SR3MM
SR3MM is the third studio album by American hip hop duo Rae Sremmurd, composed of brothers Swae Lee and Slim Jxmmi.[1]It was released on May 4, 2018, through Ear Drummer Records and Interscope Records as a triple album project totaling 27 tracks across three discs.[2][3]
The set includes the main collaborative album SR3MM (9 tracks), Swae Lee's solo album Swaecation (9 tracks), and Slim Jxmmi's solo album Jxmtro (9 tracks), allowing each member to showcase individual styles while highlighting their group dynamic.[4][5] The album features high-profile guest appearances from artists such as Travis Scott, The Weeknd, Future, Young Thug, and Juicy J, produced primarily by Mike WiLL Made-It and other collaborators.[1][6]
It was preceded by singles including "Perplexing Pegasus" (August 2017), "T'd Up" (February 2018), and "Powerglide" featuring Juicy J (March 2018), the latter of which became a commercial standout and peaked at number 28 on the Billboard Hot 100.[2][3]
Additional singles from the solo discs, such as "Hurt to Look" and "Guatemala" from Swaecation, and "Chanel" from Jxmtro, further emphasized the project's diverse trap, R&B, and party anthem influences.[2] Upon release, SR3MM received generally positive reviews for its energetic production and the duo's chemistry, though some critics noted repetitive elements in the solo sections.[7][8]
Commercially, it debuted at number 6 on the US Billboard 200 chart, selling 57,000 album-equivalent units in its first week, and ranked at number 116 on the year-end Billboard 200 for 2018.[9][10]
The project solidified Rae Sremmurd's reputation for crafting infectious, club-ready tracks following their earlier SremmLife series.[11]
Background
Development and recording
In April 2017, Rae Sremmurd announced plans for their third studio album, initially titled SremmLife 3, through a tweet and subsequent interviews with Swae Lee and Slim Jxmmi.[12][13] The project evolved significantly, with producer Mike Will Made-It revealing in January 2018 during Grammy red carpet interviews that it would adopt a triple album format, incorporating solo discs from each member alongside group tracks.[14] This structure allowed Swae Lee to develop Swaecation and Slim Jxmmi to create Jxmtro, marking the duo's debut solo efforts as part of the interconnected release retitled SR3MM.[15] Recording sessions for SR3MM spanned from 2016 to 2018, primarily in studios located in Los Angeles, Atlanta, and North Hollywood, including Swae Lee's home setup in the Los Angeles suburbs.[16] The duo maintained a rigorous process, constantly freestyling and stockpiling material over nearly two years to ensure quality, with producers like Plu$$ noting that tracks were refined or discarded if they failed to sustain appeal during extended sessions.[17] From this extensive work, they selected 27 tracks for the final triple-disc project, emphasizing beats and songwriting collaborations that blended the brothers' contrasting styles—Swae Lee's melodic approach and Slim Jxmmi's raw energy.[16] Key producers shaped the album's sound, with Mike Will Made-It overseeing much of the production and contributing dissonant, trap-infused beats central to the duo's evolution.[18] Plu$$ handled tracks like "Up In My Cocina," delivering vibey instrumentals during Los Angeles sessions, while P-Nasty and Slim Jxmmi himself added to the songwriting and production, particularly on group-focused cuts.[16][17] The development faced challenges in harmonizing Rae Sremmurd's collaborative material with the brothers' diverging solo visions, prompting the triple-disc format to avoid dilution and highlight individual growth.[16] Specific anecdotes underscored these dynamics: Swae Lee often isolated in his home studio for ambient, melody-driven sessions that informed Swaecation's introspective tracks, while Slim Jxmmi focused on high-energy, trap-heavy demos during late-night Atlanta and Los Angeles outings.[16][17]Concept
SR3MM represents Rae Sremmurd's ambitious effort to balance their collaborative chemistry with individual artistic expression, drawing directly from the duo's close brotherly relationship as siblings Swae Lee and Slim Jxmmi. The triple album structure comprises the joint Rae Sremmurd project SR3MM, Swae Lee's solo outing Swaecation, and Slim Jxmmi's solo effort Jxmtro, allowing each artist to highlight personal styles while reinforcing their group dynamic. This format serves as a reintroduction to the duo, evolving their sound beyond the party-focused hits of prior releases to demonstrate versatility and depth.[19][20] Thematically, the core SR3MM disc centers on high-energy party anthems and explorations of relationships, capturing the duo's signature trap-pop energy with tracks emphasizing living lavishly and romantic introspection. Swaecation shifts to melodic, tropical-infused R&B vibes, evoking a vacation-like escape through love songs and adventurous narratives that align with Swae Lee's smoother, more reserved persona. In contrast, Jxmtro embraces unadulterated hip-hop and hard-hitting trap, with Slim Jxmmi delivering confident rhymes on success, street life, and wealth, showcasing his technical rapping skills and aggressive edge.[19] The choice to package these as a single triple album stemmed from a desire to innovate within hip-hop, setting a trend by presenting three interconnected yet distinct projects rather than separate releases. Producer Mike WiLL Made-It, who co-founded their label EarDrummer Records, cited OutKast's dual-solo album Speakerboxxx/The Love Below as a key influence but advocated adding the group component to fully represent Rae Sremmurd's multifaceted identity. Building on the platinum success of SremmLife (2015) and SremmLife 2 (2016), this approach aimed to push boundaries and "shock the shit out of people" by doing something unprecedented in rap. The duo emphasized this as a way to affirm their innovative spirit, noting, "This shit had never been done before, and we always push the game."[20][21][19] Visually, the artwork reinforces the triple format's unity, with each disc featuring bespoke covers that reflect its themes while sharing a cohesive aesthetic under the SR3MM banner. Swaecation's artwork depicts Swae Lee in a sultry, romantic pose, holding teddy bears and a rose, evoking its melodic and tropical essence, while the overall packaging presents the three elements as complementary parts of a singular artistic statement.[22]Release and promotion
Singles
To promote the triple album SR3MM, Rae Sremmurd released a series of singles starting in 2017, strategically blending joint tracks with solo efforts from Swae Lee and Slim Jxmmi to showcase the project's collaborative and individual dimensions. These releases built pre-album hype through heavy streaming on platforms like Spotify and radio airplay on urban contemporary stations, with standout tracks like "Powerglide" amassing over 420 million Spotify streams by 2023 and earning significant radio rotation.[23] The lead single "Perplexing Pegasus" introduced the duo's energetic trap sound, while later releases like "Close" featuring Travis Scott emphasized high-profile collaborations to highlight the joint SR3MM disc's party-ready vibe. Solo singles from the accompanying Swaecation and Jxmtro discs, such as "Hurt to Look at U" and "Brxnks Truck," allowed each brother to flex personal styles, contributing to the overall buzz that positioned the album as a milestone in their career.[24][25] The following table lists the primary singles, including release dates, peak positions on the Billboard Hot 100 (where applicable), and certifications from the RIAA:| Single | Artist(s) | Release Date | Peak Billboard Hot 100 | Certification |
|---|---|---|---|---|
| "Perplexing Pegasus" | Rae Sremmurd | August 4, 2017 | 84 | Gold (500,000 units)[26][27] |
| "T'd Up" | Rae Sremmurd | February 5, 2018 | — | —[28] |
| "Powerglide" (feat. Juicy J) | Rae Sremmurd | March 1, 2018 | 28 | 3× Platinum (3,000,000 units)[29][30] |
| "Hurt to Look at U" | Swae Lee | March 1, 2018 | — | —[25][31] |
| "Brxnks Truck" | Slim Jxmmi | March 1, 2018 | — | —[25][32] |
| "Close" (feat. Travis Scott) | Rae Sremmurd | April 18, 2018 | 98 | —[33][27] |
| "Guatemala" | Swae Lee & Slim Jxmmi | April 11, 2018 | 84 | Platinum (1,000,000 units)[34][35][36] |
| "Chanel" (feat. Pharrell & Swae Lee) | Slim Jxmmi | April 5, 2018 | — | —[37][38] |
Marketing and music videos
Rae Sremmurd built anticipation for SR3MM through a series of teaser trailers and short films released in the weeks leading up to the album's launch. On April 20, 2018, the duo shared a short film teaser on YouTube, setting a cinematic tone for the project with elements of comedy, drama, and suspense starring the brothers themselves.[39] This was followed by "SR3MM: Chapter One," a promotional short directed by Mike Piscitelli, uploaded on April 27, 2018, which announced the release date of May 4 and highlighted the triple-album structure.[40] Social media efforts amplified these visuals, with the duo revealing the official artwork on Instagram on April 30, 2018, depicting the brothers in surreal, thematic poses that tied into the album's ambitious, multifaceted concept.[22] Merchandise tie-ins included themed apparel such as T-shirts featuring singles like "Powerglide," available through retailers to align with the rollout's high-energy aesthetic.[41] The album's promotional campaign featured several official music videos that visually captured the triple album's themes of extravagance, surrealism, and youthful indulgence. The lead single "Perplexing Pegasus," released in August 2017 as an early indicator of the project's direction, received its official video on November 17, 2017, directed by Tomás Whitmore; the neon-lit, mind-bending clip unfolds in multi-level party settings with shifting perspectives, emphasizing the duo's playful, otherworldly vibe.[42] In March 2018, the "Powerglide" video, featuring Juicy J and directed by Andy Hines, was released as a key tie-in to the SR3MM promotion; it depicts the artists in a high-octane joyride through a parking garage with luxury cars and stunt driving, reflecting the album's opulent, adrenaline-fueled energy.[43] For the solo components, Swae Lee's Swaecation disc inspired beach-themed visuals, notably the "Guatemala" video released on June 21, 2018, which showcases tropical escapism and vibrant colors shot on location in Central America, underscoring the vacation motif.[44] These videos, with their creative direction focusing on immersive, thematic storytelling rather than straightforward narratives, were produced to highlight the interconnected discs' distinct yet cohesive personalities without disclosed budgets.[45] The album launched on May 4, 2018, via Ear Drummer Records and Interscope Records, coinciding with an official release party at Drai's Nightclub in Las Vegas, where Rae Sremmurd performed selections from the triple set to celebrate the milestone.[46] Post-release promotion extended through live performances and interactive fan engagement. Rae Sremmurd debuted tracks at the 2018 iHeartRadio Music Festival in Las Vegas, integrating SR3MM material into their set alongside high-profile collaborators.[47] Additionally, Swae Lee initiated the #TouchscreenChallenge on May 4, 2018, inviting fans to record and share verses over "Touchscreen Navigation" from the Swaecation disc, fostering viral online participation tied to the album's rollout.[48] A themed Spotify event, the Sr3mmPocalypse party, was held in Los Angeles on May 7, 2018, blending performance footage with stylized effects to capture the album's chaotic charisma.[49]Critical reception
Overall reviews
SR3MM received generally favorable reviews from critics, earning a Metascore of 76 out of 100 on Metacritic based on 10 reviews.[50] The triple-album format was frequently praised for its innovative structure, allowing Rae Sremmurd—composed of Swae Lee and Slim Jxmmi—to showcase their individual styles alongside their duo dynamic, resulting in a project that highlighted their charisma and versatility.[50] Catchy hooks and high-quality production, particularly from Mike Will Made-It, were common points of acclaim, with reviewers noting the lush, energetic sound that maintained the group's signature trap-infused pop appeal across the expansive tracklist.[7] Critics often highlighted inconsistencies in quality between the discs, with some tracks feeling filler amid the overlong total of 27 tracks, leading to a perceived lack of overall cohesion.[50] The ambitious scope was sometimes seen as overwhelming or repetitive, diluting the impact despite standout moments.[8] In a notable review, Pitchfork awarded the album 8.1 out of 10, lauding its abundant energy and the brothers' clear personal expression as a shining example of youthful exuberance in hip-hop.[7] Rolling Stone gave a positive assessment, appreciating the fun, electric chemistry but describing the project as somewhat bloated due to its marathon length.[8] Overall, the consensus views SR3MM as a bold but uneven experiment in Rae Sremmurd's discography, ambitious in scope yet hampered by its uneven execution, solidifying their reputation for playful, high-energy rap while exposing challenges in sustaining momentum over such an expansive release.[50]Reviews of individual discs
Critics widely regarded the joint disc SR3MM as the strongest component of the triple album, showcasing Rae Sremmurd's signature chemistry through high-energy collaborations and balanced interplay between Swae Lee's melodic hooks and Slim Jxmmi's rhythmic flow.[7] Tracks like "CLOSE" featuring Travis Scott were praised for their taut energy and concise structure, highlighting the duo's ability to blend trap elements with pop accessibility.[51] Similarly, "Powerglide" with Juicy J was lauded for its breakneck beat and infectious melodies, exemplifying the pair's fun, collaborative spirit.[52] However, some reviewers noted filler material, such as longer tracks like "Bedtime Stories" with The Weeknd, which suffered from repetition and diluted the disc's momentum.[53] Swae Lee's solo disc Swaecation drew acclaim for its emphasis on melodic R&B and the artist's ethereal vocals, creating a relaxed, sun-soaked atmosphere distinct from the duo's party anthems.[7] The Guardian highlighted its standout quality, describing the emo future-R&B tracks as lush with melodies and ideal for evoking lovelorn introspection, as seen in "Lost Angels" with its hazy synthpop vibes.[51] "Offshore" featuring Young Thug was frequently cited as a peak, pushing Swae's balladeer tendencies to elegant heights in a romantic duet format.[52] Critics appreciated how the disc separated Swae's tender, weightless style from Rae Sremmurd's bombast, though some found its mellow pace overly listless at times, with tracks like "Guatemala" struggling to match the innovation of his prior hit "Unforgettable."[54][55] Slim Jxmmi's Jxmtro was commended for its introspective lyrics over trap beats, allowing the rapper to demonstrate growth in technical delivery and personal revelation beyond the duo's dynamic.[7] Pitchfork noted its consistency, with Jxmmi emerging as a snappy songwriter on tracks like "Keep God First," where fluid rapping conveyed earthy concerns amid bluesy production.[7] "Brxnks Truck" stood out for its aggressive double-time flow and belligerent bass, anchoring the disc in Southern trap traditions.[52][56] The Guardian praised its sparse blueprint and tough beats, such as those on "Changed Up," which revealed Jxmmi's underdog intensity.[51] Yet, outlets like Spin viewed it as the weakest link, critiquing its repetitive resemblance to earlier Rae Sremmurd work and lack of nimble contrast without Swae Lee's melodies.[55] In comparative terms, reviewers emphasized how the discs illuminated the brothers' contrasting styles: SR3MM thrived on their unified high-energy synergy, while Swaecation amplified Swae Lee's airy romanticism and Jxmtro grounded Slim Jxmmi's raw trap introspection, though the solos occasionally exposed limitations in depth without mutual support.[7][52] This breakdown underscored the project's value in showcasing individual evolution amid the duo's collective strengths.[55]Year-end lists
At the end of 2018, SR3MM received recognition in several prominent year-end album rankings from music publications, reflecting its ambitious triple-disc structure that blended group and solo efforts within Rae Sremmurd's signature trap-pop sound. Billboard included it at number 50 on its list of the 50 Best Albums of 2018, praising the project's expansive creativity amid a year dominated by lengthy releases. Complex ranked it number 30 on its 50 Best Albums of 2018, highlighting its role in showcasing the duo's evolution and solo potential. Rolling Stone placed it at number 25 on its 50 Best Albums of 2018, noting how the album's wide-open spaces captured the duo's playful Mississippi roots in innovative ways. These moderate placements underscored the project's bold format, which divided opinions but earned acclaim for its sonic variety and collaborative energy. The album also appeared in hip-hop-specific year-end compilations, such as XXL's roundup of the 50 Best Hip-Hop Projects of 2018, where it was celebrated alongside major releases for pushing boundaries in the genre. However, SR3MM did not secure major award nominations, including no entries for the 2019 Grammy Awards or wins at the 2018 BET Hip Hop Awards, though the duo had prior recognition in BET contexts for earlier work. Retrospective mentions of SR3MM have been limited, with minor nods in 2023 hip-hop discussions marking its five-year anniversary, often revisiting its influence on duo-to-solo transitions in trap music.Commercial performance
Chart performance
SR3MM debuted at number six on the US Billboard 200 chart, marking Rae Sremmurd's highest charting album to date, with 57,000 album-equivalent units in its first week. This figure comprised 5,157 in pure album sales, 4,000 in track equivalent album units from single sales, and 47,798 in streaming equivalent album units. The album spent one week in the top ten, descended to number 30 the following week, and remained on the chart for a total of 20 weeks, with no notable re-entries.[57][9] Internationally, the album achieved moderate success, entering several national charts in the weeks following its release. It peaked at number four on the Canadian Albums Chart, number 33 on the UK Albums Chart where it spent two weeks, and number 37 on the Australian Albums Chart.[58][59][60]| Chart (2018) | Peak Position |
|---|---|
| Australian Albums (ARIA) | 37[60] |
| Canadian Albums (Billboard) | 4[58] |
| UK Albums (OCC) | 33[59] |
| US Billboard 200 | 6[57] |
Certifications
The triple album SR3MM by Rae Sremmurd was certified Gold by the Recording Industry Association of America (RIAA) on October 26, 2018, and Platinum on April 24, 2024, for 1,000,000 album-equivalent units, encompassing both physical and digital sales as well as streaming equivalents.[61][62] This certification reflects the RIAA's methodology, implemented since 2016, where 1,500 on-demand audio and/or video streams count toward one album-equivalent unit, significantly contributing to the threshold given the album's strong streaming performance post-release. The RIAA updated the certification record for SR3MM on April 24, 2024. As a unified package comprising the Rae Sremmurd, Swae Lee, and Slim Jxmmi discs, SR3MM received no separate certifications for its individual components. No official certifications have been awarded in Canada, the United Kingdom, Australia, or other international markets as of November 2025.[63]Track listing
SR3MM
The SR3MM disc features primary vocal performances by Rae Sremmurd members Swae Lee (Khalif Brown) and Slim Jxmmi (Aaquil Brown) across all nine tracks, with guest vocalists including Young Thug on "Up In My Cocina", Travis Scott on "CLOSE", The Weeknd on "Bedtime Stories", Future on "Buckets", and Juicy J on "Powerglide".[64] Songwriting credits for the disc are primarily attributed to Swae Lee, Slim Jxmmi, and Mike Will Made-It (Michael Williams II), along with guest artists and additional contributors on specific tracks such as Samuel Gloade and Jacques Webster for "CLOSE".[65] Production for the disc was overseen by Mike Will Made-It, who co-produced the majority of tracks and shaped the metallic, trap-influenced sound.[7] Other producers contributed on select tracks, including co-productions by Pluss and Mike Will Made-It on "Up In My Cocina", Marz on "Bedtime Stories" and "Buckets", J-Bo and Kent Lucciano on "Perplexing Pegasus", Diego Ave and D-Jay Sremm on ""42"", Hovart and Mally Mall on "Powerglide", MP808 and TM88 on "Rock 'n' Roll Hall of Fame", and ChopSquad DJ, Swae Lee, and Metro Boomin on "T'd Up".[65][66] Mixing was handled by engineers such as Jaycen Joshua (on "CLOSE", "Bedtime Stories", "Buckets", ""42""), Stephen Hybicki (on "Up In My Cocina" and "Rock 'n' Roll Hall of Fame"), and Randy Lanphear (on "Perplexing Pegasus").[66] The following table summarizes key production and performance credits for each track on the SR3MM disc:| Track Title | Producers | Featured Vocalists | Mixing Engineer |
|---|---|---|---|
| 1. Up In My Cocina | Mike Will Made-It, Pluss | Young Thug | Stephen Hybicki |
| 2. CLOSE | 30 Roc, Mike Will Made-It | Travis Scott | Jaycen Joshua |
| 3. Bedtime Stories | Marz, Mike Will Made-It | The Weeknd | Jaycen Joshua |
| 4. Perplexing Pegasus | J-Bo, Kent Lucciano, Mike Will Made-It | None | Randy Lanphear |
| 5. Buckets | Marz, Mike Will Made-It | Future | Jaycen Joshua |
| 6. "42" | Diego Ave, D-Jay Sremm | None | Jaycen Joshua |
| 7. Powerglide | Hovart, Mally Mall, Mike Will Made-It | Juicy J | Jaycen Joshua |
| 8. Rock 'n' Roll Hall of Fame | MP808, TM88 | None | Stephen Hybicki |
| 9. T'd Up | ChopSquad DJ, Swae Lee, Metro Boomin | None | Jaycen Joshua |
Swaecation
The personnel for Swaecation, Swae Lee's debut solo album and the second disc of Rae Sremmurd's SR3MM, primarily features Swae Lee as the lead vocalist and songwriter across all tracks, emphasizing his melodic R&B style with lush, atmospheric production. Guest vocalists appear on select tracks, including Young Thug on "Offshore" and Slim Jxmmi on "Guatemala," both of whom also receive co-writing credits alongside Swae Lee and the respective producers. Songwriting credits for the album are collaborative, typically involving Swae Lee (Khalif Brown), the featured artists where applicable, and the production team, with no additional external songwriters noted beyond those roles.[65] Production on Swaecation highlights a team of beatmakers tailored to Swae Lee's vocal-forward approach, with Bizness Boi contributing to four tracks and emerging as a key collaborator in shaping the disc's summery, introspective vibe during sessions focused on organic studio experimentation. Swae Lee co-produced elements on several tracks, incorporating his input on arrangements to blend trap influences with pop sensibilities, though primary production credits are assigned per song. No major sample clearances are documented for the disc, allowing for original compositions centered on live instrumentation and synth layers. Recording took place primarily in Los Angeles studios, where Swae Lee's sessions emphasized vocal layering and ad-lib integrations to capture a vacation-like escapism theme unique to his solo vision.[67][65] The following table outlines the track-specific producers for Swaecation:| Track Title | Producers |
|---|---|
| Touchscreen Navigation | Bizness Boi, Singawd |
| Heartbreak in Encino Hills | Scorp Dezel, Mally Mall |
| Heat of the Moment | ChopSquad DJ |
| Offshore (feat. Young Thug) | Cardiak, Marz, Mike WiLL Made-It |
| Guatemala (feat. Slim Jxmmi) | Mally Mall, TuneDaRula |
| Lost Angels | Bizness Boi |
| Hurt to Look | Bizness Boi, fwdslxsh |
| Red Wine | G. Ry, Neenyo |
| What's in Your Heart? | Bizness Boi, Cardiak, Fortune |
Jxmtro
The personnel for Jxmtro, Slim Jxmmi's debut solo project within the triple album SR3MM, features Slim Jxmmi as the primary vocalist and rapper across all tracks, delivering introspective verses over trap-heavy production emphasizing booming 808s, sharp hi-hats, and atmospheric synths that highlight his personal growth and streetwise narratives. The recording sessions for Jxmtro were notably introspective for Slim Jxmmi, focusing on his individual maturation as an artist separate from his duo work, with contributions from a core team of producers associated with Ear Drummer Records to craft a cohesive trap sound. Songwriting credits are attributed primarily to Slim Jxmmi (Aaquil Brown) alongside producers and featured artists per track, while mixing was handled by Jaycen Joshua for the majority of the disc, ensuring polished, high-energy trap elements like layered ad-libs and vocal effects. No additional engineers are specifically credited per track beyond general album production oversight by Mike WiLL Made-It.| Track | Producers | Primary Vocalist/Rapper | Featured Vocalists | Key Songwriting Contributions | Notes on Trap Elements/Ad-libs |
|---|---|---|---|---|---|
| 1. "Brxnks Truck" | J-Bo, Mike WiLL Made-It | Slim Jxmmi | None | Aaquil Brown, Michael Williams II (Mike WiLL Made-It) | Aggressive ad-libs and rumbling 808s underscore the braggadocious trap vibe. |
| 2. "Players Club" | G. Lo, TL On The Beat | Slim Jxmmi | None | Aaquil Brown, George L. Jr. (G. Lo), Terrell Murray (TL On The Beat) | Sparse hi-hat rolls and echoing ad-libs emphasize club-ready trap energy. |
| 3. "Anti-Social Smokers Club" (feat. Zoë Kravitz) | Mike WiLL Made-It, Plu$$ | Slim Jxmmi | Zoë Kravitz | Aaquil Brown, Michael Williams II, Plu$$ | Hazy synths and subtle ad-libs create an introspective, smoke-filled trap atmosphere. |
| 4. "Chanel" (feat. Swae Lee & Pharrell Williams) | 30 Roc, Mike WiLL Made-It | Slim Jxmmi | Swae Lee, Pharrell Williams | Aaquil Brown, Michael Williams II, Noah Shebib (30 Roc) | Luxe ad-libs from features blend with opulent trap beats for a reflective luxury theme. |
| 5. "Cap" (feat. Trouble) | 30 Roc, Mike WiLL Made-It | Slim Jxmmi | Trouble | Aaquil Brown, Michael Williams II, Mariel Semonte Orr (Trouble) | Punchy bass and call-response ad-libs amplify the confrontational trap flow. |
| 6. "Changed Up" | Mike WiLL Made-It | Slim Jxmmi | Swae Lee (background vocals) | Aaquil Brown, Michael Williams II | Introspective ad-libs highlight personal evolution over moody trap instrumentation. |
| 7. "Keep God First" | Frank Dukes, Kilo Keys, Yung Lan | Slim Jxmmi | None | Aaquil Brown, Adam Feeney (Frank Dukes), Carlos St. John (Kilo Keys) | Spiritual undertones via layered vocal ad-libs on gospel-infused trap production. |
| 8. "Juggling Buddies" (feat. RiFF 3X) | Zaytoven | Slim Jxmmi | RiFF 3X | Aaquil Brown, Xavier Dotson (Zaytoven) | Playful ad-libs and piano-driven trap beats evoke camaraderie. |
| 9. "Growed Up" | Marz, Mike WiLL Made-It | Slim Jxmmi | None | Aaquil Brown, Michael Williams II, Marz | Closing introspective track with minimal ad-libs, focusing on mature trap reflection. |
Personnel
SR3MM
The SR3MM disc features primary vocal performances by Rae Sremmurd members Swae Lee (Khalif Brown) and Slim Jxmmi (Aaquil Brown) across all nine tracks, with guest vocalists including Young Thug on "Up In My Cocina", Travis Scott on "CLOSE", The Weeknd on "Bedtime Stories", Future on "Buckets", and Juicy J on "Powerglide".[64] Songwriting credits for the disc are primarily attributed to Swae Lee, Slim Jxmmi, and Mike Will Made-It (Michael Williams II), along with guest artists and additional contributors on specific tracks such as Adam Feeney, Anderson Hernandez, Brittany Hazzard, Cassie Ventura, Mike Dean, Jacques Webster, and Allen Ritter for "CLOSE", and A. Brown, J. Houston, J. Hovart, J. Rashid, K. Brown, and M. Williams for "Powerglide".[65] Production for the disc was overseen by Mike Will Made-It, who co-produced the majority of tracks and shaped the metallic, trap-influenced sound.[7] Other producers contributed on select tracks, including co-productions by 30 Roc and Pluss on "Up In My Cocina", Marz on "Bedtime Stories" and "Buckets", J-Bo and Kent Lucciano on "Perplexing Pegasus", Diego Ave and D-Jay Sremm on ""42"", Hovart and Mally Mall on "Powerglide", MP808 and TM88 on "Rock 'n' Roll Hall of Fame", and ChopSquad DJ, Swae Lee, and Metro Boomin on "T'd Up".[65][66] Mixing was handled by engineers such as Jaycen Joshua (on "CLOSE", "Bedtime Stories", "Buckets", ""42""), Stephen Hybicki (on "Up In My Cocina" and "Rock 'n' Roll Hall of Fame"), and Randy Lanphear (on "Perplexing Pegasus").[66] The following table summarizes key production and performance credits for each track on the SR3MM disc:| Track Title | Producers | Featured Vocalists | Mixing Engineer |
|---|---|---|---|
| 1. Up In My Cocina | Mike Will Made-It, Pluss | Young Thug | Stephen Hybicki |
| 2. CLOSE | 30 Roc, Mike Will Made-It | Travis Scott | Jaycen Joshua |
| 3. Bedtime Stories | Marz, Mike Will Made-It | The Weeknd | Jaycen Joshua |
| 4. Perplexing Pegasus | J-Bo, Kent Lucciano, Mike Will Made-It | None | Randy Lanphear |
| 5. Buckets | Marz, Mike Will Made-It | Future | Jaycen Joshua |
| 6. "42" | Diego Ave, D-Jay Sremm | None | Jaycen Joshua |
| 7. Powerglide | Hovart, Mally Mall, Mike Will Made-It | Juicy J | Jaycen Joshua |
| 8. Rock 'n' Roll Hall of Fame | MP808, TM88 | None | Stephen Hybicki |
| 9. T'd Up | ChopSquad DJ, Swae Lee, Metro Boomin | None | Jaycen Joshua |
Swaecation
The personnel for Swaecation, Swae Lee's debut solo album and the second disc of Rae Sremmurd's SR3MM, primarily features Swae Lee as the lead vocalist and songwriter across all tracks, emphasizing his melodic R&B style with lush, atmospheric production. Guest vocalists appear on select tracks, including Young Thug on "Offshore" and Slim Jxmmi on "Guatemala," both of whom also receive co-writing credits alongside Swae Lee and the respective producers. Songwriting credits for the album are collaborative, typically involving Swae Lee (Khalif Brown), the featured artists where applicable, and the production team, with no additional external songwriters noted beyond those roles.[65] Production on Swaecation highlights a team of beatmakers tailored to Swae Lee's vocal-forward approach, with Bizness Boi contributing to four tracks and emerging as a key collaborator in shaping the disc's summery, introspective vibe during sessions focused on organic studio experimentation. Swae Lee co-produced elements on several tracks, incorporating his input on arrangements to blend trap influences with pop sensibilities, though primary production credits are assigned per song. No major sample clearances are documented for the disc, allowing for original compositions centered on live instrumentation and synth layers. Recording took place primarily in Los Angeles studios, where Swae Lee's sessions emphasized vocal layering and ad-lib integrations to capture a vacation-like escapism theme unique to his solo vision.[67][65] The following table outlines the track-specific producers for Swaecation:| Track Title | Producers |
|---|---|
| Touchscreen Navigation | Bizness Boi, Singawd |
| Heartbreak in Encino Hills | Scorp Dezel, Mally Mall |
| Heat of the Moment | ChopSquad DJ |
| Offshore (feat. Young Thug) | Cardiak, Marz, Mike WiLL Made-It |
| Guatemala (feat. Slim Jxmmi) | Mally Mall, TuneDaRula |
| Lost Angels | Bizness Boi |
| Hurt to Look | Bizness Boi, fwdslxsh |
| Red Wine | G. Ry, Neenyo |
| What's in Your Heart? | Bizness Boi, Cardiak, Fortune |
Jxmtro
The personnel for Jxmtro, Slim Jxmmi's debut solo project within the triple album SR3MM, features Slim Jxmmi as the primary vocalist and rapper across all tracks, delivering introspective verses over trap-heavy production emphasizing booming 808s, sharp hi-hats, and atmospheric synths that highlight his personal growth and streetwise narratives. The recording sessions for Jxmtro were notably introspective for Slim Jxmmi, focusing on his individual maturation as an artist separate from his duo work, with contributions from a core team of producers associated with Ear Drummer Records to craft a cohesive trap sound. Songwriting credits are attributed primarily to Slim Jxmmi (Aaquil Brown) alongside producers and featured artists per track, while mixing was handled by Jaycen Joshua for the majority of the disc, ensuring polished, high-energy trap elements like layered ad-libs and vocal effects. No additional engineers are specifically credited per track beyond general album production oversight by Mike WiLL Made-It.| Track | Producers | Primary Vocalist/Rapper | Featured Vocalists | Key Songwriting Contributions | Notes on Trap Elements/Ad-libs |
|---|---|---|---|---|---|
| 1. "Brxnks Truck" | J-Bo, Mike WiLL Made-It | Slim Jxmmi | None | Aaquil Brown, Michael Williams II (Mike WiLL Made-It) | Aggressive ad-libs and rumbling 808s underscore the braggadocious trap vibe. |
| 2. "Players Club" | G. Lo, TL On The Beat | Slim Jxmmi | None | Aaquil Brown, George L. Jr. (G. Lo), Terrell Murray (TL On The Beat) | Sparse hi-hat rolls and echoing ad-libs emphasize club-ready trap energy. |
| 3. "Anti-Social Smokers Club" (feat. Zoë Kravitz) | Mike WiLL Made-It, Plu$$ | Slim Jxmmi | Zoë Kravitz | Aaquil Brown, Michael Williams II, Plu$$ | Hazy synths and subtle ad-libs create an introspective, smoke-filled trap atmosphere. |
| 4. "Chanel" (feat. Swae Lee & Pharrell Williams) | 30 Roc, Mike WiLL Made-It | Slim Jxmmi | Swae Lee, Pharrell Williams | Aaquil Brown, Michael Williams II, Noah Shebib (30 Roc) | Luxe ad-libs from features blend with opulent trap beats for a reflective luxury theme. |
| 5. "Cap" (feat. Trouble) | 30 Roc, Mike WiLL Made-It | Slim Jxmmi | Trouble | Aaquil Brown, Michael Williams II, Mariel Semonte Orr (Trouble) | Punchy bass and call-response ad-libs amplify the confrontational trap flow. |
| 6. "Changed Up" | Mike WiLL Made-It | Slim Jxmmi | Swae Lee (background vocals) | Aaquil Brown, Michael Williams II | Introspective ad-libs highlight personal evolution over moody trap instrumentation. |
| 7. "Keep God First" | Frank Dukes, Kilo Keys, Yung Lan | Slim Jxmmi | None | Aaquil Brown, Adam Feeney (Frank Dukes), Carlos St. John (Kilo Keys) | Spiritual undertones via layered vocal ad-libs on gospel-infused trap production. |
| 8. "Juggling Biddies" (feat. RiFF 3X) | Zaytoven | Slim Jxmmi | RiFF 3X | Aaquil Brown, Xavier Dotson (Zaytoven) | Playful ad-libs and piano-driven trap beats evoke camaraderie. |
| 9. "Growed Up" | Marz, Mike WiLL Made-It | Slim Jxmmi | None | Aaquil Brown, Michael Williams II, Marz | Closing introspective track with minimal ad-libs, focusing on mature trap reflection. |