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Pleaching

Pleaching is a traditional horticultural technique in which flexible young shoots from trees are tied and interlaced along a supporting framework to create narrow screens, hedges, elevated walls, tunnels, or arbours, often described as "hedges on stilts."^[1]^[2] This method weaves living branches to form living architecture that provides shade, privacy, and aesthetic appeal in gardens, with the interwoven growth eventually becoming self-supporting over time.^[3] Originating in ancient Roman gardens, pleaching has been practiced for centuries to produce shaded pathways and enclosures, evolving through medieval European horticulture into more elaborate forms and beyond.^[3] In historical contexts, it served practical purposes such as livestock control and boundary demarcation, while today it is valued for supporting biodiversity and creating dramatic vertical features in landscapes.^[4] Suitable species include deciduous trees like lime (Tilia spp.), hornbeam (Carpinus betulus), beech (Fagus sylvatica), and ash (Fraxinus excelsior), as well as fruit trees such as apples (Malus) and pears (Pyrus), and even climbers like wisteria for added floral interest; evergreens like cherry laurel (Prunus laurocerasus) are also used for year-round screening.^[1]^[2]^[5] Though labor-intensive and best suited to larger gardens, pleaching offers sustainable benefits, including wildlife habitats and reduced need for non-living barriers, making it a timeless element in both formal and contemporary designs.^[4]

Overview

Definition and Etymology

Pleaching is a horticultural technique involving the interweaving or plashing of living branches, and occasionally dead ones, from trees or shrubs to create structured forms such as living fences, hedges, arbors, tunnels, or latticeworks.^[1] This method relies on the flexibility of young shoots, which are bent and tied together to form a cohesive barrier or canopy that strengthens as the plants grow and fuse over time.^[6] The term "pleach" originates from the Middle English verb "plechen," dating back to the late 14th century, derived from Old French "plechier" or "plaissier," meaning "to weave" or "to plait."^[7] This Old French root traces further to the Latin "plectere," signifying "to plait," "to weave," or "to fold," reflecting the practice's emphasis on intertwining plant material.^[8] Historically, synonymous terms like "plashing" emerged from similar linguistic paths, with "pleaching" evolving to specifically denote the weaving aspect in English horticultural contexts by the 16th century.^[9] At its core, pleaching employs young, pliable shoots that are secured to a supporting framework, such as stakes or wires, allowing the branches to interlace and eventually knit into a unified structure as they mature.^[1] Unlike espalier, which trains branches flat against a wall in a two-dimensional plane, or pollarding, which involves severe pruning to encourage dense regrowth without weaving, pleaching focuses on three-dimensional interlacing to produce elevated or enclosed green architectures.^[10]

Principles and Benefits

Pleaching operates on the principle of inosculation, a natural grafting process where the cambium layers of interwoven branches come into close contact, heal, and fuse over time to form a unified living structure.^[11]^[12] This biological fusion strengthens the framework, transforming individual branches into a cohesive barrier without artificial adhesives. Work is primarily conducted during the dormant season, typically winter when trees are leafless, to minimize sap loss and reduce stress on the plants during tying and weaving.^[1] Structural support is essential, achieved through stakes, posts, horizontal wires, or metal frames installed at heights of 1.8 to 2.5 meters to guide flexible young shoots into the desired plane.^[1]^[11] The technique yields significant environmental benefits, as the dense foliage of pleached formations enhances biodiversity by offering sheltered habitats for birds, insects, and small wildlife within urban or garden settings.^[13] Additionally, the compact, elevated canopy improves air quality by filtering pollutants and particulate matter more effectively than ground-level plantings, while promoting sustainability through the use of living materials that require no periodic replacements once established.^[14] These structures also contribute to ecological resilience by creating microclimates that support pollinators and reduce urban heat islands.^[15] Aesthetically and functionally, pleaching creates elegant privacy screens, shaded walkways, and windbreaks that define spaces without obstructing views or light at ground level.^[1]^[16] Compared to non-living fences, it demands intensive initial labor for training but results in lower long-term maintenance, as the self-supporting fused branches endure for decades with only annual pruning to preserve shape and vigor.^[1] This controlled growth further promotes tree health by encouraging strong, balanced development and preventing overcrowding or disease.^[17]

Techniques

Preparation and Species Selection

Site preparation for pleaching begins with assessing and amending the soil to ensure optimal conditions for root establishment and long-term growth. Soil testing is essential to evaluate drainage, pH, and nutrient levels, such as nitrogen, phosphorus, and potassium, which influence plant vigor; poor drainage can lead to root rot, while nutrient deficiencies may stunt development.^[18]^[19] A simple percolation test involves digging a 12-inch deep and wide hole, filling it with water, and observing if it drains within 24 hours—ideally, water should percolate at a rate of 1-3 inches per hour for most pleaching species.^[20] If necessary, incorporate organic matter like compost to improve soil structure, but avoid over-fertilizing to prevent root burn. Trees should be spaced 1-2 meters apart within rows to allow branches to intertwine without crowding, with 2.4-3 meters between parallel rows for walkways; for tunnels or arbours, position plants 2-2.4 meters apart along each side.^[1]^[5] A sturdy framework is installed at the outset, typically consisting of wooden posts or metal stakes driven 60 cm to 1 meter deep, with horizontal wires or bamboo battens strung at 2-3 meters height to support future branch training.^[5]^[21] Species selection for pleaching prioritizes trees and shrubs with flexible young branches that can be easily bent and woven, while forming dense foliage for privacy and structure. Ideal deciduous trees include European hornbeam (Carpinus betulus), which offers strong branching and tolerance to close cropping, common lime (Tilia spp., such as T. platyphyllos 'Rubra'), valued for its pliable shoots and vigorous growth, and hawthorn (Crataegus spp.), noted for its thorny density and adaptability.^[1]^[5]^[3] Other suitable options encompass beech (Fagus sylvatica), field maple (Acer campestre), and fruit trees like crab apple (Malus 'Everest'), selected for their ability to inosculate (naturally graft) branches; evergreens like cherry laurel (Prunus laurocerasus) are also effective for year-round privacy screening.^[5]^[3]^[5] For faster establishment, shrubs such as willow (Salix spp.) are preferred due to their rapid growth rates—up to 1-2 meters annually—and exceptional flexibility, though they require moist sites.^[22] Climate adaptability is crucial; these species thrive in temperate zones (USDA hardiness zones 4-8), with hornbeam and lime tolerating partial shade and a range of soils, while hawthorn and willow favor well-drained, neutral to slightly alkaline conditions.^[1]^[23] Opt for disease-resistant varieties, such as those of hornbeam that resist verticillium wilt and other fungal issues, to minimize failures from pathogens like honey fungus.^[23]^[1] Initial planting occurs in late winter (November to March in temperate regions) when trees are dormant, using young whips or standards aged 1-2 years for their malleable stems and robust root systems. Bare-root or pot-grown plants are positioned in holes dug 1.5 times wider than the root ball, with roots soaked in water for 10-15 minutes prior to placement to hydrate and reduce transplant shock; protect the root ball with hessian or burlap during transport and backfill with native soil, firming gently to eliminate air pockets without compacting.^[5]^[1] Plant at the same depth as in the nursery, 40-50 cm from fences or walls to ensure airflow, and immediately secure to stakes with adjustable ties to prevent wind rock.^[21] Water thoroughly after planting to settle the soil, applying 10-20 liters per tree initially. Essential tools for preparation include sharp secateurs for trimming roots or minor cuts, soft ties or rubber bands to secure stems without girdling, and sturdy stakes or posts for support; a lump hammer aids in driving stakes, while a spirit level ensures even framework alignment.^[5] Prioritizing disease-resistant stock from reputable nurseries further safeguards the project against early setbacks.^[1]

Training and Maintenance Methods

Training young trees for pleaching begins with selecting flexible, supple shoots, typically in late spring or early summer when growth is active and pliable. These shoots are then woven horizontally or diagonally into a supporting framework, such as bamboo canes, wires, or a metal structure positioned above the trunks, to form the desired lattice or screen. To secure the branches, biodegradable ties, soft twine, or adjustable plastic fasteners are used, ensuring they are not overly tight to prevent damage; initial pruning cuts are made to remove unwanted outward or crossing shoots, shortening them to 1-2 buds to encourage lateral branching and denser infill. This formative weaving process is repeated annually until the structure achieves uniformity, often taking 4-5 years for a full hedge effect.^[1]^[24] Over time, branches from neighboring trees may naturally graft together, further solidifying the living barrier.^[11]^[2] Ongoing maintenance involves annual pruning during the dormant winter season to remove deadwood, diseased branches, and vigorous upright growth, typically cutting back the previous year's shoots by at least half to preserve form and vigor; summer pruning may supplement this for established structures to control size. Regular monitoring for pests such as aphids, woolly aphids, or diseases like honey fungus and phytophthora root rot is essential, with early intervention through targeted treatments to avoid widespread decline. Fertilization should be applied sparingly, using a balanced slow-release formula in spring to support root development without promoting excessive soft growth that invites further pest issues; if structural weaknesses arise, grafting new shoots onto weakened sections can extend the lifespan of the pleached form.^[1]^[2]^[25] Common errors in pleaching include over-tightening ties, which can cause girdling or ring-barking by constricting the bark and vascular tissues, leading to branch dieback; to fix this, ties should be loosened promptly or spacers inserted to allow for expansion, with damaged areas cleaned and monitored for recovery. Another pitfall is neglecting to remove crossing branches during training, which can rub and create entry points for infection—addressed by systematic early pruning to ensure smooth integration.^[26]^[27]^[24]

History

Ancient and Medieval Origins

The practice of pleaching, involving the weaving and training of living branches to form structures such as hedges and avenues, has roots in ancient agricultural and defensive techniques. In the 1st century BC, the Roman poet Virgil described in his Georgics the fastening of vines to elm trees for support and growth, a method that prefigures pleaching by intertwining plant materials to create productive and structural forms in vineyards and orchards.^[28] Similarly, during Julius Caesar's Gallic Wars in 57 BC, the Belgic tribe of the Nervii employed a defensive tactic akin to temporary pleaching by felling trees and interlacing their branches to form barriers that impeded Roman advances along the River Sabis, demonstrating early utilitarian applications of woven tree structures for protection. By the 1st century AD, Lucius Junius Moderatus Columella detailed in De Re Rustica the pruning, grafting, and cultivation of fruit trees and vines, techniques essential for shaping and weaving branches into fences and enclosures around estates, emphasizing their role in sustainable farming and boundary demarcation.^[29] Archaeological evidence from Pompeii, preserved by the eruption of Vesuvius in 79 AD, reveals remnants of formal gardens with aligned trees and vine supports, suggesting organized training of branches for shaded walkways and boundaries, consistent with Roman horticultural practices described in classical texts. During the medieval period, pleaching evolved into a key element of European landscape management, particularly in monastic settings where it facilitated contemplative spaces. By the 8th century AD, hedgerows formed through pleaching and laying techniques were commonplace in Britain, integrated with coppicing to yield sustainable wood for fuel, tools, and construction while defining field boundaries.^[30] The Norman Conquest of 1066 further promoted hedgerow systems in feudal estates, as documented in post-conquest surveys like the Domesday Book, where enclosures using pleached hedges marked land divisions and livestock containment, transforming open fields into more controlled agricultural units.^[31]

Renaissance to Modern Developments

During the Renaissance, pleaching techniques were formalized in Italian gardens, where interwoven branches of ilex and other trees created shaded tunnels and allees that symbolized control over nature and enhanced the dramatic landscapes of villas. Examples include the pleached ilex-walks at Villa Gamberaia near Florence, extending hundreds of feet along a ridge to a circular knoll, and the pleached ilex-alleys at La Palazzina (Villa Gori) in Siena, leading from terraces to open-air theaters for a sense of mystery and enclosure.^[32] Similar formalizations appeared in French gardens of the 16th century, such as at the Villa d'Este in Tivoli, where structured tree plantings contributed to the symmetrical layouts that influenced broader European design. By the 1660s, André Le Nôtre elevated pleaching in his redesign of Versailles, employing interwoven hornbeam and lime branches to form grand allées and bosquets that framed vistas and provided shaded promenades, establishing the French formal garden as a model of geometric precision and royal grandeur.^[33] In the 18th and 19th centuries, pleaching reached a peak in English landscape parks, where it blended with emerging naturalistic styles while retaining formal elements for structure. Lancelot "Capability" Brown incorporated tree avenues and screens in his naturalistic designs, balancing openness with defined paths.^[34] During the Victorian era, adaptations for urban privacy became prominent in industrial England, with pleached hornbeam and yew hedges employed in suburban villas and town gardens to screen boundaries, muffle street noise, and create secluded retreats amid growing cities; examples include the pleached hornbeam walks at Hardwick Hall, divided into compartments with yew-hedged alleys for intimate enclosures.^[35] These uses reflected a revival of formalism, as seen in estates like Chatsworth, where trained laurels and interwoven branches provided both aesthetic appeal and practical separation in densely populated areas.^[35] The 20th century brought shifts in pleaching's popularity, with a decline post-World War II due to labor shortages from wartime efforts and the rise of mechanized fencing alternatives like wire and concrete barriers, which offered quicker, less maintenance-intensive privacy solutions. Revival occurred in the 1970s alongside environmental movements emphasizing sustainable, traditional horticulture, prompting renewed interest in living structures over synthetic ones. The introduction of pre-pleached nursery stock in the late 20th century further facilitated adoption, allowing gardeners to purchase ready-formed frames rather than training from scratch. Technological advances included the widespread use of metal frameworks in the 1800s for supporting interwoven branches during Victorian revivals, evolving into galvanized wire systems by the early 1900s for durability. By the 1900s, genetic selection produced pleach-friendly cultivars, such as compact limes (Tilia spp.) and hornbeams (Carpinus betulus) with flexible, dense growth suited to weaving, enhancing reliability in formal designs.^[1] In the 21st century, pleaching has seen renewed interest in urban and sustainable landscaping, with applications in green infrastructure projects to enhance biodiversity and air quality in cities as of 2025.^[1]^[4]

Applications

In Gardens and Landscapes

Pleaching plays a central role in garden design by enabling the creation of structured features such as parterres, bowers, and espalier-like screens that add architectural interest and privacy without occupying excessive ground space.^[36] These elements often involve training branches to form elevated hedges or flat-topped canopies, typically reaching heights of 2 to 4 meters, which allows for underplanting or passage beneath.^[1] Flowering species like laburnum and wisteria introduce seasonal interest through vibrant blooms, enhancing visual appeal during spring and summer.^[1] In broader landscape applications, pleached trees serve as effective windbreaks, particularly in orchards where they protect fruit crops from strong winds while maintaining airflow for pollination.^[37] They also divide outdoor spaces in parks and estates, creating distinct zones that guide visitor movement and foster a sense of enclosure.^[11] This functionality stems from the interwoven branch structure, which forms a living barrier that integrates seamlessly with natural contours.^[36] Variations in scale and style allow pleaching to adapt to diverse settings, from formal geometric patterns reminiscent of Baroque gardens—where aligned rows emphasize symmetry and grandeur—to informal rural hedges that blend organically with meadows and fields.^[38] In formal designs, pleached avenues often align with hardscaping elements like gravel paths or stone pergolas, extending visual lines and providing shaded walkways up to 3 meters wide.^[1] Informal applications, by contrast, prioritize natural branching for a less rigid aesthetic, suitable for countryside landscapes.^[11] Environmentally, pleaching supports pollinators by incorporating nectar-rich species that attract bees and other insects during flowering periods, contributing to biodiversity in managed landscapes.^[1] The dense growth of pleached structures enhances carbon sequestration compared to scattered plantings, as the interwoven canopy promotes greater biomass accumulation in woody tissues.^[36] This technique adapts well to both urban contexts, where it provides quick privacy screens in compact yards, and rural areas, offering wind protection and habitat continuity across larger scales.^[11]

Notable Examples Worldwide

One of the most iconic European examples of pleaching is the hornbeam allée at Manoir d'Eyrignac in France, featuring buttress-shaped hornbeams pruned to wrap around yew columns, creating shaded, formal paths.^[39] The allée exemplifies the precision of hand-pruning using forms and plumb lines, maintained over centuries to preserve its architectural form.^[39] At Château de Villandry in France, pleached lindens frame the Water Garden, topping steep lawn plinths to create geometric enclosures viewed from above.^[40] In the Netherlands, the lime tunnels at Het Loo Palace, constructed in the 1680s, represent a Baroque masterpiece of pleached linden trees forming enclosed walkways. These tunnels, part of the palace's symmetrical gardens designed for William III and Mary II, provided shaded promenades amid fountains and parterres, reflecting the era's emphasis on grandeur and privacy.^[41] The structures highlight the use of lime for its flexible branches, ideal for interlacing to create tunnel-like canopies.^[42] Globally, Japanese-inspired woven bamboo structures in Kyoto gardens, such as those at temples like Daishin-in, draw parallels to pleaching through interlaced bamboo branches forming privacy fences and arbors. These 17th-century designs use bound bamboo to create solid, three-dimensional boundaries that blend natural growth with structural support, echoing pleaching's weaving principle while suited to local materials.^[43] Preservation efforts include the restoration of medieval hedges in Germany's Rhineland, where hedgelaying techniques—related to pleaching through partial cutting and interlacing—revive ancient boundary structures using species like hornbeam and hazel. These projects, part of broader landscape conservation, reconnect fragmented habitats and maintain cultural heritage in areas like the Upper Middle Rhine Valley.^[44] The UNESCO recognition of historic pleached landscapes, such as those in the Upper Middle Rhine Valley World Heritage Site, underscores their value as cultural artifacts, with ongoing restorations ensuring the survival of 12th- to 16th-century interwoven hedges amid vineyards and castles.^[44]

Cultural and Artistic Aspects

Representations in Art and Literature

Pleaching, the art of interweaving living branches to form living structures, has long served as a motif in literature, often symbolizing seclusion, entanglement, or the interplay between nature and human intervention. In William Shakespeare's Much Ado About Nothing (1598–1599), the term appears in Act 1, Scene 2, where Antonio describes overhearing a conversation in a "thick-pleach'd alley in mine orchard," evoking the intimate, enclosed spaces ideal for clandestine discussions and romantic intrigue.^[45] Similarly, in Henry V (c. 1599), the Dauphin's neglect of France is likened to unpruned vines and "even-pleach'd" hedges that lie in disarray, contrasting cultivated order with the chaos of war.^[46] These references highlight pleaching's role in Elizabethan drama as a backdrop for human drama, blending utility with poetic metaphor. The motif persists in later literature, adapting to evolving cultural contexts. In the Romantic era, Ralph Waldo Emerson's poem "Days" (1847) places the speaker in a "pleached garden," observing the passage of time amid cultivated beauty, underscoring themes of introspection and the transient harmony between humanity and nature.^[47] Victorian poets further employed pleaching to explore enclosure and social boundaries; Anne Spencer's "Life-long, Poor Browning" (c. 1927) evokes Robert Browning's era with "pleached alleys" alongside primroses, symbolizing restrained passion within formal gardens that mirror Victorian propriety and hidden desires.^[48] Alfred Lord Tennyson's early works, such as "A Dirge" in Poems by Two Brothers (1827), reference "self-pleached" brambles in rural settings, reflecting the shift from utilitarian hedges to ornamental retreats amid industrialization.^[49] In 20th-century prose, Edith Wharton's Italian Villas and Their Gardens (1905) vividly depicts "pleached ilex-alleys" in Renaissance estates, using the technique to evoke historical privacy and architectural elegance in Italian landscapes.^[50] In visual art, pleaching appears in depictions of formal gardens, embodying symbolic tensions between control and wildness. During the Renaissance and Baroque periods, artists portrayed interwoven arbours and alleys as emblems of imposed order on natural chaos, as seen in landscape compositions drawing from classical Roman agricultural treatises on vine and tree training. Nicolas Poussin's classical landscapes, such as Landscape with a Calm (1650–1651), feature tree-lined avenues suggestive of pleached forms, symbolizing rational mastery over untamed wilderness in the Baroque aesthetic of geometric precision. In the Dutch Golden Age, rural etchings feature pastoral hedges representing everyday enclosure and the balance of labor and beauty in 17th-century countryside views. By the 19th century, garden manuals such as John Claudius Loudon's An Encyclopaedia of Gardening (1822) featured engravings of pleached walks, transitioning the motif from symbolic utility to ornamental ideal, as in Victorian illustrations emphasizing aesthetic evolution. Symbolically, pleaching in art and literature often contrasts human artifice with natural disorder, evolving across eras. In Baroque representations, it signifies dominion over chaos, as formal gardens like those in French designs imposed symmetry on wilderness to affirm absolutist power.^[51] Romantic uses emphasize enclosure for personal reflection, portraying pleached spaces as sanctuaries amid societal turmoil, while Victorian interpretations highlight the shift to decorative privacy, mirroring the era's tension between industrial progress and nostalgic rural idylls.^[52] Key works, including ancient directives on branch training for productive arbours and modern garden photography in texts like The Oxford Companion to Gardens (1986), which documents pleached structures in historical sites, underscore this enduring cultural resonance.

Contemporary Interpretations

In contemporary art, pleaching has evolved into arborsculpture, where living trees are shaped into functional sculptures and structures through interlacing branches, grafting, and pruning techniques. Artist Richard Reames, based in Oregon, has pioneered this form since the 1990s, creating items like benches, arches, and ladders from species such as maple and willow, emphasizing sustainable, living alternatives to wooden furniture. His work, detailed in publications like Arborsculpture: Solutions for a Small Planet, highlights pleaching's role in bio-art that promotes environmental harmony by growing rather than harvesting trees.^[53] Modern landscape architecture integrates pleaching for innovative urban designs, blending natural elements with built environments to enhance privacy, biodiversity, and aesthetics. In the public plaza at 50 Scollard Street in Toronto, designed by STOSS Landscape Urbanism with Foster + Partners, pleached Autumn Blaze maple trees form elevated canopies that punctuate the space, providing shade and visual interest while supporting ecological functions like stormwater management; as of November 2025, the project nears completion. This approach exemplifies pleaching's adaptation in sustainable projects, where it creates "living architecture" that reduces urban heat and improves air quality without expansive footprints.^[54]^[52] Globally, pleaching experiences revival through permaculture and eco-conscious practices, particularly in North America and Australia since the early 2000s. In the United States, arborsculptors like Reames incorporate pleaching into permaculture systems for windbreaks and habitat creation, aligning with regenerative agriculture principles. In Australia, Becky Northey and Peter Cook of Pooktre Tree Sculpture use pleaching as part of gradual shaping methods to craft ornamental and functional tree forms, drawing parallels to traditional weaving while adapting to modern climate-resilient designs. These efforts underscore pleaching's shift toward community-driven, low-impact innovations that foster ecological awareness.^[55]^[56] Once confined to historical estates, pleaching now serves as a versatile tool in cultural revivals, appearing in media depictions of enchanted landscapes and eco-activist initiatives for urban greening. Adaptations of classic tales like The Secret Garden often feature pleached elements in fantasy settings to evoke mystery and renewal, as seen in recent films emphasizing overgrown, interwoven arboreal mazes. Community projects worldwide employ pleaching to build accessible green spaces, promoting biodiversity and social cohesion in response to climate challenges. For instance, pleaching featured prominently in the 2024 Chelsea Flower Show's sustainable garden designs, highlighting its role in contemporary eco-art.^[57]^[58]

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Arbor, Trellis, or Pergola—What's in Your Garden? A Mini-Dictionary ...
The use of garden structures and intentional plant forms originated in the gardens of ancient Mesopotamia, Egypt, Persia, and China (ca. 2000–500 BC). The ...
[40]
July | 2014 | The Art of the Garden
Jul 19, 2014 · The Hornbeam Allee, formed by buttress-shaped hornbeams wrapping around columns of yew. They are pruned by hand using forms and plumb lines 4-5 ...
[41]
Palace gardens | Paleis Het Loo
Wander through the gardens like Willem and Mary and discover the unique plants, trees, the gushing fountains and the statues. Every feature has its own story.
[42]
The baroque gardens of Het Loo - EGHN
Het Loo's baroque gardens feature fountains, canals, fruit trees, roses, parterres, and a Venus sculpture, with a focus on water features and a united design ...Missing: pleached | Show results with:pleached<|control11|><|separator|>
[43]
Gardeners cut Powis Castle hedges | Wales - National Trust
Oct 11, 2024 · Gardeners at Powis Castle and Garden in Welshpool have begun the monumental task of trimming the estate's famous 300-year-old yew hedges.Missing: arbors pleaching
[44]
Brogdale Collections: National Fruit Collection & Heritage Orchards
The National Fruit Collection is one of the largest fruit collections in the world and is located at Brogdale Farm, near Faversham, Kent. About Us. About Us ...Planning Your Visit · Festivals and Events · The Fruit Collection · Orchard PassMissing: pleached | Show results with:pleached
[45]
Chapter 35: Defining the Garden: Boundaries and Gates
May 10, 2017 · This solid perimeter fence at Daishin-in, Kyoto, is made from bamboo branches turned upside down and bound to form a solid run for privacy. Any ...
[46]
Coppicing & Pollarding - Gardening Australia - ABC News
Jun 2, 2006 · A plant that's cut back close to ground level and results in the production of young, vigorous stems has been subject to a process called coppicing.
[47]
Upper Middle Rhine Valley - UNESCO World Heritage Centre
The 65km-stretch of the Middle Rhine Valley, with its castles, historic towns and vineyards, graphically illustrates the long history of human involvement.Videos · Gallery · Maps · DocumentsMissing: medieval hedges
[48]
Much Ado About Nothing: Act 1, Scene 2 - PlayShakespeare.com
The Prince and Count Claudio, walking in a thick-pleach'd alley in mine orchard, were thus much overheard by a man of mine. The Prince discover'd to Claudio ...
[49]
SCENE II. France. A royal palace. - Shakespeare (MIT)
And all her husbandry doth lie on heaps, Corrupting in its own fertility. Her vine, the merry cheerer of the heart, Unpruned dies; her hedges even-pleach'd,
[50]
Days – American Literature I: An Anthology of Texts From Early ...
Bread, kingdoms, stars, and sky that holds them all. I, in my pleached garden, watched the pomp,. Forgot my morning wishes, hastily. Took a few herbs and ...
[51]
“Best be yourself, imperial, plain, and true.” – Robert Browning
Victorian poetry, as typified by the Brownings, exalts tenderness, fidelity ... Pomander Walks, and pleached alleys;. Primroses, prim indeed, in quiet ...
[52]
Early Poems of Alfred, Lord Tennyson - Project Gutenberg
Pleached. The whole of this passage is an exact description of the Parsonage garden at Somersby. See Life, i., 27. Song. First printed in 1830. The poem was ...<|control11|><|separator|>
[53]
Italian Villas and Their Gardens by Edith Wharton: Ch. 2: Sienese ...
... pleached ilex-alleys which are the glory of the Palazzina. This ancient tunnel of gnarled and interlocked trees, where a green twilight reigns in the ...
[54]
FOUR TYPOLOGIES OF GARDENS - PIN–UP Magazine
The manicured French garden, an evolution of the 15th-century Italian-Renaissance garden, sought to bring order and harmony to the chaos of nature. The ...
[55]
The Artful Origins of Pleached Trees: A Historical Perspective
Jun 24, 2024 · The term "pleach" itself comes from the Old French word plechier, meaning 'to weave,' indicative of the technique's essence.Missing: etymology | Show results with:etymology
[56]
Arborsculptor Richard Reames shapes living trees into art - OPB
bending, grafting and pruning trees to form creative shapes, ...Missing: pleaching | Show results with:pleaching
[57]
Designers use pleached trees to punctuate a compact public plaza ...
Feb 4, 2020 · Pleaching was a common technique in late medieval to early 18th century gardens whereby trees were interwoven to create dense, hedge-like shapes ...Missing: contemporary | Show results with:contemporary
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Arborsmith Studios
Trees grown and grafted into all kinds of shapes. Artist Richard Reames grows living chairs, benches, archways, spirels, hearts. How to book available.Missing: pleaching | Show results with:pleaching
[59]
INTERVIEW: Becky Northey and Peter “Pook” Cook on the Tree ...
Sep 24, 2016 · The shaping zone is an area of a tree that can be guided into any shape without damaging the tree. We also learned how trees can produce musclewood.<|control11|><|separator|>
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Pleaching: The art of training trees - The Telegraph
Nov 26, 2011 · Pleaching is a style of growing trees in a line, usually straight, with the branches of the tree tied together and clipped to form a flat plane ...