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Real Genius

Real Genius is a 1985 American science fiction comedy film directed by Martha Coolidge and written by Neal Israel, Pat Proft, and P.J. Torokvei, starring Val Kilmer as eccentric genius Chris Knight, alongside Gabriel Jarret as prodigy freshman Mitch Taylor and Michelle Meyrink as their classmate Jordan Cochran.^[1] Set at the fictional Pacific Technical University, modeled after institutions like Caltech, the plot follows Knight and Taylor as they develop an advanced chemical laser under the guidance of professor Jerry Hathaway, only to discover its intended use as a covert military weapon for assassinations, prompting them to sabotage the project with inventive pranks emphasizing themes of scientific ethics and rebellion against authority.^[2] The film marked a breakout role for Kilmer, whose charismatic portrayal of the fun-loving yet brilliant Knight drew praise for blending humor with underlying critique of academic exploitation and government overreach in research.^[3] Produced by Brian Grazer for Tri-Star Pictures on a budget of approximately $8 million, it earned $12.95 million at the box office, achieving modest commercial success while gaining acclaim for its witty script, inventive gags, and soundtrack featuring songs by artists like The Omen and Peter Gabriel.^[4] Critically, Real Genius holds a 77% approval rating on Rotten Tomatoes based on contemporary reviews, with Roger Ebert awarding it three-and-a-half stars for its engaging mix of college comedy and moral quandaries, though some noted its uneven pacing; it later developed a cult following among sci-fi and geek culture enthusiasts for celebrating intellectual mischief and foreshadowing debates on dual-use technology.^[3]^[2] The picture received awards including the Grand Prize for Best Film at the Paris Film Festival and nods from the Young Artist Awards, underscoring its appeal to younger audiences despite limited initial awards recognition.^[5]

Synopsis

Plot Summary

Mitch Taylor, a 17-year-old high school prodigy who develops an advanced laser hologram for a science fair project, is recruited by Professor Jerry Hathaway to Pacific Technical University (Pac Tech) with promises of a full scholarship and cutting-edge research opportunities.^[6] Hathaway assigns Mitch to collaborate on a secretive high-powered chemical laser project, ostensibly for academic advancement, but unbeknownst to Mitch, it serves as the power source for Crossbow, a military satellite weapon designed to intercept missiles from orbit.^[6]^[4] At Pac Tech, the straitlaced Mitch rooms with and is mentored by senior student Chris Knight, a brilliant but irreverent genius who balances laser development with elaborate pranks, underground parties, and eccentric pursuits like automated popcorn-popping experiments.^[6] Chris introduces Mitch to campus oddities, including reclusive inventor Lazlo living in steam tunnels and a computer-facilitated romantic interest in Jordan, a fellow student, amid roommate rivalries with spy-like figure Kent.^[6] As the team refines the laser's volatile fuel under Hathaway's pressure, Mitch grapples with isolation from his former life, including a sabotaged high school romance, while bonding over late-night tests that produce dazzling plasma effects.^[6]^[2] Tensions escalate when Mitch and Chris uncover Hathaway's collusion with CIA operative Dr. Hatchett to weaponize the laser for Crossbow, prompting an ethical crisis over their unwitting contribution to a destructive military application.^[6]^[4] Hathaway accelerates demands, threatening Mitch's academic standing, while Chris rallies the team—including Jordan and others—for sabotage, exposing Kent's surveillance role.^[6] In the resolution, the group reprograms the completed laser during a demonstration, redirecting its beam through Hathaway's window to heat scattered popcorn kernels inside his home, inflating it into an inescapable mass of popcorn that ruins his scheme and forces a confrontation with the authorities.^[6]^[4] Mitch affirms his independence by rejecting Hathaway's control, embracing the prankster ethos, and pursuing genuine innovation free from exploitation.^[6]

Cast and Characters

Principal Roles

Val Kilmer portrays Chris Knight, a charismatic senior physics student and natural leader among his peers, whose inventive pranks and relaxed demeanor contrast with the intense academic environment at Pacific Tech.^[4]^[3] Gabriel Jarret plays Mitch Taylor, a prodigious freshman whose technical brilliance and initial naivety embody the challenges faced by young recruits in a high-stakes university lab setting.^[4]^[3] Michelle Meyrink stars as Jordan Cochran, an eccentric and hyperactive classmate whose relentless energy and affection for Mitch underscore the film's portrayal of quirky interpersonal bonds within the student ensemble.^[4]^[7] William Atherton depicts Professor Jerry Hathaway, the driven faculty supervisor whose authoritative oversight drives tension in the research team's interactions.^[4]^[3] Robert Prescott appears as Kent, Hathaway's graduate assistant who monitors the students' progress and embodies institutional surveillance.^[8]^[7] The core student characters, including Knight, Taylor, and Cochran, collectively represent a collaborative nerd subculture, emphasizing camaraderie, intellectual mischief, and group ingenuity central to the film's dynamics.^[3]

Production

Development

The screenplay for Real Genius originated from comedy writers Neal Israel and Pat Proft, who developed the core story of brilliant college students unwittingly advancing a military laser project under deceptive academic authority, with screenplay credits shared alongside Peter Torokvei.^[9]^[8] Director Martha Coolidge joined the project and contributed uncredited revisions to refine the script's blend of screwball humor, science fiction tropes, and satire targeting the ethical tensions in 1980s university research labs funded by defense contracts.^[9] Tri-Star Pictures greenlit the $8 million production in mid-1984, reflecting the era's burgeoning interest in tech-driven comedies amid rapid advancements in computing and optics at institutions like Caltech.^[4] Coolidge selected Val Kilmer for the pivotal role of the eccentric genius Chris Knight, impressed by his submission of an inventive, humorous self-taped audition that showcased improvisational flair essential to the character's prankster energy and anti-authoritarian charm.^[10] This casting decision marked Kilmer's breakout lead in a feature film, emphasizing a lead performer capable of balancing intellectual bravado with physical comedy to drive the narrative's rebellion against institutional exploitation.^[11] The development phase prioritized a premise rooted in real-world concerns over military co-optation of academic innovation, loosely drawing from 1980s incidents where university teams advanced laser technologies with unintended defense applications, set against Reagan administration initiatives like the 1983 Strategic Defense Initiative that spotlighted directed-energy weapons.^[12]^[13] Key creative choices focused on humanizing "genius" archetypes through ensemble dynamics and ethical dilemmas, avoiding rote sci-fi spectacle in favor of causal critiques of authority's misuse of youthful intellect for covert weaponry, while incorporating period-specific tech culture like dorm-room hacking and laser demos.^[9]

Filming

Principal photography for Real Genius occurred primarily at Occidental College in Los Angeles, California, and Pomona College in Claremont, California, which served as stand-ins for the fictional Pacific Tech university.^[14]^[15] These real campuses provided practical locations for exterior and interior shots of labs, dormitories, and lecture halls, capturing an authentic academic environment without extensive set construction. Additional filming took place at General Atomics in San Diego for scenes involving technical facilities.^[14] The production emphasized practical effects to achieve the film's prank-heavy, high-energy sequences, reflecting 1980s filmmaking techniques that relied on physical props and on-location coordination rather than digital enhancements. For the climactic popcorn explosion, director Martha Coolidge oversaw the use of real expanding popcorn kernels inside a specially prepared house set, which was rigged to simulate structural failure as the material swelled, requiring precise timing to avoid safety risks during multiple takes.^[16] Laser effects incorporated actual low-power lasers for demonstrations, integrated with optical tricks to convey high-intensity beams without pyrotechnic overkill, aligning with the era's constraints on visual effects budgets.^[17] Challenges arose in choreographing chaotic student party and prank scenes on the college grounds, where crew managed extras and props like liquid nitrogen for the frozen hallway gag, ensuring continuity amid unpredictable weather and campus foot traffic. Period-accurate technological props, such as early computer terminals and optical benches, were sourced and placed in labs to maintain realism, with minimal post-production alterations to preserve the spontaneous, youthful atmosphere.^[18]

Post-Production

Richard Chew edited Real Genius, assembling the 105-minute final cut from principal photography completed earlier in 1985.^[4] His work focused on pacing the film's blend of comedic pranks and escalating plot tension leading to the protagonists' moral confrontation with their project's misuse.^[8] Thomas Newman composed the original score, incorporating upbeat, synth-infused cues to underscore the youthful ingenuity and high-energy antics of the student characters; the soundtrack remained commercially unreleased.^[19]^[20] Visual effects emphasized practical methods within the film's $8 million budget, avoiding heavy reliance on emerging digital tools unavailable at scale in 1985.^[1] Laser beam sequences utilized real contemporary optical technology, including light rigs for visible effects and basic optical compositing for integration, reflecting consultations with laser experts.^[21] The iconic popcorn finale employed physical simulations, with effects specialists determining popcorn's expansion rate at approximately 2 pounds per cubic foot to achieve the house-engulfing gag.^[22] Final assembly prioritized visual humor and narrative coherence for a PG rating, accommodating mild suggestive elements like innuendo-laden dialogue while ensuring broad accessibility.^[4]^[23]

Release and Commercial Performance

Theatrical Release

Real Genius was theatrically released in the United States on August 7, 1985, distributed by TriStar Pictures.^[4]^[24] The film opened in 990 theaters, marking a wide release strategy amid the competitive summer season featuring other comedies and blockbusters.^[25] It received a PG rating from the Motion Picture Association of America, suitable for a broad audience including teenagers.^[4] The marketing positioned the film as an intelligent teen comedy with science fiction elements, akin to Revenge of the Nerds but incorporating high-tech pranks and laser technology themes.^[26] Promotional materials emphasized Val Kilmer's charismatic portrayal of the laid-back genius Chris Knight, alongside the film's inventive gags like transforming everyday objects through scientific mischief.^[26] The tagline, "Who ELSE can turn lasers into light shows, aircraft into armchairs, and high-tech into hijinks?", underscored the blend of humor and gadgetry central to the narrative.^[26] In the mid-1980s landscape of youth-oriented comedies, Real Genius launched during a wave of nerd-centric films, competing for attention in a market dominated by established franchises and emerging stars.^[25] Following its theatrical debut, the film transitioned to home video on VHS by February 1986, expanding access beyond cinema audiences.^[27]

Box Office Results

Real Genius premiered in 990 theaters on August 9, 1985, generating $2,557,180 in its opening weekend, which accounted for approximately 19.7% of its total domestic gross.^[28] The film concluded its theatrical run with a domestic box office total of $12,952,019, reflecting a performance that fell short of the era's blockbuster benchmarks.^[25] Produced on an estimated budget of $8 million, the earnings indicated a modest financial recovery through theaters alone, prior to ancillary revenue streams.^[1] In the context of 1985's domestic box office landscape, Real Genius ranked outside the top 50 highest-grossing films, trailing far behind summer competitors such as Back to the Future, which amassed over $200 million domestically amid widespread audience enthusiasm for science fiction and adventure genres.^[29] Other contemporaneous releases, including Rambo: First Blood Part II and Rocky IV, similarly capitalized on action-oriented appeal to achieve grosses exceeding $100 million each, underscoring the crowded mid-summer market for mid-budget comedies.^[29] No significant international earnings were reported, confining the film's commercial footprint primarily to North America.^[25]

Reception

Critical Reviews

Upon its release on August 7, 1985, Real Genius received generally positive reviews from critics, who praised its inventive humor, Val Kilmer's charismatic performance as the laid-back genius Chris Knight, and its lighthearted satire of academic authority figures exploiting student talent for military purposes. Roger Ebert awarded the film three and a half stars out of four, highlighting its "complicated and quirky" characters, witty set pieces like the Tanning Invitational prank, and affirmation of vibrant campus life where intellect trumps rigid conformity.^[2] Similarly, the Los Angeles Times called it a "brisk, smart satirical comedy" set in a Caltech-like environment, appreciating its blend of whiz-kid antics and ethical undertones without descending into rote teen tropes.^[30] The film's aggregated critical approval on Rotten Tomatoes is 77% based on contemporaneous reviews, indicating a favorable consensus tempered by reservations about scripting inconsistencies.^[3] Janet Maslin of The New York Times found amusement in supporting turns, such as Robert Prescott's jealous upperclassman and William Atherton's stern professor, but implied the central plot's revenge-driven resolution felt somewhat formulaic amid the sci-fi gags.^[31] Variety's pre-release assessment was positive, focusing on the ensemble's energy in depicting brainy underdogs outwitting bureaucratic overreach, though some reviewers noted underdeveloped romantic subplots and occasional clunky dialogue amid the rapid-fire jokes.^[32] Overall, 1985 critiques emphasized the movie's unpretentious celebration of cleverness and pranks over institutional dogma, with Metacritic's retrospective aggregation scoring it 71 out of 100 from period sources, underscoring its appeal as an upbeat, apolitical riff on nerd empowerment rather than a tightly plotted drama.^[26]

Audience Response and Cult Following

Real Genius achieved modest initial audience engagement following its 1985 theatrical release, with viewers particularly drawn to its depiction of precocious student inventors navigating academic pressures and ethical dilemmas in laser technology development.^[33] The film's grassroots appeal grew among science and technology enthusiasts, who appreciated its portrayal of relatable "genius" archetypes engaging in collaborative problem-solving and subversive humor against institutional oversight.^[33] This resonance fostered repeat viewings, as fans cited the movie's quotable dialogue and energetic pacing as reasons for frequent revisits.^[34] By the late 1980s, home video releases and cable television broadcasts amplified its visibility, transforming underwhelming box office returns into sustained popularity through accessible, on-demand consumption.^[35] Audiences lauded the elaborate pranks—such as automated party intrusions and retaliatory schemes against supervisory figures—as clever expressions of anti-authority rebellion, mirroring real-world hacker ethos while celebrating inventive camaraderie.^[36] These elements built a cult following, evident in ongoing fan forums and anniversary discussions emphasizing the film's enduring charm for those valuing intellectual mischief over conventional narratives.^[37] Modern reevaluations, including a 2022 analysis, highlight the film's prescient exploration of innovation ethics, where protagonists confront the misuse of their research for weaponry, underscoring the need for philosophical grounding in scientific advancement.^[36] This has renewed appreciation for its cautionary stance on unchecked technological ambition, appealing to contemporary tech communities amid debates on AI and defense applications.^[33] However, some viewers critique outdated tropes, including gender dynamics where female characters prioritize romantic pursuits over scientific agency, potentially alienating modern audiences despite the core praise for empowering youthful ingenuity against bureaucratic exploitation.^[38]

Scientific and Technical Depiction

Portrayed Technologies

The Crossbow laser in Real Genius is depicted as a high-energy chemical laser system designed for extreme precision, enabling it to vaporize targets from orbital or high-altitude platforms. Its core mechanism relies on a chemical oxygen-iodine reaction to generate the lasing medium, producing a powerful, directed beam without traditional electrical pumping, which allows for compact, high-output operation suitable for weaponization. In the narrative, the project begins as a purported surveillance tool but evolves into a military-grade weapon, with students engineering enhancements like beam focusing and power scaling to achieve megawatt-level output.^[4]^[33] Supporting technologies emphasize student ingenuity through improvised gadgets, such as a laser-guided system that autonomously targets and heats individual unpopped popcorn kernels for precise ignition, illustrating control over beam divergence and adaptive optics for micro-scale applications. Dorm-room inventions include optical benches for beam alignment, automated targeting rigs, and hybrid devices combining lasers with mechanical actuators, all serving to prototype components for the main project while highlighting creative, resource-constrained engineering. These elements function narratively to contrast youthful innovation against institutional exploitation, with gadgets like the popcorn rig repurposed in the climax to redirect the Crossbow beam into a residential structure, exploiting thermal expansion for destructive effect.^[16] The film's portrayal draws on 1980s advancements in laser scaling, depicting techniques like chemical excitation for sustained high power and preliminary adaptive optics for atmospheric compensation, positioning the Crossbow as a breakthrough in directed-energy systems.^[39]

Accuracy Assessment

The film's depiction of a high-energy chemical laser aligns directionally with 1980s research into chemically pumped systems, such as the chemical oxygen-iodine laser (COIL), which achieved initial lasing in 1977 at the U.S. Air Force Weapons Laboratory through energy transfer from singlet oxygen to iodine atoms.^[40] By 1985, COIL prototypes were under development for directed energy applications, with power scaling efforts reaching tens of kilowatts in laboratory settings, reflecting the era's focus on efficient, scalable chemical reactions for laser excitation without electrical power constraints.^[41] These advancements were bolstered by programs like the Strategic Defense Initiative (SDI), launched in 1983, which allocated resources to laser-based weapons for missile defense, including ground- and space-based variants explored by DARPA and successors.^[42] However, the portrayed laser's compactness and solid-state chemical formulation deviate from empirical realities; actual COIL systems relied on gaseous or multiphase chemical flows requiring voluminous reactors for reactant mixing, heat dissipation, and toxic byproduct handling, often spanning room-sized facilities rather than the film's concealable device.^[39] Power outputs in the film, enabling rapid, pinpoint destruction, exceed 1980s capabilities, where efficiencies hovered below 30% due to quantum defects and thermal blooming, limiting practical yields to kilowatts without massive scaling. Instantaneous targeting ignores atmospheric absorption, scintillation, and beam divergence, which degrade coherence over distances beyond laboratory scales, as demonstrated in early SDI tests.^[43] Notwithstanding these simplifications, the narrative underscores valid causal pathways in technology development: military imperatives under SDI accelerated laser innovations, yielding spillover benefits like enhanced beam control for medical ablation and industrial cutting, where high-power densities enable non-thermal precision unattainable via prior electrical pumping methods.^[40] This reflects historical patterns wherein defense investments, comprising over 70% of U.S. laser R&D funding in the 1980s, catalyzed verifiable progress in photonics, countering unsubstantiated claims of purely destructive intent by evidencing broader empirical utility.^[42]

Legacy and Cultural Impact

Influence on Media and Culture

Real Genius bolstered the "nerd pride" archetype in popular media by portraying brilliant students as fun-loving, socially engaging figures rather than isolated misfits, a depiction that resonated with audiences and influenced subsequent geek-centric narratives in 1980s and 1990s entertainment.^[12] Val Kilmer's charismatic performance as Chris Knight, a laid-back genius prone to pranks and intellectual mischief, served as an early icon of appealing intellect, contrasting with more stereotypical awkward portrayals and helping normalize admiration for technical prowess in youth culture.^[11] This positive framing extended to inspiring real interest in STEM fields among viewers, with retrospective accounts noting its role in fostering solidarity among aspiring scientists and engineers.^[44] The film's narrative of student inventors unwittingly developing a laser weapon for unethical military applications sparked ongoing discourse on academic exploitation and the ethics of innovation, themes prescient of later Silicon Valley tensions between rapid technological advancement and moral accountability.^[36] Analyses from 2022 highlight its emphasis on integrating philosophy with science to ensure responsible outcomes, drawing parallels to modern debates over AI development and dual-use technologies where private-sector ingenuity intersects with defense interests.^[36] By exposing the betrayal of idealistic researchers by authority figures, Real Genius critiqued institutional overreach without rejecting ingenuity itself, prompting viewers to question the ends to which discoveries are applied. In balancing critique with celebration, the movie underscores American innovative spirit amid warnings of misuse, aligning with historical evidence that defense R&D has yielded transformative civilian benefits. For instance, the Global Positioning System (GPS), conceived in the U.S. Department of Defense's 1973 NAVSTAR program and operational by 1993, originated from military navigation needs but revolutionized global commerce, transportation, and personal devices.^[45] This duality—innovation born from strategic imperatives leading to broader societal gains—echoes the film's portrayal of youthful brilliance channeled through pranks and rebellion, reinforcing a cultural narrative of tech optimism tempered by ethical vigilance.^[46]

Adaptations and Remakes

In September 2014, NBC announced development of a single-camera comedy series reboot of Real Genius, produced by Sony Pictures Television, Adam Sandler's Happy Madison Productions, and 3 Arts Entertainment.^[47] The project, penned by writers Peter DiGregorio and an unnamed collaborator referenced in reports, reimagined the story in a contemporary workplace setting centered on the dynamic between a charismatic, rock-star-like genius and his more pragmatic counterpart, diverging from the original film's college campus focus.^[47] Executive producers included Happy Madison's Doug Robinson and 3 Arts' Oly Obst, with the pilot scripted but no episodes entering production.^[47] Despite initial buzz, the series stalled and was never greenlit for filming or airing, remaining unproduced as of 2025 with no subsequent updates from NBC or the involved studios.^[48] Earlier, in April 2010, reports emerged of Columbia Pictures exploring a theatrical remake in its nascent stages, but this effort also failed to advance beyond speculation and yielded no tangible output.^[49] No other adaptations, such as stage productions, foreign remakes, or streaming revivals, have materialized, leaving the 1985 film as the sole iteration of the property and underscoring its enduring appeal without franchised extensions.^[50]

References

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Real Genius (1985) - IMDb
Rating 6.9/10 (40,701) Real Genius is a hilarious political commentary of the 1980's. Mix greed, government corruption, college pranks and a truly talented cast, and you have the ...Full cast & crew · Plot · Daniel Ades as Laser Ray Victim · Trivia
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Real Genius movie review & film summary (1985) | Roger Ebert
Rating 3.5/4 · Review by Roger EbertThe movie involves the saga of Mitch (Gabe Jarret), a brilliant high school student whose Science Fair project has revised the theory of laser beam technology.
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Rating 77% (35) "Real Genius" is a decent, wacky teen comedy that capitalizes on the popular 80s trend of science-centric narratives. Val Kilmer delivers a standout performance ...Cast and Crew · Video · Reviews
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Real Genius (1985) is a comedy starring Val Kilmer, Gabe Jarret, and Michelle Meyrink, directed by Martha Coolidge, and produced by Brian Grazer.<|separator|>
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Awards - Real Genius (1985) - IMDb
Val Kilmer in Real Genius (1985). Awards. Real Genius. Jump to. Paris Film Festival (2), Young Artist Awards (2). 2 wins & 2 nominations. Paris Film Festival.Missing: reception | Show results with:reception
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The story opens with a promotional video featuring a new government weapon, the Crossbow aircraft, which is outfitted with a powerful laser. The laser has ...Missing: details | Show results with:details
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Apr 3, 2025 · “Val suddenly popped into my life when he submitted an inventive and funny self-made videotape audition,” Coolidge tells Rolling Stone.
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Aug 7, 2020 · The 1985 film Real Genius ranked first among equals from that decade for its stellar cast, sensitive direction, and genuine nerd bona fides.
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Production dates. It looks like we don't have any production dates for this title yet. Be the first ...Missing: principal | Show results with:principal
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Pomona College and Occidental College, both in California, serve as the campus of "Pacific Tech".
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Mar 31, 2020 · They are refreshingly heartfelt and elevate Real Genius above the usual '80s teen comedy. ... The production used real lasers with very ...
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Aug 6, 2022 · REAL GENIUS practical effects. Bryson “Pete” Gerard talks about working on the famous popcorn scene from the 1985 Martha Coolidge film.Missing: challenges pyrotechnics
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May 15, 2011 · Most of the score reminded me more of ambient Newman ala Grandview USA, Light Of Day and Less Than Zero, than uptempo poppy Newman ala Real ...Missing: 1985 details<|separator|>
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Oct 30, 2022 · The laser in “Real Genius” is fictional, of course, but based on the time period, the basic idea of having a “frozen” lasing gain medium made a certain amount ...Missing: Crossbow details
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Content rating · Sex & Nudity: Mild · Violence & Gore: None · Profanity: Mild · Alcohol, Drugs & Smoking: Mild · Frightening & Intense Scenes: None ...Missing: popcorn | Show results with:popcorn
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Release date ; United States. August 7, 1985 ; Argentina. October 24, 1985 ; Peru. 1986 ; Brazil. January 3, 1986 ; France. March 1986(Paris Film Festival).
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Rating 71% (15) Release Date Aug 7, 1985 ; Duration 1 h 48 m ; Rating PG ; Tagline Who ELSE can turn lasers into light shows, aircraft into armchairs, and high-tech into hijinks?
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Release Date(s), Publisher, Notes. VHS, February 26, 1986, RCA/Columbia Pictures Home Video. Betamax. Laserdisc. Real Genius (Laserdisc). CED.<|separator|>
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Domestic DistributorTriStar Pictures See full company information. Domestic Opening$2,557,180. Earliest Release DateAugust 9, 1985 (Domestic). Running Time1 hr ...
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Real Genius, -, -, -, $14,136,524, 990, $12,952,019, Aug 9, TriStar Pictures, false. 66, Tomboy, -, -, -, $14,100,000, 409, $14,100,000, Jan 25, Crown, false.
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Aug 7, 1985 · Robert Prescott makes an amusing villain, playing a jealous and much less clever upperclassman. William Atherton is also good as the teacher ...<|separator|>
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#OnThisDay American science fiction comedy film Real Genius ...
Aug 7, 2025 · ... million at the box office, still being the critics favourite. ..and ... Film Facts Released August 9, 1985: Real Genius Gross: $13m Vs.
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RIP Val Kilmer: Celebrating cult classic Real Genius is now a moral ...
Apr 2, 2025 · But unbeknownst to Mitch, Hathaway is in league with a covert CIA program to develop a space-based laser weapon called “Crossbow,” designed for ...
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Jul 9, 2012 · While I wouldn't say this story holds up well, it has a spontaneous energy that has developed a cult following. It's an original comedy and ...
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Real Genius is the most important movie for thinking about the future.
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Feb 26, 2023 · One of my favorites, very quotable and irreverent, brainy and cool and with great characters. Val Kilmer is of course, just perfect, but also great stuff from ...
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Aug 5, 2015 · Among the students was the eccentric Jordan, one of the few girls in the film. She liked Mitch so much that she knitted him a sweater overnight.
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THE SCIENCE OF REAL GENIUS BY VALTEAMO - OoCities
1. Opening Credits-Scroll of Weapons of War · 2. The Crossbow Project's "death beam" laser weapon · 3. Laser · 4. nanometer · 5. Mitch's Science Fair Project-a ...
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ABSTRACT The oxygen-iodine laser was the first electronic transition chemical laser. It first lased 25 years ago at the Air Force Weapons Laboratory (now the ...
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A twenty-years of COIL researches and developments in Japan are reviewed. The researches of four major sites, namely, Keio University, Industrial Research ...
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The oxygen-iodine laser was the first electronic transition chemical laser. It first lased 25 years ago at the Air. Force Weapons Laboratory (now the Air ...
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Jun 25, 2020 · Real Genius is about a group of oddball teenage geniuses who are working on developing a high-powered laser for a university project.Missing: techniques effects<|control11|><|separator|>
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Aug 28, 2025 · In Real Genius, she brought genuine warmth to Jordan Cochran, the hyperkinetic genius who spoke at machine-gun pace. ... Then: Michelle Meyrink in ...<|separator|>
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'Real Genius' Movie Reboot Set As NBC Comedy Series - Deadline
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'Real Genius' TV Series in Development - Screen Rant
Sep 25, 2014 · NBC and Sony are teaming up to develop a small-screen adaptation of the 1985 Val Kilmer comedy 'Real Genius.'Missing: remakes reboot
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Columbia to Remake Real Genius - MovieWeb
Apr 7, 2010 · Pajiba is reporting that the 1985 college comedy Real Genius that starred Val Kilmer, is in the early stages of being developed as a remake.Missing: adaptations | Show results with:adaptations
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Val Kilmer movie Real Genius to become TV comedy series
Sep 25, 2014 · Val Kilmer's 1985 movie Real Genius is to become a television series at NBC. Deadline reports that the show will be a present-day reboot of the film.<|separator|>