Reggie Perrin
Reginald "Reggie" Perrin is a fictional character and the protagonist of two BBC sitcom series: the original The Fall and Rise of Reginald Perrin (1976–1979) and its modern remake Reggie Perrin (2009–2010).[1][2] In both adaptations, Perrin is portrayed as a disillusioned middle-aged executive trapped in a monotonous corporate job, a strained marriage, and a sense of existential futility, prompting him to fake his suicide by drowning and subsequently re-emerge in disguise to pursue new ventures and personal reinvention.[1][2] The original series, created and written by David Nobbs and adapted from his 1975 novel of the same name, aired for three seasons and starred Leonard Rossiter as Reggie, with Pauline Yates as his wife Elizabeth and John Barron as his bombastic boss C.J.[1] It satirized 1970s British middle-class life, office politics, and suburban ennui through Perrin's increasingly absurd schemes, such as launching a shop selling novelty "grot" items and establishing a commune for former colleagues.[1] The show became a cultural touchstone, renowned for its dark humor, memorable catchphrases like C.J.'s "I didn't get where I am today without..." and Jimmy's "a bit of a cock-up on the catering front," and Rossiter's acclaimed performance, which captured the character's descent into and recovery from crisis.[1] The 2009 remake, written by Simon Nye in collaboration with Nobbs, updated the story for contemporary audiences while retaining core themes of midlife dissatisfaction and reinvention.[2] Starring Martin Clunes as Reggie, alongside Fay Ripley as Elizabeth, it relocated the action to the fictional company Groomtech and explored modern pressures like work-life balance and family dynamics across two seasons.[2] Though praised for Clunes's nuanced portrayal and Nye's witty script, the series received mixed reviews for not fully recapturing the original's satirical edge, earning a 6.5/10 rating on IMDb from 10,843 users (as of November 2025).[2] Both versions highlight Perrin's journey as a metaphor for broader societal anxieties about identity and purpose in professional life.[1][2]Background and Premise
Relation to Original Series
The 2009 BBC sitcom Reggie Perrin originated as a remake of the classic 1970s series The Fall and Rise of Reginald Perrin, which aired three series from 1976 to 1979 and achieved cult status for its satirical exploration of mid-life crisis, suburban ennui, and the absurdities of British middle-class life.[3][4] Created and written by David Nobbs based on his 1975 novel The Death of Reginald Perrin, the original series starred Leonard Rossiter as the titular character, a beleaguered sales executive at Sunshine Desserts whose mounting frustrations lead to fantastical breakdowns and existential rebellion.[1][5] On 14 January 2009, the BBC announced the revival, positioning it as a contemporary reimagining to address modern pressures such as intensified corporate culture and mental health challenges while preserving the core premise of an executive's psychological unraveling.[6][7] Nobbs served as co-writer alongside Simon Nye, the creator of Men Behaving Badly, to maintain fidelity to the original's spirit while incorporating updates for a 21st-century audience.[6][8] Key adaptations retained the fundamental narrative of Reggie Perrin's dissatisfaction with his mundane existence but modernized the setting and elements: his workplace shifted from the 1970s food manufacturing firm Sunshine Desserts to the 2000s men's grooming company Groomtech, reflecting contemporary consumer industries and office dynamics.[9][10] The series also integrated modern technology, such as email, mobile phones, and commuter apps, to underscore themes of constant connectivity and work-life imbalance absent in the original.[11][12] Structurally, the remake diverged from the original's three-series arc, limiting itself to two series of six episodes each, with the second series departing more substantially from Nobbs's source material—eschewing direct equivalents to the original's plots involving entrepreneurial ventures like starting a chain of shops, in favor of exploring Reggie's post-crisis reinvention in a more introspective manner.[13][14] This allowed the update to emphasize ongoing mental health struggles and family tensions in a contemporary context, while Nobbs and Nye ensured the remake's tone balanced the original's dark humor with subtle evolutions.[15][16]Plot Overview
Reggie Perrin is a British sitcom remake that centers on Reginald "Reggie" Perrin, a 45-year-old sales executive at Groomtech, a manufacturer of men's grooming products, who grapples with profound dissatisfaction in his suburban existence. This mid-life crisis manifests through escalating fantasies and thoughts of suicide, driven by the monotony of his routine and the absurdities of corporate life.[17] Reggie's personal life adds to his turmoil, including a strained marriage to his wife Nicola and tensions with his overbearing mother Joan, while at work he contends with the incompetence of his boss Chris Jackson.[8] In the first series, Reggie's breakdown intensifies amid these family pressures and professional frustrations, culminating in his disappearance after faking his own death as a desperate bid for escape, followed by his eventual return to confront the consequences. The narrative explores his internal conflicts through increasingly bold expressions of his true feelings, blending humor with the gravity of his unraveling state.[8] This arc highlights the toll of unfulfilled expectations in middle-class British society, setting the stage for themes of reinvention.[17] The second series picks up after Reggie's "death," as he attempts to forge a new path by trying to sell homemade bread at a farmers' market, but faces financial difficulties and business setbacks. He ultimately returns to Groomtech as the new boss, dealing with ongoing family dynamics, including efforts at reconciliation with Nicola, and modern entrepreneurial challenges in a corporate setting. Unlike the original 1970s series, this installment emphasizes personal healing and workplace reinvention in a contemporary context.[18][8][19] Throughout both series, recurring themes include the satire of middle-class British life, struggles with mental health, the ridiculousness of corporate culture, and the elusive pursuit of a genuine existence, all updated to resonate with 21st-century audiences. The narrative style combines surreal humor—such as Reggie's vivid hallucinations—with realistic dramatic elements, structured episodically to build toward seasonal resolutions while maintaining a focus on character-driven comedy.[8][18]Cast and Characters
Main Cast
Martin Clunes stars as Reggie Perrin, the central character who is a middle-aged sales manager at the grooming products company Groomtech, grappling with profound dissatisfaction in his professional and personal life, leading to a mid-life crisis marked by vivid, often violent fantasies that he inadvertently voices aloud. Clunes, known for his comedic work in series such as Men Behaving Badly, brings a blend of physical humor and subtle emotional vulnerability to the role, portraying Reggie's descent into instability while maintaining an everyman relatability.[20][21][22] Fay Ripley plays Nicola Perrin, Reggie's devoted but often preoccupied wife, who juggles her own career demands and social obligations, initially appearing distant but later revealing deeper layers of frustration and longing for connection after becoming unemployed in the second series. Her performance highlights the strains in their marriage amid Reggie's turmoil, emphasizing Nicola's pragmatic resilience and evolving emotional needs. Ripley's casting draws on her established dramatic and comedic range from roles in Cold Feet.[20][21] Wendy Craig portrays Marion, Nicola's assertive mother and Reggie's mother-in-law, whose interfering nature and determination to secure her engagement to William provide much of the familial comic tension through her unyielding push for domestic harmony. Craig's depiction underscores Marion's forthright personality, adding layers of humorous meddling to the family dynamics.[20][21] Geoffrey Whitehead embodies William, Reggie's eccentric father-in-law, a retired army man with a voracious appetite and oblivious demeanor who frequently imposes on the Perrin household, offering grounded yet chaotic support while hesitating over his impending marriage to Marion. Whitehead's portrayal anchors the intergenerational conflicts with a mix of affability and self-absorption, highlighting William's role in amplifying the sitcom's domestic satire.[20][21] Neil Stuke is cast as Chris Jackson, Reggie's overzealous and inept boss at Groomtech, whose ambitious but misguided business ideas drive much of the workplace absurdity, culminating in his dismissal and Reggie's temporary promotion in the second series. Stuke's performance captures Chris's evolution from confident executive to humbled figure, satirizing corporate incompetence through his character's persistent schemes.[20][21] Lucy Liemann depicts Jasmine Strauss, the elegant and sharp-witted head of the balms and lubricants division, who becomes the object of Reggie's infatuation, injecting workplace romance and satire into the narrative while revealing her own underlying loneliness that hints at mutual vulnerability. Liemann's portrayal balances Jasmine's professional poise with personal depth, enhancing the show's exploration of unfulfilled desires.[20][21]Supporting and Guest Roles
Jim Howick plays Anthony, Reggie's eager but inept deputy at Groomtech, whose barrage of absurd product ideas—such as a razor that dispenses aftershave—fuels much of the series' awkward office satire and highlights Reggie's growing exasperation with corporate incompetence.[20] Anthony appears across both series, often serving as a foil to Reggie's more grounded demeanor, amplifying themes of workplace dysfunction through his overzealous yet disastrous contributions to team meetings. Nick Mohammed portrays Steve, Anthony's inseparable sidekick and fellow Groomtech employee, whose hyperbolic enthusiasm for grooming products and psychic-like anticipation of Reggie's needs injects physical and verbal humor into the office environment.[20] Steve's recurring presence underscores the absurdity of modern corporate culture, with his antics contrasting Reggie's competence and providing comic relief in subplots involving team-building exercises and product pitches.[23] Justin Edwards appears as Monty in series 1, Reggie's longstanding pub companion and confidant, whose bumbling loyalty and ill-fated romantic overtures toward Nicola add layers of personal irony and relational tension outside the office.[20] Monty's failed attempts at advice and his secret crush exemplify the show's exploration of friendship's pitfalls amid midlife crises.[24] In series 2, Alexander Armstrong joins as David, the new next-door neighbor to Reggie and Nicola, whose witty and laid-back personality introduces fresh comedic dynamics and contrasts with the Perrins' chaotic household, often providing ironic commentary on their situations.[20] Supporting characters like these collectively bolster the ensemble by mirroring Reggie's internal chaos through exaggerated quirks, such as Anthony's botched sales demonstrations that parody corporate innovation failures. Notable guest appearances include politicians and eccentric clients in various episodes, delivering episodic gags that poke fun at external pressures on Reggie's life, like a hapless job advisor (Dave Lamb) or a street busker (Perry Benson), enhancing the series' blend of satire and farce without dominating the core narrative.[21] These roles collectively amplify the themes of corporate and familial dysfunction, using specific instances like Monty's bungled pitches to illustrate the broader comedy of everyday absurdities.Production
Development and Commissioning
The BBC announced the revival of The Fall and Rise of Reginald Perrin on 14 January 2009, confirming a six-part first series for BBC One later that year, with Martin Clunes cast in the title role.[6][7] The commissioning, led by BBC One controller Jay Hunt and comedy commissioning controller Lucy Lumsden, sought to reimagine the 1970s satire for modern viewers by emphasizing its timeless themes of workplace drudgery, personal dissatisfaction, and work-life imbalance, positioning it as an "inspired update rather than a remake."[6][25] Original creator David Nobbs collaborated with screenwriter Simon Nye on the scripts, drawing from Nobbs's source material while infusing contemporary elements to ensure relevance without replicating the 1970s episodes verbatim.[6] Production was overseen by Objective Productions, with series producer Charlie Hanson, executive producer Simon Wilson for the BBC, and executive producer Ben Farrell for Objective.[21][26] The project targeted prime-time BBC One scheduling and was filmed in high definition for simultaneous broadcast on BBC HD, reflecting the BBC's commitment to quality visuals for a broad audience.[6] A key development challenge involved striking a balance between nostalgic callbacks to the original—such as Reggie's existential crisis—and fresh storytelling to appeal to new generations.[25] Despite the first series attracting mixed ratings that dipped from 5 million viewers for the premiere to around 4 million by later episodes, the BBC greenlit a second six-part series in February 2010, resulting in a total of 12 episodes across both runs.[27][28][18]Writing and Filming
The scripts for Reggie Perrin were co-written by David Nobbs, the creator of the original 1970s series, and Simon Nye, known for his work on contemporary sitcoms like Men Behaving Badly, who updated the dialogue to reflect modern sensibilities.[14][9] The writing process involved adapting Nobbs's original concepts while infusing fresh elements to suit a 21st-century audience. Series 1 closely followed the structure and key events of the original episodes, reimagining Reggie's midlife crisis and workplace frustrations, whereas Series 2 incorporated more original material, such as the storyline involving a wellness clinic that Reggie establishes.[29][30] Tristram Shapeero directed the first series, while Dominic Brigstocke helmed the second, with both emphasizing the visual humor central to Reggie's escapist fantasies through innovative comedic staging.[26] These sequences, depicting Reggie's surreal daydreams, relied on a combination of practical effects and post-production techniques to blend seamlessly with the live-action footage, enhancing the sitcom's blend of realism and absurdity.[8] Filming primarily took place at Teddington Studios in London for interior scenes, including the office and home sets, to capture the multi-camera setup typical of traditional British sitcoms and maintain a brisk pacing.[8] Exteriors were shot in suburban locations for authenticity, such as 86 Wensleydale Road in Hampton, Richmond upon Thames, which doubled as Reggie and Nicola's family home.[31] Additional scenes were shot in suburban locations near London to provide the quintessential English commuter-belt backdrop for family and neighborhood interactions.[32] Production for Series 1 occurred in early 2009, with studio filming wrapping up shortly before the premiere on 24 April 2009 and concluding its run in May.[8] Series 2 filming began in mid-2010, following the announcement of production commencement in February, and aired from October to November that year.[18][30] The multi-camera format allowed for efficient recording of audience laughter and quick cuts, while props like BlackBerrys and other early 2000s mobile devices were integrated to ground the story in the contemporary era. Post-production focused on polishing the dream sequences, ensuring the surreal elements supported the narrative without overpowering the character-driven comedy.[8]Episodes
Series 1
The first series of Reggie Perrin aired on BBC One from 24 April to 29 May 2009, consisting of six episodes that introduce Reggie Perrin's deepening midlife crisis amid his unfulfilling career at the personal care company Groomtech and his strained family life. The narrative arc establishes Reggie's growing frustration with corporate banality and domestic routine, introduces key family members including his wife Elizabeth and daughter Nicola, and builds to a climactic moment where Reggie heads to the beach implying a faked suicide to escape his circumstances, without resolving the full consequences.[33][34] Tristram Shapeero directed all episodes, focusing on a tone that blended subtle satire with visual gags to highlight Reggie's internal turmoil, while Simon Nye wrote the scripts, adapting the original concept for contemporary audiences.[26]| Episode | Title | Directed by | Written by | Original Air Date | Brief Plot Summary | Viewers (millions) |
|---|---|---|---|---|---|---|
| 1 | Episode 1 | Tristram Shapeero | Simon Nye | 24 April 2009 | Reggie experiences his first escapist fantasy while grappling with work frustrations upon meeting the attractive new colleague Jasmine at Groomtech. | 5.39 |
| 2 | Episode 2 | Tristram Shapeero | Simon Nye | 1 May 2009 | Reggie endures another tedious day at the office, where his eccentric boss Chris demands more conformity, and his attraction to Jasmine leads to awkward advances. | 4.41 |
| 3 | Episode 3 | Tristram Shapeero | Simon Nye | 8 May 2009 | Considering a career change to teaching, Reggie visits his daughter Nicola's school to give a talk on his job, but the subsequent Groomtech open day visit turns disastrous. | 4.20 |
| 4 | Episode 4 | Tristram Shapeero | Simon Nye | 15 May 2009 | Reggie's marriage faces strain during a business trip to Helsinki with Jasmine, while his resentment toward old friend Monty prompts him to organize a disastrous sales conference abroad. | 4.11 |
| 5 | Episode 5 | Tristram Shapeero | Simon Nye | 22 May 2009 | As tensions escalate at home and work, Reggie helps Chris prepare for a board presentation, but his mental strain intensifies during preparations for the company office party. | 4.16 |
| 6 | Episode 6 | Tristram Shapeero | Simon Nye | 29 May 2009 | Reggie's crisis peaks at the Groomtech office party, culminating in his meltdown during a speech and heading to the beach to fake his suicide as an escape from his overwhelming life. | 3.50 |
Series 2
The second series of Reggie Perrin continues directly from the first, with Reggie (Martin Clunes) returning after his beach disappearance and faked suicide attempt to confront his life, initially resigning from Groomtech before being drawn back as managing director amid company struggles. He revamps the firm by renaming it "Grot" and launching lines of absurd, novelty personal care products, exploring failures and successes in this corporate reinvention while dealing with strained family reunions—particularly with wife Elizabeth (Fay Ripley) and son Mark (Luke Treadaway)—and revelations like daughter Nicola's (Lucy Liemann) affair, leading to confrontations at a family wedding.[40] Unlike the first series, which closely adapted the original 1970s storyline up to the disappearance, this run shows greater originality by integrating the "Grot" concept into the corporate world rather than a separate shop, diverging from David Nobbs' novels to emphasize emotional realism and modern workplace satire over pure absurdity.[41] The six episodes were written by Simon Nye and David Nobbs, and directed by Dominic Brigstocke, whose approach focused on character-driven comedy, highlighting Reggie's internal struggles and relational tensions rather than the surreal escapades of the 1976 original.[42] Brigstocke's direction, informed by his work on shows like Green Wing, prioritized subtle performance and situational humor to ground the series in relatable midlife reinvention themes.[43]| Episode | Title | Directed by | Written by | Original Air Date | Brief Plot Summary | Viewers (millions) |
|---|---|---|---|---|---|---|
| 1 | Episode 1 | Dominic Brigstocke | Simon Nye, David Nobbs | 14 October 2010 | After his disappearance, Reggie resigns from Groomtech to pursue self-sufficiency but faces financial woes; his family deals with fallout while the company struggles, drawing him back.[44] | 3.21 |
| 2 | Episode 2 | Dominic Brigstocke | Simon Nye, David Nobbs | 21 October 2010 | Reggie fails at selling homemade goods and returns to Groomtech as managing director after Chris's dismissal, navigating the firm's razor sales crisis.[45] | 2.76 |
| 3 | Episode 3 | Dominic Brigstocke | Simon Nye, David Nobbs | 28 October 2010 | As MD, Reggie introduces eccentric office changes like banning ties and adding a bouncy castle, renames the company Grot, and plans novelty products; Nicola loses her job.[40] | 2.86 |
| 4 | Episode 4 | Dominic Brigstocke | Simon Nye, David Nobbs | 4 November 2010 | Grot's novelty products succeed, impressing the chairman who demands staff cuts; Reggie grapples with decisions while Nicola navigates her relationship with David.[46] | 3.00 |
| 5 | Episode 5 | Dominic Brigstocke | Simon Nye, David Nobbs | 11 November 2010 | Reggie resists layoffs and launches a controversial ad campaign; family tensions rise as he neglects Nicola's birthday and discovers her with David.[40] | 3.47 |
| 6 | Episode 6 | Dominic Brigstocke | Simon Nye, David Nobbs | 18 November 2010 | With Nicola's affair exposed during a wedding speech, family conflicts erupt; Grot is sold, leading to Reggie's demotion and contemplation of another escape.[47] | 2.75 |