Cold Feet
Cold Feet is a British comedy-drama television series created by Mike Bullen, which originally aired on ITV from 1997 to 2003 across five series and was revived for four more series from 2016 to 2020, totaling nine series and 60 episodes plus a pilot.[1][2] The show follows the interconnected lives of three couples in their thirties and forties living in Manchester, as they navigate the challenges of romance, marriage, infidelity, parenthood, and personal crises with a blend of sharp humour and emotional depth.[1][3] The central characters include Adam Williams, a charismatic but impulsive advertising executive played by James Nesbitt; his on-again, off-again partner Rachel Bradley, portrayed by Helen Baxendale in the early series; Pete Gifford, a laid-back teacher acted by John Thomson; his wife Jenny Gifford, a former actress brought to life by Fay Ripley; David Marsden, a successful businessman depicted by Robert Bathurst; and his ambitious wife Karen Marsden, played by Hermione Norris.[1][4] Set against the backdrop of late-1990s and early-2000s Britain, the series fearlessly addresses contemporary issues such as abortion, infertility, divorce, and terminal illness, often drawing from real-life experiences to create relatable and poignant narratives.[3][5] Upon its debut, Cold Feet quickly became a ratings success and cultural touchstone, praised for its honest portrayal of adult relationships and its ability to balance comedy with tragedy, earning comparisons to American series like Friends but with a more mature, British sensibility.[3][6] The revival in 2016 was equally well-received, updating the characters' stories to reflect midlife challenges like empty nests and career shifts, and it maintained the show's signature wit while introducing new cast members such as Ceallach Spellman as Adam's son Matthew.[7][1] Critically acclaimed throughout its run, Cold Feet garnered multiple awards, including the 2002 BAFTA Television Award for Best Drama Series and several British Comedy Awards for its writing and performances.[8][9] Its enduring popularity has solidified its place as one of ITV's most iconic programmes, influencing subsequent British dramas with its character-driven storytelling and unflinching exploration of everyday life's highs and lows.[10][11]Overview
Premise and themes
Cold Feet is a British comedy-drama series that centers on three interconnected couples living in Manchester, chronicling their experiences with the intricacies of contemporary relationships, encompassing marriage, infidelity, parenthood, and enduring friendships. The narrative explores the everyday challenges and joys faced by these individuals as they progress through various life stages, emphasizing the realistic portrayal of interpersonal dynamics in urban Britain. This premise draws directly from the personal observations of its creator, Mike Bullen, who aimed to depict relationships inspired by his own circle of friends, providing an authentic lens on romantic and familial bonds.[12][13] The series delves into key themes such as the realism of routine relationship struggles, blending comedic elements with dramatic tension to reflect the multifaceted nature of adult life. It examines evolving gender roles, explorations of sexuality, and broader social transformations in Britain from the late 1990s through the 2020s, addressing issues like the pressures of career-building, partnership formation, family-starting, and later, midlife reevaluations. These motifs highlight the characters' quests for purpose and connection amid personal and societal shifts, often tackling sensitive topics such as health crises, loss, and reconciliation with a grounded approach that mirrors real-world complexities.[3][14][15] In terms of format, most series consist of six episodes with runtimes ranging from 50 to 60 minutes, designed for a standard television slot, though the fifth series deviated with four longer 90-minute installments to accommodate deeper narrative arcs; these were later edited into six episodes for international release and home video. Early seasons incorporate non-linear storytelling techniques to enhance emotional depth and interconnect the couples' stories, while the overall structure maintains a focus on ensemble dynamics rather than isolated plots. The tone evolves notably across its runs: the initial 1998–2003 iteration leans toward light-hearted romantic comedy, capturing the exuberance of thirtysomething life, whereas the 2016 revival introduces more profound dramatic layers, confronting midlife crises, depression, and existential questions with increased emotional weight.[16][14][17]Development and revival
Cold Feet was conceived by screenwriter Mike Bullen in 1997, drawing inspiration from his own personal experiences of relationships and life in one's thirties.[18] Initially pitched to Granada Television as a one-off comedy-drama pilot, it aired on the launch night of Channel 5 on 30 March 1997 and received positive feedback, leading to its expansion into a full series commissioned for broadcast on ITV.[19] The original run began in 1998 with the first series, followed by four more seasons airing through 2003, establishing the show as a flagship Granada production for ITV.[20] By the fifth series, viewership had peaked, with the finale drawing 10.1 million viewers, but the program was cancelled due to Bullen's creative fatigue from writing nearly all episodes single-handedly and scheduling conflicts with the main cast's other commitments.[21][22] In 2015, ITV recommissioned the series amid sustained fan demand and speculation about its return, with Bullen agreeing to resume writing duties after feeling he had fresh perspectives on the characters' midlife challenges.[20][23] The revival updated the format for a contemporary audience, incorporating references to modern issues like social media and economic pressures while focusing on the surviving core characters in their fifties navigating post-childrearing crises such as redundancy and divorce.[14] Series 6 premiered on 5 September 2016, followed by Series 7 in 2017, Series 8 in 2019, and Series 9 in 2020, each comprising six to eight episodes produced in Manchester.[24] The revival garnered critical acclaim and BAFTA nominations, including for Best Scripted Comedy in 2017, which influenced further renewals and underscored the series' enduring impact.[25] However, following the Series 9 finale in February 2020, ITV announced an indefinite hiatus, with Bullen confirming no tenth series would air in the immediate future due to the need for new creative directions; as of 2025, no return has been confirmed. In March 2025, actor John Thomson revealed he was writing a Christmas special to revive the series, but as of November 2025, ITV has not confirmed any production or return.[26][27][28]Cast and characters
Main cast
The main cast of Cold Feet features an ensemble portraying the core group of friends navigating relationships and life challenges in Manchester. The original production assembled James Nesbitt as the charming but impulsive Adam Williams, Helen Baxendale as his partner Rachel Bradley, Fay Ripley as the pragmatic Jenny Blyth (later Gifford), John Thomson as her husband Pete Gifford, Robert Bathurst as the ambitious David Marsden, and Hermione Norris as his wife Karen Marsden.[29] Casting for the initial five series emphasized finding actors who could convincingly depict intertwined personal dynamics, with the ensemble selected to reflect authentic group interactions. Baxendale departed after series 5 amid family commitments, leading to her character's dramatic exit.[30] For the 2016 revival, the remaining original actors—Nesbitt, Ripley, Thomson, Bathurst, and Norris—returned under new agreements, joined by Ceallach Spellman as Matthew Williams, the teenage son of Adam and the late Rachel.[20]| Actor | Role | Series |
|---|---|---|
| James Nesbitt | Adam Williams | 1–9 |
| Helen Baxendale | Rachel Bradley | 1–5 |
| Fay Ripley | Jenny Gifford | 1–9 |
| John Thomson | Pete Gifford | 1–9 |
| Robert Bathurst | David Marsden | 1–9 |
| Hermione Norris | Karen Marsden | 1–9 |
| Ceallach Spellman | Matthew Williams | 6–9 |
Adam Williams
Adam Williams is portrayed as a charismatic yet immature advertising executive, often relying on charm to navigate personal and professional challenges.[32] His key relationships center on his turbulent romance with Rachel Bradley, with whom he shares a son, Matthew, and later partnerships including an engagement to Angela and a relationship with Tina.[33] Adam's arc evolves from a carefree bachelor enjoying on-off dynamics with Rachel to a more responsible family man grappling with grief after her death and single parenthood.[33] In the revival series, his cheeky and lively personality persists as he supports his grown son and navigates mid-life romances.[33]Rachel Bradley
Rachel Bradley is an idealistic solicitor whose professional ambitions frequently clash with her personal life, particularly in balancing her career and family aspirations.[34] She enters a passionate but volatile relationship with Adam Williams, marked by revelations such as her prior marriage and infidelity on their wedding night, yet they marry and have a son, Matthew.[34] Rachel's arc traces her journey from a newly dating couple to committed parenthood, culminating tragically in her death during the series five finale when she is struck by a lorry while retrieving a compromising tape.[34] Her absence profoundly shapes the group's dynamics in subsequent series, emphasizing themes of loss and enduring impact on Adam and their son.[32]Pete Gifford
Pete Gifford is the laid-back, working-class everyman of the group, often providing comic relief through his emotional resilience and straightforward demeanor.[33] As Adam's best friend, he shares a long-standing marriage with Jenny Gifford, which faces strains from infidelity, separation, and family losses including a miscarriage.[33][35] Pete's arc involves career shifts, battles with depression leading to suicidal ideation, and ultimate reconciliation with Jenny, alongside raising their stepdaughter Chloe.[33] In the revival, his bond with the group evolves to include supporting new generations amid aging challenges.[32]Jenny Gifford
Jenny Gifford is a vivacious and chatty aspiring actress from a working-class background, whose lively personality masks insecurities during personal crises.[33] Her primary relationship is with husband Pete, enduring separations, near-infidelities, and the profound grief of losing their child, yet they reunite and expand their family.[33] Jenny's arc highlights her pursuit of acting success alongside motherhood, including hiding health scares that test her marriage's strength.[32] Throughout the series and revival, she remains a stabilizing force in the group's friendships, adapting to life's later stages with humor and secrecy when overwhelmed.[33]David Marsden
David Marsden is an affluent, self-important doctor characterized by his philandering tendencies and upper-class pretensions, often leading to comedic and dramatic downfalls.[33] His marriage to Karen ends in divorce amid infidelity and class tensions, followed by relationships with Robyn Duff and others, while co-parenting their three children: Josh, Ellie, and Olivia.[33] David's arc explores his fall from professional grace through financial fraud and imprisonment, transitioning to humbled circumstances like working in a call center and relying on partners financially.[32] In later series, he confronts mid-life adjustments and renewed group interactions.[33]Karen Marsden
Karen Marsden is a resilient and blunt publishing executive, embodying independence as she navigates affluent professional life and family demands.[33] Initially married to David, their union dissolves due to his affairs, leading her to single parenthood of their children and subsequent relationships including with Eddie and Justin.[33] Karen's arc delves into post-divorce recovery, career growth in founding her own company, and balancing teen parenting with casual romances amid class and emotional strains.[32] Her direct personality anchors the group's dynamics, evolving in the revival to address aging, new relationships, and intergenerational ties.[33] The main characters' interconnected friendships serve as the series' emotional core, with their relationships providing mutual support through life's milestones from young adulthood to middle age.[16] In the revival, this dynamic expands to incorporate aging issues, parenthood of adult children, and the influence of new generations on their enduring bonds.[32]Recurring characters
The recurring characters in Cold Feet primarily consist of family members and close associates who provide ongoing support to the main ensemble, often appearing across several episodes to develop subplots related to parenthood, relationships, and personal growth. These figures, particularly the children of the central couples, were initially portrayed by infant and child actors in the original run (1997–2003) and recast with older performers in the revival series (2016–2020) to reflect the passage of time, allowing for expanded storylines on generational dynamics and modern family challenges.[36] David and Karen Marsden's children—Josh, Ellie, and Olivia—serve as key recurring figures, embodying the long-term consequences of the couple's marital ups and downs. Josh Marsden, the eldest son born in 1996, was played by various young actors during the original series before Callum Woodhouse took over the role in the revival, appearing in two episodes across series 6 and 8 to depict his return from travels abroad and interactions with his family.[37] The twin daughters, Ellie and Olivia, born in 2000, were initially portrayed by child actors like Jessica Bateson; in the revival, Ella Hunt played Ellie in 15 episodes of series 6–7, succeeded by Sylvie Briggs in 12 episodes of series 8–9, while Daisy Edgar-Jones portrayed Olivia in 26 episodes from series 6–9, highlighting her budding romantic interests and sibling rivalries.[33][36] These portrayals evolved to include more nuanced explorations of adolescence, with the twins offering comic relief through their teenage antics and mirroring the parents' relational themes.[38] Adam and Rachel Williams' son, Matthew, introduced as a baby in the original series, became a prominent recurring character in the revival, played by Ceallach Spellman in 27 episodes across series 6–9. As a 15-year-old navigating school, friendships, and family secrets, Matthew's arc provides insight into the lasting impact of his parents' past separation, with Spellman cast for his youthful authenticity to bridge the generational gap.[39][40] Pete and Jenny Gifford's children, Adam (born 1998) and Chloe (born 2003), also recur frequently in the revival, with Jack Harper as young Adam in 27 episodes and Madeleine Edmondson as Chloe in 26 episodes from series 6–9, contributing subplots on parenting pressures and sibling bonds that echo the main characters' experiences.[36] Other family members include Barbara Blyth, Jenny's mother, portrayed by Marji Campi in 17 episodes of the revival series, offering maternal wisdom and occasional conflict within the Gifford household.[36] In series 6, Adam's brief second marriage introduces Angela Zubayr, played by Karen David in four episodes, as a colleague-turned-partner whose multicultural background adds layers of diversity and explores interfaith relationship challenges; her father, Eddie Zubayr (Art Malik), appears alongside her for familial support.[41][36] The revival further incorporates diverse representation through these roles, reflecting broader societal shifts in relationships and identity.[41] Notable colleagues and friends include Tina Reynolds (Leanne Best), Adam's work partner in series 6–7 across 15 episodes, who aids in professional subplots involving real estate and personal advice.[36] Earlier in the series, figures like Ramona Ramirez (Jacey Salles), a recurring associate in five episodes of series 3, provide workplace humor and cultural contrast. Guest appearances with impact include one-off roles such as Lucy Robinson as Robyn Duff, David's partner in series 6–9, who recurs to complicate post-divorce dynamics. These peripheral characters often deliver comic relief or thematic parallels, with casting choices in the revival prioritizing actors who could portray evolved, relatable supporting roles to enhance the ensemble's world.[36]Production
Writing
Mike Bullen created Cold Feet and served as its principal writer from the series' inception in 1997 through its revival in 2016, penning 26 episodes solo and overseeing the overall narrative direction. Early scripts incorporated semi-autobiographical elements drawn from Bullen's personal experiences and those of his close associates, including plotlines inspired by real-life fertility struggles and mid-life crises among the production team, with actors even meeting the "prototypes" for their characters to enhance authenticity. The writing process emphasized collaborative input from an ensemble team to capture genuine relational dynamics, though Bullen handled the majority of scripting independently. Key collaborator David Nicholls contributed four episodes to series 3, focusing on character-driven subplots like Pete and Jenny's divorce, which marked a significant break for Nicholls and added fresh perspectives to the ensemble.[42] This approach involved soliciting feedback from cast members—such as Robert Bathurst's suggestions for David and Karen's scenes—and incorporating directors' notes during revisions, ensuring scripts reflected lived realities rather than contrived drama. Narrative techniques evolved across the series, beginning with more standalone episodes in the early runs and shifting toward serialized storytelling in later seasons, where ongoing arcs like marital breakdowns and personal redemptions built cumulative emotional depth.[43] The 2016 revival updated these techniques to address contemporary issues, such as mental health struggles and modern dating challenges—including David's foray into online matchmaking—while maintaining the show's focus on relational tipping points in mid-life.[14][18] A core challenge in the writing was balancing humor and pathos, particularly in sensitive storylines like Pete's depiction of depression, where Bullen layered comedic grumpiness over profound vulnerability to normalize male mental health issues without sensationalism.[18] For the revival, Bullen undertook extensive script revisions to ensure continuity after a 13-year hiatus, bridging the characters' post-cancellation trajectories—such as aging into redundancy and family estrangements—while avoiding shortcuts that could undermine the series' emotional integrity.[14]Filming
The filming of Cold Feet primarily took place in and around Greater Manchester to capture the everyday realism of its characters' lives, with exterior shots emphasizing the city's urban and suburban landscapes. Key locations included the Northern Quarter for its vibrant, gritty urban atmosphere, Didsbury's Kingston Road for the iconic suburban homes of characters like Pete and Jenny, and areas such as Spinningfields, Parsonage Gardens, and Chorlton for street-level scenes. Additional sites like Manchester Airport and local bars, including The Woodstock in Didsbury, were used to depict travel and social interactions. Interiors for the original series were constructed and shot at Granada Studios in central Manchester, while the revival shifted to Space Project TV studios in Gorton for rebuilt domestic sets.[44][45][46] On-location shooting was a core element of production to enhance authenticity, with crews often navigating the practicalities of Manchester's variable climate during outdoor sequences. Rain frequently disrupted filming, as seen in series six when actors like James Nesbitt endured downpours in the city centre, contributing to the show's grounded, unpolished aesthetic. The revival series incorporated modern digital equipment for improved image quality and efficiency, allowing for smoother handling of complex scenes compared to the original run's more traditional setups. Logistical challenges were minimal during the 2019 shoot for series nine, which predated major COVID-19 restrictions and proceeded without significant delays.[47][48] As of September 2024, cast members including James Nesbitt have indicated ongoing discussions for a potential further series or special, though no production has been confirmed.[49] The original five series were filmed between 1997 and 2003, aligning with Granada Television's production schedule, while the revival spanned 2016 to 2020 under Big Talk Productions, benefiting from advancements in handheld cameras and post-production tools for a crisper visual style. Directors such as Declan Lowney, who helmed the pilot and early episodes, and Nigel Cole, who directed multiple installments, focused on fluid, character-driven cinematography to mirror the script's intimate relational dynamics. This approach prioritized location-specific authenticity over stylized effects, occasionally requiring digital enhancements for international sequences like those set in Singapore.[50][24][51]Music
The music of Cold Feet played a pivotal role in establishing the series' emotional landscape, blending original compositions with contemporary popular tracks to reflect the characters' relational dynamics. For the original run (series 1–5, 1998–2003), the theme music was an instrumental piece composed by Mark Russell, which set a reflective tone for the Manchester-based drama.[29] In the revival (series 6–9, 2016–2020), this was replaced by the original song "The Rover Returns," written and performed by Guy Garvey (frontman of Elbow) and Peter Jobson (bassist of I Am Kloot), evoking the city's musical heritage while signaling the characters' return to life's uncertainties.[52] The original score for series 1–5 was also composed by Mark Russell, utilizing subtle orchestral and electronic elements to underscore intimate moments. Edmund Butt took over for the revival, crafting scores that incorporated ambient indie influences, such as in tracks like "Main Theme" and "Airport Arrival," to maintain an era-specific intimacy amid evolving personal stories.[29] [8] Butt's work, released on Sony Music in 2016, emphasized poignant transitions in relationships through layered soundscapes.[53] Episode-specific needle drops featured prominently, drawing from indie rock and pop to mirror the zeitgeist. Early series highlighted 1990s Britpop vibes with songs like Space's "Female of the Species" and Stereophonics' "Just Looking," capturing youthful exuberance and relational awkwardness.[54] The revival shifted to 2010s contemporary sounds, including James Bay's "Hold Back the River" and Oasis's "Stop Crying Your Heart Out" in series 8, episode 6, to amplify themes of maturity and loss.[55] [56] Music supervision ensured seamless integration of licensed tracks, with professionals like Matt Biffa overseeing series 7 and Amy Ashworth handling later episodes, focusing on selections that heightened emotional resonance.[29] [57] For instance, Terence Trent D'Arby's "Heartbreak Hotel" was used to underscore scenes of romantic turmoil, reinforcing the series' exploration of love's vulnerabilities.[58] Multiple soundtrack albums, including the 2001 Cold Feet: The Official Soundtrack and the 2016 The Official Soundtrack to the New Series, compiled these cues, aiding in licensing and cultural tie-ins.[59]Series synopses
Series 1
The first series of Cold Feet introduces the core ensemble of three thirtysomething couples navigating the complexities of modern relationships in Manchester, blending comedy and drama to explore fears of commitment, infidelity, and parenthood. Broadcast on ITV over six episodes from 15 November to 20 December 1998, it establishes Adam Williams (James Nesbitt), a charming but commitment-shy advertising executive, as he begins a budding romance with estate agent Rachel Bradley (Helen Baxendale), marked by impulsive passion and revelations that test their bond. Meanwhile, married couple Pete (John Thomson) and Jenny Gifford (Fay Ripley), a laid-back marketing executive and his pregnant wife, grapple with marital strains intensified by Jenny's advanced pregnancy and Pete's overzealous preparations for fatherhood, introducing their initial traits of supportive yet bickering partnership. The series also presents David Marsden (Robert Bathurst), a successful management consultant, and his wife Karen (Hermione Norris), a PR consultant, whose seemingly stable marriage unravels through David's neglect and emerging infidelity issues, setting up ongoing tensions within the group.[60][61] The plot arc unfolds primarily in a linear narrative with occasional flashbacks to deepen character backstories, beginning with Adam and Rachel's serendipitous meeting following a car collision that sparks their whirlwind romance, complicated by Rachel's undisclosed prior marriage to Kris, whom she pays to grant a divorce. Pete and Jenny's storyline centers on the anticipation and chaos of childbirth, with Jenny exasperated by Pete's obsessive reading on parenting, culminating in the dramatic home birth of their son—named Adam in honor of his impromptu delivery assistance—amid a hospital detour, which both strengthens and strains their relationship as new parents. David's arc highlights the first infidelities in the series, as his workaholic tendencies and lack of intimacy with Karen lead him to hire nanny Ramona, flirt with a prostitute, and resent Karen's professional admiration for author Alex Welch, while she contemplates her own emotional detachment, underscoring themes of marital disillusionment. Key events drive the series' exploration of commitment fears, including Adam discovering Rachel's marital secret shortly after they move in together, prompting him to briefly confront her ex and reaffirm their connection despite the deception, and the group's social intersections, such as a charity shop mishap where Adam and Rachel are caught in a compromising position by police. Pete and Jenny's post-birth adjustment reveals strains in communication, exacerbated by Pete's distraction with a barmaid and unhelpful in-law visits, while David and Karen's counseling session fosters a tentative reconnection through a staged "first date," though underlying resentments persist. The series culminates in revelations at a charity ball, where Jenny's drunken brawl with a colleague exposes workplace tensions, and Rachel discloses her unexpected pregnancy—potentially fathered by Kris—leading her to plan a move to London for the birth, leaving Adam heartbroken and the couples' foundations shaken, without full resolutions but laying groundwork for future arcs. This pilot-like setup effectively establishes the Manchester ensemble's interconnected lives, blending humor in everyday mishaps with poignant insights into relational vulnerabilities.Series 2
The second series of Cold Feet, consisting of six episodes, aired on ITV from 26 September to 31 October 1999, picking up six months after the events of the first series and examining the mounting strains on the three couples' relationships as they navigate early married life.[62] The narrative shifts from the initial romances and proposals of the previous series to the realities of commitment, including financial hardships, career uncertainties, and emotional betrayals, with a heightened emphasis on comedic domestic mishaps such as awkward blind dates and chaotic household dynamics.[63] Throughout, the group faces interconnected challenges that test their friendships and partnerships, culminating in a mix of separations and reconciliations amid the turn of the millennium.[62] The plot arc centers on the evolving tensions of married life, beginning with Adam Williams' (James Nesbitt) lingering heartbreak over Rachel Bradley's (Helen Baxendale) unexplained absence in London. Upon her return, Rachel reveals she terminated their pregnancy without informing him, deepening their rift and prompting Adam to question his future fertility and family aspirations.[63] Adam's advertising career takes a backseat to personal turmoil, including a brief, obsessive fling with Amy, a woman set up by friends Pete (John Thomson) and Jenny Gifford (Fay Ripley), which highlights his vulnerability and adds comedic elements through her clingy pursuits.[62] Meanwhile, Pete grapples with unemployment after losing his marketing job, straining his marriage to Jenny as financial pressures mount and he indulges in an affair with Amy, further eroding trust.[64] David's (Robert Bathurst) high-flying consulting career crumbles with sudden redundancy, forcing him into an uncharacteristic role as a house-husband to sons Josh and Matthew, which brings humorous clashes with his ego but ultimately strengthens his bond with Karen (Hermione Norris) through shared parenting woes.[62] Subplots introduce themes of family expansion, including David's brother Nick's visit and hints at adoption considerations amid fertility concerns, though these are overshadowed by immediate crises.[64] Key events escalate the infidelities and dilemmas, with Jenny confessing an attraction to Adam that leads to a heated kiss and confrontation, exacerbating Pete's insecurities during his job hunt.[62] Rachel faces a career crossroads upon resuming her legal work in Manchester, briefly dating a younger colleague named Danny before recommitting to Adam, only for revelations of Pete's betrayal to fracture the group's dynamics.[63] The series reaches a pivotal turn in episode five when Adam is diagnosed with testicular cancer, a probable malignant tumor that unites the friends in support and prompts Pete and Jenny's temporary reconciliation as they rally around him during surgery and recovery.[62] Financial and emotional pressures peak with David's failed business ventures post-redundancy and the couples' collective anxieties over stability, illustrated through satirical scenes like David's disastrous outward-bound team-building course and Pete's futile job interviews.[64] Episode highlights underscore these themes across the six installments, blending drama with domestic comedy. In the opener, a near-accident with Josh propels David into homemaking, while Adam misinterprets Rachel's return with a friend's baby as his own lost child.[62] Episode two amplifies marital frostiness as Pete suspects Jenny's wandering eye, culminating in a flat invasion by Amy that devolves into farce.[62] By episode three, Rachel's workplace flirtation contrasts with Pete's bonding over unemployment woes, injecting humor via awkward social experiments.[64] The fourth features a school reunion where old flames resurface, exposing Pete's infidelity to Jenny and prompting Karen's rebellious tattoo outing with Rachel.[62] Adam's health scare dominates the fifth, fostering reconciliations, while the finale's millennium celebration on Lindisfarne—complete with a botched boat trip and David's over-the-top castle booking—ends on an optimistic note with Karen's pregnancy announcement and the group's renewed solidarity as fireworks light the new year.[62] These vignettes emphasize the series' unique blend of laugh-out-loud domestic absurdities, such as David's inept cooking and the friends' millennium mishaps, against the backdrop of profound relational tests.[64]Series 3
The third series of Cold Feet delves into darker emotional territory, examining the strains of marital separation, infertility, and infidelity among the core group of friends, while maintaining the show's signature blend of humour and pathos. Airing over six episodes on ITV from 12 November to 17 December 2000, the narrative picks up nine months after series two, focusing on recovery from personal setbacks and the pursuit of new beginnings.[65] The overarching plot arc revolves around bereavement-like losses—notably the grief over unfulfilled family aspirations—and subsequent healing, as characters confront irreversible changes in their relationships. This shift introduces greater emotional depth, influencing the series' future tone by emphasizing vulnerability and resilience over lighter romantic entanglements.[66] Pete and Jenny's storyline highlights the pain of separation and tentative reconciliation; after their divorce proceedings, Pete temporarily crashes with Adam and Rachel but is ousted due to his messiness, prompting him to return to Jenny's home as a lodger. Jenny, meanwhile, loses her job at an employment agency and explores a romance with wealthy businessman Robert, adding tension to their cohabitation. Pete's own romantic detours, including a flirtation with estate agent Ramona and a misguided connection via an online chat line leading to Emma, underscore his isolation and desire for stability. By the series' end, the couple opts to halt their divorce and recommit, marking a recovery from their marital breakdown.[67][68] Adam experiences profound grief over dashed dreams of parenthood, catalysing his emotional growth alongside Rachel. The couple, now living together, initially celebrates what seems like a pregnancy when Rachel's period is two weeks late, only for tests to reveal a false alarm stemming from her infertility—traced to a secret abortion from her past. This revelation prompts anguish and discussions about IVF and adoption, deepening their bond through shared vulnerability. Adam's arc culminates in a low-key proposal during a family dinner disrupted by Karen's alcoholic mother, leading to their simple registry office wedding in the finale, where Adam reflects on past indiscretions like a fleeting kiss with Jenny. Their journey emphasises healing through commitment amid loss.[65][67] David's promotion to a senior role at his consulting firm introduces new temptations and tests his marriage to Karen, who is overwhelmed by caring for their newborn twin daughters. At work, he encounters Jessica, a passionate local political activist campaigning against a controversial development, sparking mutual attraction that evolves into a brief affair, including a kiss at his birthday party and subsequent intimacy. The infidelity creates guilt and secrecy, exacerbated by family stresses like Karen's mother's disruptive drinking during a dinner party. In a pivotal moment, Pete discovers the affair but keeps it quiet; David ultimately confesses to Karen on the day of Adam and Rachel's wedding, receiving forgiveness and recommitting to his family, highlighting themes of redemption and relational repair.[68][67] Key events across the episodes amplify the series' blend of comedy and tragedy. Episode one establishes the twins' arrival and Pete's awkward return to Jenny's, while Jenny meets Robert at a party. Episode two builds excitement around Rachel's potential pregnancy before its disappointment, alongside Jenny's sacking and Pete's housing woes. In episode three, Adam and Rachel consult a fertility clinic, David bonds with Jessica over activism, and Pete joins a football team but faces ejection. Episode four features Pete's kiss with Ramona, Jenny's date with Robert, and Rachel's infertility diagnosis, intensifying Adam's grief. Episode five sees workplace clashes between Jenny and Karen, Adam's proposal, and Pete's online mishap leading to Emma. The finale includes Adam's chaotic stag do in Ireland, where he encounters an old flame named Jane, David's confession, and the group's gathering for the wedding, with Pete and Jenny deciding to reunite. These moments showcase the series' emotional pivot, using humour—such as Pete's disastrous living situations—to offset heavier themes of loss and renewal.[65][68]Series 4
The fourth series of Cold Feet aired on ITV in late 2001, marking a shift toward themes of renewal and adaptation as the characters grapple with the aftermath of series 3's tragedies, including Jenny's miscarriage and departure to America, and the strain on David and Karen's marriage from his infidelity.[69] This installment emphasizes second chances, with storylines centering on new romantic pairings, family expansions, and personal reinvention amid grief and uncertainty.[70] Comprising eight episodes—including six regular installments from 18 November to 3 December and two Christmas specials on 23 and 30 December—the series was written by Mike Bullen and directed by various team members, maintaining the show's blend of humor and emotional depth.[69] The central plot arc revolves around Adam Williams (James Nesbitt) rekindling his relationship with Rachel Bradley (Helen Baxendale), now focused on starting a family after previous fertility struggles; they initially pursue adoption but pivot when Rachel becomes pregnant, highlighting Adam's anxieties about fatherhood and his jealousy over Rachel's involvement in local theater.[71] Pete Gifford (John Thomson) undergoes a career shift, launching a gardening business after redundancy, while forming a budding romance with estate agent Jo (Lucy Gutteridge), leading to cohabitation and eventual commitment.[72] Karen Marsden (Hermione Norris) asserts her independence by launching a boutique amid financial setbacks and the ongoing fallout from David Marsden's (Robert Bathurst) affair, as David confronts a midlife crisis through therapy and futile attempts at reconciliation.[73] These arcs underscore adaptation to loss, with brief nods to social issues like depression and infidelity's long-term impact on friendships.[69] Key events drive the narrative toward hopeful resolutions, including Rachel's pregnancy confirmation, which strains but ultimately strengthens her bond with Adam; Karen's business launch despite bank rejection; and Pete's entrepreneurial risks paying off through new clients.[74] Remarriages and family milestones feature prominently: Pete and Jo wed in Sydney during the series finale, attended by the group, while Adam and Rachel welcome their son, Matthew, amid domestic tensions over parenting roles.[75] The Christmas specials culminate in an open-ended finale, with David and Karen separating amicably, Pete and Jo embarking on married life, and Adam and Rachel embracing parenthood, leaving futures uncertain yet optimistic.[76] Episode highlights capture escalating personal stakes: In episode 1 (18 November 2001), David and Karen's marriage teeters as Adam urges honesty about the affair, while Jenny (Fay Ripley) faces job loss before leaving for New York.[69] Episode 3 (25 November 2001) sees David rooming with Pete post-separation, Adam and Rachel navigating adoption hurdles, and Jenny revealing her pregnancy.[71] By episode 6 (3 December 2001), Rachel visits Jenny in New York as Adam parties to cope with fatherhood fears, and David woos Karen unsuccessfully.[74] The specials resolve arcs with the group's Australian trip for the wedding, blending comedy in cultural clashes and heartfelt toasts to second chances.[75] As the last full series before a brief production pause leading into series 5, it served as a pivotal chapter, with Helen Baxendale's Rachel appearing for the final time in a regular capacity before her dramatic exit the following year.[69]Series 5
The fifth series of Cold Feet marked the conclusion of the original run, airing four extended 90-minute episodes on ITV from 23 February to 16 March 2003.[77][78] This shortened format amplified the emotional intensity, shifting from relational rebuilds in prior series to escalating crises that tested the friendships and partnerships of the core group.[79] The narrative centered on the characters' late-30s transitions, incorporating themes of betrayal and loss to deliver a poignant sense of finality.[14] Central to the plot arc were revelations of infidelity that fractured key relationships. Pete and Jo's marriage, fresh from their Australian honeymoon, faced scrutiny during an immigration interview, where Pete began questioning Jo's commitment amid hints of her prior affair with Mark.[80][81] Similarly, David and Karen's union dissolved into a contentious divorce, fueled by mutual affairs—David's with Karen's sister and Karen's own indiscretions—leading to bitter legal battles and personal recriminations.[82][79] These betrayals extended to the group dynamic, as past tensions resurfaced, including Jenny's unexpected return from New York, where she had been coping with a miscarriage and her divorce from Pete.[79] Family crises and health scares compounded the instability, particularly for Adam, whose overprotectiveness clashed with Rachel's during their son Matthew's naming ceremony, prompting Adam to walk out in frustration.[83] The couple's search for a stable home unraveled when their rental went to auction, beyond their financial reach after Adam's recent redundancy and lingering effects from his cancer treatment.[79][82] Tragedy struck in the penultimate episode when Rachel, rushing to the auction, suffered a fatal car accident, leaving Adam to navigate sudden widowerhood and single parenthood amid profound grief.[84][79] This event triggered group fractures, as the friends rallied for support but confronted their own vulnerabilities, including Pete's doubts about Jo and David's second thoughts on his divorce. The series culminated in a cliffhanger finale focused on Rachel's funeral, where the group scattered her ashes in Portmeirion, reuniting Jenny with Pete and prompting reflections on their shared history.[14][79] Creator Mike Bullen crafted this ambiguous ending to provide closure to the original era while leaving the characters' futures open-ended, emphasizing life's unpredictability over tidy resolutions.[14] Episode highlights included the honeymoon fallout and maternal intrusions in the opener, immigration suspicions and divorce dirt-digging in the second, shocking relational discoveries like Rachel's brief prior marriage during house unpacking in the third, and the accident's devastating aftermath in the fourth.[81][80][82]Series 6
Series 6 of Cold Feet marked the show's revival after a 13-year hiatus, reuniting the core cast as their characters navigated midlife challenges in contemporary Manchester. Airing on ITV from 5 September to 10 October 2016, the six-part series bridged the gap from the original run by aging the protagonists into their fifties, incorporating modern elements like dating apps and video calls while addressing post-hiatus personal evolutions such as empty-nest syndrome and financial instability. Creator Mike Bullen updated the scripts to reflect societal shifts, emphasizing themes of readjustment, loss, and enduring friendships without relying on the deceased Rachel's storyline beyond brief references to her impact on the group.[19] The plot arc centers on Adam Williams' return from Singapore, where he has been living and working, announcing his engagement to much younger Angela, the daughter of a wealthy tycoon, prompting a reunion with old friends Pete, Jenny, David, and Karen. Adam's decision to relocate back to Manchester for his son Matthew—now a teenager raised primarily by Karen—highlights empty-nest tensions for Pete and Jenny, whose children are growing independent, exacerbating Pete's depression and the couple's financial strains from supporting adult offspring. David's involvement in a fraudulent investment scheme unravels his life, leading to arrest and imprisonment, while Karen, recently separated from Eddie, explores new romantic prospects via dating apps and launches her own property business amid health scares and family woes. New technology influences the narrative, with characters using FaceTime for distant communications, Tinder for dating mishaps, and Airbnb for temporary housing solutions during crises.[70][85] Key events include the group's awkward reunion at Adam's engagement party, where underlying resentments surface; Jenny's flirtation with work client Trevor, testing her marriage; Pete's mentorship of elderly neighbor Harry, culminating in emotional confrontations over end-of-life choices; David's fraud exposure and trial, straining his co-parenting with Karen; and Jenny's encounter with ex-boyfriend Grant, a reformed alcoholic seeking amends for past abandonment of their daughter, revealing hidden family secrets. Health issues, such as Pete's mental health decline and unspecified scares for other characters, intersect with financial woes like David's collapsing investments and the Giffords' debt from children's education. The series features fan-service callbacks, such as nods to past antics, while explaining the time jump through off-screen developments like Adam's expatriate life and the group's individual coping with Rachel's death.[86][87][88][89][90][91] Episode highlights modernize the format with sharper pacing and topical humor: the opener reunites the ensemble amid Adam's news, setting up relational fractures; episode two explores Pete's failed bonding trip with his son and Jenny's workplace temptation; episode three delivers David's shocking arrest for fraud; episode four intensifies Adam's marital doubts via long-distance strains and Jenny's near-breakdown; episode five introduces Grant's disruptive return, forcing Jenny to confront her past; and the finale resolves David's prison favor request, Pete's family fallout over Chloe's rebellion, and Karen's business triumph with a major client, ending on notes of cautious optimism for the group's bonds.[86][87][88][89][90][91]Series 7
The seventh series of the British comedy-drama Cold Feet, which aired on ITV from 8 September to 13 October 2017, consisted of six episodes and marked the second installment of the show's revival after a 13-year hiatus. Building on the characters' midlife transitions, the series delved into themes of family expansion and personal reinvention, with the ensemble cast—Adam Williams (James Nesbitt), Pete Gifford (John Thomson), Jenny Gifford (Fay Ripley), Karen Marsden (Hermione Norris), and David Marsden (Robert Bathurst)—navigating the complexities of aging alongside their adult children's emerging independence. The narrative emphasized generational shifts, as the protagonists grappled with the prospect of grandparenthood and the influence of younger family members, while reflecting on unresolved emotional scars from their pasts.[92][93] Central to the plot arc was the theme of family expansions, particularly through the lens of potential new life and the dynamics of the younger generation. Adam and his partner Tina (Leanne Best), together for ten months, explored the idea of starting a family, with Adam's dreams of Tina giving birth symbolizing his nesting instincts amid his new role as a father to teenage son Matt, who begins dating Olivia. Meanwhile, Pete and Jenny contended with their daughter Chloe's ongoing adjustment to revelations about her paternity from previous series, compounded by their son Adam's involvement in a school beating that brings the group together in a hospital vigil. Hints of grandparenthood emerged through Jenny's mother Barbara's "senior moments," underscoring the cyclical nature of family responsibilities as the core characters approached their mid-40s. These elements highlighted an increased ensemble focus, weaving individual stories into collective support systems.[92][94][95] Career pivots provided another layer of midlife reflection, as each character sought renewal amid professional uncertainties. Adam joined a trendy dotcom startup, where his age prompted self-doubt about fitting in with younger colleagues, while Pete transitioned to a fulfilling role as an entertainer at a care home, organizing events like a tea dance and a group cycling outing to Hollingworth Lake that fostered unexpected bonds among the elderly residents and the friends. Karen launched her own publishing imprint, Marsden House, facing high-stakes pressures from demanding authors and business rivals like Justin, which tested her resolve. David, still reeling from his financial fraud scandal, took odd jobs including door-to-door sales before landing a precarious opportunity through Pete's connections. These shifts not only drove comedic tension but also prompted introspection on legacy and purpose.[93][96][94] Lingering past traumas intertwined with key events, adding emotional depth to the season's optimistic tone on aging. Tina's history resurfaced dramatically when a revenge porn sex tape from her past relationship with Jamie—Sarah's ex-husband—leaked online, leading Adam to confront and punch Jamie in a fit of rage, straining their bond further until Tina's infidelity with Sarah prompted their breakup. Pete and Jenny, pulled by work and family demands, renewed their wedding vows in a heartfelt finale ceremony, symbolizing recommitment amid strains like Jenny feeling sidelined in her friendships. David's budding romance with Nikki Kirkbright (Siobhan Finneran) unraveled due to her abusive husband George's threats against David's daughters, culminating in a tense divorce negotiation where Nikki leveraged evidence of abuse for a settlement. Karen's arc touched on her history of alcoholism through a near-relapse "wobble" under business stress, though she ultimately embraced a relationship with bookshop owner Gareth, accepting his hidden role as a father to two children. The series concluded with a joint 50th birthday celebration for Adam and Pete that unraveled into revelations, reinforcing themes of enduring friendship and resilience.[96][97][95]Series 8
The eighth series of Cold Feet aired on ITV over six episodes from 14 January to 18 February 2019, each broadcast on Monday nights at 9 pm.[98] This installment deepened the show's exploration of mid-life challenges among its core ensemble—Adam Williams, Pete and Jenny Gifford, and Karen and David Marsden—focusing on the emotional toll of aging through personal crises and relational strains.[99] The narrative arc centered on bereavements and the fear of decline, contrasting with lighter family dynamics in prior series, while building tension toward unresolved conflicts in the subsequent season.[100] A central plot thread revolved around Jenny Gifford's health scare, beginning with symptoms initially mistaken for a surprise pregnancy, only to reveal a breast cancer diagnosis that tested her resilience and marriage.[101] Pete supported Jenny through treatment, their bond renewing amid the uncertainty, as she grappled with the implications for their family and future.[102] This storyline amplified the series' emotional intensity, portraying Jenny's determination to confront the illness head-on, including moments of vulnerability during medical consultations and family discussions.[103] Bereavements further darkened the tone, with the death of Charlie—a close acquaintance—prompting reflections on mortality and loss among the group, culminating in a poignant memorial that reshaped personal outlooks.[104] Funerals served as pivotal gatherings, forcing characters to confront grief collectively, as seen in scenes where the friends reconvened to honor the deceased and process their shared vulnerabilities.[105] These events intertwined with retirement fears, particularly for Pete, who navigated job insecurity and the prospect of career endings in an unstable economy, highlighting anxieties over financial stability and identity in later life.[106] Romantic renewals provided counterpoints to the hardships, with Adam seeking connection after romantic rejections, eventually forming an illicit affair with Karen that reignited old tensions within the group.[99] David, meanwhile, faced career upheaval by quitting his job amid disputes, straining his relationship with Nikki but prompting attempts at renewal through frugal adjustments and honest confrontations.[102] Karen's professional arc involved navigating the end of a publishing deal, symbolizing broader fears of obsolescence, yet she demonstrated resilience by pursuing new opportunities.[105] Episode highlights underscored the series' blend of humor and pathos: the premiere introduced Adam's awkward pursuit of a young barista, Gemma, only to discover her involvement with his son Matt, setting up comedic yet poignant aging insecurities; subsequent installments built to Jenny's diagnosis reveal and group support during chemotherapy; and the finale delivered raw emotional peaks with Charlie's memorial choir performance and the group's tentative steps toward healing.[99][104] Overall, the season indirectly touched on 2010s social changes, such as economic precarity and shifting relationship norms, through the characters' navigations of job loss and unconventional romances.[100]Series 9
The ninth series of Cold Feet premiered on ITV on 13 January 2020 and concluded on 17 February 2020, comprising six episodes that provided final resolutions to the characters' arcs following the revival's earlier seasons.[70] This series centered on the ongoing challenges faced by the three couples—Adam Williams (James Nesbitt) and Karen Marsden (Hermione Norris), Pete (John Thomson) and Jenny Gifford (Fay Ripley), and David Marsden (Robert Bathurst) with his partner Nikki Kirkbright (Siobhan Finneran)—as they navigated midlife transitions, health crises, and relational strains amid the demands of blended families and personal ambitions.[107] The plot arc emphasized final reckonings, particularly through Jenny's battle with breast cancer, which had been introduced in series 8 and remained in remission at the start but loomed as a persistent threat. Adam and Karen's burgeoning romance evolved into a blended family dynamic, complicated by domestic chaos and an unexpected pregnancy that forced them to confront unresolved issues from their pasts, including Adam's work troubles and Karen's career pressures in publishing.[107] David's relationship with Nikki settled into stability, yet a chance encounter with his ex-wife Robyn (Lucy Robinson) stirred old emotions, testing his commitment. Meanwhile, Pete and Jenny focused on cherishing their second chance at life, with Pete mediating group tensions and supporting Jenny through her post-treatment anxieties, including a pivotal mammogram that ultimately confirmed her all-clear.[108][109] Key events across the episodes highlighted these tensions and their resolutions. In the opener, Adam faced professional repercussions at work while the group's dynamics shifted due to his relationship with Karen, and Jenny grappled with life after treatment. Subsequent episodes explored family disruptions from unexpected visitors, strained mother-daughter bonds for Karen and Jenny, and Pete's failed attempts at personal reinvention, culminating in heartfelt confrontations. The series wrapped with open-ended yet affirming conclusions: Adam and Karen reconciled after Karen declined a London job offer, opting to balance family and career, with Adam planning a proposal during a road trip; Jenny and Pete embraced a simpler future post her clean scan; and David proposed to Robyn after rekindling their connection, leaving his future with Nikki ambiguous. These endings provided a group farewell infused with reflections on enduring friendships and personal growth, underscoring the characters' resilience over decades.[108][109] Unique to this series was its subtle meta-commentary on the show's longevity, woven through the characters' discussions of aging, second chances, and the passage of time, mirroring the program's own revival journey. Following the finale, creator Mike Bullen announced an indefinite hiatus to allow the series to rest, with talks for a tenth series ongoing but not confirmed as of November 2025.[110]Broadcast and distribution
UK broadcast
Cold Feet was commissioned by ITV, with the original five series airing from 15 November 1998 to 16 March 2003, primarily in Sunday night timeslots at 9:30 p.m. or 10 p.m.. The show achieved significant popularity during this period, peaking at over 10 million viewers for the series 5 finale in March 2003.. Average audiences for the original run often exceeded 8 million, establishing it as a cornerstone of ITV's drama lineup.. Following a 13-year hiatus, ITV revived the series with six additional series from 2016 to 2020. Series 6 premiered on Monday 5 September 2016 at 9 p.m., attracting 6.1 million viewers on average and peaking at 6.6 million.. Subsequent series shifted slots, with series 7 airing on Fridays at 9 p.m. in 2017 and series 8–9 returning to Mondays at 9 p.m. in 2018 and 2019–2020, with viewership declining to averages of around 5 million for series 7 and 3.5–4 million for series 8–9 despite the decline from original peaks.. Repeats of the series have been broadcast on sister channels ITV2 and ITV3, targeting younger and older demographics respectively.. All episodes became available for streaming on ITVX after the series 9 finale in February 2020, allowing on-demand access for UK viewers.. The programme did not feature dedicated Christmas specials, though ITV aired marathon catch-ups of earlier series ahead of the 2016 revival to re-engage audiences..International distribution
The British comedy-drama series Cold Feet has been exported to over 90 countries worldwide, achieving significant international viewership through broadcast and syndication deals.[111] In the United States, the original run aired on the cable network Bravo, which acquired rights to 21 episodes starting in 2003, while the 2016 revival and subsequent series became available via streaming platforms.[112] In Australia, episodes were broadcast on UK.TV during the early 2000s, with the revival premiering on Acorn TV in 2019.[113] Post-revival syndication has expanded availability, including deals in Europe, the Middle East, and Africa following the 2016 recommissioning.[114] As of 2025, Cold Feet is accessible on streaming services in select regions, such as Amazon Prime Video and BritBox in the US and Australia, though availability is subject to regional licensing restrictions that limit access in some territories.[115] Prior to the 2016 revival, international distribution was managed by Granada International, which facilitated sales and format licenses to markets including Italy and Poland.[116][117] Following the revival, ITV Studios took over global distribution, securing additional broadcast agreements across Europe and beyond, contributing to the series' sustained overseas presence.[114] The series has resonated internationally, particularly in Europe, where its realistic depiction of relationship dynamics and social issues has drawn strong audiences and prompted local interest in adaptations.[114] This appeal has been evident in high demand metrics in countries like Germany, where audience engagement exceeds the average for similar TV series.[118]Home media
The home media releases of Cold Feet primarily consist of DVD box sets, with no official Blu-ray editions produced as of 2025. The original five series were first released on DVD in the UK starting in 2004, with individual season sets and complete collections available through distributors like ITV DVD. For example, the complete original series (series 1–5, 32 episodes) was issued as a 11-disc box set featuring behind-the-scenes documentaries, cast interviews, deleted scenes, and outtakes.[119] Revival series received subsequent DVD releases: series 6 in 2016, series 7 in 2017, series 8 on 25 February 2019 as a 2-disc set, and a complete series 1–8 box set (14 discs, 2673 minutes) also in 2019.[120] The full run through series 9 was compiled into a 2020 UK Region 2 box set.[121] In the US, these are available as Region 1 imports, often through Australian or UK distributors like Madman Entertainment.[122] Digital distribution options emerged later, with episodes available for purchase or download on platforms such as Apple TV (iTunes) and Amazon Prime Video by the mid-2010s. Individual seasons and complete series can be bought digitally, with streaming access via services like BritBox in the US and UK.[4][123] Extras on digital versions are limited compared to DVDs, typically excluding commentaries or deleted scenes. Merchandise tie-ins are minimal, focused on literary extensions rather than physical products. The primary tie-in is the official novel Cold Feet: The Lost Years by Carmel Harrington, published in 2019, which bridges the narrative gap between series 5 and 6 in collaboration with creator Mike Bullen.[124] No extensive apparel or other merchandise lines have been officially produced.Reception
Critical reception
Upon its debut in 1997, Cold Feet received acclaim for its sharp wit and grounded depiction of thirtysomething relationships, distinguishing itself from American counterparts like Friends through a more acerbic and relatable British lens. Critics praised the series for blending humor with emotional depth, creating characters that resonated with audiences navigating love, career pressures, and personal growth in Manchester.[125][126] The show's first season earned an 80% approval rating on Rotten Tomatoes based on five reviews, highlighting its innovative comedy-drama format.[127] The 2016 revival elicited a mixed but largely warm initial response, with reviewers noting its successful rekindling of nostalgic charm while updating the characters for midlife challenges. Season 6 garnered positive notices for being "warm, funny, confident and clever," though some felt it risked feeling dated compared to the original's youthful energy.[128] By series 7 and 8, opinions evolved toward greater enthusiasm, particularly in outlets like Radio Times, which lauded the later episodes for their stylish return and must-watch relevance in addressing contemporary issues.[92] Season 7 achieved an 88% Rotten Tomatoes score, while season 8 stood at 70%, reflecting a balance of praise for its enduring appeal and critiques of occasional predictability.[129][130] Overall, the series holds an 82% Tomatometer rating across 45 reviews, alongside an IMDb user average of 8.2/10 from over 5,000 ratings.[10][16] Throughout its run, Cold Feet was consistently commended for its naturalistic dialogue and the strong chemistry among the ensemble cast, including James Nesbitt, Helen Baxendale, and Robert Bathurst, which fostered authentic ensemble dynamics.[85] However, later seasons faced criticism for pacing issues, with some storylines veering into melodramatic territory that diluted the original's subtle realism.[131] Despite these, the series maintained its reputation for insightful portrayals of friendship and personal evolution.[132]Awards and nominations
Cold Feet received numerous awards and nominations throughout its run, particularly during its original 1997–2003 period, with peaks in recognition for series 1–3, and fewer accolades following the 2016 revival. The series earned acclaim for its writing, performances, and overall production, securing wins from prestigious bodies such as the British Academy of Film and Television Arts (BAFTA) and the Royal Television Society (RTS). Key honors include a BAFTA Television Award for Best Drama Series in 2002 and multiple British Comedy Awards.[133][25][134] The following table summarizes major awards and nominations by year, focusing on significant categories:| Year | Award Body | Category | Nominee/Winner | Result |
|---|---|---|---|---|
| 1999 | BAFTA Television Awards | Best Situation Comedy/Comedy Drama | Cold Feet (Series 1) | Won[25] |
| 2000 | RTS Programme Awards | Best Writing - Comedy | Mike Bullen (Cold Feet Series 2) | Won |
| 2000 | British Comedy Awards | Best TV Comedy Drama | Cold Feet (Series 2) | Won[134] |
| 2001 | BAFTA Television Awards | Best Actress | Fay Ripley (Cold Feet) | Nominated[8] |
| 2002 | BAFTA Television Awards | Best Drama Series | Cold Feet (Series 4; producers Andy Harries, Spencer Campbell, Mike Bullen) | Won[133] |
| 2002 | BAFTA Television Awards | Best Actor | James Nesbitt (Cold Feet) | Nominated[135] |
| 2002 | National Television Awards | Most Popular Comedy Programme | Cold Feet | Won[136] |
| 2003 | British Comedy Awards | Best TV Comedy Drama | Cold Feet (Series 5) | Won[134] |
| 2003 | National Television Awards | Most Popular Comedy Performance | James Nesbitt (Cold Feet) | Won[8] |
| 2017 | National Television Awards | Most Popular Drama | Cold Feet (revival) | Nominated[25] |