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Orgazmo

Orgazmo is a 1997 American film rated NC-17 by the MPAA for explicit sexual content, written, directed, and edited by and produced by , , and . The story centers on Joe Young, a devout portrayed by , who travels to to proselytize but ends up starring as the titular pornographic to raise funds for his impending wedding to his fiancée, Lisa. 's character wields a fictional device called the Orgazmorator, a ray gun that induces orgasms, while battling villains in absurd, low-budget adult film scenarios alongside his sidekick Choda Boy, played by . The film marks the feature-length debut for Parker and Stone, the creators of the animated series , and was independently financed on a low budget before distribution by . It premiered at the in January 1997 and received a on October 23, 1998, grossing $602,302 at the . Orgazmo satirizes the pornography industry, Mormon culture, and superhero tropes through its crude humor, explicit content, and improvised elements, featuring cameos from adult film stars like . Critically, the movie holds a 50% approval on based on 30 reviews, with praise for its irreverent energy but criticism for juvenile plotting and uneven execution. awarded it 2 stars out of 4, describing it as a "crude " that fails to transcend its shock value. Despite mixed reception, Orgazmo has gained a for its early showcase of Parker and Stone's boundary-pushing style, influencing their later works, and as of November 2025 is available for rent or purchase on platforms like and , and free on .

Synopsis

Plot

Joe Young, a devout serving in , faces financial difficulties in funding his upcoming wedding to his fiancée, . While proselytizing door-to-door, he unwittingly approaches the home of pornographic film director Maxxx Orbison and, after using his skills to fend off Orbison's aggressive bodyguards, is offered a lucrative role in an adult to earn the needed money. Desperate for cash, Joe accepts the part as Orgazmo, the lead character in a superhero-themed porn parody titled Orgazmo, where his alter ego wields a fictional ray gun called the Orgazmorator that induces instant orgasms in enemies. To maintain his moral standards, Joe relies on a stunt double, portrayed by adult film actor Clark, for all explicit sexual scenes, while he handles the action and dialogue. On set, Joe forms a friendship with fellow actor Ben Chapleski, who plays his bumbling sidekick Choda Boy and, as a gadget enthusiast, secretly constructs a functional version of the Orgazmorator using advanced technology. As production wraps and Orgazmo unexpectedly becomes a massive within the adult industry, Joe attends a porn awards ceremony where his performance is celebrated, but he grows increasingly conflicted about his involvement and declines Orbison's offer for a long-term contract. In retaliation, the ruthless Orbison, who has ulterior criminal motives including plans to mass-produce the Orgazmorator for control, kidnaps and holds her captive at his mansion to coerce Joe's compliance. Learning of the abduction, and don their Orgazmo and Choda Boy costumes, arm themselves with the real Orgazmorator, and embark on a series of over-the-top battles against Orbison's henchmen, including porn stars cast as villains like A-Cup and Candi, culminating in a chaotic assault on the mansion that results in its destruction. In the film's climax, confronts and defeats Orbison in a final showdown, using the Orgazmorator to render him impotent and dubbing him "Neutered Man," while also thwarting the weapon's . With rescued and the threat eliminated, Joe reconciles with his fiancée, abandons the porn industry entirely, reaffirms his commitment to his Mormon faith, and proceeds with their wedding plans.

Cast

Orgazmo features as Joe Young/Orgazmo, a naive who enters the and adopts a persona. , who co-wrote and produced the film, appears as Dave the Lighting Guy, a crew member and friend to the on set. portrays Ben Chapleski/Choda Boy, the 's inventive sidekick characterized by his unique physical attribute. Robyn Lynne Raab plays , the protagonist's devoted fiancée. Michael Dean Jacobs stars as Maxxx Orbison, the ambitious and ruthless adult film director serving as the main antagonist. In supporting roles, appears as , the experienced performer known as the "stunt cock" and Jizzmaster Zero. The film includes cameos from several adult film stars, such as Chasey Lain as Candi, a seductive actress in the production, and as the Nurse. Other notable appearances feature as Saffi and as the Greek Porn Actress, adding authenticity to the industry's depiction.

Production

Development

Orgazmo was conceived by Trey Parker, Matt Stone, and Jason McHugh under their production company Avenging Conscience during their relocation from Colorado to Los Angeles in the mid-1990s. The company, founded in 1992 by Parker, Stone, McHugh, and Ian Hardin, had previously produced low-budget projects like the short film that evolved into Cannibal! The Musical, setting the stage for their independent filmmaking endeavors. The script's development drew inspiration from the trio's real-life encounters with the porn industry, where they navigated the adult video scene through connections like Farrell Timlake, who served as their "porn concierge" and introduced them to industry quirks that informed character archetypes such as the photographer , modeled after crew member Dave Stotts. 's longstanding interest in tropes further shaped the narrative, blending porn parody with comic-book heroism to satirize both worlds. Parker penned the script around 1996, during a transitional period between shooting pilots for their unproduced TV project Time Warped. Securing financing proved challenging, as the film's provocative subject matter deterred traditional investors, requiring the team to piece together resources while assembling a creative roster that included returning collaborators from prior projects. Partial funding came from the Japanese adult video company , which covered half the $1,000,000 budget in hopes of showcasing its performers in a Western mainstream production.

Filming

Principal photography for Orgazmo took place from February 1 to March 7, 1997, primarily in , , where the production utilized local soundstages to construct simulated porn sets and captured exterior shots, including sequences near the in the for action-oriented scenes. The film's explicit themes presented challenges during filming, particularly in handling NC-17-rated content while maintaining a comedic tone. For authenticity, real adult film performers were hired for roles and cameos, including as the villain Jizzmaster Zero, as Saffi, and Chasey Lain as Candi, whose industry expertise informed the on-set dynamics and dialogue. Production anecdotes highlight the improvisational style of the shoot, with and incorporating spontaneous humor drawn from their consultations with porn industry insiders, such as a "porn " who provided guidance on set and terminology, leading to unscripted moments captured in bloopers. Creative decisions emphasized low-budget ingenuity, exemplified by the development of the Orgazmorator —a custom ray gun designed to emit a harmless "orgasm-inducing" beam for fight scenes, enhancing the 's elements. Post-filming, director handled the editing, trimming the footage to a final of 94 minutes while preserving the chaotic energy of the improvisations.

Themes and style

Satire elements

Orgazmo employs to critique various aspects of , particularly through the lens of its , a devout thrust into the adult film industry. The film's humor arises from the inherent contradictions between religious piety and sexual excess, using exaggerated scenarios to highlight societal hypocrisies without delving into overt moral judgment. The portrayal of serves as a primary satirical target, exemplified by Young's internal faith conflicts as he navigates his role in pornographic films while maintaining his zeal. Joe's unwavering devotion, including his attempts to proselytize on set, underscores the film's mockery of religious rigidity clashing with modern temptations, though this is presented more as comedic contrast than pointed critique. Exaggerated elements, such as Joe's naive interpretations of scripture amid explicit content, amplify the absurdity of blending sacred duties with profane work. Central to the is the industry's depiction as a realm of and , embodied by the bombastic Maxxx Orbison, who prioritizes over . Absurd tropes, like improvised sex toys and scripted battles in porn contexts, lampoon the genre's formulaic sleaziness and commodification of intimacy. The 's inclusion of real performers further satirizes the industry's self-seriousness, portraying it as a bizarre parallel to mainstream . The genre receives through Orgazmo's phallic weaponry, such as the Orgazmorator—a ray gun inducing orgasms—and over-the-top heroic feats that twist conventional tropes into sexual . These elements mock the and spectacle of narratives, reducing them to crude, bodily functions for comedic effect. Broader commentary on American puritanism versus sexuality emerges in scenes juxtaposing Joe's conservative upbringing with industry excess, including the porn awards ceremony where accolades are bestowed amid raunchy performances, highlighting cultural tensions around repression and indulgence. The film blends these satires seamlessly, using the contrasts for humor rather than explicit endorsement or condemnation, allowing the absurdities to speak for themselves.

Visual and comedic style

Orgazmo exhibits a distinctly low-budget independent aesthetic, characterized by minimalist sets such as cardboard walls for action sequences and practical effects that emphasize resourcefulness over spectacle. The film's visual style relies on DIY elements, including offscreen fight choreography where debris is thrown into frame to simulate combat, underscoring its guerrilla-like production ethos within the constraints of a modest budget. Practical props like the Orgazmorator—a ray-gun device that induces orgasms—serve as central comedic tools, crafted to highlight the absurdity of superhero tropes in a pornographic context. The comedic approach blends physicality with humor, often delivered through sight gags and profane, absurd dialogue that maintains a straight-faced delivery for maximum ironic effect. Rapid-cut editing, handled by director and Michael R. Miller, propels punchy scenes at a brisk , mirroring the runtime-paced structure of early 1990s indie comedies and Parker's prior work like . Visual motifs contrast the vibrant, colorful costumes—designed by Kristen Anacker, featuring Batman-inspired garb for the —with the seedy, gritty interiors of porn production sets, amplifying the 's campy tone. Examples include the Choda Boy's outlandish outfits, which fuel visual punchlines through their exaggerated ridiculousness. Sound design enhances the parody, incorporating exaggerated action sound effects and music cues that spoof superhero films, with composer Paul Robb's score blending electronic tracks and thematic motifs to underscore chaotic sequences. The Dolby-mixed audio supports the humor's physicality, such as amplified impacts in slapstick fights, while the soundtrack features parody elements like upbeat electronic pieces that satirize dramatic builds in low-budget genre fare. This auditory layer, supervised by Christopher Violette, contributes to the overall irreverent style influenced by Parker and Stone's emerging comedic sensibility in 1990s independent cinema.

Release

Theatrical release

Orgazmo had its world premiere at the on September 6, 1997, as part of the Midnight Madness program. The film subsequently screened at other festivals, including the in January 1998, the Brussels International Festival of Fantasy Film in March 1998, the Athens Avant-Garde Film Festival, and the Fantasy Filmfest later that year. These festival appearances helped build initial buzz for the independent comedy ahead of its commercial rollout. In the United States, distributed Orgazmo for a on October 23, 1998, opening in over 30 markets. The of America (MPAA) assigned the film an NC-17 rating due to its explicit , which unsuccessfully appealed with legal representation; the rating was upheld. This decision created significant distribution hurdles, as the NC-17 label restricted exhibition in many theaters and limited advertising opportunities in print and broadcast media. proceeded with the uncut version without alterations, despite the economic challenges posed by the rating. Marketing efforts leveraged the growing popularity of creators and , whose animated series had premiered the previous year. A high-profile event took place at the Playboy Mansion on October 18, 1998, organized by in collaboration with Parker and Stone, featuring a live performance by Metallica. Parker and Stone were also profiled in the October 1998 issue of magazine to promote . Internationally, Orgazmo saw staggered releases with variations by region; for instance, it debuted in during the Brussels festival in March 1998 and had subsequent theatrical runs in countries including the (rated 18 by the BBFC) and (rated R18+ by the OFLC) in 1999. Festival circuit screenings continued to provide exposure in and beyond, though the NC-17 equivalent ratings in some markets further constrained wider distribution.

Home media

The initial home video release of Orgazmo came in the form of an unrated edition on May 11, 1999, distributed by , which bypassed the NC-17 rating assigned to the theatrical version and allowed broader accessibility without censorship cuts. This unrated format preserved the film's original explicit content, including additional scenes not shown in theaters due to rating restrictions. The DVD edition followed as the Orgazmo: Unrated on March 29, 2005, released by as a double-sided disc containing both the unrated cut (95 minutes) and the theatrical NC-17 version (93 minutes), along with bonus features such as an audio commentary track by writer-director and producer , deleted scenes, and behind-the-scenes footage. This release emphasized the film's cult status among fans of Parker and Stone's early work, prior to their mainstream success with . A Blu-ray edition was issued on May 12, 2015, also by , featuring of the unrated version alongside all extras from the DVD, including the commentary track and promotional materials, though it received mixed reviews for its video quality derived from the original low-budget production. As of November 2025, Orgazmo is available for streaming rental or purchase on digital platforms including , , and at Home, with no ad-supported free streaming options widely reported. Special editions remain limited to the 2005 DVD's unrated packaging and occasional bundled reissues tied to Parker and Stone's filmography, such as double-feature sets with , but no dedicated collector's sets linked to anniversaries have been released. There have been no major updates since the 2015 Blu-ray, though the film's sustains availability through online retailers and digital archives.

Reception

Critical response

Upon its release, Orgazmo received mixed reviews from critics, with aggregate scores reflecting divided opinions on its irreverent humor and satirical ambitions. On Rotten Tomatoes, the film holds a 50% approval rating based on 30 reviews, with an average score of 5.4/10. Metacritic assigns it a score of 48 out of 100 from 17 critics, indicating "mixed or average reviews." Several prominent critics lambasted the film for its perceived immaturity and uneven execution. awarded it 0.5 out of 4 stars, describing it as "the very soul of sophomorism" and criticizing its callow, gauche approach that appealed only to similarly juvenile tastes. Other reviewers echoed concerns about pacing issues, with some noting the comedy's reliance on crude gags that failed to sustain momentum throughout. In contrast, positive assessments praised the film's bold satirical edge and inventive . of ReelViews gave it 3 out of 4 stars, commending its "massively inventive and spiked with perversely wicked humor" that highlighted Trey Parker's multifaceted talents. Among enthusiasts, the movie earned appreciation for its unapologetic humor and vibe, positioning it as a quirky standout in low-budget . Retrospective commentary has revisited the film's NC-17 rating and , particularly in the 2006 documentary This Film Is Not Yet Rated, where co-creator discusses the MPAA's handling of its content and the challenges faced during certification. Overall, the mixed reception underscored Orgazmo's niche appeal, fostering its eventual despite limited initial success.

Box office

Orgazmo was produced on an estimated of $1,000,000. The film grossed $602,302 worldwide, with all earnings coming from its limited domestic release in the United States. It opened on October 23, 1998, across 94 theaters and earned $210,073 during its opening weekend, representing approximately 35% of its total gross. The theatrical run concluded after about a month, with the film's limited distribution contributing to its restrained financial outcome. The NC-17 rating assigned by the MPAA for explicit severely restricted the film's access to theaters, many of which refuse to screen NC-17 titles due to concerns over underage audiences and limitations. Additionally, as an production, Orgazmo operated with a modest , further hampering its visibility and commercial potential. In comparison to other early projects by directors Trey Parker and Matt Stone, such as the initial episodes of South Park produced on budgets around $300,000 per episode, Orgazmo's theatrical earnings represented a modest return, though the television series quickly achieved far greater cultural and financial success.

Legacy

Cultural impact

Orgazmo has garnered a dedicated cult following, particularly among fans of South Park, where it serves as a precursor to Trey Parker and Matt Stone's signature satirical style that blends irreverence with absurd humor. Released in 1997, the film exemplifies their early approach to perverting innocence through outrageous scenarios, such as a devout Mormon navigating the adult film industry, which foreshadowed the boundary-pushing comedy that propelled South Park to acclaim. This connection has kept Orgazmo relevant within Parker and Stone's oeuvre, appealing to audiences who appreciate its unfiltered take on taboo subjects. The film's influence extends to indie comedy and parodies, where it is referenced in examinations of alternative humor for its low-budget ingenuity and genre subversion. By merging pornographic tropes with tropes in a mock-epic , Orgazmo contributed to the era's wave of irreverent, DIY-style comedies that challenged conventions. Its playful of heroic archetypes, like the protagonist's orgasm-inducing ray gun, highlighted the of power fantasies, paving the way for later parodies in independent cinema. Orgazmo's depiction of Mormonism has had a notable impact on perceptions of the , sparking minor debates about the ethics and effectiveness of . As and Stone's first foray into lampooning Mormon culture—portraying a missionary's unwavering amid debauchery—the film added to a long tradition of such portrayals, prompting discussions on how shapes public views of minority religions. While not overtly hostile, its humorous jabs at Mormon earnestness contributed to broader conversations on balancing with respect in popular . The movie endures in pop culture through references in comedy retrospectives and fan engagements, such as its inclusion in lists of iconic Mormon depictions, underscoring its lasting resonance. Fans have recreated elements like costumes and scenes in homage events, reflecting its niche appeal. Additionally, Orgazmo played a crucial role in establishing Parker and Stone's reputation as bold comedic voices before South Park's television breakthrough, demonstrating their talent for musical numbers and character-driven absurdity on a feature scale. Its home media releases have sustained this cult status by making the film accessible to new generations. As of 2025, the film is available for free streaming on and for rent or purchase on platforms like and , further sustaining its cult appeal.

Controversies

Upon its completion, Orgazmo encountered substantial hurdles from the Motion Picture Association of America (MPAA) regarding its rating, which significantly impacted its commercial viability. The film was initially assigned an NC-17 rating due to depictions of , , and explicit sexual content, despite featuring relatively minimal actual compared to mainstream pornography. Distributor appealed the decision in an effort to secure an , arguing that the content did not warrant the restrictive classification, but the MPAA's appeals board unanimously rejected the bid, upholding the NC-17 designation. This rating proved detrimental, as it barred the film from many theater chains and restricted advertising in print and broadcast media, effectively limiting its audience to adults only and contributing to its modest performance. To circumvent these barriers and expand , an unrated of Orgazmo—containing additional uncut scenes and extending the slightly beyond the theatrical cut—was released directly to formats, including and later DVD, allowing broader distribution without MPAA oversight. This approach aligned with strategies employed by other independent filmmakers facing similar rating constraints in the late , when the NC-17 label was widely viewed as a kiss of death for non-pornographic works due to its association with and exclusion from mainstream venues. The film's satirical portrayal of , centering on a devout drawn into the adult world, elicited expressions of disgust from members of the Church of Jesus Christ of Latter-day Saints, particularly in Utah's LDS-dominated communities, where it was seen as a derogatory depiction of religious figures. However, reactions remained largely limited to individual complaints and minor local protests, with no organized campaigns or formal legal actions pursued by the church against the production. Responses from the pornography industry were mixed, with several performers, including , , and Chasey Lain, appearing in cameo roles that suggested a degree of embrace for the parody's lighthearted take on their profession. Yet, some film critics highlighted the 's overly simplistic and optimistic portrayal of the industry, describing it as uninsightful or even dismissive of the real challenges faced by participants. Orgazmo's rating battles exemplified broader debates on and in independent cinema, where the MPAA's NC-17 was criticized for stifling artistic expression in non-exploitative films while failing to distinguish them from . These discussions, fueled by cases like and , underscored ongoing tensions over how ratings enforced moral standards, often at the expense of distribution and creative freedom, though no major legal challenges arose post-release for Orgazmo itself. The persistent implications of such ratings continued to influence how provocative content was marketed and exhibited in subsequent years.

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