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Restore Point

Restore Point (Czech: Bod obnovy) is a 2023 Czech-language cyberpunk science fiction thriller film written and directed by Robert Hloz in his feature-length directorial debut.^[1] Set in central Europe in 2041, the story centers on a detective investigating the murder of a married couple, where advanced "restore point" technology—allowing brain backups every 48 hours to revive victims of violent crimes within that window—successfully resurrects only one spouse, complicating the inquiry into motives and conspiracies surrounding the technology's potential privatization.^[2]^[1] Starring Andrea Mohylová as the lead detective Emma Trochinowska, the film explores themes of immortality, corporate control, and ethical dilemmas in a dystopian society where unnatural deaths can be undone, blending police procedural elements with speculative fiction.^[1] Released internationally in 2024, it received praise for its atmospheric visuals and neo-noir aesthetics reminiscent of Blade Runner, though critics noted occasional narrative inconsistencies amid its ambitious world-building.^[3]^[4]

Synopsis

Plot Summary

In 2041 Central Europe, a dystopian society grapples with high rates of violent crime amid advanced restoration technology that permits revival after unnatural deaths through biometric backups, which must be updated every 48 hours to prevent "Frankenstein’s Disease," a condition causing degradation in older restores.^[5] Detective Emma Trochinowska, motivated by the prior death of her husband Peter in conflicts with anti-technology extremists, investigates the murders of scientist David Kurlstat—a pioneer in the restore point system—and his wife, whose recent backups have been erased by a virus, rendering standard restoration impossible and resulting in permanent death for over 1,000 similar cases.^[5] ^[6] David is experimentally revived from a six-month-old backup, enduring side effects including memory gaps and implanted abilities, and joins Emma to pursue the killers, initially suspected to be the River of Life, a terrorist group decrying the technology as unnatural.^[5] As the probe deepens, revelations expose corporate corruption at the Restore Point Institute led by CEO Rohan, who advocates privatizing the publicly mandated system for profit through continuous backups and cryptocurrency schemes, while fabricating the River of Life as propaganda to justify restrictions.^[5] ^[6] Key discoveries include the password "Florence"—David's deceased daughter's name—unlocking databases, and the shocking truth that David himself killed his wife in an unremembered incident tied to experimental restores.^[6] Europol agent Mansfield, posing as an ally, emerges as Rohan's enforcer, eliminating seditionist Viktor Toffer and attempting to permanently kill David and Emma by shooting her before her 48-hour backup window expires; Emma survives restoration, leading to the arrests of Rohan and Mansfield by her superiors.^[5] In the resolution, David is exonerated of intentional murder, though burdened by guilt over his wife's death and a sacrificial act, while Emma conceals aspects of David's unintentional killing to avert broader chaos, offering him a four-month-old backup of his wife as partial solace amid lingering ethical quandaries over the technology's limits and manipulations.^[5] ^[6] The narrative underscores personal stakes, with Emma's ambition and vendetta intertwining with David's desperation, culminating in a fragile restoration of order tainted by conspiracy and moral compromise.^[7]

Setting and Technological Premise

The film is set in 2041 in a near-future Central European metropolis resembling Prague, characterized by stark social inequalities, widening economic divides, and profound societal transformations driven by advanced biotechnology.^[8]^[9] Urban landscapes feature cyberpunk aesthetics with neon-lit streets, high-tech surveillance, and segregated districts highlighting class disparities between the tech elite and underclass.^[10]^[11] Central to the world's technological premise is the Restore Point system, a mandatory neural implant that automatically backs up an individual's brain data and consciousness every 48 hours.^[12]^[13] This enables restoration teams to revive victims of unnatural deaths—such as murders or accidents—by uploading the latest backup into a cloned body, effectively canceling the death if performed promptly after the incident.^[14]^[15] However, the system excludes natural causes of death, like illness or old age, and fails if no backup exists within the 48-hour window, imposing strict procedural limits on revivals that require forensic verification of unnatural causation.^[16]^[17] The technology's constraints create behavioral incentives in criminal acts, as perpetrators must account for the restoration mechanism by, for instance, delaying kills beyond the backup cycle or disrupting the implant to ensure permanent elimination.^[18] This portrayal grounds the premise in operational realism, emphasizing empirical factors like backup frequency and verification protocols over infallible resurrection.^[19]

Cast and Characters

Principal Cast

Andrea Mohylová leads the cast as Detective Em Trochinowska, an ambitious 27-year-old investigator navigating the ethical complexities of restoration technology in a murder probe. Primarily recognized for her theater work in Czech productions, Mohylová's film portrayal emphasizes the character's relentless drive and isolation, earning praise from critics for its focused intensity in a sci-fi thriller context.^[2]^[1]^[3] Matěj Hádek plays David Kurlstat, the restored husband central to the plot's technological premise, whose consciousness revival from a recent backup highlights the film's exploration of identity continuity. A Slovak-Czech actor with prior roles in thrillers like the 2016 drama The Teacher, Hádek's performance underscores the disorientation and moral ambiguity of post-restoration existence.^[1]^[20] The ensemble features Milan Ondrík as Viktor, a key restoration team operative, and Václav Neužil as Mansfeld, roles that support the investigative framework without overshadowing the leads. Casting draws from the film's Czech-Slovak-Polish-Serbian co-production, favoring regional actors versed in dramatic genres to maintain linguistic and cultural authenticity in Central European settings.^[21]^[22]^[20]

Supporting Roles and Performances

Milan Ondrík portrays Viktor Toffer, a key antagonist affiliated with the anti-technology group River of Life, whose interrogations and revelations introduce moral complexity and propel the plot's conflict between technological advancement and societal backlash.^[5]^[23] His performance effectively conveys ideological fervor, heightening tension in confrontation scenes with investigators.^[13] Karel Dobrý plays Rohan, the director of the Restoration Institute, representing corporate oversight and potential complicity in the conspiracy, as evidenced by allegations of funding attacks to discredit rivals.^[5] Dobrý's restrained depiction underscores institutional opacity, contributing to the film's critique of power structures without overt villainy. Václav Neužil's Agent Mansfeld serves as an investigative ally, facilitating procedural elements like evidence analysis and restoration oversight, with his role emphasizing collaborative dynamics in high-stakes inquiries.^[22]^[24] The ensemble of supporting performers, drawn from Czech, Slovak, and Polish talent, delivers cohesive portrayals that ground the dystopian premise in regional authenticity, avoiding stereotypical tropes.^[10] In ensemble sequences involving restoration procedures and multi-agency investigations, actors like Ondrík, Dobrý, and Neužil maintain narrative momentum through subtle interplay, earning praise for collective conviction that sustains suspense amid technical exposition.^[1]^[25] Critics noted the supporting cast's ability to balance functional roles—antagonists fueling ethical dilemmas, executives navigating bureaucracy, and allies driving procedural realism—without diluting the central intrigue.^[26]

Production

Development and Pre-Production

Robert Hloz, making his feature directorial debut, conceived Restore Point as a cyberpunk thriller exploring consciousness restoration technology in a near-future setting. The project originated in 2017 when Hloz pitched it at the Sitges Pitchbox, followed by winning the Screen International Best Pitch Award at the 2017 Tallinn Black Nights Film Festival's Baltic Event co-production market in early 2018.^[27]^[28] The screenplay was collaboratively written by Hloz alongside Tomislav Čečka and Zdeněk Jecelín, focusing on a detective investigating a murder amid societal shifts enabled by "restoration" backups of human minds, drawing stylistic and thematic influences from cyberpunk precedents like Blade Runner.^[29]^[10] This original script emphasized ethical dilemmas of reversible death without relying on established franchises, positioning the film as an independent Eastern European entry in the genre rather than a high-budget Hollywood production.^[3] Pre-production advanced through international co-financing, with Czech company Film Kolektiv (led by producer Jan Kallista) spearheading development from around 2018 onward, supplemented by partners including Slovakia's D.N.A. Production, Poland's Film Produkcja, and Serbia's Art & Popcorn.^[30]^[10] This multinational structure, typical of regional indie cinema, enabled resource pooling for visual effects and sets on a modest scale, contrasting with the multimillion-dollar outlays of comparable U.S. sci-fi films, while principal photography commenced in December 2021.^[30]

Filming and Technical Aspects

Principal photography for Restore Point occurred primarily in the Czech Republic, leveraging existing brutalist architecture and real urban environments to convey a near-future setting of decayed infrastructure and cyberpunk grit without relying heavily on constructed sets.^[31] Director Robert Hloz prioritized shooting in authentic locations and capturing elements in-camera to ground the film's speculative technology in tangible realism, minimizing artificiality in core scenes.^[31] The production blended practical effects with selective CGI, using physical props for restoration procedures and biometric interfaces to achieve discomforting verisimilitude in human-technology interactions, while digital tools embellished environmental details like holographic displays and urban overlays for cyberpunk aesthetics.^[10] Visual effects were handled by Magic Lab, a European studio, focusing on understated integration rather than overt spectacle to support the narrative's procedural tension.^[32] This approach addressed challenges in simulating 2041-era tech, such as brain-backup hardware and neural restoration, by constructing functional prototypes that informed both actor performances and on-set dynamics.^[33] Action sequences demanded precise choreography amid practical constraints, including low-light chases through derelict spaces that tested lighting rigs and stunt coordination to evoke noir urgency without compromising safety or continuity. Cinematographer's choices, including a desaturated palette of cool grays and blues, enhanced the film's atmospheric tension, rendering rain-slicked streets and shadowed interiors with a stark, immersive depth that amplified the story's ethical undercurrents.^[19] Sound design complemented this by layering ambient industrial hums with crisp, metallic echoes of tech manipulations, achieved through on-location recordings to heighten sensory realism in dialogue-free investigative moments.^[10]

Release and Distribution

Restore Point premiered at the Karlovy Vary International Film Festival on July 7, 2023.^[34] It subsequently screened at the Fantasia International Film Festival in July and August 2023.^[35] The film received a theatrical release in the Czech Republic on September 21, 2023.^[36] Distribution deals for international markets were secured at the 2023 Cannes Marché du Film, including sales to XYZ Films for territories such as the United States and Canada.^[37] In North America, Restore Point became available for video on demand (VOD) starting February 9, 2024, through XYZ Films.^[1] Additional releases occurred in select European countries earlier, such as Germany on September 6, 2023, with no reported delays attributable to its Czech-Slovak-Polish-Serbian co-production.^[36] The rollout emphasized theatrical exhibition domestically followed by digital streaming and VOD internationally.^[38]

Themes and Analysis

Core Concepts: Restoration Technology and Consciousness

In the film Restore Point, restore points represent a fictional neural backup system that captures an individual's complete brain state every 48 hours, enabling the reconstruction of both body and mind following an unnatural death, provided the backup is sufficiently recent.^[39]^[14] This mechanism posits a form of digital immortality limited to violent or accidental fatalities, excluding natural causes such as aging or illness, thereby framing resurrection as a targeted intervention against external disruptions rather than comprehensive life extension.^[40] The technology's operation implies a scan-and-rebuild process, where the backed-up neural data serves as a blueprint for regenerating the deceased's physical form and mental continuity, ostensibly preserving the original person's memories, personality, and cognitive processes without interruption.^[10] From a first-principles perspective, however, this depiction invites scrutiny of whether such restoration achieves genuine continuity of self or merely instantiates a high-fidelity duplicate. Causal continuity of consciousness requires an unbroken physical and informational chain linking the pre-death instance to the post-restoration one, akin to the persistence of identity through gradual bodily changes; a backup-and-rebuild process severs this chain, as the original neural substrate is destroyed, replaced by a reconstructed analog that matches patterns but lacks the same spatiotemporal trajectory.^[41] Philosophers analyzing mind uploading argue that even perfect emulation yields branching identity—multiple claimants to the self—rather than transfer, since consciousness emerges from specific causal histories, not replicable information patterns alone; the restored entity would experience subjective continuity, yet the original's cessation undermines claims of true preservation.^[42] The film's portrayal glosses over this distinction, treating restoration as seamless revival, but real-world analogs in brain emulation highlight the philosophical impasse: no empirical evidence supports transferring qualia or first-person perspective beyond the original hardware.^[43] Empirically, the film's constraints—such as the 48-hour backup window and inherent failure risks during reconstruction—underscore practical vulnerabilities absent in overly optimistic transhumanist visions of indefinite backups.^[39] These limits reflect rudimentary feasibility concerns, mirroring current neuroscience's inability to non-destructively scan synaptic connectomes at scales exceeding small animal brains, let alone capture dynamic electrochemical states or quantum effects potentially underpinning awareness.^[44] Restoration failures in the narrative expose systemic frailties, like data corruption or incomplete neural mapping, which erode identity over iterations, as cumulative errors could diverge the restored mind from its antecedent, fostering a gradual dilution of self rather than immortality.^[5] Causally, restore points reshape human incentives by commodifying death as reversible for unnatural causes, potentially diminishing deterrents to violence—perpetrators might anticipate victims' recovery—while offering asymmetric insurance against mortality for the affluent or compliant.^[45] This alters risk calculus: individuals could exhibit heightened recklessness, knowing backups mitigate existential threats, yet the technology's exclusivity and unreliability counteract naive assumptions of universal safeguards, as access depends on regular updates and state approval, introducing dependencies that heighten rather than eliminate vulnerabilities.^[14] Such dynamics reveal transhumanist overreach, where the film illustrates how engineered resilience invites exploitation and ontological fragility, prioritizing pattern replication over irreducible causal uniqueness of lived experience.^[46]

Ethical and Societal Implications

In the dystopian setting of Restore Point, restoration technology exacerbates socioeconomic inequalities by limiting access to periodic consciousness backups—essential for revival—to those who can afford the service, thereby widening the gap between elites and the underclass. This leads to heightened social unrest, including Luddite-style resistance against technological dependency, as depicted through rising crime rates that prompted the Restoration Institute's creation. Such portrayals align with causal analyses of real-world innovations, where brain-computer interfaces like Neuralink risk entrenching disparities if enhancements remain premium commodities, potentially displacing lower-income workers unable to compete with augmented elites.^[47]^[48]^[49] Ethically, the film's narrative underscores moral hazards in circumventing mortality, where repeated restorations erode personal accountability by allowing individuals to evade consequences of risky behaviors, challenging the natural incentives of finite life for prudence and growth. Proponents of such technologies argue they represent progress by mitigating untimely deaths from accidents or violence, akin to optimistic views on neural backups for cognitive preservation. However, conservative critiques highlight disruptions to societal norms, including overpopulation pressures and diminished valuation of human life, as immortality pursuits could undermine evolutionary adaptations tied to generational turnover. Empirical concerns from mind-uploading discussions reinforce these risks, noting that digital copies may not preserve true consciousness, fostering illusions of continuity while inviting existential commodification.^[15]^[50]^[51] The movie warns against corporate monopolies controlling revival tech, implying pervasive surveillance via mandatory data uploads, which could enable authoritarian oversight under the guise of security—a realism echoed in critiques of Neuralink's privacy vulnerabilities. While tech advocates envision democratized access reducing inequalities over time, historical patterns with elite technologies suggest persistent divides, fueling anti-tech movements prioritizing human agency over engineered longevity. These implications prioritize causal outcomes over idealized equity, illustrating how unchecked innovation might destabilize social fabrics without robust ethical safeguards.^[10]^[52]^[53]

Stylistic Influences and Narrative Techniques

Restore Point employs a neo-noir cyberpunk aesthetic, characterized by an icy palette of greys and blues that evokes a brutalist, dystopian future, drawing direct visual and tonal influences from classics like Blade Runner.^[3]^[19] This style manifests in glossy, mainstream genre visuals that blend high-concept sci-fi with gritty procedural elements, though critics note the film's heavy reliance on Hollywood precedents limits original stylistic breakthroughs in director Robert Hloz's debut.^[10]^[3] Narratively, the film adopts a twisty thriller structure centered on a procedural investigation, where detective work unravels causality through forensic restoration sequences, maintaining momentum via escalating revelations and moral ambiguities typical of noir crime tales fused with speculative fiction.^[29]^[5] Editing choices heighten tension in these restoration moments, employing understated visual effects grounded in practical props to underscore the technology's eerie realism without overwhelming the plot's investigative drive.^[11] While derivative in borrowing from sci-fi forebears like Blade Runner and Frankenstein for its atmospheric dread and ethical puzzles, Hloz innovates modestly by integrating Central European locales into the cyberpunk milieu, creating a grounded yet futuristic procedural rhythm that sustains viewer engagement.^[54]^[55]

Reception

Critical Response

Restore Point received generally favorable reviews from critics, with praise centered on its ambitious world-building, visual effects, and director Robert Hloz's assured debut handling of sci-fi tropes. On Rotten Tomatoes, the film holds a 95% approval rating based on 41 critic reviews, reflecting acclaim for its polished production values and tense thriller elements in a cyberpunk setting.^[2] Variety highlighted Hloz's direction as "impressively slick," noting the film's high-caliber production design and its potential for global appeal as a Czech entry in the genre.^[10] Critics also pointed to shortcomings in originality and narrative depth, often comparing it unfavorably to Hollywood influences like Blade Runner. The Guardian described it as a "valiant attempt" at cyber-noir but critiqued its reliance on familiar futurescapes, suggesting it competently mimics rather than innovates within the subgenre.^[3] On Metacritic, the film scores 74 out of 100 based on six reviews, indicating generally favorable reception tempered by observations of derivative plotting and pacing inconsistencies that undermine its philosophical undertones.^[4] Overall, reviewers appreciated the film's revival of retro-futuristic aesthetics through Eastern European lenses but faulted it for not fully transcending genre clichés, positioning it as a solid if unoriginal contribution to international sci-fi.^[10]^[3]

Audience and Commercial Performance

Restore Point garnered a 6.1 out of 10 rating on IMDb based on over 3,293 user votes as of late 2025.^[1] On Rotten Tomatoes, the audience score stands at 56% from verified viewers, contrasting sharply with the 95% critics' score derived from 41 reviews, indicating a notable divergence in reception between professional critics and general audiences.^[2] This pattern suggests the film's cerebral sci-fi elements and noir styling resonated more with critics than with broader viewers seeking conventional entertainment pacing. The film's box office performance reflected its status as a low-budget independent production from the Czech Republic, with a reported budget of approximately $2 million.^[38] Worldwide gross earnings reached $890,981, primarily driven by its home market where it earned 19,611,429 CZK (about $842,000 USD) in the Czech Republic following its September 21, 2023 release.^[1] Additional revenue came from limited theatrical runs in neighboring Slovakia and select international festivals, but it did not achieve wide commercial breakthrough outside Central Europe due to its niche genre and lack of major studio backing.^[56] Post-theatrical distribution emphasized video-on-demand platforms, with availability on services like Apple TV, Prime Video, and YouTube starting in early 2024, facilitating access in North America and Europe.^[57] While specific streaming metrics remain undisclosed, the film cultivated a dedicated following within sci-fi enthusiast communities, evidenced by active discussions on platforms like Letterboxd where it holds an average user rating of 3.1 out of 5 from over 3,300 logs.^[13] Its regional appeal in Central Europe, bolstered by local talent and settings, contributed to sustained niche viewership rather than mass-market dominance.^[58]

Awards and Nominations

Restore Point achieved notable recognition at the 31st Czech Lion Awards, the principal national film honors in the Czech Republic, held on March 9, 2024. The film secured four competitive wins: Best Cinematography, Best Film Editing (Jarosław Kamiński), Best Sound (Lukáš Ujčík, Samuel Jurkovič, Jan Šulcek), and Best Production Design.^[59] ^[60] Additionally, director Robert Hloz received the non-statutory Audience Award, voted by film enthusiasts.^[61] The picture earned eight nominations overall, including for Best Film, Best Director, and Best Supporting Actor (Václav Neužil).^[62] At the Fantasia International Film Festival in Montreal, where Restore Point premiered internationally in July 2023, it won the Prix L'Écran Fantastique, a jury award recognizing outstanding genre screenplays.^[63] No further major international awards or Academy Award nominations were reported for the debut feature.^[64]

References

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Restore Point (2023) - IMDb
Rating 6.1/10 (3,293) Set in 2041 central Europe, a detective investigates a murdered couple; a restoration team brings one back to life. It is a Police Procedural, Crime, Drama, ...Restore Point · FAQ · Full cast & crew · News
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Rating 95% (41) Ambitious detective Emma Trochinowska (27) has to solve a murder of a married couple. But the restoration team was able to bring only one of them back to life.
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Mar 26, 2024 · A valiant stab nonetheless at equalling Hollywood futurescapes, Restore Point should stave off cyber-noir cravings for a couple of hours.<|separator|>
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Rating 3.7 (6) It's the year 2041, and humanity has reached the point where it can cheat death. Anyone who dies an unnatural death has the right to be brought back to life ...<|separator|>
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Mar 18, 2024 · This was a science fiction crime drama, but it's got body horror and the dead being brought back to life, so we're going to say it overlaps into the horror ...
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Rating 3.1 (3,387) A breakthrough in science has given humanity the ability to bring victims of a violent crime back to life by backing up their brain every 2 days. This allows an ...
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Feb 8, 2024 · Set in 2041, 'Restore Point' uses brain backups for revival. A detective investigates a murder, and a terrorist group uses expired backups to ...
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A Czech sci-fi film about a conspiracy surrounding the planned privatization of a technology that allows people to back-up their brains and be brought back ...
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Oct 21, 2023 · When a couple is found dead in a parking lot without valid restore points saved to revive them, Detective Em Trochinowska (Andrea Mohylova) goes ...Missing: explanation | Show results with:explanation
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Cast & Crew · Robert Hloz · Andrea Mohylová · Matej Hádek · Milan Ondrík · Václav Neuzil · Karel Dobry · Agáta Červinková · Katarzyna Zawadzka.
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Andrea Mohylová. Em Trochinowská · Matěj Hádek. David Kurlstat · Václav Neužil. Mansfeld · Milan Ondrík. Viktor · Karel Dobrý. ředitel Rohan · Agáta Červinková.
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The authors of this paper argue that research with the explicit aim of extending the human lifespan is both undesirable and morally unacceptable.Missing: critiques | Show results with:critiques
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What are the ethical consequences of immortality technology? - Aeon
Aug 8, 2017 · Another problem arises with the prospect of copying your uploaded mind and running the copy simultaneously with the original.
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Elon Musk's Neuralink has concerning lack of transparency and ...
Feb 19, 2024 · Brain-computer interfaces have the potential to transform some people's lives, but they raise a host of ethical issues, too.Missing: impacts | Show results with:impacts
[53]
Exploring Neuralink's effects on Society
Oct 14, 2023 · The device's potential for human enhancement could be detrimental to education and employment if everyone does not have access to it.Missing: inequality | Show results with:inequality
[54]
Berkreviews RESTORE POINT @ Fantasia 2023
Jul 26, 2023 · While the story is original, there are clear influences from sci-fi history, like Frankenstein and Blade Runner. The universality of themes also ...Missing: stylistic narrative techniques
[55]
Restore Point Review: Impressive Czech cyber punk noir thriller
Mar 28, 2024 · Restore Point will always struggle with an element of imposter syndrome. Its characters, narrative and setting have all been seen before, but ...Missing: neo- | Show results with:neo-
[56]
Restore Point (2023) - Box Office Mojo
Restore Point (2023). Set in central Europe during 2041, a female detective ... Gross. Czech Republic, Sep 21, 2023, $187,827, $841,978. Slovakia, Sep 21 ...Missing: earnings | Show results with:earnings
[57]
Where to Watch Restore Point | Moviefone
'Restore Point' is currently available to rent, purchase, or stream via subscription on Apple TV, YouTube, Fandango At Home, Hoopla, Prime Video, Google Play ...Watch 'restore Point' Online · Similar Movies · Movie And Tv ReviewsMissing: popularity VOD
[58]
XYZ Films Closes Raft of Deals on Czech Sci-Fi Feature 'Restore ...
May 26, 2023 · Kolektiv XYZ Films has closed a raft of deals for Czech filmmaker Robert Hloz's science-fiction feature “Restore Point,” which is part of the company's ...Missing: commercial | Show results with:commercial
[59]
Brothers wins Best Feature Film at Czech Lion Awards 2023
Mar 10, 2024 · Restore Point – director Robert Hloz Czech Lion Awards in numbers. Volga – 5 Czech Lions Restore Point – 4 Czech Lions Suppressed – 2 Czech ...
[60]
[PDF] 31st CZECH LION AWARDS – RESULTS
BEST FILM EDITING. Bod obnovy (Restore Point) – Jarosław Kamiński. BEST SOUND. Bod obnovy (Restore Point) – Lukáš Ujčík, Samuel Jurkovič, Jan Šulcek. BEST MUSIC.
[61]
Czech Lion Nomintaions Revealed - DNA Production
Jan 16, 2024 · At the same time, Robert Hloz, the Restore Point director, received the non-statutory film fans award.
[62]
Brothers Wins Best Feature Film at 31st Czech Lion Awards
Mar 10, 2024 · Filip Marek for Restore Point / Bod obnovy (Czech Republic, Slovakia, Poland, Serbia) ... Best Actress in a Supporting Role: Milena Steinmasslová ...
[63]
27TH EDITION OF FANTASIA ANNOUNCES AUDIENCE AWARDS
Aug 14, 2023 · Additional jury awards: ▻ PRIX L'ÉCRAN FANTASTIQUE. RESTORE POINT (Czech Republic, d. Robert Hloz). ▻ PRIX MON PREMIER FANTASIA - SHORT.
[64]
Restore Point (2023) - Awards - IMDb
2024 Nominee Czech Lion. Best Supporting Actor (Muzský herecký výkon ve vedlejsí roli). Václav Neuzil · 2024 Winner Czech Lion.