Scouting for Girls
Scouting for Girls is an English pop rock band formed in 2005 in London by childhood friends Roy Stride (lead vocals, piano, guitar), Greg Churchouse (bass guitar), and Peter Ellard (drums).[1] The band's name is a playful reference to the 1908 Scouting handbook Scouting for Boys, reflecting their lighthearted and nostalgic approach to music.[2] Drawing influences from 1980s pop and indie rock, they are known for witty, relatable lyrics about love, heartbreak, and everyday life, often delivered with infectious energy and sing-along choruses.[3] The band rose to prominence after signing with Epic Records in 2007, releasing their self-titled debut album that September, which debuted at number seven on the UK Albums Chart and achieved triple platinum status in the UK.[4] Key singles from the album, including "She's So Lovely" and "Heartbeat," both reached the UK Top 10, establishing their breakthrough success with over a million albums sold worldwide by the end of the year.[4] Their follow-up album, Everybody Wants to Be on TV (2010), continued their momentum, peaking at number two on the UK charts and featuring the hit "This Ain't a Love Song," which topped the UK Singles Chart in 2010.[3] Over the years, Scouting for Girls has released seven studio albums, including The Light Between Us (2012), Still Thinking About You (2015), and their most recent, The Place We Used to Meet (2023), amassing eight UK Top 40 singles and performing at major festivals and venues across the UK and Europe.[5] The original trio of Stride, Churchouse, and Ellard has kept the band active, with a 15th anniversary edition of Everybody Wants to Be on TV released in 2025, an upcoming eighth studio album These Are the Good Days scheduled for March 2026, and a UK tour planned for 2026.[5][6] Their enduring appeal lies in blending pop accessibility with emotional depth, maintaining a dedicated fanbase through consistent live performances and new music.[7]History
Formation
Scouting for Girls was founded in 2005 in London by Roy Stride, who serves as lead vocalist, guitarist, and keyboardist, and bassist Greg Churchouse, both of whom had known each other since childhood after meeting on their first day of school at age 11. Stride had earlier connected with drummer Peter Ellard during their time in the Cub Scouts at age five, drawing from these shared youthful experiences in the scouting movement that later influenced the band's identity. The group's name emerged as a playful twist on Robert Baden-Powell's 1908 handbook Scouting for Boys, reflecting their lighthearted nod to those early scouting roots while aiming to craft accessible, feel-good music. Ellard completed the initial lineup in 2006, solidifying the trio's configuration as they began collaborating musically. Motivated by their long-standing friendship and a shared passion for creating upbeat pop songs that captured everyday emotions, the band drew inspiration from personal anecdotes and nostalgic elements of their youth in West London. Their early songwriting efforts centered on themes of relationships and romance, as exemplified by Stride's initial compositions like the melody for "She's So Lovely," which originated from casual piano experimentation focused on relatable interpersonal stories. This foundational phase emphasized fun, melodic pop structures designed to evoke positivity and connection.Early career (2005–2006)
Following their formation in 2005, Scouting for Girls operated as an unsigned band, focusing on building a local following through grassroots efforts in London. The trio, consisting of childhood friends Roy Stride, Greg Churchouse, and Peter Ellard, initially performed on the pub circuit in their hometown of Harrow, securing a residency at a local venue where they played covers and original material to small audiences of around 100 people per night. These early gigs helped hone their piano-driven pop sound and establish a dedicated fanbase before wider recognition. To cultivate loyalty, the band launched the Wolfcubs fan club via their MySpace page, offering members exclusive access to updates, signed membership cards, and direct communication in a hands-on manner. This initiative grew to include 4,000–5,000 members, fostering a grassroots community that supported their independent activities. Complementing this, Scouting for Girls self-released demo tracks and a limited edition EP titled It's Not About You in June 2007, which they distributed at gigs and through fan channels; the EP gained some local radio airplay and buzz. As an unsigned act, the band faced significant challenges, including repeated rejections from labels after sending out demo tapes for years and maintaining day jobs—Stride worked at Carphone Warehouse while writing songs in his spare time. They self-funded small tours and handled DIY promotion, relying on personal networks and online platforms to sustain momentum without major backing. This period culminated in label interest, leading to their signing with Epic Records (a Sony BMG imprint) in February 2007 after scouts were drawn to their live energy and song catalog.Debut and breakthrough (2007–2008)
Scouting for Girls signed with Epic Records in early 2007 and released their self-titled debut album on 17 September 2007. The record, produced by Andy Green, debuted at number 12 on the UK Albums Chart before climbing to number one on 20 January 2008, where it held the top spot for two weeks and remained in the top 40 for over a year. Featuring eleven tracks of piano-driven pop rock, the album explores themes of everyday romance, nostalgia, and lighthearted relationships, with songs like "The Airplane Song" and "Keep on Walking" exemplifying its upbeat, accessible sound. The album's lead single, "She's So Lovely", was released on 18 June 2007 and peaked at number seven on the UK Singles Chart, spending 56 weeks in the top 100. Follow-up releases "Elvis Ain't Dead" in November 2007 and "Heartbeat" in April 2008 reached numbers eight and ten, respectively, contributing to the album's commercial momentum and establishing the band as rising stars in the UK pop scene. An earlier limited-edition EP, "It's Not About You", issued in June 2007, had charted modestly at number 31, serving as an initial taste of their style but not matching the singles' success. To promote the album, Scouting for Girls embarked on an extensive UK tour spanning late 2007 and early 2008, including headline dates at venues like London's O2 Academy Brixton and support slots for larger acts. They also gained visibility through festival appearances, performing at T in the Park in both 2007 and 2008, as well as making their Glastonbury debut in 2008 on the John Peel Stage. Internationally, the band pursued promotion in Europe and the United States, where the album saw a 2008 release via Epic, though it achieved modest chart success outside the UK compared to its domestic breakthrough. Critical reception to the debut was generally positive for its infectious energy but mixed regarding depth, with reviewers highlighting the album's catchy melodies while critiquing its straightforward lyrical approach. The BBC Music review praised its "shimmery, gleaming up-tempo ballads" suited to a youthful audience. The Guardian described the songs as "uncomplicated, nostalgic stuff" likely to secure a solid but not elite position in pop-rock. NME noted the tracks' appeal as "a trove of songs about love and loss" reminiscent of lighter indie acts, though some outlets like Drowned in Sound found the vocals and simplicity grating.Peak years (2009–2012)
The band's second studio album, Everybody Wants to Be on TV, was released on 12 April 2010 and debuted at number 2 on the UK Albums Chart, where it spent 28 weeks in total. The lead single, "This Ain't a Love Song", became their first and only UK number 1 single upon its release in early April 2010, topping the chart for two weeks and remaining in the top 40 for 25 weeks. Follow-up single "Famous" reached number 37 on the UK Singles Chart later that year. The album's themes delved into celebrity culture and interpersonal relationships, presented with a more polished production style compared to their debut. In 2012, Scouting for Girls released their third album, The Light Between Us, which peaked at number 10 on the UK Albums Chart and charted for three weeks. The lead single "Love How It Hurts" entered the UK Singles Chart at number 17 in July 2011, spending seven weeks in the top 100. A subsequent single, "Without You", reached number 73. Continuing to explore themes of relationships and emotional dynamics, the album featured refined arrangements that built on the band's established pop-rock sound. During this period, the band expanded their live presence with a headline arena tour in 2011, performing at major venues including Wembley Arena. They also shared stages with larger acts, such as McFly at events like Towneley Live in August 2011. Media exposure increased, including appearances on The Graham Norton Show in April 2010 alongside guests like Toni Collette and Billie Piper. These albums contributed to the band's commercial peak, with their overall UK album sales exceeding 1.4 million copies by the mid-2010s. The success of "This Ain't a Love Song" earned a Brit Award nomination for British Single in 2011.Mid-career phase (2013–2016)
In 2013, Scouting for Girls released their first compilation album, Greatest Hits, on 29 July through Epic Records, featuring selections from their previous studio albums alongside two new tracks, including the single "Millionaire". The compilation peaked at number 8 on the UK Albums Chart, marking a commercial success during a transitional period for the band. "Millionaire", released as the lead single on 22 July, entered the UK Singles Chart at number 52, reflecting a modest performance compared to their earlier hits. Following the compilation, the band shifted to their independent label East West Records for their fourth studio album, Still Thinking About You, released on 16 October 2015. The album debuted at number 13 on the UK Albums Chart and included the single "Life's Too Short", which emphasized themes of resilience and brevity in life. This release represented their first full-length project since 2012, showcasing a continued focus on upbeat pop-rock arrangements amid evolving music consumption trends. During this phase, Scouting for Girls scaled back to smaller UK tours, performing in theaters and mid-sized venues such as the O2 Shepherd's Bush Empire and Royal Albert Hall, rather than the large arenas of their peak years. The 2013 Greatest Hits Tour comprised 11 dates across the UK, prioritizing intimate settings to connect with core fans. The band's lineup remained stable, with core members Roy Stride (vocals, piano, guitar) and Greg Churchouse (bass) joined by guitarist Jamie O'Gorman since 2010, and no major personnel shifts reported for touring purposes. Promotion during 2013–2016 aligned with broader industry shifts toward digital platforms, as streaming services like Spotify gained prominence, influencing how albums like Greatest Hits and Still Thinking About You were distributed and marketed through online previews and digital downloads. Critics noted the band's consistent pop sensibilities in these releases but highlighted a perceived lack of fresh innovation, with Greatest Hits described as a premature retrospective of their breezy style, while Still Thinking About You was seen as overly optimistic without significant evolution.Revival period (2017–2020)
In 2017, Scouting for Girls marked the 10th anniversary of their debut album with an intimate performance at London's Bush Hall on 14 February, where they played the record in full to a capacity crowd. The event operated via a ticket ballot that drew over 20,000 applications for just 300 available spots, underscoring the enduring fanbase for the band's early material. To coincide with the milestone, the band released the single "Dancing in the Daylight," a upbeat track that captured their signature pop sound while hinting at reflective tones. Later that year, Scouting for Girls issued the compilation album Ten Add Ten: The Very Best of Scouting For Girls, which collected their biggest hits alongside two new originals, including a re-recording of "The Place We Used to Meet." The release was complemented by a special 10th anniversary edition of their self-titled debut, featuring expanded tracks, B-sides, and demos that offered fresh takes on classic songs. These efforts signaled a creative resurgence, blending nostalgia with new material to reconnect with longtime listeners. The band's momentum continued into 2019 with the release of their fifth studio album, The Trouble with Boys, which delved into more mature lyrical themes centered on adulthood, relationships, and self-reflection—evident in tracks like the title song, where frontman Roy Stride contemplates unmet life expectations and generational contrasts. Lead singles "Grown Up" and "Count on Me" highlighted personal growth, with the former evoking nostalgia for youth while acknowledging the passage of time. Supporting the album, they embarked on a UK headline tour that November and December, culminating in a sold-out performance at the O2 Shepherd's Bush Empire and incorporating charity elements to benefit youth causes. However, the revival faced interruption in 2020 when the COVID-19 pandemic led to widespread cancellations of live music events across the industry, halting Scouting for Girls' planned shows and forcing a pause in their touring activities.Recent developments (2021–present)
In 2021, amid the COVID-19 lockdown, Scouting for Girls released their sixth studio album, Easy Cover, on April 23, featuring eight cover songs from their 1980s childhood influences and three original tracks recorded at home to combat the isolation of the period. The album celebrated their musical roots with a pop rock twist, including covers of tracks like "Girls Just Want to Have Fun" by Cyndi Lauper and originals inspired by nostalgic themes. The band marked the 15th anniversary of their debut album in 2022 with the release of a limited-edition double vinyl live album, Live at the Trinity, on November 25, capturing performances from intimate shows at the Trinity Bar in Harrow, London, on February 14 and 15. Only 500 copies were pressed on heavyweight black vinyl, emphasizing a return to grassroots fan connections post-pandemic. In 2023, Scouting for Girls issued two singles ahead of their seventh studio album: "The Place We Used to Meet" on April 21 and "The Missing Part" on June 23, the latter described by the band as their most upbeat track since their early hits. The full album, The Place We Used to Meet, followed on October 13, peaking at No. 17 on the UK Albums Chart and marking their highest charting release in eight years with themes of rediscovering musical passion. In 2023, long-time touring guitarist Jamie O'Gorman departed, with Connor McDonald joining for subsequent tours. By 2024, the band expanded their live lineup with touring guitarist Connor McDonald, enhancing their performances during an extensive UK and Ireland tour promoting The Place We Used to Meet. In 2025, celebrations for the 15th anniversary of their second album Everybody Wants to Be on TV included a special edition vinyl release on April 25 and a performance at the Foodies Festival in Oxford on August 25, blending anniversary hits with festival energy. On November 7, 2025, Scouting for Girls announced their eighth studio album, These Are the Good Days, set for release on March 27, 2026, alongside a 2026 UK tour focused on anniversary tracks and new material to mark their enduring career. Throughout this period, the band has maintained smaller-scale tours, festival appearances, and a growing emphasis on streaming platforms to adapt to the evolving music industry landscape. They have also continued their longstanding charity work as ambassadors for Wellchild, supporting children's health initiatives.Artistry
Musical style
Scouting for Girls' primary genre is pop rock, characterized by alternative and indie rock influences that emphasize melodic accessibility and energetic rhythms.[1] Their sound often incorporates piano-driven arrangements, with frontman Roy Stride's keyboard work providing a jaunty foundation that blends power pop elements for an upbeat, hook-laden feel.[8] Guitar riffs complement the piano, creating layered, melodic structures that prioritize catchiness over complexity, as seen in tracks like "She's So Lovely," which exemplifies their knack for infectious choruses.[9] The band's instrumentation highlights a signature blend of piano and guitar, fostering a lighthearted and approachable vibe that avoids aggressive distortion in favor of bright, harmonious textures.[10] This setup supports perky, uptempo compositions with driving piano riffs and vocal harmonies that evoke youthful exuberance, contributing to their uncomplicated, feel-good aesthetic.[11] Early releases leaned into indie-rock roots with a dash of pop simplicity, delivering raw energy through straightforward song structures.[12] Over time, their production evolved from the less refined indie demos of their formation to more polished recordings in subsequent albums, refining their pop rock core while maintaining melodic hooks and rhythmic vitality.[13] This progression is evident in later works like The Light Between Us (2012), where the sound remains perky and poppy but benefits from cleaner, more professional arrangements. This evolution continues in their 2023 album The Place We Used to Meet, returning to mid-2000s pop-rock roots with anthemic, nostalgic tracks and deeper lyrical introspection.[10][14] Comparisons to piano-rock contemporaries such as The Feeling arise from shared indie pop sensibilities, while their placement alongside acts like Kaiser Chiefs reflects the broader mid-2000s "landfill indie" scene of accessible, guitar-piano hybrids.[15]Influences and songwriting
Scouting for Girls' music draws from a blend of classic and modern influences that shape their pop-rock sound. As a band, they cite The Beatles for melodic structures, alongside Slade and Madness for their energetic pop elements. Roy Stride, the band's lead songwriter, has also named personal favorites including Pearl Jam, Led Zeppelin, the Stone Roses, and Foo Fighters, reflecting a rock-oriented foundation. Additional inspirations include Brian Wilson of the Beach Boys for harmonious melodies and Elton John for piano-driven arrangements.[16][17][18] Songwriting is primarily led by Stride, who often begins compositions on piano, drawing from personal anecdotes rooted in childhood friendships, relationships, and everyday observations. For instance, the hit "She's So Lovely" evolved over two years from simple piano tinkering in a bedroom studio, incorporating tweaks for sass and brevity based on feedback. Stride generates 30 to 50 initial ideas per album, refining them through demos and live testing before selecting 10 to 12 tracks. The process emphasizes crafting immediate, hook-filled songs, as seen in the band's goal to produce "ten singles" for albums like Everybody Wants to Be on TV.[17][16][19] Lyrically, the band explores themes of innocent romance, heartbreak, and humorous slices of life, presented in a storytelling format that resonates with nostalgia and relatability. Tracks like "This Ain't a Love Song" and "Elvis Ain’t Dead" stem from real-life inspirations, such as encounters with eccentric fans, blending emotional depth with lighthearted wit. The collaborative dynamic, built on the members' childhood friendship, involves group rehearsals where Greg Churchouse and Pete Ellard contribute to arrangements, prioritizing sing-along choruses to enhance live performance appeal.[16][18][19] This respect for influences is evident in the 2021 album Easy Cover, which features eight covers of 1980s and 1990s pop-rock tracks—such as Tears for Fears' "Everybody Wants to Rule the World" and Cyndi Lauper's "Girls Just Wanna Have Fun"—alongside three originals inspired by the era's nostalgic vibe. The project celebrates the band's formative musical culture, adapting these songs with their signature upbeat energy to evoke post-pandemic optimism.[20][21]Recognition
Awards and nominations
Scouting for Girls have received several nominations from prominent UK music awards bodies, reflecting their commercial success and popularity during the late 2000s and early 2010s. In 2009, the band earned three nominations at the Brit Awards: British Breakthrough Act, British Live Act, and British Single for "Heartbeat". These recognitions highlighted their rapid rise following the debut album's release and the track's chart performance.[22][23] The band secured a fourth Brit Award nomination in 2011 for Best British Single with "This Ain’t a Love Song", tying into the song's widespread radio play and cultural resonance during their peak years. Additionally, in 2011, they were nominated for the Ivor Novello Award in the PRS Most Performed Work category for the same track, acknowledging its extensive airplay and public engagement across UK media. Despite these honors, Scouting for Girls have not won any major awards, though the nominations underscore sustained acknowledgment from the British music industry.[24][25][26] The British Phonographic Industry (BPI) has certified the band's debut album Scouting for Girls as multi-platinum, denoting over 900,000 units shipped in the UK, while their follow-up album Everybody Wants to Be on TV (2010) received platinum certification for exceeding 300,000 units. These certifications affirm the albums' strong domestic sales amid a competitive pop market.Commercial achievements
Scouting for Girls have achieved significant commercial success in the UK, with eight singles reaching the Top 40 on the Official Singles Chart, including their sole No. 1 "This Ain’t a Love Song" in 2010 and multiple Top 10 hits such as "She's So Lovely" (No. 7, 2007), "Elvis Ain't Dead" (No. 8, 2008), and "Heartbeat" (No. 10, 2009).[27] The band's albums have also charted prominently, securing four Top 10 entries on the Official Albums Chart: their self-titled debut at No. 1 in 2008, Everybody Wants to Be on TV at No. 2 in 2010, The Light Between Us at No. 10 in 2012, and Greatest Hits at No. 8 in 2014, while Still Thinking About You peaked just outside at No. 13 in 2015.[27] Overall, the band has sold over 4 million records in the UK since their formation in 2007. They continue to thrive in the digital era, amassing more than 1.2 million monthly listeners on Spotify and exceeding 1 billion global streams across platforms.[5] Internationally, Scouting for Girls have seen chart success in Ireland, where singles like "She's So Lovely" peaked at No. 27, and in several European markets including the Netherlands and Germany, alongside minor airplay exposure in the US.[28] In the 2020s, their early hits have experienced a streaming resurgence driven by nostalgia for 2000s pop-rock, boosting plays on services like Spotify and YouTube.[29]Band members
Current members
Scouting for Girls' current lineup consists of Roy Stride, Greg Churchouse, and Peter Ellard, who have maintained the band's core stability since forming as a trio in London in 2005.[30][3][31] Roy Stride handles lead vocals, guitar, keyboards, and piano while serving as the primary songwriter responsible for the band's signature pop anthems.[17][8] Stride, a childhood friend of Churchouse, drew from early local gigs to shape the group's sound.[3] Greg Churchouse provides bass and backing vocals, establishing the rhythmic backbone that underpins the band's energetic performances; he began playing bass specifically upon the group's formation in 2005.[16][8] Peter Ellard is a founding member and drummer, contributing to the percussion on recordings and live shows, including the band's ongoing 2025 tour dates.[8][32][31] The London-based trio's longstanding friendship fosters their collaborative dynamic.[3]Former and touring members
Scouting for Girls has maintained a stable core lineup since its formation in 2005, with no former core members departing the band.[31] To enhance their live sound during larger tours, particularly from 2009 to 2012, the band began incorporating touring guitarists for added depth and energy on stage.[33] Jamie O'Gorman has served as the band's primary touring guitarist since 2010, performing at major events like the Isle of Wight Festival and contributing to tours that expanded their audience reach.[34][35] In 2022, Nick Tsang joined as an additional touring guitarist, also providing backing vocals and production support during live shows, including performances at festivals and UK tours.[36][37] Connor McDonald was added as a touring guitarist in 2024, bringing guitar expertise from collaborations with artists such as James Morrison and George Ezra, and enhancing the band's sound for 2025 performances and their forthcoming album These Are the Good Days.[32] These touring members have complemented the core trio's stability, allowing for dynamic live arrangements without altering the band's foundational structure.[38]Other activities
Wolfcubs fan club
The Wolfcubs fan club was established around 2006 by Scouting for Girls during their unsigned phase, serving as a direct channel to connect with early supporters through their MySpace page.[39] The name "Wolfcubs" draws from the scouting theme central to the band's identity, evoking the junior section of the Scout movement known as Wolf Cubs, and reflecting the playful origins of the group formed by childhood friends Roy Stride and Greg Churchouse.[39] Initially hands-on, the band personally managed interactions, with members like Stride responding to messages and signing individual membership cards to foster a sense of community among fans.[39] Membership perks included free CDs compiled by the band, along with membership cards.[39] These offerings helped build loyalty during the band's grassroots promotion, with early members receiving personalized welcome packs to encourage ongoing engagement.[39] Following the release of their debut album in 2007 and hits like "She's So Lovely," the fan club grew rapidly to thousands of members, reaching around 4,000–5,000 by late 2007, which necessitated a shift from fully manual operations to more structured distribution.[39] As digital platforms evolved, the Wolfcubs transitioned from MySpace-based interactions to email lists and an official website. This included opportunities for fan meets and interactions at live shows, strengthening the bond between the band and their dedicated audience.[40] The club played a key role in early career promotion by cultivating a core following that propelled their rise to mainstream success. In 2025, the Wolfcubs remained active, particularly for anniversary events marking 15 years since the release of their 2010 album Everybody Wants to Be on TV, with a "Wolfcub Edition" pre-order for their upcoming 2026 album offering early song access, a signed lanyard, and ticket pre-sale opportunities starting April 30, 2025, along with limited merchandise to commemorate their enduring fanbase.[41]Charity work
Scouting for Girls have been official ambassadors for the children's charity WellChild since around 2010, supporting initiatives that aid seriously ill children and their families.[42] In 2010, the band participated in a sponsored Chopper bicycle ride from London to Brighton, raising over £20,000 through the event and related album sales efforts.[43] The band has also performed benefit gigs for BBC Children in Need, including a notable 2016 show at the Tan Hill Inn, the highest pub in Britain, which drew significant attention when a subsequent snowstorm trapped performers and around 200 fans overnight.[44] In 2017, to mark their tenth anniversary, Scouting for Girls launched a series of 10 fundraising challenges for the Alzheimer's Society, motivated by frontman Roy Stride's personal experiences with his mother Katy's battle against Pick's disease, a form of young-onset dementia that led to her death in 2014 at age 63. The challenges, including running the London Marathon and a half-marathon at Silverstone, aimed to raise £10,000 while increasing awareness of dementia's hereditary risks, as Stride expressed fears of inheriting the condition. The band's efforts culminated in events like the Watford Memory Walk in Cassiobury Park, which they helped launch and which overall raised over £100,000 for dementia support and research.[45] In 2025, the band headlined charity events including Preston Summerfest to raise funds for Demelza Charity and Pilgrim's Hospices.[46] Through these and other youth- and health-focused initiatives, Scouting for Girls have emphasized giving back, often integrating charity elements into tours and fan events to amplify their impact on vulnerable communities.Discography
Studio albums
Scouting for Girls debuted with their self-titled album in 2007, which became a commercial breakthrough featuring 12 tracks and establishing the band's pop-rock sound through upbeat, relatable hits. Released on 17 September 2007 via Epic Records, it topped the UK Albums Chart and spent 95 weeks in the top 100, achieving triple platinum status in the UK for sales exceeding 900,000 copies.[47][48] The band's second album, Everybody Wants to Be on TV, followed in 2010 with satirical lyrics critiquing fame, media, and celebrity culture, delivered across 11 tracks with prominent singles driving its success. Issued on 12 April 2010 through Epic, it reached number 2 on the UK Albums Chart and held platinum certification for over 300,000 units sold.[49][50] In 2012, The Light Between Us shifted toward introspective themes of love, heartbreak, and personal connections, comprising 10 songs that marked a more mature evolution in the band's songwriting. Released on 31 August 2012 on Epic Records, it peaked at number 10 on the UK Albums Chart but charted for only three weeks, reflecting moderate commercial performance.[51] The 2015 release Still Thinking About You explored themes of personal growth, reflection, and enduring emotions through 11 tracks, incorporating subtle electronic elements alongside the group's signature pop hooks. Issued on 16 October 2015 via East West Records, it entered the UK Albums Chart at number 13 for a single week.[52] The Trouble with Boys, the band's fifth studio album, adopted a more mature and introspective tone, addressing adulthood, relationships, and self-doubt in 10 concise tracks that blended pop anthems with nuanced storytelling. Released independently on 20 September 2019 through Sony Music, it reached number 25 on the UK Albums Chart for one week.[53][54] In 2021, Easy Cover featured eight covers of 1980s hits inspired by the band's childhood, alongside three original songs, blending nostalgia with new pop rock material. Released on 23 April 2021 via Near Wild Heaven Records, it peaked at number 50 on the UK Albums Chart.[55][27] Following a period of reflection, The Place We Used to Meet in 2023 returned to nostalgic roots with 12 songs evoking post-pandemic themes of reconnection, simpler times, and renewed passion for music-making. Self-released on 13 October 2023, it debuted at number 17 on the UK Albums Chart for one week.[56][57][14] The band announced their eighth studio album, These Are the Good Days, as an anniversary-inspired project celebrating nearly two decades, with themes centered on gratitude, the present moment, and life's joys amid personal challenges like relocation and crises. Entirely written and produced by frontman Roy Stride, it was recorded across studios in California, Dublin, and the UK, set for release on 27 March 2026.[58][59]| Album Title | Release Date | UK Peak | Certification |
|---|---|---|---|
| Scouting for Girls | 17 Sep 2007 | 1 | 3× Platinum |
| Everybody Wants to Be on TV | 12 Apr 2010 | 2 | Platinum |
| The Light Between Us | 31 Aug 2012 | 10 | — |
| Still Thinking About You | 16 Oct 2015 | 13 | — |
| The Trouble with Boys | 20 Sep 2019 | 25 | — |
| Easy Cover | 23 Apr 2021 | 50 | — |
| The Place We Used to Meet | 13 Oct 2023 | 17 | — |
| These Are the Good Days | 27 Mar 2026 | — | — |
Singles and other releases
Scouting for Girls released their debut single "She's So Lovely" in 2007, which peaked at number 7 on the UK Singles Chart and became one of their signature tracks.[60] Follow-up singles from their self-titled debut album included "Elvis Ain't Dead" (number 8, 2007) and "Heartbeat" (number 10, 2008), both achieving significant radio play and contributing to the band's early breakthrough.[27] Their second album yielded "This Ain't a Love Song" in 2010, which topped the UK Singles Chart for two weeks and marked their only number-one hit to date.[61] Over their career, the band has amassed eight Top 40 singles in the UK, including "It's Not About You" EP (number 31, 2007), "I Wish I Was James Bond" (number 40, 2008), "Famous" (number 37, 2010), and "Love How It Hurts" (number 17, 2012).[27] Prior to signing with Epic Records, Scouting for Girls self-released demos in 2006 while performing unsigned gigs, including early versions of tracks like "The Airplane Song," "Summer Love," and "Stupid Love Song," which showcased their piano-driven pop style and helped build local buzz in London.[62] These unsigned recordings were later included in expanded editions of their debut album but originated as independent demos distributed at live shows. In the 2020s, the band shifted toward digital-only singles, such as "The Missing Part" released in 2023 as the lead single from their album The Place We Used to Meet, featuring upbeat melodies reminiscent of their early hits.[63] Other digital releases include "This Ain't a Comeback" in 2025, emphasizing their continued output through streaming platforms without physical formats.[64] Beyond standard singles, Scouting for Girls have issued extended plays and supplementary releases. The "It's Not About You" EP in 2007 bundled multiple tracks and peaked at number 31 on the UK chart.[65]| Release Title | Year | UK Peak Position | Label |
|---|---|---|---|
| She's So Lovely | 2007 | 7 | Epic |
| Elvis Ain't Dead | 2007 | 8 | Epic |
| Heartbeat | 2008 | 10 | Epic |
| It's Not About You (EP) | 2007 | 31 | Epic |
| I Wish I Was James Bond | 2008 | 40 | Epic |
| This Ain't a Love Song | 2010 | 1 | Epic |
| Famous | 2010 | 37 | Epic |
| Love How It Hurts | 2012 | 17 | Sony |