ProgPower USA
ProgPower USA is an annual multi-day music festival dedicated to progressive metal and power metal genres, held in Atlanta, Georgia, and recognized as the premier event of its kind in North America.[1][2] Founded in 2001 by promoter Glenn Harveston through his company HoS Productions, the festival held two events that year, debuting as a two-day event on February 23–24 at J.J. Kelley's in Lansing, Illinois, near Chicago, featuring bands such as Evergrey and Symphony X.[3] The second edition relocated to Atlanta, Georgia, in November 2001, and it has remained there since, expanding to a four-day format in 2016 to accommodate growing demand and larger lineups.[3] The event typically takes place over a long weekend in early September at venues like Center Stage, showcasing international headliners and up-and-coming acts in a curated selection emphasizing musical complexity and quality over commercial popularity.[4][2] Notable milestones include its 10th anniversary in 2009, headlined by Crimson Glory with special guest performances, and rapid sell-outs, such as the 25th edition (ProgPower USA XXV) in 2026, which sold out in four minutes.[5][6] Harveston announced his retirement following the 2026 event, with production transitioning to new leadership like Milton Mendonça to ensure continuity, underscoring the festival's enduring legacy in fostering a dedicated community of metal enthusiasts.[2][4]Overview
Description
ProgPower USA is an annual indoor music festival focused on progressive and power metal genres, held in the United States since 2001.[7] It serves as North America's premier event for these styles, providing a platform for high-caliber performances in a dedicated setting.[8] Primarily hosted in Atlanta, Georgia, the festival has become a key gathering for enthusiasts of complex, melodic heavy metal subgenres.[7] A core purpose of ProgPower USA is to showcase international talent, with a strong emphasis on bringing European and other global acts to American audiences, many of whom might not otherwise tour the U.S.[2] Throughout its history, it has facilitated numerous U.S. debuts for bands, highlighting emerging and established artists from abroad.[9] The event typically spans four days and features 4 to 6 bands per day, creating an intensive program that draws a passionate, niche community of metal fans seeking immersive experiences with progressive and power metal acts.[2]Significance
ProgPower USA has played a pivotal role in elevating the profile of progressive and power metal within the United States by providing a dedicated platform for niche international acts that might otherwise struggle for exposure in the American market. Since its inception, the festival has hosted numerous U.S. debuts for prominent bands, including Blind Guardian, Nightwish, and Angra, allowing these groups to connect directly with American audiences and expand their fanbases across the Atlantic. This curation has not only introduced progressive metal enthusiasts to global talents but has also contributed to the genre's growth by bridging European and North American scenes, making high-caliber performances accessible in a country where such specialized events were scarce.[2] The festival's community-building efforts have fostered a loyal and dedicated fanbase, characterized by consistent sell-outs and inclusive, fan-friendly policies that prioritize transparency and attendee experience. Attendees often describe ProgPower USA as a "family reunion," where global metal fans reunite annually, forging lasting bonds through shared enthusiasm for the music and direct interactions with performers. This sense of belonging is reinforced by policies such as clear communication on logistical issues like visas, ensuring trust and repeat attendance, which has sustained high demand year after year.[10][2][11] In terms of innovation, ProgPower USA has diversified the progressive metal landscape through its introduction of "oddball" slots, which feature non-traditional metal acts to broaden the programming and appeal to a wider spectrum of listeners. Examples include performances by groups like Skáld, blending Nordic folk elements with metal instrumentation, demonstrating the festival's willingness to experiment while maintaining its core focus. This approach has enriched the event's offerings, attracting newcomers and preventing genre stagnation by highlighting interdisciplinary influences.[10][2] Over its 24 editions, ProgPower USA has had a lasting impact by helping to sustain interest in progressive and power metal amid a post-2000s decline in mainstream visibility for these subgenres, when broader heavy metal trends shifted toward other styles. By consistently delivering exceptional lineups and nurturing a vibrant community, the festival has single-handedly boosted the accessibility and popularity of these genres in the U.S., ensuring their endurance through dedicated events that draw international attention and support emerging talent.[2][11]History
Founding and Early Events
ProgPower USA was founded in 2001 by Glenn Harveston, a music enthusiast with no prior experience in concert promotion, who sought to create a dedicated platform for progressive and power metal acts in the United States, where such festivals were virtually nonexistent at the time. Inspired by his attendance at the Powermad festival in Baltimore, which showcased European progressive metal bands rarely seen stateside, Harveston envisioned an event that would bridge the gap by bringing international talent to American audiences and fostering a local scene, particularly in Atlanta where he resided. Through his company, HoS Productions, he organized the inaugural edition to address the lack of opportunities for these genres beyond sporadic tours.[12][13] The first ProgPower USA took place on February 23–24, 2001, at J.J. Kelley's, a modest venue in Lansing, Illinois, just outside Chicago, drawing a sold-out crowd for a two-day showcase of progressive metal performers including headliners Symphony X, Evergrey, and Pain of Salvation. This debut event marked a modest but successful proof of concept, blending domestic and international acts to highlight the genre's diversity and appeal, with performances that emphasized technical prowess and melodic complexity. Harveston's hands-on approach ensured smooth logistics despite the intimate scale, setting a foundation for the festival's reputation as a haven for prog metal enthusiasts.[4][12] Just months later, on November 9–10, 2001, the second edition shifted to Atlanta, Georgia, at the then-named Earthlink Live (now Center Stage), establishing the festival's annual pattern and southern base for future iterations. This relocation allowed for better accessibility and growth potential in a city with an emerging metal community, while maintaining the focus on high-caliber lineups that introduced U.S. fans to emerging European talents. However, the events unfolded amid significant early challenges, particularly the aftermath of the September 11 attacks, which imposed stringent travel restrictions and flight cancellations that disrupted international bookings and halted ticket sales, nearly derailing the fledgling festival. Harveston's determination to proceed despite these obstacles solidified ProgPower USA's resilience from its outset.[4][12]Relocation and Expansion
Following its debut in February 2001 at J.J. Kelley's in Lansing, Illinois—a suburb of Chicago—ProgPower USA relocated to Atlanta, Georgia, for the second edition in November 2001, where it has been hosted annually at Center Stage ever since.[3] The shift was driven by Atlanta's superior infrastructure, including its position as home to the world's busiest international airport (Hartsfield-Jackson Atlanta International Airport), which eased logistics for the influx of European and global acts central to the festival's identity.[14] Additionally, Atlanta's vibrant metal scene and larger venue options provided a more conducive environment for growth compared to the higher costs and logistical hurdles in the Chicago area.[14] The festival's format evolved significantly in the ensuing years to meet rising demand. Originally a two-day event, pre-festival showcases were introduced, such as the Mid-Week Mayhem on Wednesdays beginning in 2008 and the Kick-Off events on Thursdays from around 2010, extending the overall celebration. By 2016, these elements were formalized into a four-day structure, with all days held in the main theater, further solidifying the event's reputation for curated, high-quality programming.[14][15] ProgPower USA quickly established a tradition of sell-outs, drawing capacity crowds of 1,000 to 1,100 at Center Stage from its early Atlanta years onward, a feat it has achieved nearly every edition since.[14] This consistent demand—starting from approximately 350 attendees in the initial Chicago outing and surging post-relocation—cemented its status as North America's premier progressive and power metal festival, attracting dedicated fans from across the globe who often plan trips around the event.[16] The limited capacity, intentionally kept small to prioritize artist-fan interaction, has only amplified its exclusivity and buzz within the metal community.[17] As the festival grew through the 2000s and 2010s, its programming diversified beyond strict progressive and power metal roots, incorporating symphonic elements (e.g., acts like Nightwish and Epica) and folk influences (e.g., Eluveitie and Turisas) to broaden appeal while retaining a core focus on technical, melodic heavy metal.[14] This evolution reflected the expanding global metal landscape and the festival's role in introducing U.S. audiences to international subgenres, with over 70 bands making their American debuts at the event.[18]Challenges and Adaptations
ProgPower USA has encountered significant challenges related to visa and travel logistics for international acts, particularly European bands, throughout its history. These issues have frequently resulted in last-minute lineup changes and cancellations, disrupting the festival's programming. As early as 2010, the event lost several booked bands due to visa processing delays and denials, a problem that persisted in subsequent years, such as 2015 when multiple acts were affected.[2][19] Such difficulties stem from stringent U.S. immigration requirements for performers, including the need for P-1 visas that demand proof of international acclaim and detailed itineraries, often leading to unpredictable outcomes for non-U.S. artists.[2] To adapt to logistical and operational hurdles, ProgPower USA evolved its format over time, transitioning from its initial two-day structure in 2001 to a more streamlined annual event by the early 2010s. This stabilization allowed for consistent planning amid growing demand for progressive and power metal acts. A key adaptation occurred in 2015, when organizers announced a shift to a four-day format for the 2016 edition, integrating pre-festival shows like Mid-Week Mayhem and Kick-Off Night into the main lineup at Center Stage in Atlanta. This change aimed to enhance attendee experience by consolidating events into a single venue and schedule, reducing fragmentation while accommodating larger crowds.[20][21] In response to financial pressures and the need to diversify revenue streams during the 2010s, the festival introduced VIP packages to offer premium perks such as exclusive signing sessions and priority access, which were featured as early as the 2010 edition. These measures helped bolster attendance and funding, providing a buffer against fluctuating ticket sales and rising production costs associated with international bookings. The COVID-19 pandemic represented a peak challenge, exacerbating existing vulnerabilities with widespread postponements, though the festival's prior adaptations aided its eventual recovery.[22][2]Venue and Format
Venue Details
ProgPower USA's inaugural event in 2001 was held at J.J. Kelley's, a small club in Lansing, Illinois, providing an intimate setting for the festival's debut with a modest audience.[23] This venue, located just outside Chicago, hosted the two-day gathering on February 23–24, featuring a lineup suited to the compact space typical of local rock clubs at the time.[24] Since its second edition in November 2001, the festival has been anchored at Center Stage Atlanta, a multi-room complex in Midtown Atlanta, Georgia, originally known as Earthlink Live.[7] The primary space, Center Stage Theater, offers a capacity of approximately 1,050, allowing for an up-close experience that has become a hallmark of the event.[25] Complementing this are additional venues within the complex, including The Loft (capacity 650) and Vinyl (capacity 300), enabling varied programming across the festival days.[26] The venue's facilities are particularly well-suited to the progressive and power metal genres, with the Center Stage Theater renowned for its superior acoustics and intimate atmosphere that enhances live performances.[25] Its central location in Atlanta provides logistical advantages, including proximity to numerous hotels for attendee convenience, such as the nearby Hampton Inn & Suites Atlanta Midtown and Canopy by Hilton Atlanta Midtown.[27] Furthermore, Atlanta's position near Hartsfield-Jackson Atlanta International Airport, the world's busiest by passenger traffic as of 2025, facilitates easy access for international fans traveling to the event.[28]Event Structure
Since 2016, ProgPower USA has adopted a four-day format, expanding from its earlier two-day structure to provide a more immersive experience for attendees. Beginning with the 2027 edition, the festival will transition to a three-day format.[29] Each of the four main days—typically labeled Days 1 through 4—features 4 to 6 bands performing in sequence on a single stage, with sets beginning in the mid-afternoon around 4:00 p.m. and continuing into the late evening.[30] This schedule allows for full-hour performances by every act, ensuring no overlapping sets and enabling fans to enjoy the entire lineup without missing any music.[31] Occasional pre-festival elements, such as "Day 0" showcases, have been included in some editions to highlight emerging acts in the progressive and power metal scenes, often featuring 3 to 4 bands in a more intimate setting before the main event begins.[15] These optional extensions provide opportunities for up-and-coming artists to gain exposure alongside established performers. A distinctive feature of the festival is the inclusion of special "oddball" slots dedicated to genre-adjacent artists who push boundaries beyond traditional power and progressive metal, such as acts incorporating folk, symphonic, or alternative elements.[32] These performances add variety to the lineup and have become a hallmark for showcasing innovative sounds. Additionally, free meet-and-greet sessions with bands are hosted throughout the event, alongside vendor areas offering merchandise from performers and related metal apparel.[33] The event's logistics emphasize convenience through a single-venue setup at Center Stage in Atlanta, Georgia, which eliminates the need for inter-venue travel and fosters a communal atmosphere.[34] Ticket options cater to different preferences, including single-day passes for individual evenings and full four-day packages that grant access to the entire festival.[35]Organization
Producers and Leadership
Glenn Harveston founded ProgPower USA in 2001 through his company HoS Productions, LLC, initially conceptualizing the event as a dedicated festival for progressive and power metal after attending similar gatherings.[3][13] As the primary producer, Harveston has overseen the festival's core operations, including booking for the main days (typically Days 3 and 4), logistics, and overall direction, maintaining a hands-on approach that has shaped its intimate, fan-focused identity since its inception.[36] Key figures in the leadership team include Milton Mendonça and Nathan Block. Mendonça joined the organization around 2012 initially as a music journalist and PR coordinator before transitioning to booking responsibilities.[2] Since approximately 2013, Mendonça has served as the promoter for Day 2, curating lineups and managing that segment of the event independently while collaborating closely with Harveston.[36] Nathan Block serves as the promoter for Day 1, handling booking for the opening day. Mendonça's role has grown through a strong professional relationship built on shared booking efforts, positioning him as a central team member.[2][37] Harveston announced his retirement following ProgPower USA XXV in 2026, marking the end of his 25-year tenure as the festival's driving force.[3] Mendonça is set to assume full leadership starting in 2027, shifting the event to a three-day format under his direction.[2] This transition reflects a planned succession to ensure continuity. The organizational structure of ProgPower USA operates as a lean operation, relying on a small core team dedicated to essential functions such as band booking, venue logistics, backstage management, and fan communications.[38] Key support roles include individuals handling transportation, social media, and interviews, often filled by long-term collaborators like Jen Harveston and others, emphasizing efficiency and personal involvement over large-scale staffing.[39]Band Booking Process
The band booking process for ProgPower USA prioritizes quality over quantity, with a strong emphasis on progressive and power metal acts, particularly those performing their U.S. debut to introduce international talent to American audiences. Producers, including co-promoter Milton Mendonça, scout potential bands through attendance at European festivals like ProgPower Europe, where they identify promising acts based on live performances, and via direct outreach to managers, agents, and record labels. This approach allows for the discovery of bands releasing new albums around the festival's announcement timeline, ensuring fresh and engaging lineups.[39][2] Selection criteria center on musical fit within the progressive and power metal genres, exceptional live performance skills that go beyond studio recordings, artist availability, and evidence of fan demand to maximize attendance impact. Mendonça has noted that bands must "wow" him personally, citing examples like Circus Maximus for their compelling stage presence. The process involves booking 15 months or more in advance to secure commitments, with promoters each selecting personal favorites—known as "promoter's picks"—for specific nights to infuse the lineup with unique, high-impact choices. A balanced mix of international and domestic acts is maintained to reflect the festival's global appeal while supporting U.S.-based progressive metal talent.[2][21] Challenges in the booking process often stem from budget constraints for international travel and accommodations, as well as U.S. visa requirements that have become increasingly stringent. Processing times can extend up to 10 months, prompting the use of expedited services costing around $8,000 per band, which strains the resources of a 1,000-capacity event. These issues sometimes lead to hesitancy from overseas artists due to high costs and rigorous scrutiny, resulting in occasional substitutions or delays in securing desired acts. Crowdfunding efforts, such as limited-edition merchandise campaigns, have been employed to mitigate financial pressures.[2]Lineups
2001
The inaugural ProgPower USA in 2001 featured two separate events driven by strong initial interest in showcasing progressive and power metal acts, particularly those from Europe not widely toured in the US at the time. The first event, held February 23–24 at J.J. Kelley's in Lansing, Illinois, introduced American audiences to a mix of emerging and established bands, with a focus on technical prowess and melodic intensity.[40] February Event Lineup and Highlights:The roster included Onward (opening with epic power metal tracks like "The Kindness of Strangers"), Destiny's End (delivering intricate progressive elements), Ion Vein (showcasing raw energy in their set), Symphony X (headlining Saturday with a dynamic performance drawing from The Divine Wings of Tragedy, marking a key US showcase for their fusion style), Etheria (an up-and-coming act blending symphonic touches), Reading Zero (providing melodic prog metal support), Jag Panzer (reviving classic heavy influences), Zero Hour (impressing with virtuoso instrumental work), Evergrey (debuting melodic death-prog hybrids from Solitude Dominance Tragedy), and Pain of Salvation (closing the festival with an emotionally charged set from Entropia, widely regarded as a standout for its conceptual depth and live execution). Nevermore was originally scheduled but canceled, with Symphony X stepping in as a replacement. This event highlighted the festival's early commitment to European imports like Evergrey and Pain of Salvation, alongside US talents, setting a template for balanced international programming.[40][24] Owing to the success and demand from the February gathering, organizers quickly arranged a second event on November 9–10 at Earthlink Live (now Center Stage) in Atlanta, Georgia, marking the festival's relocation southward for better logistics and capacity. This transition to Atlanta established the city's role as the long-term host, accommodating growing crowds interested in prog metal's global scene.[41][42] November Event Lineup and Highlights:
The lineup expanded to nine acts: Balance of Power (kicking off with uplifting anthems), Nightingale (offering atmospheric prog rock from Alive Again), Spiral Architect (delivering technical jazz-metal fusion), Steel Prophet (channeling NWOBHM-inspired power metal), Angel Dust (headlining Friday with thrashy prog edges from Enlighten the Darkness), ARK (captivating with Jørn Lande's soaring vocals on tracks like "Heal the Waters," emphasizing Scandinavian melodic prog), Evergrey (repeating their strong showing with darker, atmospheric sets), Kamelot (making their major US festival debut as Saturday headliners, performing hits like "Nights of Arabia" to enthusiastic response and boosting their American profile), and Symphony X (closing with high-energy prog metal, including "Smoke and Mirrors"). Attendance reached around 1,200 over the weekend, reflecting the festival's rapid appeal among niche metal fans. Notable moments included ARK's polished production and Kamelot's charismatic stage presence, underscoring the event's emphasis on European headliners like ARK, Angel Dust, and Nightingale to fill gaps in US touring circuits.[41][43]
2002
The third edition of ProgPower USA, held November 15–16, 2002, at Earthlink Live in Atlanta, Georgia, showcased a strong lineup blending progressive metal and power metal acts across two days. The festival maintained its single annual format with performances starting in the late afternoon and extending into the early morning hours.[44] The full roster included the following performers, with headliners closing each evening: Friday, November 15:- Zero Hour (5:30–6:15 p.m.)
- Silent Force (6:45–7:45 p.m.)
- Edguy (8:15–9:15 p.m.)
- Blind Guardian (9:45–11:15 p.m., headliner)
- Pain of Salvation (11:45 p.m.–1:15 a.m., headliner)
- Reading Zero (5:30–6:15 p.m.)
- Threshold (6:45–7:45 p.m.)
- Devin Townsend (8:15–9:15 p.m.)
- Gamma Ray (9:45–11:15 p.m., headliner)
- Angra (11:45 p.m.–1:15 a.m., headliner)
2003
ProgPower USA IV was held on September 5 and 6, 2003, at Earthlink Live in Atlanta, Georgia.[51] The event sold out in advance, drawing progressive and power metal fans from across the United States and internationally.[51] The lineup consisted of ten bands across two nights, emphasizing progressive metal with a mix of established acts and emerging talents. Headliners Nightwish and Rage made their live U.S. debuts, marking significant moments for American audiences. Symphony X also returned as a prominent draw, showcasing their technical prowess. The full roster, scheduled as follows, highlighted diverse styles from melodic death to symphonic elements: Friday, September 5:- Redemption (opening set focusing on intricate progressive compositions)
- Mercenary (delivering technical melodic death metal that converted many attendees to fans)
- Vanden Plas (performing atmospheric prog metal with strong vocal harmonies)
- Nightwish (symphonic metal headliners, featuring Tarja Turunen's commanding stage presence and rare tracks like "Ever Dream," eliciting ecstatic crowd chants)
- Symphony X (closing with progressive metal epics, emphasizing complex instrumentation)
- Pagan's Mind (energetic Norwegian prog metal openers, exceeding expectations with tight execution)
- Secret Sphere (Italian power/prog fusion, engaging fans with flag-waving patriotism)
- Circle II Circle (Savatage-influenced set led by Zak Stevens, receiving enthusiastic support)
- Evergrey (Swedish prog metal standouts, delivering one of the festival's best performances despite the drummer's bleeding finger, including tracks like "Nosferatu")
- Rage (German heavy metal headliners, closing late after 1 a.m. with high-energy riffs)
2004
The fifth edition of ProgPower USA, held on September 17 and 18, 2004, at Center Stage in Atlanta, Georgia, featured a lineup blending progressive metal veterans and emerging acts, marking the festival's continued growth as a premier event in the genre. The sold-out weekend showcased international talent across two days of performances.[54] Friday, September 17: The day opened with Canadian progressive metal band Into Eternity at 5:30 p.m., delivering a technical set highlighted by intricate guitar work and vocal harmonies from Tim Roth.[55] This was followed by Dreamscape at 6:45 p.m., an Italian symphonic prog act whose performance emphasized atmospheric keyboards and operatic elements. Swedish power prog outfit Tad Morose took the stage at 8:00 p.m., earning praise for frontman Urban Breed's commanding presence and a flawless execution of tracks like "Cyberdome" and "Sword of Retribution," often cited as one of the festival's strongest sets.[55] Headliners Kamelot performed from 9:15 to 10:15 p.m., blending epic symphonic metal with guest appearances by Crimson Glory's Midnight and Ben Jackson on songs such as "Center of the Universe," though Roy Khan's vocals received mixed feedback due to occasional strain.[56] Closing the night at 11:15 p.m. was Jon Oliva's Pain, incorporating Savatage reunion elements via Weapons of Mass Destruction, with Oliva's powerful vocals shining on classics like "The Dark," "Sirens," and "Gutter Ballet," alongside original drummer Steve Wachholz— a nostalgic highlight for fans of the band's legacy.[56] Saturday, September 18: French neoclassical prog metallers Adagio debuted at the festival at 5:30 p.m., impressing with their orchestral intensity and new vocalist Gus Monsanto's energetic delivery on complex compositions, despite minor technical glitches like a microphone failure.[57] Danish folk-infused prog band Wuthering Heights followed at 6:45 p.m., standing out for their Celtic-tinged sound and frontman Patrik Bentz's charismatic, Mick Jagger-esque stage antics during extended suites from Longing for the Woods.[57] Germany's Brainstorm rocked the 8:00 p.m. slot, delivering a high-energy power metal set with Andy B. Franck's crowd interaction— including serenading a fan in a wheelchair— and heavier riffs that "stole the show" for many attendees.[57] Swedish prog rockers Pain of Salvation headlined from 9:30 to 11:00 p.m. with an exclusive, fan-voted setlist drawing from their upcoming album BE and favorites like "Undertow" and "A Trace of Blood," noted for its emotional depth and precision.[54] Edguy closed at 11:30 p.m., bringing bombastic happy metal with Tobias Sammet's showmanship on anthems that energized the crowd to end the festival on an upbeat note.[54] Key highlights included the Savatage-infused finale on Friday, which served as a de facto reunion moment for the influential band, and Brainstorm's unexpected crowd-pleasing intensity on Saturday, often remembered as a breakout performance. The event also featured a pre-party on September 16 with acts like Prototype and Halcyon Way, adding to the communal vibe, though the main stage focused on the core progressive metal ethos.[56]2005
The sixth edition of ProgPower USA, held from September 15 to 17, 2005, at the Earthlink Live venue (now Center Stage) in Atlanta, Georgia, featured a diverse roster emphasizing progressive and power metal acts, many making their U.S. debuts.[58] The event included a Thursday pre-party and two full days of performances, showcasing international talent alongside American bands to highlight the festival's role in bridging global progressive metal scenes.[59] The pre-party on Thursday kicked off with Outworld, a Houston-based technical metal outfit known for guitarist Rusty Cooley's blistering solos, followed by an acoustic set from Israeli progressive metallers Orphaned Land, a solo performance by vocalist D.C. Cooper, and Dreamscape, blending symphonic and progressive elements. Friday's lineup opened with Danish prog-metallers Manticora, delivering intricate riffs and storytelling lyrics, then transitioned to Norwegian sensations Circus Maximus, whose debut album tracks like "Sin" and "Glory of the Empire" earned praise for their dynamic energy. Orphaned Land returned for a full electric set, incorporating Middle Eastern influences into progressive metal, before Conception, fronted by Roy Khan, offered a mix of melodic prog with humorous stage banter, and Brazilian power metal veterans Angra closed with an encore fusing "Carry On" and "Temple of Hate."[58][59] Saturday featured Australian prog metallers Stride, making their U.S. debut with fresh material from their upcoming album, followed by German power metal force Symphorce, whose setlist highlight "Haunting" showcased their precise execution and crowd engagement. Pink Cream 69, a German hard rock/prog hybrid, brought high-energy classics, while Swedish symphonic metallers Therion delivered atmospheric epics like "The Blood of Kingu" and "To Mega Therion." Finnish power metal headliners Stratovarius capped the night with hits such as "Hunting High and Low," solidifying their status as festival favorites.[58][60] Key highlights included Rusty Cooley's jaw-dropping guitar destruction during Outworld's set and Angra's seamless genre-blending encore, which exemplified the festival's innovative spirit. The event sold out in just three days, reflecting surging demand and marking a peak in attendance trends for the series up to that point. Approximately 1,000 attendees filled the venue each night, fostering a tight-knit community atmosphere amid the intimate 1,200-capacity space.[59][58]2006
The seventh edition of ProgPower USA took place from September 14 to 16, 2006, at Center Stage in Atlanta, Georgia, attracting approximately 1,300 attendees. This event marked a shift in the pre-party format, relocating it to the main stage for the first time to accommodate higher-profile acts and enhance the overall experience. The lineup featured a mix of progressive and power metal bands, with headliners Evergrey and Jørn Lande, though original headliner Nevermore withdrew earlier in the year due to scheduling conflicts. A notable logistical change occurred when Greek band Wastefall was unable to perform due to visa issues and was replaced by American prog metal outfit Zero Hour on the final day.Pre-Party (September 14)
The pre-party showcased four bands at The Loft at Center Stage, setting an energetic tone with a focus on melodic and heavy metal acts:- Theocracy: Opened with a set blending symphonic elements and new material like "The Writing in the Sand," earning strong crowd engagement.
- Circus Maximus: Delivered progressive metal highlights from The 1st Chapter and upcoming tracks, noted for their technical prowess and keyboard-driven soundscapes.
- Leatherwolf: Brought traditional heavy metal energy with classic riffs and vocals, appealing to fans of 1980s-style aggression.
- Circle II Circle: Closed with Savatage-influenced power metal, including "Watching in Silence" and "Edge of Thorns," solidifying their rising status in the scene.
Main Event Day 1 (September 15)
The first full day at Center Stage featured five acts, emphasizing progressive and alternative metal diversity:- Pyramaze: Kicked off with a balanced selection from Melancholy and Legend, highlighted by crowd chants during "Power of Imagination" and a live DVD recording announcement.
- Savage Circus: Performed nearly the entire Dreamland Manor album, showcasing intricate twin-guitar work; frontman Jens Carlsson relied on a lyric sheet but delivered a solid U.S. debut.
- Freak Kitchen: Provided a standout alternative prog set with humorous and unconventional elements, such as guitarist Mattias IA Eklundh using a cell phone as a slide during "Taste My Fist."
- Mercenary: Blended melodic death and prog with a surprise cover of Pantera's "Cowboys from Hell," during which promoter Glenn Harveston joined onstage for a stage dive.
- Evergrey (headliner): Delivered an extended two-hour set augmented by a string quartet, featuring tracks like "Mark of the Triangle"; a memorable moment occurred when guitarist Henrik Danhage proposed to his girlfriend onstage.
Main Event Day 2 (September 16)
The final day rounded out the festival with symphonic and power metal emphases, again at Center Stage:- Zero Hour (replacement for Wastefall): Debuted material from Specs of Pictures Burnt Beyond and introduced new vocalist Chris Salinas, improving on past live dynamics with increased stage energy and songs like "Face the Fear."
- Vision Divine: Offered melodic power metal from The Perfect Machine, including "Colours of My World," though some attendees missed parts due to scheduling overlaps.
- Thunderstone: Energized the crowd with Finnish power metal anthems like "Until We Touch the Burning Sun," highlighted by charismatic vocals from Pasi Kaisla and Titus Hjell during audience interactions.
- Epica: Ran 20-30 minutes late but impressed with symphonic metal staples like "Mother of Light" and a cover of Death's "Crystal Mountain," minimizing backing tracks for a more organic sound.
- Jørn Lande (headliner): Concluded with hard rock-infused prog, performing tracks like "We Brought the Angels Down" and a drum solo, drawing on his Masterplan and Ark legacy for a powerful close.
2007
The eighth edition of ProgPower USA, held from October 4 to 6, 2007, at Center Stage in Atlanta, Georgia, featured a diverse roster of progressive and power metal acts across three days, including a pre-show on Thursday.[61] The event highlighted international talent alongside U.S. debuts, with notable performances emphasizing symphonic elements, technical prowess, and collaborative jams.[62] The lineup was structured as follows:| Day | Bands |
|---|---|
| Wednesday (Special Guest) | Jon Oliva (with Zak Stevens on select duets) |
| Thursday (Pre-Show) | Halcyon Way, Krucible, Cellador, Freak Kitchen |
| Friday | Raintime, Communic, Virgin Steele, Redemption, Pagan's Mind, Sonata Arctica |
| Saturday | Firewind, Threshold, Primal Fear, After Forever, All-Star Jam |
2008
The ninth edition of ProgPower USA, held on September 26 and 27, 2008, at Center Stage in Atlanta, Georgia, featured a robust lineup of progressive and power metal acts as the global financial crisis began to unfold in September 2008. The festival, limited to 900 attendees as per its standard intimate format, highlighted a balance of established international headliners and emerging domestic performers, including several U.S.-based showcase acts that helped maintain accessibility during early economic uncertainty.[66][67] Key highlights included the debut performance of Iced Earth with returning vocalist Matt Barlow, marking his first show back with the band after a five-year hiatus, delivering a set focused on their heavier material from The Crucible of Man and earlier albums.[66] Finnish pioneers Amorphis co-headlined on Day 1, promoting their album Silent Waters with a set blending death metal roots and melodic prog elements.[67] Rob Rock's Day 2 performance was recorded live for his DVD The Voice of Melodic Metal - Live in Atlanta, showcasing high-energy neoclassical metal with a backing band featuring guitarist Carljohan Grimmark and drummer Andreas Johansson.[68] Swedish hard rockers Mustasch stepped in as a last-minute replacement for Denmark's Volbeat, bringing their stoner-infused sound to the bill.[69] The full lineup, reflecting adaptations toward cost-effective U.S. talent alongside global draws, consisted of the following acts:| Day | Bands |
|---|---|
| Day 1 (September 26) | Mass Psychosis (US), Halcyon Way (US), Bobby Williamson (US), Siege of Arms (US), Sons of Seasons (Germany), Spheric Universe Experience (France), Riverside (Poland), Amorphis (Finland) |
| Day 2 (September 27) | Damon Johnson Band (US), Circle II Circle (US), Jon Oliva's Pain (US), Iron Savior (Germany), Mustasch (Sweden), Rob Rock (US), Iced Earth (US) |
2009
The 2009 edition of ProgPower USA, marking its tenth anniversary as ProgPower USA X, occurred from September 10 to 12 at Center Stage in Atlanta, Georgia. Following a challenging 2008 event plagued by multiple high-profile cancellations—including Volbeat due to scheduling conflicts, Turisas over financial disputes, Ghost Brigade citing health issues, and Serenity owing to immigration visa denials—the festival rebounded strongly with a complete roster of international acts and no reported last-minute withdrawals, signaling improved logistical stability and fan confidence.[72][73][74][70] The Thursday kick-off, held as a showcase for emerging progressive metal talent, featured four American bands: Future's End opened with intricate symphonic elements, followed by Suspyre's technical death-prog fusion, Enchant's melodic prog-rock set emphasizing their album A Blueprint of the World, and Cage closing with high-energy power metal tracks like "Darkside of the Sun." This intimate prelude at The Loft at Center Stage highlighted up-and-coming U.S. acts, drawing enthusiastic early crowds.[75][76] Friday's main stage lineup showcased a mix of European power and progressive metal: Power Quest kicked off with epic anthems from Everlight, Tomorrow's Eve delivered atmospheric prog-metal from The Unexpected World, and Diablo Swing Orchestra brought theatrical flair with gypsy-jazz infused tracks like "Voodoo Mon Amour." Sabaton energized the audience with historical war-themed songs from The Art of War, building their breakthrough U.S. momentum, while Royal Hunt performed symphonic power metal classics. Brazilian vocalist André Matos headlined, blending operatic vocals from his Angra and Shaaman eras in a solo set that included "Carry On" and new material, captivating fans with his virtuoso range.[77][78] Saturday concluded the festival with progressive heavyweights: Circus Maximus opened with soaring melodies from Nine, Orphaned Land fused Middle Eastern folk with metal in a culturally resonant performance, and Pagan's Mind impressed with technical speed from Celestial Entrance. German power metal veterans Brainstorm delivered a high-octane set featuring Down on Your Knees, and Fates Warning closed as headliners, performing a career-spanning selection including "The Apparition" and "A Prelude to Ruin" from Perfect Symmetry, reaffirming their influence on the genre with intricate instrumentation and Ray Alder's commanding vocals.[79][80]2010
The 2010 edition of ProgPower USA, known as ProgPower USA XI, was held from September 8 to 11 at Center Stage in Atlanta, Georgia, marking the festival's 11th year and expanding to four days with pre-festival events.[81][82] The event showcased a lineup blending established headliners and emerging international acts, emphasizing progressive, power, and symphonic metal genres.[81] The festival began on September 8 with the Mid-Week Mayhem showcase, featuring Ross the Boss, Vangough, and Seven Kingdoms, providing an early taste of heavy metal energy for attendees.[81] On September 9, the Kick-Off night was headlined by Accept, supported by Leprous, Borealis, and Six Minute Century, setting a high-octane tone with classic German heavy metal.[81] Day 1 on September 10 highlighted symphonic and folk influences, led by headliner Kamelot, alongside Nocturnal Rites, Turisas, Týr, Seventh Wonder, Leaves' Eyes, and The Illusion Suite.[81] The final day on September 11 closed with HammerFall topping the bill, joined by Tarot, Delain, DGM, Oceans of Sadness, Stormwarrior, and Paradox, delivering a mix of power metal anthems and progressive depth.[81] A key highlight was the festival's growing international appeal, drawing bands from over a dozen countries and featuring U.S. debuts for nine acts: Germany's Paradox and Stormwarrior, Norway's Leprous and The Illusion Suite, the Netherlands' Delain, Finland's Tarot, Sweden's Seventh Wonder, Belgium's Oceans of Sadness, and Italy's DGM.[81] This edition underscored ProgPower USA's role in bridging European metal scenes with American audiences, with headliners like Kamelot (U.S.), Accept (Germany), and HammerFall (Sweden) exemplifying the cross-continental synergy.[81]2011
The twelfth edition of ProgPower USA, held September 16–17, 2011, at Center Stage in Atlanta, Georgia, showcased 13 progressive and power metal bands across two days, emphasizing international talent and several U.S. debuts. The lineup balanced established acts with emerging progressive groups, drawing strong attendance that approached a sellout for the 1,050-capacity venue.[83][84][25]Day 1: September 16
The opening day featured a mix of North American and international performers, starting with U.S. group Creation's End and culminating in a late-night set by reunited American metal act Sanctuary. Key performers included:- Creation's End (USA): Opened the festival with technical progressive metal, highlighting guitarist Marco Sfogli's virtuosity.
- Darkwater (Sweden): Delivered melodic prog-metal, marking an early highlight for European fans.
- Voyager (Australia): Made their U.S. debut with synth-infused progressive sounds, energizing the mid-afternoon crowd.
- Eldritch (Italy): Brought heavy, groove-oriented power metal to the stage.
- Mob Rules (Germany): Performed classic power metal with soaring vocals.
- Arcturus (Norway): Delivered an avant-garde progressive set, notable as their first U.S. live performance.
- Sanctuary (USA): Closed the main events with a high-energy reunion show, featuring original vocalist Warrel Dane and drawing enthusiastic responses for tracks from their classic album Into the Mirror Black.[83][85][86]
Day 2: September 17
Saturday's roster leaned toward symphonic and technical prog elements, headlined by Swedish gothic metal pioneers Therion. The day attracted even larger crowds, with performers including:- Haken (UK): Debuted in the U.S. with intricate, Djent-influenced progressive metal from their album Visions.
- While Heaven Wept (USA): Offered atmospheric doom-prog, providing a moody contrast.
- Red Circuit (Germany): Presented electronic-tinged prog-metal in their U.S. debut.
- Labyrinth (Italy): Delivered neoclassical power metal, another U.S. debut.
- Dream Evil (Sweden): Rocked with anthemic power metal standards.
- Therion (Sweden): Headlined with an elaborate symphonic set featuring choral elements and multiple vocalists, celebrating their return as ProgPower headliners.[83]
2012
The thirteenth edition of ProgPower USA took place from September 12 to 15, 2012, at Center Stage in Atlanta, Georgia, showcasing a lineup heavy on international progressive and power metal acts, with several U.S. debuts and exclusives.[87] The festival emphasized symphonic and melodic elements, drawing approximately 1,200 attendees who formed a tight-knit community known for its hospitality and accessibility to performers.[88] The Friday lineup opened with U.S. debuts from Sinbreed (Germany), Kingcrow (Italy), Amaranthe (Sweden), and Serenity (Austria), all exclusive to the U.S., followed by Primordial (Ireland, U.S. exclusive), Redemption (USA), and headliner Epica (Netherlands/Belgium). Serenity stood out with an energetic set featuring "Heavenly Mission," "New Horizons," and "Coldness Kills," earning praise as the day's best live showcase. Epica delivered a powerful headlining performance despite a delayed start, blending new tracks like "Serenade of Self-Destruction" and "Monopoly on Truth" with classics.[88][87] Saturday featured U.S. debuts and exclusives from Beyond the Bridge (Germany), Lanfear (Germany), Solution .45 (Sweden/Finland), Mystic Prophecy (Germany), and Mayan (Netherlands/Belgium, with special guests), alongside Pretty Maids (Denmark, U.S. exclusive) and headliner Symphony X (USA). Pretty Maids performed hits including "Red Hot & Heavy," "Pandemonium," and "Future World," though a technical error briefly disrupted the latter. Beyond the Bridge emerged as a breakout act after stepping in as a last-minute replacement for Above Symmetry, impressing with their atmospheric progressive sound. Symphony X capped the main events with a marathon set that included the suite "The Odyssey," running past 3:00 a.m. and energizing the crowd.[88][87] The event's intimate scale and focus on emerging international talent contributed to fan community growth, with attendees highlighting the festival's role in building lasting connections among progressive metal enthusiasts through post-show interactions and after-parties.[88]2013
The fourteenth edition of ProgPower USA, held on September 6 and 7, 2013, at Center Stage in Atlanta, Georgia, featured a diverse roster emphasizing progressive and power metal acts, many making their U.S. or exclusive appearances. The festival's theme was "medieval," influencing stage designs and announcements.[89] Friday, September 6: The day opened with British symphonic power metal band Damnation Angels, delivering their U.S. debut with charismatic frontman PelleK leading an energetic set of epic tracks. Tunisian progressive metal group Myrath followed, overcoming logistical challenges to deliver a captivating performance that earned a standing ovation for its fusion of Eastern influences and technical prowess. German symphonic metallers Xandria made their U.S. exclusive appearance, highlighted by Manuela Kraller's operatic vocals on songs from Neverworld's End. Swedish progressive rockers Wolverine brought a dark, atmospheric vibe with emotional depth in tracks like those from Communication Lost. U.S. thrash metal supergroup Ashes of Ares, featuring former Iced Earth vocalist Matt Barlow, debuted intensely with old-school aggression, and their advance album copies sold out on-site. Swedish melodic death metal act Soilwork co-headlined with a brutal, high-energy set blending groove and melody. Closing the night, American prog metal veterans Shadow Gallery performed an extensive catalog-spanning set, including guest appearances and fan sing-alongs to classics like "Room V," marking a nostalgic highlight.[90][91][92] Saturday, September 7: Chicago-based metal band Divinity Compromised served as a last-minute replacement for Swedish power metal act ReinXeed, delivering a solid, heavy set including a cover of Savatage's "Hall of the Mountain King" that thrilled the crowd. Canadian progressive metallers Heaven's Cry followed with a tight performance of material from Wheels of Impermanence, despite minor sound issues. Swedish heavy metal outfit Wolf energized the audience with classic tracks like "Evil Star," fostering a rowdy, sing-along atmosphere. Norwegian melodic prog metal band Circus Maximus co-headlined with a dynamic show featuring extended compositions such as the 19-minute "The 1st Chapter" and a surprise cameo by festival organizer Glenn Harveston. American heavy metal legends Armored Saint co-headlined, showcasing John Bush's powerful vocals on hits like "Can U Deliver." Swedish power metal band Sabaton closed the main stage as co-headliner, delivering a high-octane set with historical themes, massive sing-alongs, and drummer Snowy Shaw's theatrical flair. Symphony X performed as the night's headliner, though specific set details emphasized their technical prog metal mastery. Epica was initially announced as a headliner but did not appear, with no replacement noted in reports.[93][94][92][89] The 2013 edition received strong positive reception for its balanced mix of international debuts and veteran acts, with standout performances from Myrath and Shadow Gallery drawing particular praise for their emotional and interactive elements. Crowds were highly engaged, with reports of enthusiastic mosh pits, sing-alongs, and standing ovations throughout both days, underscoring the festival's dedicated fanbase. While not explicitly confirmed as sold out, attendance was robust, contributing to the event's reputation as a premier progressive metal gathering.[95][92]2014
The 2014 edition of ProgPower USA, marking its 15th year, took place from September 10 to 13 at the Center Stage venue in Atlanta, Georgia, and sold out months in advance due to its strong roster of international acts and exclusive performances.[96] The festival featured a mix of progressive metal staples and power metal influences, with several bands delivering full album sets that became highlights of the event. The mid-week mayhem on Wednesday, September 10, at The Loft at Center Stage opened with a special set by Pain of Salvation, drawing early attendees for an intimate progressive showcase.[97] The Thursday kick-off show on September 11 at the main venue included Draekon, DGM, and Pagan's Mind, with the latter delivering a marathon 3-hour performance that included their album Celestial Entrance in full, recorded for a Blu-ray release and energizing fans with complex instrumentation and crowd chants for bassist Steinar Krokmo.[98] Friday, September 12, showcased a diverse bill starting with Disperse, followed by Orden Ogan's folk-tinged power metal, Leprous's atmospheric prog, and Overkill's thrash assault, which sparked a rare mosh pit amid the typically reserved audience. Seventh Wonder performed their album Mercy Falls in its entirety—a world exclusive—highlighting Tommy Karevik's soaring vocals and intricate arrangements, while headliners Stratovarius closed with a high-energy set of neoclassical power metal anthems, marking a U.S. exclusive appearance that thrilled longtime fans.[96][99] Saturday, September 13, continued the momentum with Withem's technical prog, Divided Multitude's Norwegian prog metal (featuring guest drummers Frank Røe and Stian Kristoffersen due to visa issues), and Voodoo Circle's hard rock edges. Masterplan brought melodic power metal flair, leading into Pain of Salvation's emotional full-album rendition of Remedy Lane, a masterclass in dynamics led by Daniel Gildenlöw's versatile performance that took the crowd on an emotional journey. The festival closed with Jon Oliva's Pain executing Savatage's rock opera Streets: A Rock Opera in full—a world exclusive—with guest appearances enhancing the theatrical production and drawing thunderous applause.[96][98] Standout moments included the multiple full-album performances, which emphasized the festival's commitment to immersive experiences, and recordings by bands like DGM and Need for future DVD releases. The crowd, estimated at capacity for both main days, showed a shift toward a younger demographic and greater gender diversity compared to prior years, while maintaining the event's signature patience and respect during extended sets.[100]2015
The sixteenth edition of ProgPower USA took place from September 9 to 12, 2015, at Center Stage in Atlanta, Georgia, introducing a Wednesday night pre-party to extend the event into a four-day format for the first time.[101] This change allowed for an expanded roster of 18 acts, blending progressive, power, and heavy metal performers from around the world, with several special set themes and debuts.[101] The festival drew praise for its intimate venue atmosphere and international lineup, though it faced last-minute adjustments due to visa issues affecting bands like Hibria, Anubis Gate, and Dynazty.[102][103] The Wednesday pre-party at The Loft featured American acts Halcyon Way opening with their technical power metal, followed by Ashes of Ares delivering a heavier, groove-oriented set influenced by their members' past in Nevermore and Sanctuary.[101] Australian prog metal band Voyager then energized the crowd with an interactive performance, including a quirky medley of pop culture themes and a guest appearance by vocalist DC Cooper on "Fire of the Times."[102] Swedish headliners Evergrey closed the night with a dynamic set of melodic progressive metal, highlighted by Tom S. Englund's emotive vocals and tracks from their recent album Hymns for the Broken.[101] Thursday's kickoff, originally planned to include a DC Cooper solo show before his cancellation, shifted to feature Brazilian power metal outfit Almah making their U.S. debut with a mix of original songs and Angra covers like "Wings of Revolution," overcoming initial sound issues to engage fans.[104][105] Swedish symphonic power metal band Dragonland followed with a rare U.S. appearance, performing epic tracks such as "Shadow of the Mithril Mountains" and a duet version of "Cassiopeia" with Unleash the Archers' Brittney Slayes, though their set was slightly shortened by technical glitches.[101][105] American heavy metal veterans Armored Saint then powered through classics like "Reign of Fire" and newer material from Win Hands Down, rallying the audience despite minor sound delays.[101][105] British NWOBHM icons Saxon headlined with a commanding set of anthems including "Motorcycle Man" and "Wheels of Steel," blending their classic era with selections from Battering Ram in flawless form.[101][105] An Evergrey acoustic session at The Loft earlier in the day provided a more intimate preview of their catalog.[101] Friday opened with Brazilian power metal band Hibria's visa-related cancellation, leading to vocalist Jeff Scott Soto stepping in for a career-spanning solo performance captured for a live album release, featuring high-energy renditions of Talisman tracks, Yngwie Malmsteen covers, and his work with Journey and Sons of Apollo, marked by his charismatic stage presence.[102][101] American prog metal newcomers Native Construct, Berklee College alumni replacing Anubis Gate, impressed with intricate compositions from their debut Quiet World, notably overcoming a mid-set bass strap malfunction to deliver a polished show.[102] Voyager returned for a second energetic set, including an emotional tribute to Type O Negative's Peter Steele during "Iron Dream."[102] UK atmospheric prog rockers Anathema provided a contrasting, immersive performance of soothing yet intense tracks, with guitarist Vincent Cavanagh powering through a string break.[102] Swedish folk/power metal band Falconer delivered their final live show ever—their second and last U.S. appearance—with Mathias Bladh's soaring vocals shining on acoustic numbers and Swedish-language songs, closing with encores of "Mindtraveler" and "A Quest for the Eternal Flame."[102][101] The evening also included the roster announcement video for the 2016 edition and an introduction to the Metalheads For Life non-profit initiative supporting those with terminal illnesses.[102] Saturday featured Argentine power metal band Helker in their international debut, with vocalist Diego Valdez delivering a unifying message about metal's global community despite a fill-in drummer due to visa problems.[103] Canadian power metal act Unleash the Archers followed with a strong, melodic set from their album Time Stands Still.[103] Swedish band Dynazty's visa cancellation led Dragonland to fill in, reprising their symphonic style with fan-favorite gimmicks like a horse-head mask and guest vocals.[103] Polish prog rockers Riverside kicked off their U.S. tour promoting Love, Fear and the Time Machine with an excellent blend of old and new material, highlighted by the 13-minute epic "Escalator Shrine."[103] Danish/American prog metal band Royal Hunt performed their 2002 album Paradox in full, plus tracks from XIII: The Devil's Dozen, with DC Cooper's charismatic delivery noted especially as his children watched from the crowd.[103] Brazilian prog metal headliners Angra closed the festival with a complete playthrough of their 1996 album Holy Land, selections from Secret Garden and Nova Era, and crowd interaction from Fabio Lione, culminating in a collaborative cover of Van Halen's "You Really Got Me" featuring DC Cooper and Jeff Scott Soto.[103][101]2016
The 2016 edition of ProgPower USA, known as ProgPower USA XVII, took place from September 7 to 10 at Center Stage in Atlanta, Georgia, introducing the festival's first official four-day structure to accommodate its growing popularity.[21] This expansion replaced previous midweek and kick-off events with dedicated Wednesday and Thursday lineups, allowing for a more distributed schedule of performances.[21] The roster spanned international acts across progressive and power metal genres, with each day featuring a headliner and special sets. On Wednesday, September 7, the event opened with Lord from Australia, followed by Stream of Passion from the Netherlands in their first and final U.S. appearance, Spock's Beard from the USA, and headliners DragonForce from the UK delivering a career-spanning best-of set.[30] Thursday, September 8, included Ghost Ship Octavius from the USA, a bonus performance by Pyramaze (Denmark/USA) with guest vocalists Matt Barlow and Lance King, Circus Maximus from Norway, and Blind Guardian from Germany performing their album Imaginations from the Other Side in full.[30] Friday, September 9, showcased Ascendia from Canada, Vanishing Point from Australia, Freedom Call from Germany, The Gentle Storm from the Netherlands, Scar Symmetry from Sweden, and headliners Fates Warning from the USA, who reunited with original vocalist John Arch for a U.S.-exclusive rendition of their album Awaken the Guardian.[30] The final day, Saturday, September 10, featured Savage Messiah from the UK, Serious Black (multinational), Green Carnation from Norway performing their album Light of Day, Day of Darkness in its entirety as a U.S. exclusive, Refuge from Germany, Haken from the UK, and headliners Devin Townsend from Canada with special guest Anneke van Giersbergen.[30] The four-day format enabled a balanced pacing with four to six acts per day, each culminating in a prominent headliner, which reviewers noted enhanced the overall flow and attendee immersion compared to the prior two-day model.[19] Attendance reached approximately 1,500, reflecting the intimate scale of the venue while the event sold out in a record nine hours upon tickets going on sale, underscoring the expanded structure's role in meeting heightened demand.[19][106]2017
The eighteenth edition of ProgPower USA, held from September 6 to 9, 2017, at Center Stage in Atlanta, Georgia, featured a diverse lineup emphasizing progressive and power metal acts from around the world. The festival maintained its reputation for high demand, with tickets for days 3 and 4 selling out shortly after announcement, reflecting the event's growing popularity among fans.[107][108] Day 1 (Wednesday, September 6): The opening day kicked off with Power Quest from the UK delivering an energetic set of melodic power metal, followed by Austria's Serenity, who blended symphonic elements with intricate guitar work. Israel's Orphaned Land brought their unique fusion of Middle Eastern influences and progressive metal, captivating the audience with cultural depth. Headliners Haken from the UK performed their debut album Visions in its entirety, a special anniversary presentation that highlighted the band's technical prowess and conceptual storytelling.[109] Day 2 (Thursday, September 7): Next to None, a young American prog rock outfit featuring Mike Portnoy's son Max on drums, opened with fresh, dynamic compositions. Sweden's Twilight Force followed with fantasy-themed power metal full of epic riffs and soaring melodies. Germany's Vanden Plas offered polished progressive metal with theatrical flair and strong vocal harmonies. Between the Buried and Me from the US delivered a complex set drawing from their catalog, showcasing intricate time signatures and genre-blending intensity. Closing the night, American thrash legends Metal Church revived classic heavy metal anthems with raw energy.[109][110] Day 3 (Friday, September 8): Brazilian-American act Daydream XI started with smooth progressive metal featuring dual guitars and a standout piano ballad that highlighted the singer's emotive vocals. Israel's Distorted Harmony impressed with hard-hitting riffs, keyboards, and a powerful close to their set from Chain Reaction. Spain's Lords of Black made their US debut with melodic hooks and Ronnie Romero's commanding vocals, including a Black Sabbath cover. Veteran German band Angel Dust delivered thrash-infused prog with techno elements and fan-favorite hits. Tunisia's Myrath drew massive crowds with Oriental-flavored metal from Legacy, noted for dynamic stage presence. Headliners Mike Portnoy's Shattered Fortress, featuring members from Haken and other prog acts, performed Dream Theater classics with exceptional clarity and crowd engagement.[109][111] Day 4 (Saturday, September 9): Australian band Teramaze was replaced by US up-and-comers Seven Spires, who energized the crowd with aggressive melodic power metal and Adrienne Cowan's versatile vocals on tracks like "Cabaret of Dreams." Sweden's Dynazty surprised with pop-infused power metal choruses and Nils Molin's smooth delivery in their American debut. Multi-instrumentalist Snowy Shaw presented a career-spanning retrospective with eerie staging and versatile heavy metal covers from Mercyful Fate and others. Sweden's Pain mixed industrial and electronic elements in a high-energy set. Amaranthe from Sweden combined death growls, clean vocals, and electronic beats for anthemic tracks. Headliners Katatonia closed with moody, atmospheric heavy metal from albums like Viva Emptiness and The Fall of Hearts, under gothic lighting that enhanced their introspective style.[109][112]2018
The 2018 edition of ProgPower USA, marking the festival's 19th year, occurred from September 5 to 8 at Center Stage in Atlanta, Georgia, featuring a diverse array of international progressive and power metal acts. The lineup emphasized high-profile headliners and special performances, including anniversary celebrations and full-album tributes, while incorporating elements from adjacent metal subgenres such as pirate and folk metal to broaden the progressive soundscape.[113] The festival's roster was structured across four days, with the following performers:| Day | Date | Performers |
|---|---|---|
| Day 1 | September 5 | Ross the Boss Band (Manowar set), Gloryhammer, Nocturnal Rites, Voyager (headliner) |
| Day 2 | September 6 | Cellar Darling, Kingcrow, Dream Evil, Angra (25th anniversary with fan-selected setlist, headliner) |
| Day 3 | September 7 | Manimal, Persefone, Bloodbound, Labyrinth ("Return to Heaven Denied Part I" in full), Redemption (featuring new vocalist Tom Englund), Sons of Apollo (replacement headliner) |
| Day 4 | September 8 | Triosphere, Eclipse (U.S. exclusive), Soen, VUUR, Alestorm, Tarja Turunen (headliner) |
2019
The 2019 edition of ProgPower USA, the 20th anniversary festival, took place from September 4 to 7 at Center Stage in Atlanta, Georgia, featuring a diverse roster of progressive and power metal acts amid several last-minute adjustments due to visa complications for international performers. Organizers adeptly secured replacements, maintaining the event's reputation for high-quality lineups and intimate atmosphere. This iteration highlighted several U.S. debuts and notable career milestones, drawing dedicated fans for four days of performances.[117] The festival opened on Wednesday, September 4 (Day 1), with a revised bill after Pretty Maids, Iron Mask, and Secret Sphere were unable to travel due to visa issues; Sanctuary stepped in as a key replacement. The performers included While Heaven Wept, Theocracy, Sanctuary, and Insomnium. While Heaven Wept, reuniting after a hiatus, delivered a progressive metal set marked by epic orchestration and technical prowess, serving as their final live performance. Theocracy energized the local crowd with melodic power metal anthems, while Sanctuary celebrated their classic album Refuge Denied in full, blending thrash influences with soaring vocals. Insomnium closed the night with a death-doom-infused set emphasizing atmospheric melodies.[118][119] Day 2 on Thursday, September 5, proceeded as planned with Tomorrow's Eve, MaYaN, Galneryus, and Evergrey. Tomorrow's Eve made their U.S. debut with heavy, riff-driven progressive metal, showcasing intricate song structures. MaYaN followed with a symphonic assault, highlighted by dual female vocalists Marcela Bovio and Laura Macrì alongside Mark Jansen's growls. Galneryus, another U.S. exclusive, impressed with neoclassical power metal, led by guitarist Syu's virtuoso shredding and dramatic flair. Headliners Evergrey delivered an emotional progressive set, including fan-favorite encores like "Weightless," fostering deep audience connection through introspective lyrics.[118][120] Friday, September 6 (Day 3), featured Wind Rose, Subsignal, Barren Earth, Psychotic Waltz, Orden Ogan, and Seventh Wonder. Wind Rose kicked off with folk-tinged power metal, evoking epic dwarven battles through anthemic choruses. Subsignal offered atmospheric prog-rock with layered keyboards and emotive guitars. Barren Earth blended death metal growls with melodic hooks, while Psychotic Waltz reunited for a progressive set drawing from their cult-classic catalog. Orden Ogan brought symphonic power metal grandeur, and Seventh Wonder closed with technical wizardry, including complex time signatures and soaring harmonies from vocalist Tommy Karevik.[118][120] The final day on Saturday, September 7 (Day 4), showcased Sorcerer, Jag Panzer, Caligula's Horse, Poets of the Fall, Threshold, and Demons & Wizards. Sorcerer opened with epic doom metal, their heavy riffs creating a brooding mood. Jag Panzer delivered classic heavy metal with Harry "The Tyrant" Conklin's commanding presence. Caligula's Horse impressed with modern prog-metal, balancing aggression and melody to win over newcomers. Poets of the Fall provided a rock-oriented contrast, their cinematic songs and charismatic frontman filling the venue. Threshold performed progressive metal staples from Legends of the Shires, while headliners Demons & Wizards—Hans Hansi Kürsch and Jon Schaffer's supergroup—concluded the festival with a theatrical set, complete with graveyard staging and Blind Guardian/Iced Earth hybrids like "Path of Glory."[118][119] Key highlights included multiple U.S. debuts (e.g., Galneryus, Tomorrow's Eve) and rarities like While Heaven Wept's farewell show, underscoring the festival's role in showcasing international talent. Autograph sessions and meet-and-greets enhanced the communal vibe, with performers interacting closely in the compact setting. The event sold out rapidly, reflecting strong demand, and filled the 1,050-capacity Center Stage Theater to peak attendance near venue limits each day, solidifying its status as a premier progressive metal gathering before the global disruptions of 2020.[25][120]2022
ProgPower USA XXI, delayed from its original 2020 and 2021 scheduling due to the COVID-19 pandemic, took place from June 1 to June 4, 2022, at the Center Stage in Atlanta, Georgia.[121][122] The festival marked a triumphant return after a two-year hiatus, with organizers implementing standard venue health measures amid ongoing pandemic concerns, including capacity limits and attendance verification.[121] Fan enthusiasm was palpable, as attendees celebrated the reunion with high energy, evident in sold-out crowds and fervent responses to the performances.[122][123] The lineup blended progressive, power, and melodic metal acts, featuring several bands carried over from the postponed editions to honor original commitments, such as Conception, Ihsahn, Turilli/Lione Rhapsody, Witherfall, Jeff Scott Soto (performing a Queen tribute), Arion, and Thank You Scientist.[124][125][123] The full roster was organized across four days as follows:| Day | Date | Performers |
|---|---|---|
| 1 | June 1 | MindMaze, Klone, Flotsam and Jetsam, Hypocrisy |
| 2 | June 2 | Wilderun, Spektra, Seven Spires, Pain of Salvation, Stratovarius |
| 3 | June 3 | The Cyberiam, Æther Realm, Witherfall, Jason Bieler & the Baron von Bielski Orchestra, Jeff Scott Soto (Queen tribute), Conception |
| 4 | June 4 | Arion, Thank You Scientist, Riot V, Ray Alder, Ihsahn, Turilli/Lione Rhapsody |
2023
The 2023 edition of ProgPower USA, held from September 6 to 9 at Center Stage in Atlanta, Georgia, marked the festival's 22nd installment and its full return to a traditional four-day format following pandemic-related disruptions. Featuring a diverse array of progressive and power metal acts from around the world, the event showcased both established headliners and emerging talents, drawing enthusiastic crowds for high-energy performances across genres like symphonic metal, technical prog, and melodic death influences. Attendance reflected a strong rebound, with sold-out days underscoring the festival's enduring appeal among North American metal fans.[23] The lineup emphasized international debuts and rare U.S. appearances, blending veteran acts with fresh voices to create a balanced program. Organizers Glenn Harveston highlighted the event's role in bridging global metal scenes, with several bands noting the festival's intimate venue as ideal for connecting with dedicated audiences. Replacements due to scheduling conflicts added dynamism, such as Battle Beast stepping in for Wind Rose on Day 3, maintaining the high-caliber roster without diminishing the overall excitement.[126]| Day | Date | Bands |
|---|---|---|
| Day 1 | September 6 | The Reticent, Elvenking, Cynic, Swallow the Sun, Doro (headliner) |
| Day 2 | September 7 | Seven Kingdoms, Zero Hour, The Halo Effect, VOLA, Beast in Black (headliner) |
| Day 3 | September 8 | The Cryptex, Battle Beast, Ad Infinitum, Green Carnation, Caligula’s Horse, Kamelot (headliner) |
| Day 4 | September 9 | Evil Invaders, Poverty's No Crime, Visions of Atlantis, Delain, Unleash the Archers, Myrath (headliner) |