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Rob & Fab

Rob & Fab was a short-lived and duo formed in 1990 by musicians and Fabrice Morvan following their public fallout from the pop group . Pilatus and Morvan, who had gained international fame as the faces of but were revealed to have lip-synced to other vocalists' recordings on the group's 1988–1989 albums, sought to reestablish themselves as authentic performers capable of singing and dancing live. The duo's sole project was their self-titled debut , Rob & Fab, released on March 29, , by the independent label Joss Entertainment. Produced with a harder-edged sound incorporating influences, the featured 11 tracks, including the "We Can Get It On," and showcased Pilatus and Morvan's actual vocals for the first time in their career. Recorded at studios in , such as Granny's House and J Jams, the record blended electronic, , , and elements in an effort to distance themselves from Milli Vanilli's bubblegum pop image. Despite their intentions to demonstrate vocal talent and stage presence—Pilatus and Morvan publicly emphasized performing live without pretense—the received limited promotion due to the label's financial instability, sold around 2,000 copies, and achieved minimal commercial success. Pilatus and Morvan's partnership under the Rob & Fab moniker lasted only a few years, strained by personal and professional challenges, including the label's financial difficulties. The duo's efforts highlighted themes of in the music industry, as they expressed in interviews a desire to contribute to greater in pop performance practices. Tragically, died in 1998 at age 33 from an overdose, effectively ending any possibility of further collaborations, while pursued a solo career.

Background

The Milli Vanilli scandal

The Milli Vanilli scandal erupted in 1989 when doubts about the duo's live performances surfaced, ultimately revealing that and , who had been hired by producer as dancers and models, had never sung on their recordings. On July 21, 1989, during a at in , the backing track for their hit "Girl You Know It's True" malfunctioned and repeatedly skipped the phrase "Girl, you know it's...", exposing their lip-syncing to a crowd of thousands. Rumors intensified in December 1989 when session vocalist Charles Shaw publicly claimed he had provided the parts for the duo's debut album Girl You Know It's True, prompting to issue a firm denial and assert that Pilatus and Morvan were the true performers. Despite the growing controversy, Milli Vanilli won the Grammy Award for Best New Artist on February 21, 1990, for their 1989 work, only for the facade to crumble later that year. On November 15, 1990, Farian held a admitting he had fabricated the duo's voices using a team of session singers, including for raps, for lead vocals, and John Davis for additional parts, while Pilatus and merely mimed during performances and promotions. Farian stated he fired the duo after they demanded to record their own vocals, shifting blame onto them for the deception. The of Recording Arts and Sciences revoked their Grammy on November 19, 1990—the time such an action has occurred in the award's . The fallout was swift and severe for Pilatus and Morvan, who lost their recording contract with , which dropped them and deleted Girl You Know It's True from its catalog, erasing millions in sales. Public backlash was intense, with fans and media portraying them as frauds, leading to class-action lawsuits settled in 1992 that offered $1 refunds per single and $3.50 per album to affected buyers. Financially strained and under constant scrutiny, the duo faced significant personal tolls; Pilatus, in particular, spiraled into , , and drug addiction, later recounting in interviews how the scandal shattered his self-worth and led to multiple rehab stints. This betrayal by Farian, who had controlled the project from its inception in 1988, directly motivated Pilatus and to rebrand as Rob & Fab in a bid to reclaim their careers through authentic performances.

Formation of Rob & Fab

Following the lip-syncing that erupted in November 1990, and , who had been the public faces of the group, parted ways with producer and announced their intention to form a new duo under their own names. The , which revealed that the pair had not sung on their hit records, led to the revocation of their 1990 Grammy Award for Best New Artist and widespread public backlash, prompting Pilatus and Morvan to seek a fresh start focused on authentic performances. The primary motivation for forming Rob & Fab was to demonstrate their legitimate talents and distance themselves from the lip-syncing , emphasizing a transition to genuine vocal contributions in the genre. In interviews, the duo expressed a desire to reclaim their public image by producing music that showcased their own voices, rather than relying on ghost singers, as a means of and artistic . This effort was driven by their frustration with being portrayed as mere performers in a deceptive setup, aiming instead to build through live and recorded . In 1992, Pilatus and signed with the independent label Taj , which was later acquired by Joss Entertainment, which financed their self-titled debut album and provided a platform for their comeback. This deal marked a significant step in their formation, allowing them to control their creative direction away from major labels like Arista, which had been tied to the fallout. During the 1990-1992 development period, the duo invested heavily in vocal training to improve their singing abilities, working with coaches to refine their technique and phrasing for English-language tracks. They described long hours of lessons as essential to overcoming their lack of prior recording experience and ensuring their performances would be verifiable as their own. This preparatory phase also involved dialect coaching to enhance their delivery, setting the foundation for demos that highlighted their improved skills before full album production began.

Career

Album development and recording

Following the Milli Vanilli scandal in late 1990, and began developing their self-titled album as a means to demonstrate their abilities, with recording sessions commencing in 1991 under the financing of Taj . The bulk of the work took place in 1992, primarily at a low-budget studio in , such as Granny's House, where the duo lived on-site for extended periods, before completion in , at J-Jam Studio, after transitioning to Joss Entertainment. Unlike their previous work, Pilatus and Morvan provided all lead vocals themselves, a deliberate choice to counter public doubts about their authenticity, supplemented by vocal coaching to refine their skills and accent. Key collaborators included Taj Records president Robert Foreman, who invested over $500,000 in the project, and Joss Entertainment executives such as manager Robert Perry and promoter Ron Alexenburg, who oversaw the final production stages. The recording emphasized a mix of pop ballads and dance tracks, blending live elements with electronic production to create an upbeat sound aimed at mainstream appeal. The process was marked by significant challenges, including severe budget limitations that restricted studio time to sporadic days over six months, leading to daily disputes over finances and creative decisions. The duo underwent intensive vocal training to build confidence, as Pilatus later noted their initial performances were met with skepticism despite genuine effort. Lyrically, the album focused on themes of redemption and romance, reflecting their personal journey toward artistic legitimacy. Taj Records' subsequent bankruptcy further complicated the effort, forcing a label switch mid-production.

Release, promotion, and chart performance

The self-titled album Rob & Fab was released on March 29, 1993, in the United States by Joss Entertainment, a small California-based label that financed the project through its subsidiary Taj Records. The lead single, "We Can Get It On," had been issued earlier in for radio play and promotional purposes, marking the duo's first release with their own vocals. Promotion centered on demonstrating the duo's authentic singing abilities to counter the lingering effects of the scandal and rebuild public trust. Music videos for "We Can Get It On" highlighted live vocal performances, while the duo made television appearances, including a notable live rendition on in October 1992 to launch the single. They also conducted promotional activities such as performing impromptu in hotel suites at radio conventions and limited U.S. club shows to showcase their genuine talents. These efforts were hampered by the label's financial constraints and industry reluctance, resulting in sparse radio airplay and targeted marketing in isolated markets. Commercially, the album achieved minimal success, selling approximately 2,000 copies in the United States, far below expectations due to the scandal's and poor distribution. The singles, including "We Can Get It On," failed to chart prominently on the , receiving little to no major-market radio support despite the promotional push. The project's underwhelming performance contributed to the label's eventual bankruptcy.

Members

Rob Pilatus

Robert Pilatus was born on June 8, 1965, in to an African-American father, who was a U.S. soldier, and a German mother. Shortly after his birth, he was placed in an orphanage and later adopted by a German family, spending his childhood and adolescence in , where he grew up in a predominantly white neighborhood. As a young man, Pilatus pursued a career in modeling and dancing, performing as a dancer in nightclubs and appearing in European television advertisements and music videos before being discovered for the pop duo . Following the Milli Vanilli lip-syncing scandal, which Pilatus shared with partner and which stripped them of their Grammy Award and derailed their careers, the pair formed the duo Rob & Fab in 1990 to attempt a musical comeback. In Rob & Fab, Pilatus contributed lead vocals—singing his own parts for the first time on record—and co-developed the duo's signature , drawing on his as a dancer to create energetic performances for their self-titled album. Pilatus's involvement with Rob & Fab was overshadowed by deepening personal struggles with drug addiction, which intensified in the wake of the scandal's and professional fallout. These issues culminated in a on November 30, 1991, involving and tranquilizers, after which he entered a center in , in December 1991, just as preparations for the Rob & Fab album promotion were underway. Despite these challenges, Pilatus persisted with the project, but his addiction persisted, leading to multiple rehab stints in the years that followed. Pilatus died of an accidental overdose on April 3, 1998, at the age of 33, in a hotel room in , near , . The cause involved a combination of , , and prescription drugs, occurring while he was attempting a musical comeback after the failure of Rob & Fab.

Fab Morvan

Fabrice Maxime Sylvain Morvan, known professionally as , was born on May 14, 1966, in , , to parents originating from in the —his mother from and his father from the nearby Les Saintes islands. Growing up in amid a vibrant cultural environment, Morvan initially aspired to become a professional but suffered a neck injury that ended those ambitions. At age 18, he relocated to , , where he established himself as a dancer and model, performing in clubs and building skills that would later define his stage presence. In the wake of the lip-syncing scandal, partnered with to form the duo Rob & Fab in 1990, aiming to reclaim their careers by recording with their own voices. As co-lead vocalist, contributed authentic to their self-titled album, marking a departure from their previous mimed performances, while also providing creative input on the duo's stylish image and energetic dance routines that emphasized their performance talents. During the album's promotion, took on the majority of media interviews, candidly addressing the scandal's fallout and defending their artistic legitimacy to rebuild public trust. Following the duo's 1993 album release, which achieved modest success in but faltered commercially elsewhere, Morvan pursued brief endeavors, including session work and small-scale live shows across venues to hone his independent artistry. The death of Pilatus in April 1998 from an accidental overdose profoundly impacted Morvan, prompting him to temporarily suspend his career as he grappled with and sought personal healing through relocation and non-musical pursuits like . Morvan later resumed his career, earning a Grammy nomination in 2025.

Legacy

Critical and commercial reception

Upon its 1993 release, the self-titled Rob & Fab album garnered mixed critical reception, with reviewers acknowledging the duo's authentic vocals as a step toward redemption while critiquing the lingering shadow of the scandal. Music critic Ken Barnes described the album's sound as retaining "some -style pop but has a harder, more hip-hop-influenced sound," praising the effort but noting widespread radio skepticism that hindered airplay, as "we couldn’t find a single one of our stations reporting it." highlighted the duo's "dubious" attempt to leverage public forgiveness, framing their performance as a high-stakes bid to prove their talent amid past deceit, though the lightweight elements drew comparisons to their earlier, reviled work. Commercially, the album underperformed significantly, selling only around 2,000 copies in the United States due to ongoing industry and public stemming from the lip-syncing . Despite this, some observers noted positive aspects of . Critics often centered their analysis on the "comeback" narrative, offering partial forgiveness for the pair's past by producers but expressing doubt about their artistic viability, as evidenced by the "We Can Get It On" failing to .

Post-duo developments and cultural impact

Following the release of their 1993 self-titled album, Rob & Fab effectively disbanded due to the project's commercial failure and Rob Pilatus's ongoing struggles with and health complications, with no additional joint material ever produced. In the years after, emerged as an advocate for the duo's story, participating in the premiere episode of VH1's series in 1997, where he detailed the pressures and manipulations behind their rise and fall. Morvan continued this effort in the 2023 Paramount+ documentary , directed by Luke Korem, which reframed the around industry exploitation and the duo's limited agency, featuring new interviews with Morvan and archival footage of Pilatus. Meanwhile, Pilatus attempted a musical return in early 1998 with recordings for a planned Milli Vanilli comeback , Back and in Attack, intended to showcase their actual vocals, though his death in April of that year halted its release. In 2025, Morvan earned a for the 2026 Grammy Award in the Best Audio Book, Narration, and Storytelling category for his work revisiting the Milli Vanilli story. The duo's lip-syncing exposure became a defining symbol of pop controversies, igniting enduring debates on , manufactured stardom, and the of performance in the music industry. This legacy drew parallels to later incidents, such as Ashlee Simpson's 2004 Saturday Night Live mishap, where technical glitches revealed pre-recorded vocals and amplified public scrutiny over live integrity.

Discography

Studio albums

Rob & Fab released their only studio album, the self-titled Rob & Fab, on March 16, 1993, through the Joss Entertainment Group label . The album consists of 11 tracks with a total duration of 46:50 and blends and elements with and influences. The self-titled release marked a deliberate fresh start for the duo following their controversy, emphasizing their own vocals throughout. It was issued in standard formats including and cassette, with promotional editions featuring remixes of select tracks. The album achieved no major certifications and saw limited commercial success.

Singles

Rob & Fab released one from their self-titled , "We Can Get It On", issued in 1992 to promote the and featuring Pilatus and Morvan's own vocals. It achieved no major chart success. The was available in multiple formats, including 12" and CD , with remixes tailored for club play such as the Radio Mix (3:29), 12" Mix (5:32), House Mix (4:29), and Bonus Beats (3:29). releases were handled by The Joss Entertainment Group under the Taj Records imprint, while European variations included a CD maxi- from Blow Up International in , featuring similar track listings but with regional artwork differences and occasional B-sides like instrumental dubs. No traditional B-sides were included on most pressings, emphasizing extended mixes instead.

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