Shrek Retold
Shrek Retold is a 2018 fan-made collaborative film that reanimates the 2001 DreamWorks animated feature Shrek in a shot-for-shot remake, featuring contributions from over 200 artists and filmmakers using a wide array of styles such as traditional animation, live-action footage, puppetry, and digital effects.[1][2] The project was initiated by Grant Duffrin, a member of the Milwaukee-based creative collective 3GI, which organizes the annual Shrekfest event celebrating the franchise's cultural impact.[2] Duffrin coordinated the effort by dividing the original film's 96 scenes among volunteers via a shared Google Doc and a Discord server, allowing participants—including amateurs and professionals like animator Brian Vogt—to interpret each segment creatively while adhering to the script and timing.[2] This decentralized approach resulted in a visually eclectic production that incorporates meme references and modern twists like a Tinder parody in the Magic Mirror scene.[2] Released for free on YouTube on November 29, 2018, following a trailer that garnered over 300,000 views in its first week, Shrek Retold quickly amassed millions of views and received praise for its innovative take on fan filmmaking.[2] Critics and audiences lauded its chaotic, surreal energy as a testament to positive fandom, drawing comparisons to earlier crowd-sourced remakes like Star Wars Uncut.[2] The film's success inspired a sequel project, Shrek 2 Retold, involving nearly 1,000 creators, which remains in production as of 2025 following multiple delays.[1][3]Background
Project Origins
Shrek Retold originated as a fan-driven initiative conceived by Grant Duffrin, a Milwaukee-based filmmaker and YouTuber known by the handle 3GI.[2] Duffrin, who had previously organized the annual Shrekfest event celebrating the 2001 DreamWorks film, envisioned the project as a shot-for-shot remake to harness collective creativity from online communities and honor the original movie's cultural impact.[4] The idea stemmed from Duffrin's desire to create a surreal, collaborative artwork that reimagined Shrek through diverse artistic styles, drawing inspiration from past fan remakes like Star Wars Uncut while emphasizing genuine appreciation over irony.[2] To kick off the project, Duffrin issued an open call for contributors via social media platforms including Twitter, YouTube, and a shared Google Doc that divided the film into 96 color-coded scenes for assignment.[2] This grassroots recruitment effort targeted animators, filmmakers, and artists worldwide, ultimately attracting over 200 participants who volunteered their skills without any financial compensation or formal budget, relying instead on enthusiasm and shared resources like a Discord server for coordination.[4][2] The no-budget approach underscored the project's community ethos, allowing creators to interpret scenes in unconventional mediums ranging from animation to live-action puppetry.Inspirations and Goals
Shrek Retold draws inspiration from the original 2001 film's subversive take on fairy-tale tropes, which mocked traditional narratives by centering an ogre as the anti-hero and lampooning Disney-style storytelling.[5] This irreverent spirit is amplified in the fan project through its embrace of internet meme culture, where Shrek evolved into a cult icon symbolizing absurdity and nostalgia in online communities, notably via the viral "Shrek is Love, Shrek is Life" phenomenon originating from a 2013 4chan post.[6] The project's creators sought to channel this digital legacy into a collaborative homage that celebrates Shrek's enduring appeal as a symbol of outsider humor and communal creativity.[2] The primary goals of Shrek Retold center on democratizing filmmaking by inviting over 200 contributors—ranging from amateurs to professionals—to reinterpret scenes in their own styles, fostering an inclusive process via open calls on platforms like Discord.[2] Rather than aiming for precise replication, the initiative prioritizes creative freedom, allowing diverse artistic approaches such as live-action puppetry, stop-motion, and digital animation to infuse each segment with unique flair, thereby emphasizing innovation over fidelity to the source material.[2] This structure highlights the project's vision of transforming fan engagement into a non-commercial, community-driven art form that empowers participants regardless of experience level.[1] At its core, Shrek Retold aims to cultivate positive fandom by encouraging transformative reinterpretations that veer into bizarre and surreal territory, distinguishing the remake as a layered commentary on internet culture while avoiding corporate oversight.[2] By reimagining scenes with elements like modern app references in the magic mirror sequence, the project underscores a commitment to evolving Shrek's legacy through playful subversion and collective imagination, inspiring millions of views and ongoing fan creations.[2][1]Content
Plot Summary
In Shrek Retold, a reclusive ogre named Shrek discovers his swamp has been invaded by numerous fairy-tale creatures, including the Three Little Pigs, Pinocchio, and the Gingerbread Man, who have been banished from the kingdom of Duloc by the tyrannical Lord Farquaad. Irritated by the intrusion, Shrek storms Farquaad's castle with the help of a loquacious Donkey, whom he rescues from execution. Farquaad offers Shrek a deal: retrieve Princess Fiona from a dragon-guarded tower, and the swamp will be cleared of the creatures.[7][8] Shrek and Donkey embark on the quest, encountering challenges such as a narrow bridge leading to the dragon's lair. Donkey distracts and befriends the dragon, allowing Shrek to free Fiona, who harbors a secret curse transforming her into an ogre at night. As they journey back, banter ensues—highlighted by Donkey's comparison of ogres to onions—while Fiona initially clashes with Shrek over his appearance, unaware of her own nocturnal changes. Upon arrival in Duloc, Farquaad imprisons Shrek and Donkey but proceeds with a forced wedding to Fiona.[7][8] The narrative deviates from the 2001 original through its crowdsourced structure, where over 200 contributors render scenes in disparate styles, occasionally altering comedic timings due to stylistic shifts like abrupt transitions between live-action and animation. A prominent example is the negotiation scene with Farquaad, featuring extended hand-drawn sequences by Christine W. Chandler (known as Chris Chan), which elongate the dialogue through crude, static illustrations and voice work. Shrek crashes the wedding, leading to a confrontation where Fiona's curse is exposed; true love's kiss with Shrek breaks the spell, but she remains an ogre, embracing her identity.[2][9][8] In the resolution, Shrek and Fiona accept their ogre forms, defeating Farquaad with the dragon's aid, and reclaim the swamp as a haven for the fairy-tale exiles. The film concludes with a celebratory dance sequence to "I'm a Believer," uniting the characters in harmony.[7][8]Artistic Format and Variations
Shrek Retold diverges markedly from the original film's uniform 3D computer animation by employing a diverse array of artistic formats, including 2D animation, 3D modeling, stop-motion, live-action with costumes, puppetry, and pixel art. These techniques vary scene by scene, as each segment was crafted by individual contributors among the over 200 artists involved, resulting in a patchwork aesthetic that mirrors the project's collaborative ethos.[1][10][11] This eclectic approach creates intentional visual dissonance, where abrupt shifts between mediums heighten the comedic effect and evoke a sense of chaotic creativity, often amplifying the absurdity of the narrative moments. For example, the invasion of Shrek's swamp incorporates live-action footage with actors in practical costumes and effects to depict the influx of fairy tale creatures, lending a tangible, low-budget theatricality to the chaos. In contrast, the "ogres are like onions" metaphor scene utilizes pixel art to visually represent the layered concept through retro, game-like graphics that peel back digitally.[12][11] Other sequences further exemplify this variation: stop-motion puppetry brings a tactile, handmade quality to character interactions in quieter moments, while 2D Flash-style animation energizes action beats like the storming of the dragon's castle in an anime-inspired flair. The film's total runtime spans 90 minutes, allowing these stylistic transitions to punctuate the retelling without overwhelming the core story, ultimately forging a distinctive, meme-infused homage that celebrates fan reinterpretation.[13][12]Production
Collaborative Process
The collaborative process for Shrek Retold was coordinated by director Grant Duffrin, who broke down the 2001 original film into 96 distinct scenes of varying lengths, each stored in individual folders with reference footage and scripts for guidance. These scenes were documented in a shared Google Doc, color-coded to indicate availability (e.g., red for claimed, other colors for partial progress), allowing potential contributors to select assignments based on their artistic skills, experience, and schedules. Recruitment began with outreach to over 750 individuals via email, resulting in more than 200 participants worldwide who claimed scenes through this system.[2][14] With no central studio, contributors operated remotely and independently, employing free and accessible software such as Blender for 3D animation or Adobe Animate for 2D work to produce segments in diverse mediums including hand-drawn animation, live-action, and puppetry. Submissions were uploaded to a dedicated Discord server for feedback and a Google Drive for final delivery, often including separate tracks for dialogue, sound effects, and music to facilitate integration; all work targeted a cohesive runtime matching the original's 90 minutes. A firm deadline was enforced in November 2018 to align with the film's premiere at ShrekFest and subsequent online release.[2][14] Duffrin handled the final assembly, editing the heterogeneous submissions in Adobe Premiere Pro to synchronize timing, pacing, and transitions with the source material, while using Adobe Audition to balance audio levels and incorporate missing elements like ambient sounds. This phase addressed variations in quality and length, ensuring the over 200 contributions formed a unified narrative without altering the plot structure.[14]Key Contributors and Roles
Grant Duffrin served as the director, editor, and lead producer for Shrek Retold, while also providing the voice for the titular character Shrek across multiple scenes.[15] As the organizer of the annual Shrekfest event, Duffrin coordinated the crowdsourced effort, assigning scenes to contributors and assembling the final 90-minute film.[12] The project involved over 200 volunteer participants, including both amateurs and professionals, all contributing without payment, who handled diverse roles including animation, voice acting, music composition, and prop creation to reinterpret the original film's scenes in varied styles ranging from live-action to digital animation.[8][4][2] Among the internet personalities featured were David Liebe Hart, known from Tim and Eric Awesome Show, Great Job!, who provided voice acting as Lord Farquaad in a notable musical sequence, and Anthony Fantano, the music critic, who appeared in a brief voice role as Donkey.[16][1][17] Other prominent contributions included an animated sequence by Christine Weston Chandler (Chris Chan) for scene 23, depicting Shrek's negotiation with Farquaad, and stop-motion animation for the dragon encounter by contributor Swallow Rob.[9] Various YouTubers and online creators filled additional voice acting duties, such as Michael Cusack and Noah Munck, enhancing the film's eclectic, community-driven tone.[1][18]Release and Distribution
Initial Release
Shrek Retold premiered worldwide on YouTube on November 29, 2018, as a free upload by the project's lead organizer, 3GI Industries.[8] The full feature-length film, running approximately 90 minutes, was made available for streaming to all users without any paywall or subscription requirement.[10] By November 2025, the official upload had accumulated over 11 million views, reflecting sustained online interest in the collaborative fan project.[8] Prior to the premiere, a promotional trailer was released on the same YouTube channel on November 15, 2018, showcasing excerpts from various contributors' scenes to generate anticipation.[19] The trailer quickly gained traction, amassing more than 300,000 views within its first week, which helped build excitement among online audiences familiar with the original Shrek film.[2] This early marketing effort highlighted the project's unique crowd-sourced nature, drawing attention to the involvement of over 200 creators in remaking the story scene by scene.[20] The film's distribution emphasized open access, with 3GI providing a free high-definition download option via their official website shortly after the YouTube debut, allowing viewers to share, archive, and even remix the content as desired.[8] This approach aligned with the project's community-driven ethos, fostering further engagement and derivative works within fan circles without restrictive licensing barriers.[2]Physical Media Editions
Following its digital premiere on YouTube, Shrek Retold was released on VHS in a limited novelty edition on November 29, 2019, designed to evoke the aesthetics of early 2000s home video releases with handmade covers and analog formatting for a retro experience.[21][22] This edition, produced by 3GI Industries, included the full film on tape and was limited to small runs, such as subsequent art editions of 25 units each featuring unique artwork and a behind-the-scenes documentary.[23] The project later expanded to higher-definition physical media with a Blu-ray edition released on March 1, 2022, also by 3GI Industries, offering 1080p video quality and multi-language audio tracks in English, Spanish, French, and Russian.[24][25] This disc featured bonus content including the behind-the-scenes documentary "Shrek Retold: The Retelling", a director's discussion titled "How I Made Shrek Retold", an exclusive performance "Be a Shrek" by David Liebe Hart, and additional materials such as contributor interviews and unused scenes.[25] To support ongoing creative endeavors, including potential sequels, 3GI Industries offered related merchandise through its online store, such as official posters priced at $10 and various apparel items like T-shirts.[26] These items were marketed as ways for fans to contribute to future projects while celebrating the film's collaborative spirit.[26]Reception
Critical Reviews
Shrek Retold received generally positive critical reception, praised for its innovative fan-driven approach and creative reinterpretation of the original film. On IMDb, the project holds an average rating of 7.4 out of 10 based on over 1,500 user votes as of November 2025, with reviewers acclaiming the humor arising from stylistic clashes between diverse animation techniques while noting occasional uneven quality due to its collaborative nature.[10] In a 2018 Wired article, the film was lauded as a "chaotic, remixed wonder" and an "internet art masterpiece," highlighting the "bizarre genius" of its fan collaboration, where over 200 contributors employed varied styles like live-action, puppetry, and surreal animations to remake the story shot-for-shot. The piece emphasized the project's impressive scope, transforming a beloved 2001 animated classic into a surreal, homemade spectacle that fosters new forms of expression through its layered, eclectic creativity.[2] Film School Rejects' 2018 coverage celebrated Shrek Retold for embodying the "magic of positive fandom," portraying it as a trippy fever dream that reimagines the fairy tale through bizarro fiction, contrasting sharply with soulless corporate remakes by showcasing genuine, community-fueled innovation and affection for the source material. The review underscored how the film's wild stylistic variations—from Game Boy-esque graphics to experimental visuals—create a vibrant, affectionate homage rather than a derivative cash-grab.[27]Fan and Audience Response
Shrek Retold garnered strong fan support through enthusiastic YouTube comments and social media engagement, where viewers praised its creative diversity and collaborative spirit as a testament to the enduring Shrek fandom.[2] Viral clips, such as the Chris Chan sequence in scene 23 contributed by internet personality Christine Weston Chandler (known as Chris Chan), sparked widespread discussions online about the project's inclusive approach to fan contributions, highlighting both its meme-worthy eccentricity and the controversies surrounding participant involvement. The inclusion drew backlash following Chris Chan's 2021 arrest and conviction on incest charges, as the contribution predated these events; 3GI addressed the issue in a May 2022 video, affirming the scene's retention while condemning the actions.[9][28] The full film amassed over 11 million views on YouTube as of November 2025, reflecting its significant impact within online communities and contributing to the revitalization of Shrek's digital legacy through user-generated content.[8] This popularity inspired thousands of fan recreations, including individual scene reinterpretations and larger collaborative efforts like Shrek 2 Retold, which involved nearly 1,000 contributors and further expanded the ecosystem of fan-driven Shrek projects.[29][1] Fans fostered a sense of ownership through community events tied to the project, such as watch parties and screenings at annual Shrekfest gatherings, where attendees participated in cosplay as characters from the film, blending the retold version with broader Shrek celebrations.[4][30] These activities, often featuring themed contests and group viewings, reinforced communal bonds and encouraged ongoing creative participation among viewers.[31]Music
Soundtrack Album
The official soundtrack for Shrek Retold, titled Shrek Retold (Official Soundtrack), was released on November 29, 2019, by the independent label Autumn Sounds to commemorate the film's one-year anniversary.[32][33] The 47-minute compilation features 20 tracks consisting primarily of covers and reinterpretations of songs from the original 2001 Shrek film, performed by various contributors to the Shrek Retold project.[34] Notable examples include a folk-inflected rendition of Smash Mouth's "All Star" by Peter Vartanian, Fauxny & Kevin Gonring, and a lo-fi cover of Rufus Wainwright's "Hallelujah" (originally by Leonard Cohen) by David Liebe Hart & Dumb Fidelity.[32][33] The album's production involved a collaborative effort from musicians and artists associated with the Shrek Retold initiative, emphasizing diverse stylistic interpretations such as folk arrangements, chiptune remixes, and electronic adaptations to align with the film's fan-driven, eclectic aesthetic.[32] Tracks like Larry Inc 64's chiptune version of "Some Moon" and Damon Scott 'Broken Pixels', Helior Colorado & Esteban Proano's 8-bit take on "Merry Men" exemplify this variety, drawing from the original film's musical cues while incorporating retro gaming influences.[33] Other highlights include DJ Douggpound's remix of "Donkey Look Out" in a hip-hop style and Morrano's acoustic folk cover of "It Is You (I Have Loved)" by Dana Glover.[32] The compilation avoids original score elements, focusing instead on vocal and instrumental reinterpretations contributed by over a dozen artists.[34]| Track No. | Artist(s) | Title | Duration |
|---|---|---|---|
| 1 | Peter Vartanian, Fauxny & Kevin Gonring | All Star | 4:18 |
| 2 | Oditharge (feat. Ray Sipe) | Makin' Waffles | 1:40 |
| 3 | Nolan Cooney | Pina Colada | 3:38 |
| 4 | Ryan Dorin "Ratboy Genius" | Welcome to Duloc | 0:34 |
| 5 | DJ Douggpound | Donkey Look Out | 3:03 |
| 6 | Chris Carlone | I'm on My Way | 0:48 |
| 7 | Larry Inc 64 | Some Moon | 1:30 |
| 8 | Raymond Allen | Shed | 1:50 |
| 9 | Dumb Fidelity & Roughy | Singing Princess | 1:34 |
| 10 | Damon Scott 'Broken Pixels', Helior Colorado & Esteban Proano | Merry Men | 0:44 |
| 11 | Marc M 'Sick Animation' | Shrek Love | 1:32 |
| 12 | Urethra Heap | You Belong to Me | 1:58 |
| 13 | Grant Duffrin | Eleven Months | 0:37 |
| 14 | David Liebe Hart & Dumb Fidelity | Hallelujah | 2:18 |
| 15 | Hot Dad | Believer | 4:45 |
| 16 | Grant Duffrin | Stay Home | 5:17 |
| 17 | T.O.S.O. | Best Years of Our Lives | 2:59 |
| 18 | MowtenDoo | Like Wow | 1:52 |
| 19 | Morrano | It Is You (I Have Loved) | 3:41 |
| 20 | Grant Duffrin | Trailer Song | 2:24 |