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Ruana

A ruana is a traditional poncho-style outer garment native to the Andean highlands of Colombia and Venezuela, consisting of a rectangular woolen cloth with a central slit for the head and a front opening that allows it to be wrapped securely around the body for warmth.^[1] Typically handwoven from virgin wool, it features simple geometric patterns and serves both as protective clothing against the cold páramo climate and as a versatile wrap or blanket.^[2] The garment's design distinguishes it from a standard poncho by enabling a more fitted drape, making it practical for daily use in rural highland life.^[3] The ruana's origins trace back to pre-Columbian indigenous textiles of the Muisca (Chibcha) people in the Cundinamarca and Boyacá regions of Colombia, where early versions evolved from cotton mantas—rectangular cloths symbolizing social status and used in trade or rituals.^[4] During the Spanish colonial period in the 16th and 17th centuries, the introduction of sheep led to a shift toward wool production, transforming these mantas into the woolen ruana due to cotton shortages and colonial demands for tributes in textiles.^[4] In Venezuela's Andean páramo, similar adaptations occurred, with the garment incorporating local weaving innovations like added loom shafts for intricate patterns by the mid-20th century.^[2] Culturally, the ruana embodies resilience and heritage among indigenous, mestizo, and rural communities, particularly in Colombia's Boyacá department—known as the "cradle of the ruana"—where it is still handcrafted on traditional horizontal looms using natural dyes and passed down through generations.^[5] It holds symbolic importance as a marker of national identity, worn by farmers, artisans, and even notable figures historically, and is celebrated annually through events like the World Day of the Ruana and the National Festival of the Ruana in Boyacá, highlighting its role in folk traditions and artisanal economy.^[3] Today, while rooted in highland practicality, the ruana has gained global fashion appeal for its warmth and versatility, yet retains its status as an enduring emblem of Andean material culture.^[1]

Description

Design and Features

The ruana is a traditional outer garment defined by its straightforward rectangular form, featuring a central slit that serves as an opening for the head, allowing it to function as a poncho-style wrap. This basic structure drapes loosely over the shoulders and arms, providing symmetrical coverage that falls to the knees or lower, with the front split enabling the panels to part for ease of movement. Typically measuring about 1.2 to 1.7 meters (4 to 5.5 feet) in both length and width, varying by region and purpose, the design ensures ample fabric for layering while accommodating the wearer's body without restriction.^[6] Ruanas are generally unisex, though historical variations included shorter versions for men evolving from ponchos, while women used longer blankets like the chircate. Distinctive features include fringe along the edges, which not only adds ornamental flair but also reinforces durability, alongside woven colored stripes or simple geometric patterns that introduce decorative elements without compromising simplicity.^[5] Functionally, the ruana excels in warmth retention through its enveloping drape and insulating overlap, making it ideal for the cool Andean climate. Its loose fit and open front enhance versatility, supporting everyday activities as well as equestrian tasks in highland rural settings.^[7]

Materials and Construction

The ruana is traditionally crafted from hand-spun wool obtained from local sheep breeds raised in the Andean highlands of Colombia.^[8] This virgin wool provides essential warmth and durability, making it well-suited to the region's cold, variable weather conditions due to its natural insulation properties and moisture-wicking abilities.^[9] In contemporary adaptations, some ruanas incorporate cotton or synthetic fiber blends for lighter weight and easier care, though these deviate from ancestral practices.^[8] The construction process begins with shearing the sheep to harvest raw wool, followed by cleaning and carding to prepare the fibers.^[8] The cleaned wool is then hand-spun into yarn using a drop spindle or spinning wheel, a labor-intensive step that ensures even thickness and strength for weaving.^[9] Once spun, the yarn is dyed using natural plant-based extracts, such as those derived from cochineal insects for reds or indigo plants for blues, applied in mordant baths to achieve colorfastness.^[8] Weaving occurs on rustic manual looms, often frame-style setups passed down through generations, where the dyed yarn is threaded as warp and weft to form the rectangular base fabric.^[9] Artisans set up the loom by tensioning the warp yarns, then interlace the weft using simple shuttle techniques to create the dense, poncho-like structure with a central neck opening.^[8] After weaving, fringes are added by twisting or knotting the excess warp ends along the edges for decorative and functional reinforcement.^[9] Final finishing involves trimming loose threads, resulting in a garment that can last for decades with proper care. The wool's inherent lanolin content further enhances its weather resistance, allowing the ruana to repel light moisture while maintaining breathability in the Andean climate.^[9]

History and Origins

Etymology

The term "ruana" has multiple proposed etymological roots, reflecting the cultural and linguistic blending in the Andean region during the colonial era. One prominent theory derives it from the Quechua language, where "ruana" refers to a textile or simple garment, possibly evolving to denote a basic covering for the body.^[10] This aligns with Quechua's broader vocabulary for woven fabrics, though the word's exact form in Quechua dialects varies. Alternatively, scholars suggest an origin in the Chibcha language spoken by the Muisca people of Colombia, interpreting "ruana" as "land of blankets," a reference to the indigenous production of woolen textiles in the highlands.^[5]^[11] During the Spanish colonial period, the term was adopted in the 16th century within the New Kingdom of Granada (present-day Colombia and Venezuela), as European settlers encountered and integrated local indigenous attire into their lexicon. Early written records appear in 17th-century trade documents from ports like Santa Marta and Riohacha, where "ruana" initially described imported luxury woolen cloths akin to those from Rouen, France, before shifting to signify heavy, rectangular poncho-like garments worn by locals.^[12] These texts highlight the word's adaptation from indigenous contexts to colonial commerce, with influences from Muisca textile traditions distinguishing it from similar terms like "poncho," which stems from the Quechua "punchu" meaning a woven blanket or fabric.^[13] Spelling and pronunciation variations, such as "ruanna" in some older Spanish-American documents or elongated forms in regional dialects, reflect phonetic adaptations across Andean communities, though the standard "ruana" became prevalent by the 18th century.^[10] This linguistic evolution underscores the ruana's roots in Muisca and neighboring indigenous practices, separate from broader Quechua-influenced nomenclature in southern Andean cultures.

Early Development and Spread

The ruana traces its pre-Columbian roots to the indigenous Muisca (also known as Chibcha) and other Andean groups in present-day Colombia during the 15th century, where it functioned as a basic rectangular wrap or manta primarily made from heavy cotton cloth. These mantas were integral to Muisca society, used in daily life, trade (such as exchanging for salt), ceremonies, and burials, with colors denoting social status—red for religious leaders honoring the sun, white for moon worship, and green for the elite.^[14]^[15] Spanish chroniclers, including Fray Pedro Aguado in 1581, documented these textiles in detail, noting their craftsmanship and cultural significance upon European arrival in the region.^[15] During the 16th-century colonial period, the ruana underwent significant adaptation following the Spanish introduction of sheep and wool, which replaced scarce cotton due to tribute demands and environmental factors, transforming the garment into its thicker, more durable woolen form suited to the Andean cold. European settlers encountered the ruana through these chronicles and adopted it for practical use among laborers, herders, and peasants, who wore it as an affordable, versatile outer layer amid the conquest's social upheavals; by the 17th century, wool production had become widespread among Muisca descendants under colonial pressures. Initially viewed as a "rustic" indigenous attire by Europeans, it symbolized subjugation for the conquered but proved essential for rural work in the highlands of Cundinamarca and Boyacá.^[4]^[14]^[4] In the 19th century, the ruana spread along Andean trade routes from production centers like Tunja in Boyacá, reaching broader markets in Colombia and extending to Venezuela by the early 1800s amid growing economic exchanges in the region. This diffusion accelerated during the independence wars (1810–1820s), when ruanas were worn for their practicality by soldiers, civilians, and liberating creoles, including Simón Bolívar's army, as they traversed harsh Andean terrain—helping to build local alliances and restoring the garment's prestige beyond peasant use. By the war's end, it had become a symbol of emerging national identity across Gran Colombia, including Venezuelan Andean states like Táchira and Mérida, where colonial-era adoption had already taken root.^[14]^[1]

Regional Variations

In Colombia

Colombia serves as the primary origin of the ruana, a traditional poncho-like garment deeply rooted in the Andean highlands, where its production remains centered among indigenous and mestizo communities.^[16] The garment's development traces back to Muisca influences in the Cundinamarca-Boyacá region, evolving through colonial Spanish adaptations to become an essential piece for protection against the cold mountain weather.^[5] In Boyacá, ruanas are typically crafted from plain, rustic wool, ideal for herders and rural laborers who rely on their durability and warmth in the highland pastures.^[9] These simple designs emphasize functionality, using 100% virgin sheep's wool handwoven on traditional looms in towns like Nobsa and Ráquira, where artisan cooperatives preserve ancestral techniques passed down through generations.^[5]^[17] Production extends to other areas, such as Sopó in Cundinamarca, where weavers like the Alarcón family create wool ruanas with vibrant colors and innovative structures while honoring local heritage.^[18] Regional diversity is evident in Antioquia and Caldas, where ruanas adapt to more varied uses, including urban settings, with production noted in both departments alongside Boyacá.^[3] In Caldas, particularly Marulanda, striped wool ruanas highlight artisanal patterns achieved through color-changing weaving techniques, offering a blend of tradition and aesthetic appeal.^[19] Annual weaving festivals reinforce this craft, such as the World Ruana Day in Nobsa and the National Ruana and Shawl Festival in Paipa, Boyacá, which feature demonstrations, cultural dances, and markets showcasing regional variations.^[16] The ruana integrates into Colombia's national identity through its role in folk traditions, notably the bambuco dance, where men don the garment as part of traditional Andean attire to evoke rural elegance and cultural pride.^[20] This usage underscores its status as an emblem of highland life and communal heritage across the country's interior regions.^[9]

In Venezuela

The ruana entered Venezuelan culture during the colonial period (ca. 16th–19th centuries), becoming a fundamental overgarment in the Andean highlands, particularly in the states of Táchira, Mérida, and Trujillo, where it provided essential protection against the cold mountain climate.^[1] Shared across the Colombia-Venezuela border through historical cultural exchanges, it integrated into the everyday attire and identity of Andean communities, often depicted in traditional roles such as artisans or laborers.^[1] In Mérida's high-altitude zones, ruanas are typically crafted from thick sheep wool to offer robust warmth, reflecting adaptations to the region's severe weather.^[21] These heavier styles contrast with variations in Táchira, where blends incorporating cotton allow for lighter, more practical daily use in slightly milder Andean conditions.^[22] The ruana symbolizes Venezuela's fight for independence, as evidenced by the "Bolívar de los Andes" monument in Mérida's Plaza Bolivariana, which portrays Simón Bolívar clad in a traditional Mucuchíes ruana alongside his military uniform, honoring his 1813 proclamation as Libertador in the city—a pivotal event in the liberation campaigns.^[23] This depiction underscores the garment's role among Andean patriots supporting Bolívar's troops during the wars against Spanish rule.^[23] Today, the ruana remains prominent in cultural celebrations, such as the Feria Nacional de Artesanías Venezolanas, where Mérida artisans display handwoven examples as emblems of regional heritage.^[24] Production hubs like Gavidia in Mérida sustain this tradition through family-based weaving cooperatives, where women since 2001 have revived ancestral techniques using local sheep wool to create durable, patterned ruanas that support community economies.^[21]^[25] Initiatives like Fundación Rutalana further bolster these cooperatives by promoting sustainable artisan projects across the state.^[26]

Cultural Significance

Traditional Uses

In the Andean regions of Colombia and Venezuela, the ruana has traditionally provided essential protection against the cold during daily activities such as herding livestock, farming, and travel in rural highland areas.^[9] Its thick wool construction makes it versatile for these practical purposes, allowing wearers to shield themselves from harsh weather while maintaining mobility in mountainous terrain.^[27] Beyond outerwear, the ruana serves multiple functions in rural life, often doubling as bedding for sleeping outdoors, a pillow for rest, or a makeshift cover during picnics and transportation on local buses.^[8] This adaptability underscores its integral role in sustaining everyday needs among indigenous and mestizo communities, where it could be easily folded or repurposed without additional equipment.^[4] Ceremonially, the ruana holds significance in weddings, where grooms historically presented them to the bride's family as a gesture to seal marital arrangements among Muisca descendants.^[14] In religious contexts, color symbolism from pre-colonial Muisca mantas—red for sun-honoring ceremonies and white for moon adoration by leaders—persisted into traditional observances with woolen ruanas.^[14] Gender-specific applications further highlight its cultural utility: men's ruanas, often paired with hats and sandals, supported labor in fieldwork and herding, emphasizing durability for physical tasks, while women's versions, such as the longer chircate style, promoted modesty and incorporated decorative elements for social settings.^[5]^[28] These uses have been documented in 20th-century ethnographic studies and oral accounts, including analyses of Muisca textile traditions from the 1990s that trace the ruana's evolution from colonial-era mantas, as well as Peace Corps observations in the 1960s detailing its role in rural cooperatives and daily survival amid social upheaval.^[4]^[8]

Symbolism and Identity

The ruana symbolizes simplicity and resilience, drawing from indigenous weaving practices that endured the impacts of European colonization in the Andean region. Originating from Muisca mantas—rectangular cotton cloths used for trade and social rituals—the garment evolved as indigenous communities adapted to wool introduced by Spanish colonizers in the late 16th century, transforming traditional forms amid economic tributes and resource scarcity. This shift preserved core elements of Muisca cultural expression, with weaving serving as a quiet act of resistance against cultural erasure.^[4] In Colombia and Venezuela, the ruana fosters national identity by evoking Andean motifs of rugged landscapes, rural labor, and communal bonds, indirectly aligning with broader symbols of heritage in anthems and folklore that celebrate highland endurance. It transcends its utilitarian roots to represent mestizo and indigenous pride, worn across social strata to affirm connection to the land and ancestral ways.^[9] Socially, the ruana functions as an indicator of status and skill; finer, intricately woven examples, often featuring detailed patterns, historically denoted wealth among Muisca elites and later mestizo artisans, while coarser variants marked everyday peasant life. During the 2013 National Agrarian Strike, it emerged as an emblem of rural solidarity, with protesters donning ruanas to highlight campesino struggles for land and rights.^[4]^[29] Preservation efforts since the 2010s have emphasized the ruana's role in cultural continuity, including annual festivals in Nobsa, Boyacá, that showcase artisan techniques and educate on its heritage, alongside initiatives to support weaving communities against modernization pressures. These activities reinforce the garment's status as a living symbol of regional pride and indigenous legacy.^[30]

Modern Production and Usage

Artisan Techniques

Artisan techniques for producing ruanas emphasize manual craftsmanship rooted in Andean traditions, primarily in regions like Boyacá, Colombia, where local weavers rely on time-honored methods to create these woolen garments. These processes involve skilled labor passed down through generations, ensuring the preservation of cultural patterns and quality in each piece.^[9] Key tools in ruana production include rustic wooden looms for weaving and spindles for spinning wool into yarn, tools that have been used by peasant communities for centuries to maintain the garment's traditional form and texture. Natural dyes derived from plants and minerals are applied to the yarn to achieve earthy tones typical of Boyacá ruanas, enhancing their connection to the local landscape.^[9]^[31] Apprenticeship systems form the backbone of these techniques, with knowledge transmitted from master weavers to younger artisans in family or community settings, fostering a continuity that has sustained the craft across generations. In Boyacá, community workshops serve as hubs for this training, involving both men and women in collaborative learning and production.^[9]^[5] The step-by-step artisan process begins with shearing sheep to obtain virgin wool, followed by washing the fleece to remove impurities. The wool is then dried and carded to disentangle the fibers without breaking them, preparing it for spinning on spindles into fine thread. Warping, or setting parallel threads on the wooden loom (known as urdido), precedes the weaving stage, where artisans interlace the yarn to form the ruana's rectangular panels, often incorporating geometric Andean designs such as zigzags and borders that symbolize regional identity. Finally, the piece is removed from the loom, finished with any necessary trims, and packaged, resulting in a durable garment weighing around 1 to 2 pounds (0.5 to 1 kg).^[16]^[9] Master weavers, having honed their skills through years of apprenticeship, produce custom ruanas that can take up to a week or more to complete, depending on complexity and motifs. These artisans operate at varying skill levels, from novices learning basic weaves in workshops to experts crafting intricate patterns that distinguish high-quality pieces.^[9] Challenges in artisan ruana production include fluctuating wool values due to market shifts, which complicate material sourcing from local sheep farms in Boyacá, and environmental pressures like land degradation from overgrazing that affect wool quality. Climate variability in the Andean highlands further impacts sheep health and fiber production, posing ongoing threats to traditional sustainability.^[32]^[33]

Contemporary Adaptations

In the 21st century, the ruana has evolved beyond its traditional roots, incorporating modern production techniques that blend artisan methods with scaled manufacturing to meet growing demand. Factories in regions like Nobsa, Boyacá, have expanded output since the late 20th century, often using synthetic fibers alongside wool to enhance affordability and durability for wider accessibility. This shift has allowed the garment to transition from rural staple to urban casual wear, where it serves as a versatile layer over jeans or dresses for everyday city life in Bogotá and beyond. The ruana's integration into high fashion has elevated its global profile through designer collaborations. At Bogotá Fashion Week in 2018, Adriana Santacruz debuted her fall/winter prêt-à-porter collection titled La Ruana, drawing on indigenous Pastos weaving techniques like tie-dye and Ikat with cotton and wool to create eco-conscious pieces that merge ancestral spirituality with contemporary silhouettes.^[34] More recently, in 2025, Colombian brand Cubel showcased reinvented ruanas in their "Entretejidos" collection at Paris Fashion Week, layering the traditional form with sporty elements and textured details using alpaca, wool, and recycled fibers such as lyocell for sustainable innovation.^[35] These efforts have facilitated exports to Europe and the United States, where ruanas are sold through international retailers and markets, reflecting the garment's adaptability to global tastes. Today, ruanas function as popular tourism souvenirs, symbolizing Colombian Andean heritage and purchased by visitors in places like Nobsa during cultural festivals. Online platforms have further boosted artisan economies by enabling direct sales to international buyers, connecting producers with consumers worldwide and supporting local livelihoods through e-commerce. Sustainability initiatives in the 2020s emphasize organic wool and natural dyes, addressing environmental impacts while preserving cultural techniques, as evidenced in modern collections prioritizing recycled materials.

References

[1]
Ruana | FRD - The Fashion and Race Database
The ruana is an overgarment worn in the Andean highlands of Colombia and Venezuela since at least the colonial period (ca. 16th–19th centuries)Missing: traditional | Show results with:traditional
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[PDF] People, landscape and wool weaving in Venezuelan Andes
Weavers who still use handspun wool, cotton and natural dyes have made blankets and. Ruanas traditionally on elementary handlooms. Beauty in simplicity has ...
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In Colombia, there are World Day of Ruana and National Festival of ...
Aug 21, 2023 · Within Colombia, the ruana emerges as the quintessential traditional attire of Boyacá, initially crafted by indigenous and mestizo communities.
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The shift from mantas to ruanas was driven by European colonization, with the Muisca adapting to wool due to cotton scarcity. By the 17th century, tributes and ...
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What You didn't know about Colombia – Land of Ruanas
Discover the rich history of Colombia's ruana—its Indigenous roots, ancestral craftsmanship, and why is still handwoven in Boyacá today.
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What you didn't know about the Colombian poncho... - BESABINE
Aug 4, 2023 · A poncho in Colombia is a thin garment made of cotton, used in warm areas. The traditional ruana is long (over the hip) and thick and made of 100% sheep's wool.
[7]
[PDF] contents - Latin American & Iberian Institute - University of New Mexico
This is a Colombian garment, worn in cold weather. The ruana is a kind of “poncho” made of alpaca, sheep, or llama wool. Ruanas are very warm and have long ...
[8]
[PDF] Reweaving the Uaman Luar: Cultural Reproduction and Contested ...
include the capisayo, the handwoven poncho or ruana of blue, black, red, and white stripes which is the traditional garment of respected taitas and traditional ...
[9]
Colombian Cowboys royalty-free images - Shutterstock
... horses in the streets. cattle ranching in the Colombian plains led by cowboys ... The man wears a wool traditionnal poncho and the horse is harnessed with a rope.
[10]
Ruana Colombiana - Museum of the Peace Corps Experience
These ruanas (woolen shawls) were made of 100 percent virgin wool, perfect for the Andean climate. The process began with raising and shearing sheep for their ...Missing: history | Show results with:history
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May 13, 2025 · Peasant communities have woven with sheep wool for centuries, creating ruanas, scarves, ponchos, and blankets that are highly typical and ...
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RUANA Definition & Meaning - Dictionary.com
Origin of ruana. First recorded in 1810–20; from South American Spanish, from Spanish ruana “ragged; woolen cloth,” from Latin rūga, or from Quechua ruana “ ...Missing: etymology runa
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ruana - Wiktionary, the free dictionary
Suggestions include Latin rūga (“wrinkle”), Quechua ruana (“textile”), and Chibcha ruana (“land of blankets”); see Wikipedia.
[14]
None
Below is a merged response that consolidates all the information from the provided summaries into a single, comprehensive summary. To maximize detail and clarity, I will use a table in CSV format to organize the key points, followed by a narrative summary that integrates additional context and URLs. This approach ensures all information is retained and presented efficiently.
[15]
poncho - Wiktionary, the free dictionary
Borrowed from Spanish poncho, from Quechua punchu. In sense “rubber rain poncho”, attested 1845, used for non-South American garments in the United States and ...
[16]
Made in Nobsa | The City Paper Bogotá
Apr 10, 2013 · The ruana is a square and thick virgin wool piece of fabric, with a hole in the middle, from which your head sticks out, leaving your upper body ...Missing: structure | Show results with:structure
[17]
https://artesaniasderaquira.com/categoria-producto/textiles-y-fibras/ruanas/
[18]
Conoce 5 datos curiosos sobre la ruana colombiana
### Summary of Ruana Colombiana
[19]
RUANAS archivos - Artesanías Canaán
Todos nuestros productos son hechos por artesanos de Ráquira - Boyacá, elaborados con amor para todos. Carrera 3 # 4-46. Carrera 3 # 3-46. Ráquira ...
[20]
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[21]
http://artesanosdevenezuela.blogspot.com/2017/02/tejidos-en-lana-de-gavidia-edo-merida.html
[22]
Colombian dances: 7 styles you will want to see
The dance attires reflect the traditional peasant style. Men wear white long-sleeved shirts, dark pants, farmer hats, and poncho-like garments called ruana. ...
[23]
TEJIDOS EN LANA DE GAVIDIA, EDO. MÉRIDA
Pues ellas aprendieron se animaron y se pusieron a escarmenar lana, a hilar, a tejer y formaron como una cooperativa de mujeres. Y se pusieron ellas mismas y ...
[24]
Textilería de tradición venezolana - Huellas de lo Sagrado
May 17, 2012 · Mérida y Táchira se teje la lana de oveja. En Monagas, especialmente en Aguasay, se teje la fina fibra de curagua, empleando a veces la ...
[25]
El Libertador va de ruana y sombrero en el «Bolívar de los Andes
Oct 28, 2017 · El Libertador va de ruana y sombrero en el «Bolívar de los Andes», Mérida ; Nombre: Bolívar de Los Andes ; Año: 2000. ; Autor: escultor William ...
[26]
Abrió sus puertas la Feria Nacional de Artesanías para el Buen Vivir
Dec 11, 2022 · 11/12/22.- La Feria Nacional de Artesanías Venezolanas para el Buen Vivir ya abrió este sábado 10 sus instalaciones en los espacios del Jardín ...
[27]
Mujeres Tejedoras de Gavidia - Facebook
En Gavidia, un paraiso escondido de la Sierra Nevada de Mérida, se encuentran las Mujeres Tejedoras, quienes desde 2001 emprendieron la labor de recuperar el ...
[28]
El más ambicioso proyecto artesanal jamás concebido y puesto en ...
Oct 7, 2025 · El gran artista popular Juan Félix Sánchez había podido hacer los suyos para tejer sus ruanas y cobijas que acabaron vendiéndose en tiendas de ...<|control11|><|separator|>
[29]
[PDF] colombia cUlTUral FielD GUiDe - Public Intelligence
Indigenous men and women in rural areas wear cloaks that vary according to region and temperature. A ruana. (traditional cloak) is worn in colder areas. It is ...
[30]
Traditional Dress in Colombia: Regional Styles, Culture & Identity
Rating 4.0 (4) Aug 26, 2025 · The ruana, a thick wool poncho, is still very common in rural towns. Women wear long skirts with white blouses and shawls, while men often ...
[31]
Colombia: ¿Se pone Bogotá la ruana en apoyo al paro agrario? - BBC
Aug 29, 2013 · Colombia: ¿Se pone Bogotá la ruana en apoyo al paro agrario? ... la violencia no ha sido la respuesta fundamental del gobierno a la protesta.
[32]
Colombia Celebrates the Traditional Ruana Festival in Nobsa, Boyaca
May 30, 2025 · It has been worn throughout history by farmers, artisans, shepherds, and even notable cultural and political figures. Though it started as a ...Missing: laborers herders
[33]
Ruana - Museum of the Peace Corps Experience
These ruanas of 100-percent virgin wool were perfect for the Andean climate. The process began with raising sheep for their wool.<|control11|><|separator|>
[34]
Agro-extractivism and neoliberal conservation: campesino ...
But wool and crops have dropped in value, thus, inhabitants have turned to cows for reliable dairy and meat income, which also require fewer inputs than crops.
[35]
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Jun 22, 2023 · Traditional wool production poses several environmental challenges. It begins with the impact of sheep farming on the land. Large pastures are ...
[36]
Tribal traditions take over at Bogotá Fashion Week - The Bogota Post
Apr 24, 2018 · The materials used to create 'La Ruana', cotton and wool, were woven using ancestral techniques such as horizontal, vertical and waist looms ...<|control11|><|separator|>
[37]
Colombian Brand Cubel Debuts at Paris Fashion Week 2025
Mar 12, 2025 · Cubel's collection presents iconic garments such as the poncho and ruana, reinvented with layered silhouettes and sporty elements, bringing ...