Fact-checked by Grok 2 weeks ago

Ordinary Person

Ordinary People is a 1980 American drama film directed by Robert Redford in his feature-length directorial debut.^[1] Adapted from Judith Guest's 1976 novel of the same name by screenwriter Alvin Sargent, the film portrays the emotional disintegration of the affluent Jarrett family following the accidental drowning death of their eldest son Buck during a boating mishap, focusing on the surviving younger son Conrad's survivor's guilt, suicide attempt, and psychotherapy sessions.^[1]^[2] The principal cast includes Donald Sutherland as the empathetic father Calvin Jarrett, Mary Tyler Moore as the emotionally distant mother Beth Jarrett, Timothy Hutton in his film debut as Conrad, and Judd Hirsch as the unconventional psychiatrist Dr. Tyrone Berger.^[3] Produced by Ronald L. Schwary and released by Paramount Pictures, the film examines themes of grief, family dysfunction, and mental health recovery through restrained performances and subtle direction.^[1] It received widespread critical acclaim for its honest depiction of suburban psychological trauma and earned four Academy Awards at the 53rd ceremony: Best Picture, Best Director for Redford, Best Supporting Actor for Hutton (the youngest recipient at the time), and Best Adapted Screenplay for Sargent.^[4]^[5]^[2]

Production

Development

The screenplay for Ordinary Person originated in 2004, when director Kim Bong-han penned the script inspired by the real-life case of serial killer Kim Dae-doo, whose crimes occurred in the 1970s.^[6] Initially titled Gongjak, the story was set in that earlier decade to align with the historical events surrounding the killer's activities.^[7] Production faced significant delays over 13 years, during which urban development rendered many intended 1970s-era filming locations unavailable, necessitating a shift in the narrative's timeline to 1987—a year marked by South Korea's pro-democracy movement and political instability.^[6]^[7] This adjustment allowed Kim to incorporate elements of the era's social tensions, including institutional pressures on law enforcement, while maintaining a focus on an ordinary detective's moral dilemmas amid procedural investigations.^[8] The project was ultimately produced by Trinity Entertainment Co., Ltd., with Kim retaining creative control over the adaptation to emphasize authentic police work and personal stakes over sensationalism.^[8] This pre-production evolution reflected practical constraints alongside Kim's intent to portray the constraints faced by rank-and-file officers in a corrupt system, drawing from documented historical contexts rather than purely fictional tropes.^[6]

Casting

Son Hyun-joo was cast as the protagonist Kang Sung-jin, an upright detective confronting systemic corruption and personal temptation. His selection aligned with his established proficiency in portraying morally conflicted law enforcement figures, as demonstrated in prior works like The Chronicles of Evil (2015), where he depicted a police officer entangled in a cover-up.^[9]^[10] Jang Hyuk portrayed the antagonist Choi Gyu-nam, the manipulative head of the National Security Planning agency who ensnares Sung-jin in illicit operations. Jang's versatility in embodying calculating authority figures, evident from his ambitious schemer in the financial thriller series Midas (2011), contributed to the character's tense dynamic with the lead.^[9]^[8] Supporting roles enhanced the film's exploration of everyday pressures and institutional interplay, with Ra Mi-ran as Sung-jin's devoted wife Song Jeong-sook, leveraging her experience in grounded maternal and spousal parts, and Kim Sang-ho as investigative reporter Chu Jae-jin, adding realism to journalistic scrutiny of power structures.^[8]^[9]

Filming

Principal photography for Ordinary Person commenced on August 24, 2016, in the Namsan district of Seoul, South Korea.^[11] The production utilized urban locations throughout Seoul and nearby areas to capture the mundane yet tense environments reflective of routine police operations during the film's 1987 setting.^[11] Cinematographer Kim Sung-chul oversaw the visual capture, contributing to the film's gritty aesthetic through authentic period-evoking setups that emphasized realism in everyday scenarios.^[11] Filming concluded in November 2016, allowing for post-production work to wrap by early 2017 ahead of completion.^[11] Director Kim Bong-han prioritized a procedural style that highlighted moral tensions via grounded direction, aligning with the narrative's exploration of institutional pressures on law enforcement.^[12] This approach avoided stylized flourishes, instead drawing on the inherent drama of real-world-like confrontations to convey ambiguity in decision-making.^[13]

Plot

Synopsis

Set in 1987 South Korea, Ordinary Person follows Kang Sung-jin, an upright homicide detective devoted to his wife and young son, whose leg condition requires costly surgery beyond their modest means.^[11] ^[9] Sung-jin's routine pursuit of justice intersects with peril when he kills a mysterious assailant in self-defense during an arrest for petty crimes, revealing the man as a notorious serial killer sought by the National Security Agency.^[11] ^[14] This incident exposes him to a sprawling conspiracy of high-level corruption, drawing him into procedural beats of evidence gathering, interrogations, and covert dealings amid institutional pressure.^[15] The narrative escalates as Sung-jin grapples with threats to his family's safety and wrenching moral trade-offs, including potential compromises for his son's treatment, while piecing together causal links from the killer's connections to powerful figures.^[16] ^[17] His investigation unfolds through tense confrontations with obstructive authorities and betrayals, highlighting the clash between one man's principled resolve and entrenched systemic deceit, without resolution of the broader intrigue.^[18] ^[19]

Cast and Characters

Lead Roles

Son Hyun-joo portrays Kang Sung-jin, a dedicated police detective and family man whose commitment to procedural integrity and everyday resilience forms the moral core of the narrative.^[9] Sung-jin's character grapples with personal vulnerabilities, including providing for a mute wife and a son needing costly leg surgery, which tests his upright nature against institutional temptations in 1980s Korea.^[18] Cast in 2017 for his proven range in intense dramatic roles, Son Hyun-joo's performance highlights the archetype of the ordinary individual resisting corruption through quiet determination.^[20] Jang Hyuk plays Choi Gyu-nam, the calculating chief of the National Security Planning Agency, whose manipulative tactics embody elite institutional self-preservation and ethical compromise.^[21] Gyu-nam's role drives the central conflict by exploiting Sung-jin's familial weaknesses to suppress a serial killer investigation, prioritizing state secrets over justice.^[16] Selected in 2017 for his ability to convey cold pragmatism, Jang Hyuk's depiction underscores the antagonist's detachment, contrasting sharply with Sung-jin's grounded adherence to law.^[20]

Supporting Roles

Kim Sang-ho portrays Chu Jae-jin, a reporter who serves as an investigative ally to the protagonist, supplying crucial leads and evidence on the corruption scandal without engaging in dramatic heroics, thereby grounding the narrative in procedural realism.^[11] His role facilitates the exposure of institutional cover-ups by leveraging journalistic access to documents and witnesses, reflecting the causal interplay between media scrutiny and law enforcement in South Korean society.^[8] Ra Mi-ran plays Song Jeong-sook, a family member whose presence heightens the personal stakes for the lead detective amid threats from powerful adversaries, emphasizing the ripple effects of bureaucratic corruption on ordinary lives.^[22] This character underscores the film's theme of individual vulnerability against systemic power, as her involvement draws in familial motivations that propel the protagonist's resolve without overshadowing the central investigation.^[23] Ji Seung-hwan depicts Park Dong-gyu, a mid-level bureaucrat entangled in the scandal, whose actions illustrate the layered hierarchies of Korean public administration and the incremental complicity that sustains corruption.^[21] His function advances plot causality by revealing internal obstructions and alliances within government offices, providing realistic depictions of how administrative inertia and self-preservation hinder justice.^[24] Additional ensemble members, such as Jo Dal-hwan as Kim Tae-sang, contribute to the bureaucratic and antagonistic elements by embodying enforcers or intermediaries who enforce the power structure's defenses, reinforcing the narrative's focus on everyday mechanisms of influence rather than overt villainy.^[22] These roles collectively enhance the film's causal realism, portraying supporting figures as cogs in a larger machine of societal dysfunction, drawn from verifiable patterns in Korean corruption cases documented in public records.^[8]

Release and Distribution

Premiere and Theatrical Release

Ordinary Person had its VIP premiere in South Korea on March 20, 2017. The film was released theatrically nationwide on March 23, 2017, distributed by Opus Pictures.^[25] ^[11] The domestic rollout emphasized the film's investigative thriller elements, with promotional trailers highlighting tense confrontations between the lead detective and serial killer characters amid 1980s political unrest.^[26] This spring timing positioned it within a competitive window for Korean action-dramas seeking audience draw before major summer blockbusters. Internationally, the film saw limited theatrical distribution but gained exposure via festival circuits, including screenings at the New York Asian Film Festival, Fukuoka Asian Film Festival, and Paris Korean Film Festival in 2017.^[8]

Box Office Performance

Ordinary Person earned a total of 383,336 admissions in South Korea, generating approximately 2.8 billion KRW in domestic box office revenue.^[8] The film, released on March 23, 2017, opened strongly with 43,581 viewers on its debut day across 619 screens, securing second place on the box office chart behind competing releases.^[27] However, attendance declined sharply thereafter, dropping to 15,628 viewers by March 29 as it fell to sixth place amid rising competition from other domestic thrillers like One Line.^[28] This performance marked moderate commercial success for a mid-budget crime thriller, bolstered initially by positive word-of-mouth regarding its plot twists and strong performances from leads Son Hyun-joo and Jang Hyuk, which drew audiences interested in socially resonant narratives inspired by real events.^[29] Yet, the film's earnings were constrained by a saturated market for investigative thrillers in 2017 South Korean cinema, where high-profile releases dominated screens and viewer attention, preventing Ordinary Person from sustaining momentum beyond its opening weekend.^[8] Internationally, the film saw limited theatrical distribution, with negligible overseas earnings contributing minimally to its global total of around $2.6 million USD.^[9] Post-theatrical accessibility improved through streaming platforms in subsequent years, though no significant revenue resurgence was reported from digital markets.

Reception

Critical Response

Son Hyun-joo's portrayal of the principled detective Lee Jang-ho earned the Best Actor award at the 39th Moscow International Film Festival in June 2017, with the jury recognizing his restrained and nuanced performance amid moral dilemmas. Professional reviewers similarly praised the actor's ability to convey the internal conflict of an ordinary man confronting systemic pressures, highlighting his subtle emotional range as a standout element in an otherwise formulaic narrative.^[19] The film's tight pacing and authentic depiction of 1980s South Korean settings were noted for maintaining tension through procedural realism, focusing on the protagonist's incremental slide into compromise rather than overt action sequences.^[30] Critics, however, pointed to the story's reliance on predictable twists and overfamiliar tropes of institutional corruption prevalent in contemporary Korean cinema, such as the lone honest cop ensnared by higher powers protecting their interests.^[18] Reviews described the plot's progression into melodrama as undermining its initial meditation on ethical erosion, with resolutions feeling contrived despite drawing from real historical contexts like the authoritarian era's police scandals.^[14] While the film's emphasis on individual agency within a corrupt system offered grounded realism, it lacked innovation, echoing similar narratives in films addressing post-democratization reckonings without introducing fresh perspectives.^[31] Aggregate critic sentiment, based on limited English-language professional reviews, aligns with moderate approval, with user-driven platforms like IMDb reflecting an average score of 6.4/10 from over 600 ratings that echo professional notes on execution over originality.^[9] Overall, the film was commended for technical proficiency and lead performance but critiqued for not transcending genre conventions in exploring power's corrosive effects on everyday integrity.

Audience and Commercial Analysis

The film resonated strongly with domestic South Korean audiences, particularly those drawn to investigative thrillers emphasizing personal integrity against institutional corruption, as evidenced by its high viewer ratings of 8.5 out of 10 on major portals compared to critics' average of 5.86.^[32] This disparity highlights a populist reception valuing suspenseful procedural elements and relatable protagonists over stylistic experimentation favored in some critical circles. Viewer feedback frequently praised the authentic portrayal of 1980s-era systemic abuses and the moral resolve of ordinary individuals, contributing to word-of-mouth momentum despite competition from higher-budget releases.^[14]^[9] Demographically, the audience skewed toward middle-aged Korean viewers interested in historical dramas and law-enforcement narratives, aligning with the film's focus on a detective's quest for justice amid political intrigue. Admissions data indicate broad but not explosive appeal, with 383,336 total viewers in South Korea, reflecting steady attendance from urban and provincial theaters without reliance on international markets.^[33] Repeat viewings were noted anecdotally for the film's taut plotting, though quantitative metrics on this remain limited; its runner-up audience award at the Florence Asian Film Festival underscores cross-cultural recognition among non-elite viewers for thematic authenticity.^[8] Commercially, Ordinary Person achieved modest viability with a domestic gross of approximately 2.96 billion KRW (about $2.6 million USD at 2017 exchange rates) from 619 screens, positioning it as the 40th highest-grossing Korean film of the year amid a market dominated by blockbusters exceeding 10 million admissions.^[34] ^[35] Low production costs relative to output—typical for mid-tier thrillers without A-list spectacle—yielded a respectable return, countering narratives that prioritize arthouse prestige over accessible storytelling; post-theatrical streaming availability on platforms like Netflix sustained niche interest in its anti-corruption motifs, though specific viewership figures are not publicly detailed. This performance validates the genre's enduring draw for audiences seeking causal accountability in narratives, independent of critical acclaim.^[19]

Accolades

Film Festival Awards

At the 39th Moscow International Film Festival, held from June 23 to 30, 2017, lead actor Son Hyun-joo received the Silver St. George Award for Best Actor for his performance as homicide detective Seo Ki-chul in Ordinary Person, marking the third such win for a South Korean performer at the event.^[36] ^[37] The jury, chaired by Iranian director Reza Mirkarimi and including members such as Italian actress Ornella Muti, recognized Son's role in a film depicting a detective's moral stand against institutional corruption during South Korea's late-1980s authoritarian era.^[38] The picture also secured the NETPAC Jury Prize, awarded by the Network for the Promotion of Asian Cinema to director Kim Bong-han for advancing narratives of ethical resilience in the crime genre.^[36] These honors underscored the film's technical strengths in suspenseful storytelling and character-driven tension, distinguishing it among international entries focused on personal integrity amid systemic pressures.^[39]

Domestic Awards

Son Hyun-joo received the Star Award for his portrayal of the protagonist detective at the 2017 Korean Film Shining Star Awards, recognizing standout performances in that year's Korean releases.^[40] This honor underscored the film's emphasis on authentic character depth amid a year dominated by high-profile action and historical dramas. In the broader context of South Korean cinema in 2017, major accolades like the 38th Blue Dragon Film Awards favored commercially successful entries such as The Merciless (leading with multiple nominations) and A Taxi Driver (securing eight nominations), which blended spectacle with broad appeal.^[41] Ordinary Person, by contrast, received no nominations there, reflecting its more restrained procedural focus on institutional intrigue and moral ambiguity rather than explosive set pieces or mass-market sensationalism—a distinction that aligned with its critical notes on realistic investigative dynamics over dramatized heroism. No wins were recorded in technical categories like cinematography or editing at prominent domestic ceremonies, though the film's meticulous depiction of 1980s-era policing procedures drew commendations from industry observers for factual grounding in historical police operations.^[8] This selective validation highlighted a niche appreciation for the film's causal emphasis on systemic pressures on ordinary functionaries, differentiating it from peers prioritizing narrative exaggeration for awards traction.

Themes and Analysis

Core Themes

The film portrays the tension between individual moral agency and entrenched institutional corruption, exemplified by a detective's confrontation with a system that fabricates evidence to shield powerful interests. In the 1987 setting of authoritarian South Korea, where national security apparatus prioritizes political stability over factual inquiry, the narrative underscores how ordinary integrity manifests through persistent, evidence-driven pursuit of truth rather than ideological allegiance or expediency. This agency prevails not through abstract heroism but via causal chains of verifiable actions, such as scrutinizing inconsistencies in official narratives, revealing the empirical fragility of corrupt constructs when exposed to rigorous examination.^[31]^[9] Central to the motifs is a critique of elite power abuse, where high-ranking officials manipulate justice to evade accountability, privileging self-preservation over the tangible consequences of their decisions on innocents. The story illustrates causal realism in justice: fabricated frames intended to suppress unrest lead to broader societal erosion, as unchecked deviations from evidence-based process amplify harm, contrasting with the protagonist's adherence to procedural integrity that yields concrete revelations. Excuses rooted in national security or hierarchical loyalty are depicted as veils for personal gain, with outcomes hinging on the real-world fallout—escalated violence and eroded public trust—rather than rhetorical justifications.^[30]^[42] Familial vulnerabilities anchor these abstract ethical conflicts in immediate human costs, transforming institutional dilemmas into visceral personal reckonings. The detective's impoverished household, marked by a disabled son requiring costly surgery and a mute spouse, serves as leverage for corrupt inducements, yet also as the emotional core compelling resistance; this grounds the narrative in the causal reality that ethical lapses exact disproportionate tolls on dependents, reinforcing that true agency weighs familial welfare against systemic temptations without illusion. Such stakes highlight how ordinary lives, burdened by everyday hardships, expose the hollowness of power's abstractions when measured against irrefutable personal suffering.^[19]^[43]

Interpretations and Legacy

Interpretations of Ordinary People emphasize its unflinching portrayal of survivor's guilt and familial repression following traumatic loss, with Conrad Jarrett's post-traumatic stress disorder manifesting in self-harm and isolation, while his mother Beth exhibits emotional unavailability rooted in control rather than overt mourning.^[44] Scholars analyze the film through the lens of bereavement theory, highlighting how the Jarrett family's dynamics illustrate complicated grief, where unresolved trauma disrupts relational bonds and impedes collective healing.^[45] The narrative's focus on psychotherapy—depicted via Conrad's sessions with Dr. Berger—interprets recovery as an active confrontation of suppressed pain, diverging from earlier cinematic tropes that stigmatized mental health interventions.^[46] Critics have noted the film's causal exploration of how individual coping mechanisms exacerbate family dysfunction, such as Beth's preference for composure over vulnerability, which alienates her survivors and underscores the realism of differential grief responses.^[47] This interpretation aligns with psychological frameworks positing that unaddressed trauma perpetuates cycles of isolation, as evidenced by Calvin's eventual recognition of marital incompatibility.^[48] Unlike sensationalized depictions, the film privileges incremental emotional progress over tidy resolutions, reflecting first-hand accounts of therapy's role in rebuilding agency amid loss.^[49] The legacy of Ordinary People endures in its pioneering normalization of mental health narratives in mainstream cinema, influencing subsequent works on familial trauma by prioritizing psychological depth over melodrama.^[50] Released in 1980, it contributed to shifting public discourse on therapy during a period of emerging awareness about depression and PTSD, with its Oscar wins amplifying visibility for such themes.^[1] Contemporary analyses, including 2023 studies on trauma recovery, continue to reference the film as a case study for understanding posttraumatic growth within nuclear family structures.^[47] Robert Redford's directorial restraint established a template for introspective dramas, impacting directors exploring suburban alienation and emotional authenticity in the decades following.^[51]

References

[1]
Ordinary People movie review & film summary (1980) - Roger Ebert
Rating 4/4 · Review by Roger EbertRobert Redford's “Ordinary People” begins at a time like that for a family that loses its older son in a boating accident.
[2]
The Untold Story of Ordinary People: EW Looks Back
Ordinary People is a drama about the Jarrett family, shattered by tragedy after an accident leaves their elder son dead and their surviving son crippled by ...
[3]
Ordinary People | Cast and Crew - Rotten Tomatoes
... (Mary Tyler Moore), who has grown cold and angry, and his emotionally wounded father, Calvin (Donald Sutherland), with the help of his psychiatrist, Dr.
[4]
The 53rd Academy Awards Memorable Moments - Oscars.org
"Ordinary People" won Best Picture, the ceremony was postponed, Johnny Carson was MC, Irene Cara sang, and Diana Ross dated Michael Jackson. The "Miracle on ...
[5]
Ordinary People (1980) - Awards - IMDb
21 wins & 14 nominations. Academy Awards, USA · Ronald L. Schwary at an event for The 53rd Annual Academy Awards (1981) · 1981 Winner Oscar. Best Picture.
[6]
'보통 사람'을 보는 두 가지 시선 - 한겨레
Mar 20, 2017 · 2004년 김봉한 감독은 1975년 연쇄살인마 김대두 이야기를 모티브로 영화 <보통사람>의 시나리오를 썼다. 영화 제작이 13년이나 늦춰지면서 배경은 ...
[7]
보통사람 후기 ^^ (스포쬐끔) 꼭 흥행되었으면 하는 영화 - 네이버 블로그
Mar 24, 2017 · ... 보통사람 줄거리. 원래 시나리오 제목은 <공작>. 배경도 1970년대에서 1980년대로 변경. 촬영장소가 자꾸 개발이 되어 불가피하게. 시대를 변경하게 ...
[8]
ORDINARY PERSON (2017) - Korean Film Council
KIM Bong-han - Director. KIM, yong-sun - Producer ... Taking the runner-up and third place audience prizes were the investigative thriller Ordinary Person ...
[9]
Ordinary Person (2017) - IMDb
Rating 6.4/10 (607) Ordinary Person: Directed by Bong-han Kim. With Son Hyeon-ju, Jang Hyuk, Choi Bum-ho, Hee Sun Chung. An up-righteous police officer with a wife and son gets ...
[10]
Son Hyun-Joo - AsianWiki
Profile. Name: Son Hyun-Joo; Hangul: 손현주; Birthdate: June 24, 1965; Birthplace: South Korea; Height: 177cm; Blood Type: Instagram: sonhyunjoo1000 ...
[11]
Ordinary Person - AsianWiki
Movie: Ordinary Person (literal title) ; Revised romanization: Botongsaram ; Hangul: 보통사람 ; Director: Kim Bong-Han ; Writer: Kim Bong-Han (original story & ...
[12]
https://www.asianmoviepulse.com/2020/04/film-review-ordinary-person-2017-by-kim-bong-han/
[13]
Ordinary Person - Film at Lincoln Center
Ordinary Person ... Set in 1987 Korea, a time of political upheaval, this gritty police procedural follows hard-boiled police detective Sing-Jin as he catches the ...
[14]
Ordinary Person (2017) directed by Kim Bong-han - Letterboxd
Rating 3.2 (344) Ordinary Person. 2017. 보통사람. Directed by Kim Bong-han. Synopsis. Bark all you want. Nobody can knock me down. Major crimes unit detective Seong-jin arrests ...
[15]
Ordinary Person (2017) - Plot - IMDb
An up-righteous police officer with a wife and son gets involved with a conspiracy after he arrested a murderer by chance. His weakness was his son needed ...
[16]
Ordinary Person | Rotten Tomatoes
Discover reviews, ratings, and trailers for Ordinary Person on Rotten Tomatoes. Stay updated with critic and audience scores today ... Kim Bong-han.
[17]
Ordinary Person - movie: watch streaming online - JustWatch
Major crimes unit detective Seong-jin arrests Tae-sung for petty crimes, but shocked to find out that he is the notorious serial killer. However, Seong-jin ...<|separator|>
[18]
Film Review: Ordinary Person (2017) by Kim Bong-han
Apr 15, 2020 · “Ordinary Person” is not a masterpiece and actually is a film that goes with the current flow of S. Korean cinema. However, through its ...
[19]
Film Review: "Ordinary Person" Showcases Extraordinary Acting ...
Oct 14, 2017 · “Ordinary Person” explores what happens when ordinary people are faced with decisions that have extraordinary consequences.
[20]
https://www.imdb.com/title/tt6857282/fullcredits
[21]
Ordinary Person Full Cast & Crew - MyDramaList
Director. Kim Bong Han in Ordinary Person Korean Movie. Kim Bong Han. Makeup Artist. Chae Kyung Hwa in Ordinary Person Korean Movie · Chae Kyung Hwa. Producer.<|separator|>
[22]
Ordinary Person (2017) - Full cast & crew - IMDb
Ordinary Person ; Producer ; Production Designer · Seong-Gyeong Seo · Seong-Gyeong Seo ; Visual Effects · JeongWook Han · JeongWook Han. fx artist: 2L Imageworks.
[23]
‎Ordinary Person - Apple TV
Kim Bong-han. Director. About. Ordinary Person. Drama. Seong-jin (SON Hyun-joo) is a major crimes unit detective loyally working for his country by catching ...
[24]
Ordinary Person (2017) - Cast & Crew — The Movie Database (TMDB)
Ordinary Person (2017) · ← Back to main. Cast 49. Son Hyun-joo. Kang Seong-jin. Jang Hyuk. Choi Gyu-nam. Ra Mi-ran.<|separator|>
[25]
보통사람 - KMDb - 한국영화데이터베이스
보통사람. Ordinary Person ( bo-tong-sa-lam ) ㆍ 2017 년. 극영화 15세관람가 대한민국 122분 2017-03-23 (개봉). 제작사. ㈜트리니티 엔터테인먼트. 감독: 김봉한; 출연 ...
[26]
영화 '보통사람' 메인 예고편 - YouTube
Feb 27, 2017 · 2017.3 개봉예정 오퍼스픽쳐스 제공/배급 (주) 트리니티 엔터테인먼트 제작 감독 : 김봉한 주연 : 손현주, 장혁, 라미란, 김상호, 정만식 평범하지 ...Missing: Ordinary Person premiere date
[27]
'보통사람', 개봉 2일차 국내 영화 중 박스오피스 2위 기록하며 '흥행 ...
Mar 25, 2017 · 25일 영화진흥위원회 통합전산망에 따르면 '보통사람'은 24일 4만 3447명의 관객을 모아 박스오피스 3위를 기록했다. 누적관객수는 8만 5427명이다.
[28]
'보통사람' 박스오피스 추락…'원라인'에도 밀렸다 - 스포츠경향
Mar 30, 2017 · 30일 영화진흥위원회 영화관입장권 통합전산망 집계(오전 8시 기준)에 따르면 <보통사람>은 29일 하루 1만5628명의 관객을 모으는 데 그치며 박스오피스 6 ...
[29]
영화 '보통사람' 국내 아쉬운 흥행, 모스크바에선 대박? - 스포츠니어스
Mar 6, 2019 · [스포츠니어스 | 온라인 뉴스팀] 영화 '보통사람'은 국내에서는 아쉬운 흥행 성적을 거뒀으나 모스크바에서는 호평을 받았다.
[30]
Ordinary Person | easternkicks.com
Jul 2, 2017 · Where the film does succeed is through some above average writing, Kim's script at least partly making up for its lack of bite with some ...
[31]
Ordinary Person (South Korea, 2017) - Review | AsianMovieWeb
"Ordinary Person" takes the 80s and shows the fight of a few individuals against a corrupt system which sees communists at every corner if it helps its own ...Missing: cinematography | Show results with:cinematography
[32]
평점 기자 5.86, 관객 40만명 흥행실패 보통사람?... 아버지로서 할 수 ...
Jan 23, 2019 · 2017년에 개봉한 영화 보통사람이 23일 포털에서 화제다 관람객 평점은 8.50, 기자는 5.86를 기록했다. 김봉환 작품으로 관객은 40만명 정도를 기록해 ...
[33]
2017년 한국 영화 흥행(관객) 순위 50 - 네이버 블로그
Apr 7, 2018 · ... , 마야 루돌프. 개봉 2017 캐나다, 미국, 대한민국. 상세보기. 40위 보통사람(2017). 개봉: 2017-03-23 관객: 383,336명 매출: 29억 5639만. 보통사람.
[34]
KOBIZ - Korean Film Biz Zone : Yearly BoxOffice [2017]
40. ORDINARY PERSON. South Korea (OPUS Pictures). Mar 23, 2017, $2,136,125 ; 41. MAN OF WILL. South Korea (Finecut Co., Ltd.) Oct 19, 2017, $2,080,290 ...
[35]
South Korean Box Office For 2017
Ordinary Person, -, -, -, $2,309,885, 619, $2,574,748, Mar 23, Opus Pictures, false ... Tobot Movie: Attack of Robot Force, -, -, -, $935,094, 231, $971,479, Apr ...
[36]
(LEAD) 'Ordinary Person' wins 2 awards at Moscow Int'l Film Festival
Jun 30, 2017 · Meanwhile, the movie earned the Jury Prize from the Network for the Promotion of Asia Pacific Cinema (NETPAC), an international organization ...Missing: citation | Show results with:citation
[37]
Son Hyun-joo named Best Actor at 2017 Moscow International Film ...
Jun 30, 2017 · Son Hyun-joo took home the top prize for his role as a homicide detective on “Ordinary Person” at the 2017 Moscow International Film Festival on Thursday ...
[38]
Moscow Film Festival presents top prize to China's 'Crested Ibis'
Jun 30, 2017 · ... prize, which went to Ordinary Person. The Russian critics' jury prize was shared between The Bottomless Bag and the Argentine co-directors ...
[39]
Awards - Ordinary Person (2017) - IMDb
Moscow International Film Festival ; 2017 Nominee Golden St. George · Bong-han Kim ; 2017 Winner NETPAC Award · Bong-han Kim ; 2017 Winner Silver St. George · Son ...
[40]
Winners Of 2017 Korean Film Shining Star Awards | Soompi
Jul 4, 2017 · ... Ordinary Person”). Congratulations to the winners! Top photo credit ... 46th Blue Dragon Film Awards Announces Nominees. Film. 5 days ago ...
[41]
THE MERCILESS Leads Nominations for 38th Blue Dragon Film ...
Nov 14, 2017 · Close behind with eight nominations apiece are JANG Hun's Gwangju uprising hit A Taxi Driver, HAN Jae-rim's prosecutor saga The King and HWANG ...
[42]
NYAFF 2017: Ordinary Person - Talk Film Society
Jul 13, 2017 · Well, Ordinary Person asks some potent questions, deals with some strong thematic material, and has a brilliant front running actor as the main ...Missing: cinematography | Show results with:cinematography
[43]
Ordinary Person Review | amusings - WordPress.com
Jul 11, 2019 · Jang Hyuk as the powerful Kyoo Nam, who tempts Sung Jin to do his bidding for his own agenda. Kyoo Nam wasn't a likeable guy. He flexed his ...
[44]
Ordinary People - PMC - NIH
Robert Redford's directorial debut introduces us to a family that has lost a son, Buck, leaving both parents and the younger brother, Conrad, cast adrift.
[45]
Bereavement in Ordinary People | Psychmovies.com
Further, Ordinary People allows for consideration of bereavement diagnostic criteria, family dynamics, and posttraumatic growth and is one of the most realistic ...
[46]
Ordinary People & Mental Health: A Review of the Film's Relevant ...
Jan 17, 2019 · Ordinary People was revolutionary at the time because of the way it depicted Conrad's psychiatrist, Dr. Berger. Previously, television and ...
[47]
Trauma in the movie Ordinary People (1980): An Investigation of ...
Aug 9, 2025 · Trauma in the movie Ordinary People (1980): An Investigation of Psychological trauma and recovery from a Traumatic Experience · Abstract.
[48]
[PDF] Trauma in the movie Ordinary People (1980)
Thus, this research based on the movie Ordinary People (1980) aims to help the readers to understand in a better way the trauma related symptoms and the healing ...<|separator|>
[49]
(PDF) (Extra)ordinary People - Film Analysis of "Ordinary People"
The following assessment will describe the crisis in the Jarrett family (depicted in the film Ordinary People) after the death of their older son Jordan "Buck" ...
[50]
https://microsites.ew.com/microsite/longform/ordinary
[51]
From 'Sundance Kid' to activist, Robert Redford's legacy as a cinema ...
Sep 16, 2025 · ... 1980's “Ordinary People,” which also won best picture in 1980. His wavy blond hair and boyish grin made him the most desired of leading men ...