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Provia

Provia is a brand of daylight-balanced color reversal films (also known as slide films) manufactured by the Japanese company Fujifilm, prized by professional photographers for their ultrafine grain, natural and vivid color reproduction, medium contrast, and exceptional sharpness suitable for large-format prints and projections.^[1]^[2] The films are processed using the E-6 reversal method and are optimized for applications including landscapes, portraits, product photography, and fashion, offering good exposure latitude from -1/2 to +2 stops and reliable push-pull processing capabilities.^[1]^[2] The Provia lineup primarily consists of two professional-grade emulsions: Provia 100F (RDP III), a medium-speed ISO 100 film introduced in 2000 as an evolution of the original Provia 100 launched in 1994 (itself a rebranding and refinement of the 1993 Fujichrome 100), renowned for its realistic tone gradation, superb detail resolution, and versatility in mixed lighting scenarios.^[2]^[3] The higher-speed Provia 400X (RXP III), released in 2006, provided ISO 400 sensitivity with world-class granularity (RMS 11) for its class, moderate color saturation, and high sharpness, though it was discontinued in 2013 amid Fujifilm's scaling back of analog film production.^[4]^[5]^[6] Provia 100F is available in 35mm, 120 medium format, and sheet film sizes, while Provia 400X was available in 35mm and 120 formats; Provia 100F remains in production as of 2025 despite occasional supply concerns in certain markets.^[1]^[2]^[7] As of 2025, Provia 100F continues production but faces intermittent global supply shortages due to reduced analog manufacturing scale. The Provia name has also inspired digital film simulations in Fujifilm's mirrorless cameras since 2008, emulating the stock's characteristic look for modern computational photography.^[8]

Overview

Description

Provia is a brand of daylight-balanced color reversal films, also known as slide films, produced by Fujifilm for professional photography applications.^[1] These films are designed to produce high-quality transparencies that yield vibrant, accurate color reproductions suitable for projection and printing.^[1] As part of Fujifilm's Fujichrome professional lineup, Provia emphasizes consistent performance and reliability, making it a preferred choice for commercial assignments, editorial work, and fine art photography. It is available in multiple formats, including 35mm cassettes, 120 roll film, and sheet film sizes, to accommodate diverse camera systems and creative needs.^[9] Provia films are processed using the standard E-6 reversal method, which develops the exposed emulsion to create positive transparencies directly from the original negative image.^[10]

Key Characteristics

Provia slide films are renowned for their natural color reproduction, delivering true-to-life hues with high saturation while maintaining lower contrast levels compared to more vivid reversal films like Velvia.^[1]^[10] This balanced approach ensures faithful rendering of subjects, particularly in portraiture and landscape photography, where subtle tonal gradations preserve detail without excessive punch.^[3]^[11] The line features a fine grain structure that contributes to exceptional sharpness, making it ideal for large-format prints and projections where image clarity is paramount.^[10]^[1] This ultrafine granularity minimizes visible noise, allowing photographers to capture intricate textures and fine details even in demanding viewing conditions.^[3] Exposure latitude for Provia 100F extends from -1/2 to +2 stops, offering flexibility in metering and forgiving minor exposure errors typical of slide films; the 400X variant has narrower latitude.^[1]^[12]^[11] Reciprocity failure characteristics are notably robust, requiring no exposure compensation for times up to 2 minutes, which supports applications in low-light or astrophotography without color shifts.^[10]^[13] Additionally, Provia films exhibit enhanced fading resistance, offering superior stability for the long-term archiving of transparencies compared to earlier reversal emulsions.^[4]^[14] This durability ensures that colors remain vibrant over extended storage periods, making the line a reliable choice for preservation-focused workflows.^[15] All variants are daylight-balanced at base ISO speeds of 100 or 400, optimizing performance under natural lighting conditions.^[1]

History and Development

Origins and Evolution

The Provia brand emerged in the early 1990s as part of Fujifilm's Fujichrome lineup of color reversal films, succeeding earlier professional slide films such as the Fujichrome 100D Professional (edge code RDP), which was introduced in 1993. This transition marked Fujifilm's effort to refine daylight-balanced reversal technology for enhanced consistency and versatility in professional applications. The original Fujichrome Provia 100 Professional (RDP II) was launched in 1994, building on the RDP emulsion with subtle optimizations in color reproduction and grain structure to meet the demands of photographers during the height of analog dominance.^[16] Key evolutionary milestones included the 2001 introduction of Provia 100F (RDP III), which incorporated advanced emulsion refinements for superior sharpness and gradation while maintaining ISO 100 sensitivity.^[16] This iteration addressed limitations in earlier versions by adopting next-generation cyan, magenta, and yellow couplers, resulting in more natural color rendition and smoother tonal transitions suitable for diverse lighting conditions.^[17] For higher-speed options, Fujifilm renamed and updated its ISO 400 reversal film to Provia 400 in 1994, evolving it further to Provia 400F (RHP III) and then Provia 400X in 2006, emphasizing high saturation and fine grain for dynamic scenes.^[16] These developments reflected Fujifilm's iterative approach to reversal film innovation amid the 1990s and early 2000s, a period when film remained the primary medium for professional studio and field photography requiring reliable, high-fidelity results.^[17] Technological advancements in the Provia series centered on optimized silver halide emulsion designs, which significantly improved color permanence and resistance to fading compared to predecessors like the original RDP.^[14] By refining crystal structures and coupler chemistry, Fujifilm achieved reduced density changes over time, enabling longer-term archival stability for processed slides—critical for professionals archiving work from studio portraits to outdoor assignments.^[14] The 100F variant, in particular, exemplified this progress with its ultra-fine grain (RMS granularity of 8) and enhanced reciprocity failure tolerance, allowing consistent performance in extended exposures without notable color shifts.^[10] Developed during the peak era of film usage, before widespread digital adoption, Provia films were tailored for photographers seeking dependable emulsions that delivered vivid yet faithful colors across varied professional workflows.^[17] The brand's evolution continued until 2013, when Fujifilm discontinued the Provia 400X variant amid broader reductions in its film portfolio.^[6]

Discontinuations and Legacy

In 2013, Fujifilm discontinued the Provia 400X slide film across all formats, citing declining demand for high-speed color reversal films as the primary reason.^[6] The company recommended users transition to the slower Provia 100F variant, which continues to be produced but faces reduced global distribution and intermittent availability due to supply chain constraints.^[18]^[19] The decline of Provia films paralleled the broader shift toward digital photography in the 2000s, which eroded market share for analog slide stocks and prompted Fujifilm to reallocate resources toward digital imaging and consumer electronics.^[20] This transition accelerated the phase-out of less commercially viable emulsions, including high-ISO options like Provia 400X, as digital sensors offered comparable or superior performance without the need for chemical processing.^[21] Despite these changes, Provia maintains a strong legacy among analog enthusiasts, particularly for its adaptability in cross-processing workflows where E-6 slide film is developed using C-41 color negative chemistry to yield unique, high-contrast negative results with vibrant, unpredictable color shifts.^[22] Its enduring archival value is evident in institutional collections, where Provia transparencies serve as stable, high-fidelity references for historical photography exhibits and preservation efforts.^[23] As of November 2025, Provia 100F remains in limited production, with fresh stock (including batches expiring in 2026) available through major retailers despite ongoing supply challenges and a 21-52% price increase in Japan earlier in the year.^[24]^[25] This scarcity has not diminished its influence, as Fujifilm incorporates Provia-inspired color profiles into its digital camera systems, emulating the film's natural saturation and tonal balance for straight-out-of-camera JPEG rendering.^[26]

Film Variants

Provia 100F

Fujichrome Provia 100F Professional [RDP III], the flagship low-speed variant in the Provia line, was introduced in 2000 as a direct replacement for the earlier Provia 100 [RDP II], offering enhanced color reproduction and finer grain structure.^[27] This update built upon the foundational daylight-balanced reversal film technology, providing photographers with a versatile option for high-detail imaging.^[1] Available in multiple formats to suit various professional workflows, Provia 100F comes in 35mm cassettes for standard cameras, 120 roll film for medium-format systems, and sheet film sizes including 4×5 in and 8×10 in for large-format applications.^[1] These options enable precise control in studio and field settings, with the sheet formats particularly valued for their ability to capture expansive scenes without compromise. Like other films in the Provia series, it uses standard E-6 processing for consistent results.^[9] As of 2025, Provia 100F remains in production by Fujifilm, though global supply has faced intermittent disruptions due to material shortages and manufacturing pauses, leading to backorders at major retailers.^[28]^[2] Despite these challenges, fresh stock with expiration dates into late 2025 continues to be distributed, primarily from Japanese production facilities, with recent shipments including dates up to 2027.^[29]^[30] Particularly suited for fine art, landscape, and product photography, Provia 100F excels in scenarios demanding maximum detail and natural color rendition, such as studio product shots or expansive outdoor compositions where subtle tonal gradations are essential.^[1] Its balanced saturation and contrast make it a preferred choice for applications requiring faithful representation over dramatic effects.^[1]

Provia 400X

Fujichrome Provia 400X, also known as RXP, was introduced in 2006 as the successor to the Provia 400F (RHP III) color reversal film, offering enhanced performance for professional photographers seeking a high-speed daylight-balanced slide film.^[31] This variant maintained the Provia family's reputation for natural color reproduction and fine grain while addressing the limitations of its predecessor in sensitivity and granularity.^[31] The film's emulsion incorporated Fujifilm's proprietary Epitaxial Sigma Crystal (ESC) technology, which fused fine grains of a different composition onto the apex of aspect-ratio-enhanced Sigma crystals to achieve improved sensitivity at ISO 400 without introducing excessive graininess.^[14] This innovation allowed Provia 400X to deliver a granularity of RMS 11, surpassing the Provia 400F and enabling sharper images with reduced visible noise in demanding conditions.^[31] By minimizing grain size while preserving emulsion efficiency, ESC technology supported versatile applications in professional photography where detail retention was critical.^[31] Provia 400X exhibited strong push-processing capabilities, rated effectively at EI 1600/33° when overexposed by two stops and developed accordingly, making it suitable for low-light scenarios such as indoor events or evening photography.^[14] This flexibility extended the film's usability in handheld situations where faster shutter speeds were needed, with results showing maintained color fidelity and acceptable contrast even at pushed exposures up to +3 stops.^[14] Photographers valued this trait for capturing dynamic scenes without resorting to slower films or artificial lighting.^[31] Production of Provia 400X ceased in July 2013 as part of Fujifilm's broader reduction in its film lineup, with no direct high-speed replacement offered; the company recommended the slower Provia 100F as an alternative for similar aesthetic needs.^[6] This discontinuation marked the end of Fujifilm's ISO 400 color reversal option, leaving a gap in the market for fast slide films optimized for professional use.^[6]

Technical Specifications

Sensitivity and Grain

Fujichrome Provia 100F is rated at ISO 100/21° for daylight exposures, providing a medium-speed option optimized for professional applications requiring high detail retention.^[10] Its RMS granularity measures 8 (using a 48 μm micro-densitometer aperture at a sample density of 1.0 above minimum density), which represents the finest grain among ISO 100 color reversal films and enables ultra-fine detail capture with exceptional sharpness.^[10] In contrast, Fujichrome Provia 400X offers higher sensitivity at ISO 400/27° for daylight, making it suitable for scenarios demanding faster shutter speeds or lower light conditions while maintaining professional quality.^[14] The film's RMS granularity of 11 (one of the finest levels for ISO 400 color reversal films) balances this increased speed with acceptable sharpness and smooth tone reproduction across highlights and shadows.^[14] Both Provia variants exhibit strong reciprocity characteristics, with the law of reciprocity holding without exposure or color balance adjustments for shutter speeds from 1/4000 second up to 128 seconds for the 100F variant and up to 1 minute for the 400X; adjustments become necessary for longer exposures in the 400X, though both perform reliably within typical extended exposure ranges.^[10]^[14] Exposure latitude for Provia 100F ranges from -1/2 to +2 stops with minimal color shifts or gradation changes, while Provia 400X supports push/pull processing from -1/2 to +2 stops (up to +3 stops depending on subject), allowing flexibility in precise metering while preserving the films' characteristic neutrality and detail.^[10]^[14]

Processing and Compatibility

Provia films are designed for processing using the E-6 reversal chemistry, a standard protocol for color transparency films that produces positive slides. This process typically involves six to eight steps, including a first developer to initiate black-and-white development of the exposed silver halide grains, a color reversal bath to fog unexposed areas for subsequent color development, a color developer to form the dye images, and final steps of pre-bleach, bleach, and fixer to remove remaining silver and stabilize the image.^[32]^[10] The E-6 process requires precise control, with all chemical baths maintained at 38°C (100°F) to ensure consistent color balance and density; deviations can lead to uneven development or color shifts. Processing times vary by step but generally total 20-30 minutes for the core chemistry, excluding washes, and can be performed in professional labs or home darkrooms using inversion tanks or drum processors with compatible kits.^[32] Although not officially supported by Fujifilm, Provia can be cross-processed in C-41 color negative chemistry, yielding unique negative images with desaturated colors, high contrast, and a greenish tint due to the mismatch between the film's reversal emulsion and negative development. This experimental technique requires adjustments in exposure, often rating the film at ISO 25-50 for denser negatives, and results in non-reversible positives.^[22] Provia films in 35mm and 120 formats are compatible with standard daylight-loading film holders, cassette systems for enlargers, flatbed scanners, and slide projectors, facilitating easy integration into conventional photographic workflows. Sheet film variants, available in sizes up to 4x5 inches, are suited for large-format cameras and require dedicated holders or adapters for processing and projection equipment.^[17]

Applications and Reception

Common Uses

Provia has been widely utilized in portrait, product, and landscape photography, where its natural color rendition and fine detail resolution are particularly valued for capturing subtle tones and textures without exaggeration.^[1] In portraiture, it excels at rendering skin tones with neutrality and warmth, making it a preferred choice for professional headshots and fashion imagery.^[11] For product photography, its accurate color reproduction ensures faithful representation of materials and surfaces, essential for catalog and e-commerce visuals. Landscape photographers value its suitability for natural scenes.^[1] Professionally, Provia found adoption in advertising campaigns, fine art printing, and archival documentation, owing to its exceptional image stability and resistance to fading over time.^[17] Its ultrafine grain supports large-format enlargements suitable for gallery prints and commercial displays, while the film's longevity makes it ideal for preserving historical or cultural records. In the pre-digital era, slide films like Provia were commonly used in professional photography assignments due to their sharpness.^[1] The film's exposure latitude, tolerating underexposure by 1/2 stop to overexposure by up to 2 stops, renders it suitable for available light scenarios, allowing flexibility in dynamic outdoor conditions without significant loss of detail. This characteristic, combined with improved reciprocity for longer exposures, made it reliable for handheld shooting in varied lighting. Compared to more saturated films, Provia offers a subtler palette that avoids overly dramatic effects, appealing for scenarios prioritizing realism.^[1] In contemporary analog communities as of 2025, Provia remains popular among enthusiasts who scan its slides for integration into digital post-production workflows, leveraging its fine grain for high-quality hybrid outputs in personal projects and boutique prints.^[1]

Comparisons to Other Films

Provia distinguishes itself from Fujifilm's Velvia series through its more neutral color rendition and lower contrast, making it suitable for applications requiring accurate color reproduction rather than the vivid, saturated landscapes favored by Velvia.^[33] Velvia emphasizes heightened saturation in greens, reds, and blues, often resulting in a more dramatic appearance, whereas Provia provides a balanced, less exaggerated palette that avoids over-saturation in neutral tones.^[34] In comparison to Kodak Ektachrome, Provia shares a reputation for fine grain structure, though it offers slightly superior exposure latitude for varied lighting conditions.^[35] Ektachrome was reintroduced in 2018, providing comparable color fidelity but with a warmer tone profile that can enhance reds more prominently than Provia's cooler neutrality.^[35] Both films utilize the E-6 processing protocol common to reversal slide emulsions.^[36] Relative to Fujifilm's Astia, Provia demonstrates greater versatility in daylight scenarios due to its balanced contrast and neutral rendering, while Astia is optimized for softer contrast and enhanced skin tones, rendering it preferable for portraiture.^[37] Astia's warmer bias in yellows and reds contributes to flattering flesh tones under mixed lighting, contrasting with Provia's even-handed approach that maintains detail across a broader range of subjects without specialized emphasis.^[38] Positioned as a middle-ground option among slide films, Provia appeals to professionals seeking equilibrium in saturation, contrast, and speed, avoiding the extremes of Velvia's vibrancy or Astia's portrait-specific softness while matching Ektachrome's grain quality for general-purpose use.^[33]

References

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FUJICHROME Provia 100F | Fujifilm [United States]
Professional quality, medium-speed, daylight-type color reversal film with ultrafine grain (RMS: 8), designed to provide medium color-saturation and contrast.Where to Buy · Specifications · Product Views · Support
[2]
FUJIFILM Fujichrome Provia 100F Professional RDP-III 16326028
A daylight-balanced color transparency film that exhibits a super-fine grain structure with vivid and naturally appearing colors and rich tonal rendition.
[3]
FUJIFILM Fujichrome Provia 400X (RXP III) 35mm Color Slide Film
Free delivery Free 30-day returnsA chrome film that can provide the realistic and sensitive reproduction of an almost endless variety of subjects with fine grain and superb sharpness.
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Provia 100F - FUJI X WEEKLY
Fujifilm introduced Provia 100 in 1994, and replaced it with the much improved Provia 100F in 2001. I've only shot a couple of rolls of Provia 100F.
[6]
FUJICHROME Provia 100F: Specifications | Fujifilm [United States]
Color Reversal, Professional Film. FUJICHROME Provia 100F - Specifications. Available in 35mm, 120 & Sheet. Overview. Specifications.
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FUJICHROME PROVIA 100F Professional [RDP III] is an ultra-high-quality, daylight-type ISO 100-color reversal film. With the finest grain (an RMS granularity ...
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Fujichrome Provia 100F Film Review - Analog.Cafe
Feb 8, 2022 · Fujifilm Provia 100F (stamped with yellow RDP III lettering on developed slides) was released in 2000 as a successor to 1994's Provia 100 film ( ...Missing: introduction | Show results with:introduction
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Jun 7, 2015 · Provia 100F is all fine grain, great color reproduction, nice contrast and rich tones. It's a daylight color slide film that works well indoors and it pushes ...
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FUJI Provia 100F 10,2x12,7 CM (4x5 INCH) / 20 Sheets - Fotoimpex
Out of stock Rating 4.8 466 An absolute unique characteristic of Provia 100F is its outstanding performance concerning the reciprocity failure: Up to 128 seconds (> 2 minutes) exposure ...
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[PDF] FUJICHROME PROVIA 400X Professional [RXP] - 125px
FUJICHROME PROVIA 400X Professional [RXP] is a daylight-type high-image-quality color reversal film with an ISO speed rating of 400. This film boasts one of.
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Provia 400 is a color reversal (slide) film that actually dates back to 1980. It was originally called Fujichrome 400 Professional D, and had a couple emulsion ...Missing: history origins
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[PDF] PROFESSIONAL DATA GUIDE - Fujifilm
FUJICHROME PROVIA 100F Professional [RDPIII]. ISO 100/21°, Daylight Type ... Introduction: As with product lighting, the current trend favors the.<|control11|><|separator|>
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Fujifilm Discontinues Neopan 400 B&W and Provia 400X Slide Film
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Jul 26, 2013 · Fujifilm Professional has confirmed that it has ceased production of four of its films – the Neopan 400 35mm black and white film, Fujichrome ...Missing: date | Show results with:date
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Color Reversal, Professional Film. FUJICHROME Provia 100F - Where to Buy. Available in 35mm, 120 & Sheet.
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Digital photography kills off more Fuji films (update)
Fujifilm says digital photography has spelt the end of Fujichrome Velvia 100F in 35mm, 120 and 4″x5″ formats; and 4″x5″ and 8″x10″ versions of Velvia 50.
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Apr 11, 2022 · Fujifilm says it's having issues procuring raw supplies needed to produce three of its 120 format color reversal slide films: FujiChrome ...
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Jul 7, 2015 · In this article, we'll be talking about pushing, cross processing and then pushing and cross processing this film, so buckle up and enjoy the ride!
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It was established practice at Tate to work with the artist when a new slide work was acquired to create a set of slides that would act as the museum's archival ...
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Mar 1, 2000 · Available in all formats from 35mm to 11x14 sheets, Fujichrome Provia 100F Professional has no counterpart in the "consumer" line of films.
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Fujifilm Provia RDPIII 100F 120 Color Slide Film, 5-Pack 16326092
$$89.95 Out of stock Rating 4.8 (40) Size120. 120. $89.95. 4" x 5". $179.95. 8" x 10". $499.95. Key Features. Capture vibrant memories with this 120 format Fujifilm Provia 100F color slide film!
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[PDF] A High Speed Color Reversal Film with High Color Saturation and ...
Fujichrome PROVIA 400X, which was released in February. 2006 by Fuji Photo Film Co., Ltd. is the highest in image- structural qualities and color saturation ...
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[PDF] KODAK PROFESSIONAL Chemicals, Process E-6 - 125px
Process E-6 requires first developer, reversal bath, color developer, pre-bleach, bleach, fixer, and final rinse.
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Table 11-6 shows suggested starting points for 1- and 2-stop force processing that varies just time or just temperature. 100.0 ± 0.5. 37.8 ± 0.3. 3:10e e When ...
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Jul 3, 2012 · Type: slide film (E-6); Available ISO: 100, 400; Available Formats: 35mm (135), 120, 4x5, 8x10; Notable characteristics: vivid colors, rich ...
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Dec 2, 2020 · Review: Fujifilm Provia 100. Fujifilm's Provia 100 is my favorite slide-film but it's not cheap so I only get to shoot with it occasionally.
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Is slide film worth it? : r/AnalogCommunity - Reddit
Aug 25, 2025 · The grain is extremely fine as well, and I find I can sharpen up a Provia 100F scan much more than any colour negative scan. The image quality ...Fujichrome Provia 400x : r/AnalogCommunity - RedditScanning slide film : r/AnalogCommunity - RedditMore results from www.reddit.com
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Apr 23, 2024 · Velvia 100F: More faded colors than Velvia 100, but still snappy. Provia 100 and 400X: Normal film for everything. Provia 400X is amazing ...
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Apr 1, 2006 · Provia has a bit less contrast and is a bit more neutral. Velvia has higher contrast and puts more emphasis on reds, greens, and yellows.Velvia vs Provia vs Astia - Leica and Rangefindersprovia vs. sensia vs. velvia? - The Wet DarkroomMore results from www.photo.netMissing: Fujifilm | Show results with:Fujifilm
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Jul 18, 2006 · Provia has more contrast than Astia, quite a bit more actually, so in this respect it will tend to look more saturated. Both are great films, ...Provia, Astia & Velvia: What's the difference? - The Wet DarkroomFuji Astia vs. Provia vs. Velvia (100 & 100F) : direct comparison ...More results from www.photo.netMissing: Fujifilm | Show results with:Fujifilm
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Apr 17, 2013 · The main differences between Astia 100F and Provia 100F: 1. Color: Provia 100F is strictly neutral balanced, with a very accurate and natural ...