Myrath
Myrath is a Tunisian-French progressive metal band formed in 2001 by guitarist Malek Ben Arbia, known for its distinctive fusion of Middle Eastern folk melodies with complex progressive structures and heavy riffs.[1][2][3] The band's name, derived from the Arabic word mīrāth, means "legacy," reflecting its roots in Tunisian culture and its aim to carry forward musical traditions through modern metal.[2] Originally emerging from the Tunisian metal scene as the group Xtazy before rebranding in 2006, Myrath gained international recognition as one of the first metal acts from Tunisia to secure a major label deal, blending oriental scales, percussion, and themes of heritage with virtuosic instrumentation.[2][4] The current lineup consists of Malek Ben Arbia on guitar (since 2001), Kevin Codfert on keyboards and backing vocals (since 2022), Anis Jouini on bass (since 2006), Zaher Zorgati on lead vocals (since 2007), and Morgan Berthet on drums (since 2011).[5][6][7] Now based in Paris, France, the band has toured extensively across Europe and beyond, delivering high-energy live performances often featuring elaborate stage setups inspired by North African aesthetics.[3][8] Myrath's discography includes key studio albums such as Hope (2007), Desert Call (2010), Tales of the Sands (2011), Legacy (2016), Shehili (2019), and Karma (2024), the compilation Reflections (2025), alongside the live album Live in Carthage (2020), which captures their triumphant homecoming concert in Tunisia.[9][10][11][12] In recent years, Myrath has continued to evolve its sound, signing with earMUSIC for broader distribution and announcing the upcoming album Wilderness of Mirrors, slated for release on March 27, 2026, featuring collaborations like the single "Until the End" with Amaranthe's Elize Ryd.[3][13] The band's music explores themes of identity, resilience, and illusion, earning praise for its emotional depth and technical prowess, while solidifying its status as a pioneering force in global progressive metal with oriental influences.[3][10]History
Formation and early career
Myrath was formed in 2001 in Ezzahra, Tunisia, by guitarist Malek Ben Arbia, who was 13 years old at the time, as a high school project initially named X-Tazy.[14] The band began as a teenage cover group, performing songs from influences like Symphony X and other metal acts at local venues in Tunisia.[14] In 2006, the group changed its name to Myrath—meaning "legacy" in Arabic—to better reflect their cultural heritage and artistic aspirations.[14] The early years involved several lineup changes, including the addition of vocalist Zaher Zorgati in the summer of 2007, who brought a versatile style suited to their evolving sound.[15] Myrath released their debut EP, Double Face, in March 2005, a self-produced effort distributed via USB flash drives exclusively in Tunisia.[14] This was followed by their first full studio album, Hope, self-produced in Tunisia and released internationally in September 2007.[14] During this period, the band navigated significant challenges in Tunisia's nascent metal scene, including scarce resources such as expensive imported instruments and limited access to rehearsal spaces or recording studios.[16] The pre-Arab Spring political climate under President Zine El Abidine Ben Ali further hindered progress, with repression of non-mainstream music, lack of state support, and stigma against metal as irreligious or delinquent activity confining the scene to underground status.[16] Myrath's initial songwriting process incorporated oriental scales and Tunisian rhythms into metal structures, drawing from local cultural elements during their first local performances at small gigs and festivals.[15]Breakthrough and international recognition
In 2009, Myrath signed an exclusive licensing deal with the French independent label XIII Bis Records for Europe, alongside a worldwide agreement with Nightmare Records, enabling their first international distribution outside Tunisia.[17] This partnership facilitated the release of their second full-length album, Desert Call, on January 25, 2010, which garnered initial European interest through its integration of progressive metal structures with Tunisian oriental melodies and rhythms.[18] Building on this momentum, the band issued Tales of the Sands in September 2011 via the same labels, showcasing enhanced production quality that polished their signature fusion of heavy riffs, symphonic elements, and Middle Eastern influences, as noted in contemporary reviews praising its balanced and immersive sound.[19][20][21] The album's tracks, such as "Under Siege" and "Braving the Seas," highlighted the band's evolving compositional depth, contributing to a growing international fanbase in the progressive metal scene.[22] Myrath embarked on their inaugural European tour in November 2011, serving as support for Orphaned Land alongside Arkan and Artas, which marked a significant step in expanding their live presence beyond local Tunisian shows.[22] Followed by a February 2012 run opening for Tarja Turunen, these outings solidified their reputation on the continent.[23] By 2013, they achieved further visibility with their debut U.S. performance at ProgPower USA in Atlanta, where live renditions of tracks like "Merciless Times" captivated audiences and underscored their rising global appeal.[24] In the mid-2010s, Myrath relocated their base to France to access superior recording facilities and touring logistics, a move that bridged their early regional efforts to broader career sustainability.[25] This period saw increased media exposure in outlets like Sea of Tranquility and Metal Temple, with features and reviews from 2011 to 2015 emphasizing their innovative oriental-metal hybrid as a fresh voice in progressive metal.[18][26] Such coverage, coupled with strong digital traction on platforms like iTunes metal charts for Tales of the Sands, paved the way for their 2016 album Legacy as a major turning point in international recognition.[27]Recent developments
In 2016, Myrath released their fourth studio album, Legacy, which garnered international acclaim for its accessible progressive metal sound and powerful choruses, solidifying the band's growing presence in Europe through partnerships with labels like earMUSIC.[28][29][30] The band's fifth album, Shehili, arrived in 2019 and delved into more personal and commercial themes, including tracks like the titular song reflecting on nomadic introspection, accompanied by official video streams for singles such as "Born to Survive" and "No Holding Back."[31][32][33] The COVID-19 pandemic disrupted Myrath's 2020 touring plans, forcing the cancellation of a mini-European tour in September and an early termination of their March run with Eleine, prompting the band to maintain fan engagement through social media announcements and updates, including the release of their live album Live in Carthage capturing a triumphant concert in Tunisia.[34][35][36] In 2024, Myrath released their sixth studio album, Karma, on March 8 via earMUSIC, exploring themes of myth and legend with soaring vocals and intricate instrumentation.[37] On August 22, 2025, Myrath issued their first best-of compilation, Reflections, featuring fan favorites like "Believer" from Legacy alongside a rare live track as an unreleased B-side, marking a retrospective milestone in their catalog.[38][39][40] Just weeks later, on November 4, 2025, the band announced the single "Until the End," a collaboration with Amaranthe's Elize Ryd that blends emotive metal with Middle Eastern elements, released alongside an official music video.[41][42][43] This single previews Myrath's seventh studio album, Wilderness of Mirrors, slated for release on March 27, 2026, via earMUSIC; the 10-track record is described as emotionally charged, continuing the band's progressive evolution with songs like "The Funeral" and "Breathing Fire."[44][45][46] Building on their post-pandemic momentum, Myrath revealed plans for a 2026 European headlining tour, titled "Wilderness of Mirrors - First Strike," comprising 20 dates across the continent starting in April to support the new album.[47][36][48]Musical style and influences
Genre and sound
Myrath is classified as a progressive metal band incorporating oriental and Middle Eastern influences, blending heavy riffs, symphonic elements, and Arabic scales to create a distinctive "blazing desert metal" sound.[2][31][49] Their music fuses traditional Mediterranean melodies with powerful metal structures, drawing from Tunisian heritage to infuse tracks with exotic rhythms and harmonies.[1] This hybrid approach sets them apart in the metal genre, emphasizing intricate compositions over straightforward aggression.[50] The band's instrumentation centers on Malek Ben Arbia's guitar work, delivering complex harmonies and riffing that support the progressive framework, alongside Anis Jouini's bass and Morgan Berthet's drums, which incorporate Middle Eastern percussion patterns reminiscent of darbuka rhythms.[51][49] Keyboardist Elyes Bouchoucha adds symphonic layers through orchestral arrangements and atmospheric synths, enhancing the oriental flavor.[52] Frontman Zaher Zorgati's vocals are a hallmark, featuring soaring clean tones and a versatile, emotive delivery to convey emotional depth and intensity.[53] Production has evolved from the raw, self-recorded quality of their early releases like Double Face and Hope to a more polished aesthetic in later works, particularly following their signing with major labels, featuring multi-layered orchestration and refined mixing.[54][55] In their 2024 album Karma, Myrath further refines this fusion with intricate progressive structures and continued integration of oriental elements.[3] Signature elements include frequent time-signature shifts, as heard in the title track of Tales of the Sands, and the integration of Arabic scales—such as those evoking the Phrygian dominant mode—with driving metal grooves for a dynamic, culturally fused sound.[56][53] While sharing progressive complexity with bands like Opeth and oriental fusion with Orphaned Land, Myrath maintains a unique Tunisian essence through their rhythmic and melodic choices, avoiding direct imitation in favor of an authentic North African identity.[54][57] This distinct flavor underscores their contributions to global metal diversity.[15]Lyrical themes and cultural elements
Myrath's lyrics predominantly explore themes of legacy, identity, and resilience, often reflecting the band's Tunisian roots and the personal challenges of its members living abroad.[58][25] These elements draw from the experiences of exile, as band members have been based in France since the mid-2010s, navigating cultural displacement while maintaining ties to their heritage.[25] For instance, resilience appears in songs like "Dance" from the 2019 album Shehili, where dance serves as a metaphor for enduring adversity and combating obscurantism, emphasizing personal strength over direct confrontation.[59] The band's songwriting incorporates Tunisian and broader Arab cultural motifs, blending them with universal narratives to honor their origins without overt political commentary. In "Desert Call" from the 2010 album of the same name, lyrics evoke the Sahara's harsh beauty—"The wrath of the Sahara was eating me alive"—symbolizing introspection and the vastness of North African landscapes as a backdrop for inner journeys.[60] Similarly, the 2019 album Shehili, titled after the Tunisian Arabic name for the hot desert wind known as sirocco, features tracks like "Lili Twil" that draw from nostalgic longing and cultural traditions, using motifs of wind and shared heritage to convey emotional intimacy.[59][61] This metaphorical approach allows Myrath to address broader human struggles, such as inner demons in "Monster in My Closet," through symbolic storytelling rooted in cultural familiarity.[59] Myrath's lyrics are primarily in English, interspersed with Arabic phrases—especially in choruses—to balance accessibility with cultural authenticity, underscoring a sense of universality while preserving their identity.[58] As vocalist Zaher Zorgati has noted, "We sing in English, but the chorus is in Tunisian Arabic because we don’t want to neglect the fact that we are originally Tunisian or deny our heritage."[58] This multilingual style evolved from the band's early works, which leaned into youthful energy and folklore-inspired tales in albums like Double Face (2005), toward more mature reflections on global displacement and optimism in later releases such as Legacy (2016).[62] In Legacy, tracks like "Nobody's Lives" contemplate time's reversals and existential persistence—"Life is not fading away / The future goes back in time"—mirroring the band's experiences of separation from home amid international touring and relocation.[63] Throughout their career, Myrath avoids explicit political directness, favoring metaphorical narratives that promote tolerance and uplift listeners facing discrimination, war, or personal turmoil.[25][59]Discography
Studio albums
Myrath's debut studio album, Hope, was released on September 9, 2007, by Brennus Music.[64] Featuring 8 tracks with a total runtime of 51:56, it was produced by Kevin Codfert and introduced the band's signature blend of progressive metal with oriental elements, recorded at Ettawfik Studios in Tunis, Tunisia.[64][65] The album showcased tracks like "Confession" and the epic "Seven Sins," marking their first official full-length release after earlier demos.[66] The band's second studio album, Desert Call, followed on January 25, 2010, distributed by XIII Bis Records in Europe and Nightmare Records in the US.[67] It contains 11 tracks spanning 73:30, produced by Kevin Codfert and mixed by Jens Bogren at Fascination Street Studios.[68] Highlights include the title track "Desert Call" and "Silent Cries," emphasizing the group's evolving sound with Middle Eastern influences and complex arrangements.[69] Desert Call was swiftly succeeded by Tales of the Sands on September 26, 2011, again via XIII Bis Records.[70] This 10-track effort, clocking in at approximately 55 minutes, was dedicated to the Tunisian Revolution and the Arab Spring, featuring songs such as "Under Siege" and the title track that explore themes of resilience.[19] It represented their first major international distribution push beyond Tunisia and France.[10] In 2016, Myrath signed with earMUSIC (a division of Edel Music) for their third studio album, Legacy, released on February 19. The album includes 10 tracks totaling 60:10, with standout singles like "Believer" and "The Unburnt," praised for its polished production by Kevin Codfert and Kevin "Kev" Rosset.[71] Recorded in France and Tunisia, it solidified their progressive metal style while incorporating symphonic and folk touches.[72] Shehili, the fourth studio album, arrived on May 3, 2019, under earMUSIC.[28] Comprising 10 tracks over 48 minutes, it delves into personal and introspective themes, highlighted by "Born to Survive" and "Dance," with contributions from Tunisian artists like Lofti Bouchnak on "Lili Twil."[73] The album was produced by Kevin Codfert and mixed by Jacob Hansen at Hansen Studios in Denmark.[74] Myrath's fifth studio release, Karma, was issued on March 8, 2024, by earMUSIC.[75] This 11-track album, running 47:42, features emotive progressive metal with oriental flair, including "Into the Light" and "Candles Cry," produced once more by Kevin Codfert.[76] By late 2024, Karma had surpassed 1 million streams on Spotify, contributing to the band's growing digital footprint with over 88,500 monthly listeners.[77][9] The band's sixth studio album, Wilderness of Mirrors, is scheduled for release on March 27, 2026, via earMUSIC.[3] It will contain 10 new tracks, continuing their evolution with emotionally charged progressive metal, led by the single "Until the End" featuring Elize Ryd of Amaranthe.[13]| Album | Release Date | Label | Tracks | Length |
|---|---|---|---|---|
| Hope | September 9, 2007 | Brennus Music | 8 | 51:56 |
| Desert Call | January 25, 2010 | XIII Bis / Nightmare | 11 | 73:30 |
| Tales of the Sands | September 26, 2011 | XIII Bis Records | 10 | 55:00 |
| Legacy | February 19, 2016 | earMUSIC | 10 | 60:10 |
| Shehili | May 3, 2019 | earMUSIC | 10 | 48:00 |
| Karma | March 8, 2024 | earMUSIC | 11 | 47:42 |
| Wilderness of Mirrors | March 27, 2026 (scheduled) | earMUSIC | 10 | TBA |
EPs, live albums, and compilations
Myrath's extended play releases include their debut EP, Double Face, self-released in 2005 on USB flash drives in Tunisia, consisting of five tracks that showcased the band's early fusion of progressive metal and Middle Eastern influences.[78] This limited distribution effort marked their initial foray into recording and helped garner attention from European metal circles.[79] In recent years, the band has issued digital EPs tied to promotional singles, such as Let It Go (2023, 4 tracks), Into the Light (2024, 4 tracks), and Candles Cry (2024, 4 tracks), each featuring the title track along with instrumental versions and live cuts, released via earMUSIC to build anticipation for studio albums.[80] These EPs were available in digital formats only, emphasizing the band's shift toward online distribution platforms. The band's sole live album, Live in Carthage, was released on April 24, 2020, by earMUSIC in CD/DVD and digital formats, capturing a performance from July 21, 2018, at the Roman Amphitheater of Carthage during the International Festival of Carthage.[81] Spanning 17 tracks, it includes staples like "Believer," "Born to Survive," and "Dance," highlighting Myrath's energetic stage presence and the cultural significance of performing in their home country's historic venue.[82] The release, produced by the band with engineering by Kevin Codfert, received praise for its production quality and representation of their live sound post-2019 tours.[83] Myrath's first compilation, Reflections, arrived on August 22, 2025, via earMUSIC in CD, vinyl, and digital editions, compiling 15 tracks from their catalog as a best-of retrospective.[84] It features key singles like "Believer" (reissued as a 2025 single) and B-sides such as "Asl," alongside hits from albums like Legacy and Karma, celebrating nearly two decades of the band's evolution.[38] The track selection prioritizes fan favorites and cultural staples, with formats including a limited-edition double vinyl for collectors.[50] Notable standalone singles include "Until the End," a digital release on November 4, 2025, via earMUSIC, featuring guest vocals from Amaranthe's Elize Ryd and serving as the lead single for the forthcoming album Wilderness of Mirrors.[85] Early releases like Double Face were handled independently or through small labels, while later works transitioned to AFM Records for initial international distribution before aligning with Nuclear Blast and earMUSIC for broader reach in CD, vinyl, and digital formats.[4]| Release Type | Title | Year | Label | Format | Tracks |
|---|---|---|---|---|---|
| EP | Double Face | 2005 | Self-released | USB/digital | 5 |
| EP | Let It Go | 2023 | earMUSIC | Digital | 4 |
| EP | Into the Light | 2024 | earMUSIC | Digital | 4 |
| EP | Candles Cry | 2024 | earMUSIC | Digital | 4 |
| Live Album | Live in Carthage | 2020 | earMUSIC | CD/DVD, digital | 17 |
| Compilation | Reflections | 2025 | earMUSIC | CD, vinyl, digital | 15 |
| Single | Until the End (feat. Elize Ryd) | 2025 | earMUSIC | Digital | 1 |
Personnel
Current members
The current lineup of Myrath, stable since the release of their 2024 album Karma and into the 2025–2026 cycle for Wilderness of Mirrors as of November 2025, features five core members who blend progressive metal with Middle Eastern influences. This configuration emphasizes a streamlined ensemble, with contributions focused on songwriting, production, and live performance dynamics. Zaher Zorgati serves as lead vocalist since joining in 2007, bringing a dynamic vocal range that spans clean melodies to powerful highs, often incorporating Arabic phrasing to evoke the band's Tunisian roots.[2] His emotive delivery drives tracks like "Into the Light" from Karma, enhancing lyrical themes of resilience and personal growth.[86] Malek Ben Arbia, a founding member since 2001, handles lead guitar and is the primary songwriter, crafting intricate riffs and progressive structures infused with oriental scales.[10] As the band's creative anchor, he has shaped their evolution from early demos to modern releases, including co-writing the bulk of Karma's material during pandemic-era sessions.[87] Anis Jouini has played bass since 2006, providing a solid rhythmic foundation that supports the band's complex time signatures and folkloric elements.[88] His contributions include subtle melodic lines that underscore the progressive layers, as heard in the driving grooves of "Wheel of Time."[89] Morgan Berthet joined as drummer in 2011 and delivers precise, energetic beats that propel the band's high-energy live shows and studio recordings.[88] His style adds propulsion to tracks like "Candles Cry," maintaining the tempo shifts central to Myrath's sound.[86] Kevin Codfert rounds out the lineup on keyboards and backing vocals since becoming a full member in 2022, after years as producer and collaborator; he layers orchestral and atmospheric elements that enrich the band's symphonic prog-metal texture.[90] Codfert's production expertise was pivotal in Karma, fostering collaborative jams that refined the album's minimalist yet impactful arrangements.[91]Former members
Myrath experienced significant lineup fluctuations in its formative years, particularly during the X-Tazy era (2001–2006), as the band navigated the challenges of Tunisia's developing metal scene, including member commitments and the need for a more dedicated roster to pursue original material. These changes stabilized around 2012, but a notable departure occurred in 2022. The early flux contributed to the band's evolution from covers to progressive metal with Middle Eastern influences, shaping its sound before achieving international recognition.[10] The following table lists key former members, their roles, and active periods:| Member | Instrument | Active Years | Notes |
|---|---|---|---|
| Tarek Idouani | Lead vocals | 2001–2003 | Original vocalist during X-Tazy formation; replaced as the band sought a permanent frontman for recordings.[92][10] |
| Walid Issaoui | Guitar | 2001–2003 | Co-founding guitarist in X-Tazy; departed early in the band's development.[92][23] |
| Fahmi Chakroun | Drums | 2001–2004 | Founding drummer; left amid efforts to professionalize the lineup.[10] |
| Zaher Hamoudia | Bass | 2001–2004 | Early bassist; replaced to strengthen the rhythm section for serious pursuits.[10] |
| Yassine Belgith | Bass | 2004–2006 | Joined post-founding changes; active during transition to Myrath name and demo recordings.[10][93] |
| Saif Ouhibi | Drums | 2004–2011 | Performed on debut album Hope (2007); left after the Tales of the Sands recording sessions.[92][10] |
| Piwee Desfray | Drums (live) | 2011–2012 | Temporary drummer during transition period.[23][94] |
| Elyes Bouchoucha | Keyboards, backing vocals | 2003–2022 | Joined mid-formation as multi-instrumentalist; contributed to all albums until Shehili (2019); departed by mutual decision to pursue individual paths.[92][95] |
Timeline
Myrath's lineup has evolved significantly since its formation, transitioning from the early X-Tazy era through periods of instability to a more stable configuration in recent years. The following table summarizes key personnel changes chronologically, focusing on joinings and departures.[10][2]| Year | Key Change | Details |
|---|---|---|
| 2001 | Formation as X-Tazy | Guitarist Malek Ben Arbia founded the band with drummer Fahmi Chakroun, bassist Zaher Hamoudia, and guitarist/vocalist Walid Issaoui (or initial vocalist Tarek Idouani on keyboards/vocals in some accounts).[10][96] |
| 2003 | Keyboardist joins | Elyes Bouchoucha joined on keyboards and backing vocals, replacing Tarek Idouani; Walid Issaoui departed on guitar.[10][97] |
| 2004 | Rhythm section refresh | Drummer Saif Louhibi replaced Fahmi Chakroun; bassist Yassine Belgith replaced Zaher Hamoudia to professionalize the sound.[10] |
| 2006 | Bassist joins; name change preparation | Anis Jouini joined on bass, replacing Yassine Belgith; the band prepared to rebrand from X-Tazy to Myrath.[2][98] |
| 2007 | Vocalist joins; official rebrand | Zaher Zorgati joined as lead vocalist, coinciding with the name change to Myrath and a shift toward original progressive metal material.[95][2] |
| 2011 | Drummer change | Morgan Berthet replaced Saif Louhibi on drums, marking the start of greater lineup stability.[98][10] |
| 2022 | Keyboardist departure | Elyes Bouchoucha left after nearly two decades; Kevin Codfert, previously the band's producer and session keyboardist, became the full-time keyboardist.[95][91] |
| 2023–2025 | Lineup stability | No further changes; the current core of Malek Ben Arbia (guitar), Zaher Zorgati (vocals), Anis Jouini (bass), Morgan Berthet (drums), and Kevin Codfert (keyboards) remains intact, as confirmed in album credits through 2025.[99][91] |