Raghav
Raghav Mathur (born April 2, 1981), known professionally as Raghav, is a Canadian singer-songwriter and producer of Indian descent, celebrated for fusing R&B, pop, bhangra, and Bollywood influences in his music.[1][2][3] Born in Toronto, Ontario, to parents originally from India, Raghav was raised in Calgary, Alberta, where he began performing at age five, inspired by a mix of Hindi film songs, Motown, pop, and country music.[1][2][4] By age six, he was doing live shows across Canada, and he honed his skills through local theater and talent competitions before signing with Universal Music in 2004.[4][5] His debut album, Storyteller (2004), marked a breakthrough, selling over 1.4 million copies worldwide and featuring hit singles like "Angel Eyes," which peaked at number seven on the UK Singles Chart, "So Confused," and "Can't Get Enough."[6][3][7] The album's success earned him a MOBO Award for Best Collaboration, two UK Asian Music Awards, an Urban Music Award, four UK national radio awards, and the Best Newcomer prize at the 2005 UK Asian Music Awards, leading to a sold-out world tour.[6][5][8] Raghav followed with Identity under Universal Music in 2009 and The Phoenix under Cordova Bay Records in 2012, exploring themes of personal growth and cultural identity through eclectic production.[9][3][10] He has since remained active, contributing to Bollywood soundtracks and releasing singles such as "Desperado" (feat. Tesher) in 2023 and writing lyrics for "Thanu" from the film HIT: The Third Case in 2025, while performing at global events and collaborating with artists across genres.[11][12][13] Throughout his career, Raghav has sold millions of records and garnered nominations for a Juno Award, establishing himself as a pioneer in bridging South Asian diaspora sounds with Western pop audiences.[9][14]Early life
Childhood and family background
Raghav Mathur was born on April 2, 1981, in Toronto, Ontario, Canada, to parents of Indian descent.[15] His family, originally from India, instilled a strong connection to Hindu cultural traditions amid their life in Canada.[16] As the youngest of two children, Mathur grew up in a household where music played a central role, blending Western and Indian influences that contributed to his emerging bicultural identity.[4] Shortly after his birth, Mathur's family relocated to Calgary, Alberta, where he spent much of his early childhood, before moving further north to Fort McMurray, Alberta.[17] These shifts within Canada's western provinces exposed him to diverse environments, from urban Calgary to the remote oil sands town of Fort McMurray, shaping his formative years away from his parents' homeland.[18] Despite the Canadian setting, his family's Indian roots remained prominent, fostering a dual cultural awareness through everyday home life and traditions. Mathur's initial exposure to Hindi music began around age five, as he memorized songs from old cassette tapes playing in the family car, including Dev Anand film hits.[19] His mother favored playback singers like Mohammed Rafi, while his father enjoyed artists such as Harry Belafonte, and his sister immersed herself in Kishore Kumar's discography, creating a rich auditory backdrop that highlighted the family's bicultural dynamics.[19] This early immersion in Hindi melodies alongside Western genres laid the groundwork for Mathur's lifelong musical affinity, bridging his Canadian upbringing with his Indian heritage.[17]Musical influences and education
Raghav's early musical influences drew from a diverse array of sources, blending Western pop icons with Indian traditions. Heavily inspired by Michael Jackson's emotive delivery and stage presence, Raghav sought to emulate that emotional depth in his own work from a young age.[2] His home environment in Calgary exposed him to Bollywood soundtracks and classical Indian music, while the surrounding Alberta culture introduced country elements; these merged with his personal affinity for R&B, hip-hop, and Motown, fostering an eclectic foundation that later informed his bhangra-pop fusion style.[14][19] Beginning at age five, Raghav developed his singing skills through informal and formal means, starting with self-directed practice by repeatedly listening to and mimicking an old Hindi cassette tape that malfunctioned in the family player.[20] This progressed to structured lessons in Indian classical music under Guru Nishi Kant Bali, during which he performed locally at his temple in Calgary.[21] By his early teens, these experiences evolved into broader community involvement, including membership in the Youth Singers of Calgary, where he honed his vocal abilities through group performances across Alberta.[22] Raghav attended Sir Winston Churchill High School in Calgary, participating in its music program to further his training amid a supportive academic setting.[22] At 17, he traveled to Los Angeles for intensive vocal coaching with Seth Riggs, the instructor renowned for working with Michael Jackson and Stevie Wonder, which refined his technique and connected him directly to global pop influences.[17][23] Determined to professionalize his craft, Raghav relocated from Calgary at age 19 in 2000 to study at the Liverpool Institute of Performing Arts in the UK, where he joined the R&B group 11/7 and began recording demo tracks while performing initial gigs in the local scene.[24][25] This transition marked his shift from local Alberta performances to international exposure, building on his foundational education and influences.Professional career
Debut and breakthrough (2004–2006)
After relocating to the United Kingdom in pursuit of music opportunities, Raghav signed a recording contract with A&R/V2 Records in 2003.[22] There, he collaborated with DJ and producer Wesley "2Play" Johnson, which resulted in the creation of his debut single "So Confused," featuring additional vocals from Jucxi.[26] Released in early 2004, the track marked his entry into the music scene and peaked at number 6 on the UK Singles Chart, spending 13 weeks in the top 40.[27] Raghav's debut studio album, Storyteller, followed later in 2004 under V2 Records, blending R&B with bhangra elements that showcased his Indo-Canadian heritage.[28] The album achieved significant commercial success, selling over 1.6 million copies worldwide and establishing Raghav as a rising artist in the urban pop genre.[29] A key follow-up single, "Angel Eyes" featuring Jucxi and Frankey Maxx, was released in February 2005 and reached number 7 on the UK Singles Chart, further solidifying his breakthrough with its infectious fusion sound.[30] During this period, Raghav undertook early tours and live performances across the UK and Canada, including sold-out shows that helped promote Storyteller and introduce his distinctive R&B-bhangra style to diverse audiences.[29] These appearances, often alongside hits like "So Confused" and "Angel Eyes," built his fanbase and highlighted his vocal versatility, drawing from influences such as Michael Jackson in a single sentence as noted in his educational background.[21]Mid-career developments (2007–2012)
Following the success of his debut album Storyteller, Raghav encountered significant challenges when his original label, V2 Records, was acquired by Universal Music Group in 2007, leaving his recording contract in limbo and halting momentum in international markets.[31] This period of uncertainty prompted a strategic pivot, as Raghav sought new opportunities to sustain his career. In 2009, he signed with Universal Music India, marking a focused return to the South Asian market where his fusion of R&B, hip-hop, and bhangra had initially resonated strongly.[9] Under this new deal, Raghav released his second studio album, Identity, initially in India on August 29, 2009. The album, comprising 10 tracks, emphasized his evolving sound with collaborations including rapper Redman on the lead single "My Kinda Girl," which blended urban pop with Indian rhythmic elements to appeal to a diaspora audience. Identity showcased Raghav's production involvement, highlighting themes of cultural identity and romance, and received positive reviews for its accessibility in the Indipop scene, though it did not achieve the global chart impact of his earlier work. By 2010, seeking broader North American exposure, Raghav transitioned to independent production and signed his first Canadian record deal with Cordova Bay Records, an indie label based in Victoria, British Columbia. This move allowed greater creative control amid ongoing industry shifts, aligning with his goal of building a domestic fanbase. The partnership culminated in the release of his third album, The Phoenix, on April 10, 2012, which symbolized a career resurgence through self-produced tracks incorporating electronic and dance influences. The lead single "Fire," featuring production by State of Shock, peaked at number 38 on the Canadian Hot 100 and number 14 on the CHR/Top 40 chart, marking his strongest Canadian performance to date and expanding his international presence beyond the UK and India.[9][25]Bollywood contributions and collaborations
Raghav Mathur entered the Bollywood music scene in 2011 with his vocals for "Hey Na Na Shabana," a upbeat track from the romantic comedy Hum Tum Shabana, composed by Sachin-Jigar and featuring actors Tusshar Kapoor, Shreyas Talpade, and Minissha Lamba. This marked his initial foray into Indian cinema, blending his signature R&B-infused pop style with the film's lighthearted narrative. His collaboration with acclaimed composer A. R. Rahman began prominently in 2012, when Mathur lent his voice to "Ishq Shava" from Yash Chopra's Jab Tak Hai Jaan, a poignant duet alongside Shilpa Rao with lyrics by Gulzar. The song, featuring Shah Rukh Khan and Katrina Kaif, showcased Mathur's emotive delivery in a romantic context, earning praise for bridging Western pop sensibilities with Bollywood's melodic traditions. Mathur expressed thrill at voicing a track for Khan, highlighting the project's prestige.[32] This partnership extended to 2014, with Mathur singing "Mawali Qawwali" from Lekar Hum Deewana Dil, a qawwali-style number co-performed with Tanvi Shah and lyrics by Amitabh Bhattacharya, infusing the film with energetic fusion elements. The same year, he contributed a solo rendition of "Aaya Khwaab Ka Mausam" to the animated historical epic Kochadaiiyaan (also known as The Legend), starring Rajinikanth, where Rahman's composition evoked themes of triumph and aspiration through Hindi lyrics by Raqueeb Alam. In 2015, Mathur expanded his Bollywood ties through high-profile collaborations outside traditional film soundtracks, notably the bilingual single "Until the Sun Comes Up," which blended English and Hindi lyrics and featured American rapper Nelly alongside Bollywood actor Abhishek Bachchan in its video. Produced as a vibrant party anthem, the track highlighted Mathur's ability to merge global hip-hop with Indian cinematic flair, appealing to cross-cultural audiences.[33] Mathur's recent Bollywood involvement includes the title track "Teri Baaton Mein Aisa Uljha Jiya" from the 2024 sci-fi romantic comedy of the same name, starring Shahid Kapoor and Kriti Sanon. Co-composed and sung by Mathur with Tanishk Bagchi and Asees Kaur, the song features lyrics co-written by his mother, Nina Mathur, adding a personal touch to its themes of entanglement and love; a reprise version later served as a nod to his earlier work.[34] These contributions underscore Mathur's selective yet impactful role in Indian cinema, often emphasizing fusion and emotional depth in partnerships with industry giants like Rahman.Recent work (2013–present)
After a period of hiatus following his 2012 album The Phoenix, Raghav made an independent comeback with the single "Maayera" in September 2018, marking a return to his multicultural pop roots with a blend of Hindi lyrics and contemporary production co-composed with Troy Samson.[35] The track, released under Artist Originals, explored themes of longing and emotional distance, receiving positive reception for its soulful delivery and signaling Raghav's shift toward more personal, non-album projects.[36] In April 2023, Raghav released "Desperado," a collaborative single featuring Canadian producer Tesher, which fused indie R&B with Punjabi influences and lyrics about intense romantic pursuit.[37] Produced by Mushtaq, the song highlighted Raghav's evolving sound in the digital era, garnering streams across platforms and praise for its rhythmic fusion that bridged his early bhangra-pop style with modern electronic elements.[38] In a December 2024 feature for Grazia Pakistan, Raghav discussed his commitment to authenticity in music, emphasizing how post-2012 experiences shaped his focus on genuine expression amid industry changes.[19] He highlighted ongoing international tours, including sold-out shows in the UK, Canada, and South Asia, as key to reconnecting with fans, while prioritizing streaming platforms for wider reach over traditional album cycles.[39] This approach reflects a broader industry trend toward singles, allowing Raghav to release targeted tracks like "Choro" in 2024 without the constraints of full-length projects.[40] In April 2025, Raghav provided vocals for "Thanu," a track from the Telugu film Hit: The Third Case, composed by Mickey J. Meyer.[41]Musical style
Genres and themes
Raghav's music is characterized by a fusion of R&B, pop, bhangra, and reggae, often incorporating bilingual English-Hindi lyrics that blend Western and South Asian elements.[42][43] This style draws on hip-hop rhythms, UK garage influences, and Bollywood melodies, creating an urban desi sound that appeals to multicultural audiences.[44] Electronic production techniques are frequently combined with traditional South Asian instrumentation, such as the dhol drum, to add rhythmic depth and cultural texture to tracks.[43][45] Lyrical themes in Raghav's work commonly revolve around love, confusion, cultural identity, and resilience, reflecting his Indo-Canadian heritage and personal experiences. In songs like "So Confused," the narrative explores the uncertainty and emotional turmoil of newfound attraction, capturing the confusion inherent in romantic entanglements.[46] Similarly, "Angel Eyes" emphasizes the universal longing for affection, portraying love as an essential, inescapable force through vivid imagery of intimacy and connection.[47] These motifs often intersect with cultural identity, as seen in his pioneering use of Indian-influenced hooks within global pop frameworks, which highlight the diasporic negotiation of Eastern and Western worlds.[48] Over time, Raghav's thematic focus has evolved from the upbeat, dance-oriented explorations of romance in his debut album Storyteller to more introspective examinations of emotional conflict and separation in later singles. For instance, "Maayera" delves into the pain of an unjust breakup, evoking resilience amid relational dissonance through raw, island-infused pop arrangements.[49] This progression underscores a shift toward deeper personal reflection while maintaining his signature fusion aesthetic.[50]Influences and evolution
Raghav's vocal style was profoundly influenced by Michael Jackson, whose emotive delivery and rhythmic precision shaped his approach to singing from an early age. He has repeatedly cited Jackson as a pivotal inspiration, training under vocal coach Seth Riggs—the same instructor who worked with Jackson and Stevie Wonder—to refine his technique and infuse his performances with emotional depth.[23][2] This admiration extended to Jackson's ability to blend storytelling with melody, influencing Raghav's songwriting to prioritize feeling and narrative impact. Complementing this, Bollywood music provided rhythmic foundations, drawing from the upbeat percussion and melodic structures prevalent in Indian film soundtracks that permeated his household during childhood.[51] Over the course of his career, Raghav's sound evolved from the commercial R&B-bhangra fusion of his 2004 debut, which blended Western pop sensibilities with Punjabi rhythms for broad appeal, to more introspective, authenticity-driven independent releases in the 2020s. This shift emphasized personal storytelling, moving away from polished, market-oriented tracks toward raw expressions of experience and vulnerability, reflecting a broader trend among artists seeking creative control outside traditional label structures.[52] Post-2012, he adapted to the digital era by incorporating hip-hop elements and electronic production, as seen in collaborations like his 2023 track "Chingari" with rapper Divine, which paid homage to India's burgeoning rap scene while experimenting with modern beats and synth layers.[53][54] This evolution continued into 2024 and 2025 with contributions to Indian film soundtracks, including "Teri Baaton Mein Aisa Uljha Jiya" and "Thanu" from Hit - 3, further integrating his R&B-pop fusion with Bollywood and Tollywood melodies to explore themes of love and identity.[55][56] In a 2023 interview, Raghav discussed his craving for authenticity amid industry shifts, noting that audiences now seek genuine craft over manufactured hits, a sentiment echoed in Bollywood musicians' pivot to independent platforms for unfiltered expression. He highlighted how the 2000s focus on artistry contrasts with today's digital landscape, where streaming and social media enable direct artist-audience connections but demand constant evolution to maintain relevance.[40] This adaptation underscores his transition to self-released work, prioritizing emotional connectivity in an era dominated by algorithmic curation.[40]Discography
Studio albums
Raghav's debut studio album, Storyteller, was released on September 13, 2004, by V2 Records, blending R&B, pop, and bhangra elements in a fusion style that garnered critical acclaim for its innovative cross-cultural sound.[44] The album features 14 tracks, including highlights such as the lead single "Can't Get Enough," which peaked at number 10 on the UK Singles Chart, and "Angel Eyes," praised for its melodic hooks and rhythmic integration of Indian influences.[57] Commercially, Storyteller achieved significant success, selling over 1.4 million copies worldwide and earning Raghav multiple awards, including a MOBO for Best UK Newcomer.[6] His second studio album, Identity, released on August 29, 2009, by Universal Music India, consists of 10 tracks and marks a shift toward the Indian market with several Hindi-language songs.[58] Key tracks include "My Kinda Girl" featuring Redman, "Humrahee," and "Jaadugar," which showcase Raghav's continued experimentation with urban beats and traditional Indian melodies.[59] The album received moderate commercial performance, peaking at number 3 on Indian record charts, and was described by reviewers as a competent and enjoyable effort that balanced accessibility with artistic depth. Raghav's third studio album, The Phoenix, issued on April 10, 2012, by Cordova Bay Records, comprises 11 tracks centered on themes of personal rebirth and resilience, symbolized by the album's title.[60] It integrates lead single "Fire," produced by Jim Beanz, which became a radio hit with over 80,000 spins in Canada and achieved gold certification for digital downloads.[6] Other notable tracks include "So Much" featuring Kardinal Offishall and "Top of the World," contributing to the album's energetic vibe.[61] The release sold over 45,000 copies in Canada, earning gold status.[62] Since The Phoenix, Raghav has not released any further full-length studio albums, instead transitioning to a focus on singles and collaborations.[6]Singles and other releases
Raghav has released numerous standalone singles and collaborative tracks outside of his studio albums, often exploring themes of love, resilience, and cultural fusion. These releases highlight his versatility, frequently incorporating electronic, R&B, and bhangra elements, and have achieved notable success on digital platforms and international charts. Many of these tracks were intended as precursors to unreleased projects like The Phoenix, allowing Raghav to experiment with producers such as Labrinth and Jim Beanz. One of his prominent early non-album singles, "So Much" featuring Kardinal Offishall, was released in 2010 and marked a significant comeback after his second album. Produced by Labrinth, the track peaked at number 93 on the Canadian Hot 100 and earned a Juno Award nomination for R&B/Soul Recording of the Year, reflecting its strong digital performance and radio play in Canada.[63][64][65] In 2011, Raghav followed with "Fire," a high-energy club track that peaked at number 38 on the Canadian Hot 100 and appeared on the year-end Top 100 chart. This single, also from the planned The Phoenix era, emphasized his pop-R&B sound and received airplay across Canadian urban radio stations. "Top of the World," released later that year, brought an uplifting, dance-oriented vibe produced by Jim Beanz, though it did not chart prominently; it was promoted through viral videos and live performances.[7][65][66] The 2013 single "Woohoo" continued this momentum with its playful, infectious hook, co-produced by Jim Beanz, and was released independently via Mathurmatics Records. It garnered attention for its lighthearted lyrics and electronic production but saw limited chart success.[67][68] Shifting toward bilingual and collaborative work, "Until the Sun Comes Up" in 2015 featured rapper Nelly and actor Abhishek Bachchan, blending English and Hindi lyrics in a romantic, upbeat track distributed by Fontana North. The single highlighted Raghav's cross-cultural appeal, with its music video emphasizing themes of perseverance and love, though specific chart data remains unavailable.[69] In 2018, Raghav released the introspective ballad "Maayera" on Artist Originals, focusing on the imperfections of deep connection and universal love. The track, a slower R&B-infused pop piece, received positive reception for its emotional depth but did not achieve major chart placements.[70][35] More recently, "Desperado" in 2023 marked a collaboration with producer Tesher, fusing alternative indie R&B with Punjabi rhythms in a narrative of romantic danger. Released independently, the single amassed millions of streams on platforms like Spotify and YouTube, underscoring Raghav's enduring digital presence.[37][71] In 2024, Raghav released "Choro" and "Thumke Ka," continuing his exploration of fusion sounds.[72] In 2025, Raghav issued "Sang Tere Chalna," a Hindi love song evoking themes of companionship and journey, released via Shreehans Music. Additionally, he contributed to the soundtrack for the film Hit - 3 with "Thanu," a collaborative track featuring Anirudh Ravichander and Mickey J. Meyer.[73][74][41]| Single | Year | Featured Artists | Notable Chart Peaks | Label |
|---|---|---|---|---|
| So Much | 2010 | Kardinal Offishall | CAN #93 | Universal Motown |
| Fire | 2011 | None | CAN #38 | Universal Motown |
| Top of the World | 2011 | None | N/A | Universal Motown |
| Woohoo | 2013 | None | N/A | Mathurmatics Records |
| Until the Sun Comes Up | 2015 | Nelly, Abhishek Bachchan | N/A | Fontana North |
| Maayera | 2018 | None | N/A | Artist Originals |
| Desperado | 2023 | Tesher | N/A | Independent |
| Choro | 2024 | None | N/A | Independent |
| Thumke Ka | 2024 | None | N/A | Independent |
| Sang Tere Chalna | 2025 | None | N/A | Shreehans Music |
| Thanu (From "Hit - 3") | 2025 | Anirudh Ravichander, Mickey J. Meyer | N/A | Saregama |