indo-European (PIE) root *apo-, an ablaut variant of *ap-, meaning "off, away," which appears in ancient languages including Latin ab ("from") and Sanskrit ápa ("away"). This PIE root underscores a fundamental semantic core of detachment or divergence, evidenced in early Indo-European reconstructions based on comparative linguistics across attested daughter languages. By the late Old English period (c. 900–1100 CE), "off" began to differentiate phonetically and semantically as a fuller adverbial form, emphasizing distance or completion, as seen in compounds like ofercuman ("to overcome," literally "come off/over"). Its emergence within English, rather than direct borrowing, aligns with internal phonological shifts, such as the strengthening of unstressed of in prosodic contexts. Historical records, including Anglo-Saxon glosses and charters, preserve "of" in contexts of spatial and causal removal, with "off" solidifying post-Norman Conquest (after 1066 ) amid Middle English vowel shifts and syntactic expansions. These origins highlight "off"'s deep embedding in Germanic ablative prepositions, distinct from Romance influences, and its role in evolving expressions of negation or absence without reliance on later analogical borrowings.

Evolution of meanings

The adverbial and prepositional senses of "off," denoting separation or distance from a point of origin, trace back to of, an unstressed variant of æf (meaning "away" or "away from"), which stemmed from Proto-Germanic af and Proto-Indo-European apo- ("off, away"). This core notion of removal or divergence formed the foundational semantic layer, appearing in contexts like motion away from a location, as evidenced in early Germanic texts where it expressed directional departure. Around 1200, during the transition to , "off" developed as an emphatic variant of "of," initially adverbial and reinforcing ideas of farther removal or independence, such as in phrases indicating complete detachment. It increasingly translated Latin de ("down from, away") and ex ("out of"), alongside Old French de, facilitating its integration into adaptations and expanding its utility in denoting from a source or state. This period marked a shift toward , with "off" acquiring nuanced connotations of cessation or privation, influenced by phonological strengthening for emphasis in spoken forms. By the 17th century, prepositional uses like "away from" and adjectival senses implying "farther" or "distant" had stabilized in , reflecting in printed and legal texts. Subsequent extensions in the 19th and 20th centuries abstracted the "removal" prototype further: the sense of "not functioning" (e.g., machinery or lights "off") emerged by 1861, analogizing disconnection to physical separation; idiomatic verbal uses like "to kill" (intensifying elimination as total removal) appeared around 1930; and colloquialisms such as "off the cuff" (impromptu, as if unscripted removal from preparation) were attested by 1938. These developments, driven by metaphorical extension from concrete spatial origins to abstract dysfunction or spontaneity, illustrate causal progression from literal to figurative states of absence or irregularity, without of abrupt semantic rupture. Later 20th-century innovations, including "off the rack" (not custom-made, 1963) and "off the wall" (eccentric, 1968), continued this pattern by leveraging "off" for deviation from norms or expectations.

Linguistic usage

Adverb

As an adverb, "off" denotes movement or position away from a point of attachment, contact, or origin, often implying separation or distance. This usage traces to Middle English "of," evolving to convey directional removal by the 12th century. Common examples include "The book fell off the shelf," where it modifies the verb to indicate departure from support. Key senses include spatial distance, as in "The village lies five miles off," specifying remoteness in space or time. It also signals cessation or discontinuance, such as "Switch the engine off," halting operation or function. In intensifying roles, "off" amplifies actions like "Drink it off quickly," emphasizing completeness of consumption. "Off" frequently serves as an particle in phrasal verbs, altering verb meanings to include removal or away from a base state, e.g., "take off" for departure or removal, or "set off" for beginning a . These constructions allow flexibility in , as in "Turn off the lights" versus "Turn the lights off," where the can precede or follow the object, a distinguishing it from pure prepositions. Usage notes highlight its non-gradable nature in , resisting modification like "more off."

Preposition

As a preposition, off denotes separation, detachment, or removal from a surface, , or point of attachment, often implying motion away or distance from the object referenced. This usage appears in constructions like "The keys fell off the hook," where it indicates dislodgement from contact. Off also conveys spatial or temporal distance, as in "a ten miles off the " or "two days off the scheduled arrival," emphasizing removal in measurement from a point. In relational contexts, it signifies derivation from a source or possession, such as "living off one's savings" for sustenance drawn from reserves, or "borrowed off a friend" indicating from another's holdings. Further senses include suspension from activity or duty—"off school for illness"—and reduction from a standard, like "20% off the ," where it subtracts from an original value. It can describe adjacency or derivation, as in "a off the main " for a leading away. The variant "off of" functions similarly but is deemed informal or nonstandard in formal English, often avoided in writing as redundant, though common in speech for emphasis, e.g., "jumped off of the ledge." These prepositional roles distinguish off from related terms like of, which typically denotes possession without implying active separation.

Adjective

As an adjective, "off" denotes a state of disconnection, cessation, or deviation from a standard or expected condition. In technical and mechanical contexts, it describes devices or systems not in or powered, such as "the switch is off," indicating disconnection from a power source. This usage extends to general inactivity, as in scheduled absences: "She is today." "Off" also signifies cancellation or non-occurrence of planned events or agreements, exemplified by "the is off," meaning it has been terminated. Similarly, it conveys inaccuracy or error, as in "his estimate was off by 10%," or a slight deviation from correctness. In evaluative terms, it indicates subpar performance or quality below normal levels, such as "an off day at work" or "the team's off season," reflecting reduced or output. For perishable items, particularly in British English, "off" describes spoilage or unsuitability for consumption, as in "the milk has gone off," signaling decomposition beyond edibility. This sense contrasts with American preferences for terms like "sour." Additionally, "off" can imply mild insanity or eccentricity, as in "he's a bit off," or financial inadequacy when compounded, such as "well-off" for affluent but "worse off" for deteriorated circumstances. These meanings underscore "off's" versatility in signaling disruption or inferiority across literal and figurative domains.

Verb

As an intransitive verb, "off" means to depart or go away, typically in imperative form to urge or command removal from a place or situation, with the first recorded use dating to 1717. This sense derives from the adverbial origins of the word in Old English, evolving to denote separation or movement away. In slang, particularly American English, "off" functions transitively to mean to kill or murder, a usage prominent in crime fiction, films, and informal speech since the early 20th century. For instance, it appears in narratives like those of pulp detective stories, where characters might say "He offed the informant," implying deliberate elimination akin to "doing away with" or shortening from phrasal verbs such as "kill off." This connotation carries a connotation of abrupt or euphemistic finality, though its precise etymological path remains tied to broader verbal conversions from "off" as a particle of completion or removal. The slang is informal and not recommended in formal writing, reflecting its roots in colloquial or criminal argot rather than standard lexicon.

Idioms and expressions

Common idiomatic phrases

Several idiomatic phrases in English incorporate "off" to express figurative concepts, often drawing from metaphors of removal, departure, or excess. These expressions are prevalent in everyday speech and writing, with meanings that diverge from the literal or prepositional uses of "off." Their origins frequently trace to physical actions extended metaphorically, such as detaching or launching away.
  • Bite off more than one can chew: To attempt a task or commitment that exceeds one's ability or resources, leading to difficulty in completion. This , first recorded in the early in , evokes the image of overstuffing one's mouth.
  • Get something off one's chest: To confess or verbalize a long-held burden, secret, or for . Documented in since , it metaphorically suggests unloading emotional weight.
  • Off the cuff: Impromptu or without preparation, as if speaking from notes jotted on a . Originating in the mid- from the habit of quick notations on detachable cuffs, it implies spontaneity.
  • Off the hook: Freed from , , or trouble, akin to releasing a from a hook. This usage emerged in the late and gained traction in legal and casual contexts.
  • Off one's rocker: Eccentric, irrational, or mentally unstable, deriving from the notion of tipping off a , symbolizing loss of balance. Attested since the early , it conveys temporary or perceived without clinical implication.
  • Pull off: To execute or accomplish something challenging successfully, often against odds, as in pulling a garment off despite resistance. This phrasal verb's idiomatic sense solidified in the .
  • Show off: To exhibit skills, possessions, or behavior boastfully to impress others, with roots in 18th-century displays of finery "shown off." It carries a of ostentation rather than mere demonstration.
  • Take off: To depart suddenly or accelerate in popularity/success, as an lifting off; the sense for rapid success dates to the 1930s in contexts. Alternatively, to imitate mockingly.
  • Tell off: To or scold harshly and directly, originating in around for assigning or duty. It implies candid confrontation.
These phrases illustrate "off"'s versatility in idiom formation, frequently implying separation or excess, and are staples in and variants. Usage varies by dialect, with some like "off one's trolley" serving as synonyms for "off one's rocker" in older speech.

Slang and colloquial variants

In colloquial usage, "off" often describes a state of being incorrect, awry, or not functioning properly, as in the phrase "something is off," indicating a subtle deviation from the expected or normal. This sense extends to personal feelings or perceptions, where an individual might say "I feel off" to convey mild unwellness or unease without specifying a precise cause. The term is also employed to denote or mild , with expressions like "a bit off" or "he's off" suggesting someone is not entirely rational or socially conventional, though typically in a harmless manner. This usage appears in informal contexts to highlight quirky behavior, as evidenced in entries noting its application to those "slightly abnormal or not quite sane." Related phrases, such as "off one's rocker," amplify this to outright madness, a intensification rooted in early 20th-century . In criminal , "off" serves as a meaning to or eliminate someone, particularly to a , as in "to off someone." This euphemistic term emerged in , avoiding direct references to , and has persisted in informal narratives of . British colloquial variants include "have it off," denoting , a usage documented in the as informal and rare in American contexts.

Domain-specific applications

Arts and entertainment

In theater, particularly in , "off" distinguishes alternative production categories from the commercial mainstream of . Off-Broadway theaters are defined as professional venues with seating capacities between 100 and 499, emphasizing artistic experimentation over large-scale profitability. These emerged as a reaction to Broadway's growing commercialization in the mid-20th century, with the term gaining prominence in the to highlight independent, value-driven works. Off-Off-Broadway extends this further, encompassing smaller spaces with 99 or fewer seats, often fostering avant-garde and innovative performances by emerging artists unconstrained by union contracts or high costs. Approximately 120 such Off-Off-Broadway theaters operate in , serving as incubators for boundary-pushing theater. In film and television, "off-screen" refers to actions, sounds, or characters present in the narrative but outside the camera's visible frame, enhancing implication and tension without direct visualization. This technique relies on inference from contextual cues like , , or implied presence within the diegetic . In , the "O.S." (off-screen) denotes from unseen speakers, typically nearby but not in shot, distinguishing it from more remote usage. The term also contrasts performers' real-life personas with their on-screen roles, as in descriptions of ' off-screen conduct. "Off-stage" in live performance arts denotes areas beyond the audience's view, where preparatory actions, sound effects, or unseen character movements occur to support the illusion. This spatial distinction has been integral to dramatic structure since theater, allowing for narrative efficiency without constant visibility.

Computing and technology

In digital logic and systems, "off" represents the inactive or low-voltage state, conventionally denoted as , contrasting with the active "on" state as 1. This convention underpins , where values are reduced to true/false or on/off equivalents, forming the basis for computer and . The term "offline" describes a device or disconnected from a , central system, or the , preventing or remote access. Offline states can occur intentionally for maintenance, security, or local operation, as in offline storage media like USB drives that retain without connectivity. In early history, offline referred to disconnected from mainframes, a practice that persists in modern contexts like offline mode in applications for functionality without reliance. An occurs when an uses an index, loop bound, or value that deviates by exactly one unit from the correct range, often leading to buffer overflows, skipped elements, or infinite loops. Such errors frequently arise in traversals or fencepost problems, where discrete items confuses the number of intervals with endpoints; for instance, initializing a loop from 0 to n-1 for an n-element but mistakenly using 1 to n. These bugs are prevalent in due to human misjudgment of boundary conditions and can result in security vulnerabilities like if exploited. The OFF (Object File Format) is a plain-text standard for representing geometric models composed of vertices, faces, and edges, originating from Geomview software for Unix systems. Files begin with an "OFF" header, followed by vertex coordinates, face connectivity data, and optional attributes, enabling hardware- and platform-independent storage of polygonal meshes. Widely used in and tools, OFF supports simple without proprietary dependencies, though it lacks advanced features like textures or animations. In and , on-off keying (OOK) employs "off" to denote the absence of a signal, representing 0, while its presence signals 1, a form of simplified for low-power transmission. OOK is common in radio applications like or remote controls due to its minimal circuitry requirements, transmitting data by modulating power between discrete levels over fixed time slots. Though susceptible to compared to phase-based methods, OOK achieves bit rates up to 1/T where T is the duration, with implementations in sensors and optical communications.

Sports

In team sports such as , the "offense" refers to the unit of players responsible for advancing the ball toward the opponent's to score points, typically consisting of positions including the , running backs, wide receivers, and offensive linemen. This contrasts with the , which aims to prevent such advancement, and the offense gains after events like kickoffs or turnovers. In (soccer), the penalizes a who is in an —defined as being nearer to the opponents' goal line than both the ball and the second-last opponent (usually the last outfield ) while in the opponents' half—when a teammate plays the ball forward, provided the becomes involved in active play. The rule, codified in Law 11 of the game's laws, promotes by preventing attackers from "cherry-picking" positions without contributing to build-up, and it applies only at the moment the ball is touched or played by a teammate, not during the 's own reception of a back pass. Baseball pitchers employ off-speed pitches, which are delivered at velocities significantly slower than their s to disrupt hitters' timing, including types like , curveballs, and splitters that often feature downward or lateral break. These pitches, typically 8-15 slower than a pitcher's primary fastball, force batters to adjust mechanics mid-at-bat, with effective examples achieving high whiff rates due to velocity deception rather than pure . The term "kick off" denotes the procedure to begin or restart play in sports like soccer and , where a player kicks a stationary from the center spot (in soccer) or a designated line (in ) to initiate halves, extra time, or post-goal sequences. In soccer, the must travel its full circumference before being touched again by the kicking team, ensuring opponents have time to position. Similar mechanics apply in other codes, such as , to propel the into contested play.

Government and politics

In politics, "" denotes a occurring in an odd-numbered year, excluding presidential cycles or congressional midterms, typically focusing on , , and off-cycle positions such as congressional vacancies or gubernatorial races. These contests, scheduled for dates like November 4, 2025, often feature lower but influence policy through control of governorships, legislatures, and municipal offices. A prominent phrase in and is "," which specifies information conveyed to reporters or officials that must not be published, quoted, or attributed to the source, enabling candid discussion without direct repercussions. This convention, rooted in trust between sources and media, has been invoked in high-profile interviews, such as those with politicians clarifying positions anonymously, though disputes arise when boundaries blur, as in cases where sources retroactively claim status for prior statements. "Off-message" refers to public remarks or behaviors by politicians diverging from their party's coordinated narrative or line, potentially signaling discord or independent maneuvering. For instance, members critiquing government publicly exemplify this, risking internal repercussions while highlighting factional tensions within political groups. In legislative contexts, "off" features in procedural terms like motions to "" debate, which, if adopted, abruptly terminate discussion and amendments in bodies such as the U.S. , streamlining votes but limiting minority input. Such mechanisms enforce efficiency in lawmaking amid gridlock.

Products and brands

OFF! is a brand of insect repellents owned by , first introduced in 1957 as a more effective option compared to prior repellents on the market. The product line includes sprays, lotions, wipes, and candles formulated with active ingredients such as (up to 98.11% in some variants), picaridin (20% in non-DEET options), and oil of , targeting mosquitoes, ticks, and other s. By 2008, OFF! products were distributed in over 40 countries, and in 2015, the brand was recognized as the "Most Trusted Bug Repellent" in a consumer survey by BrandSpark. Off-White is an luxury fashion brand established in in 2013 by American designer , focusing on streetwear-influenced clothing, sneakers, and accessories featuring signature elements like diagonal stripes, white arrows, and quotation-mark motifs that highlight industrial and deconstructed aesthetics. The brand gained prominence through collaborations with entities such as and , emphasizing a conceptual "grey area" between luxury and everyday design. In October 2020, S. C. Johnson filed a opposition against Off-White's use of "OFF" branding, arguing that the fashion label's marks could confuse consumers with the longstanding , despite differing product categories.

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