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Slam Dunk Records

Slam Dunk Records is a specializing in rock and , founded in in , , as a spin-off from the successful Slam Dunk Festival. Part of the broader Futuresound Group—which encompasses independent live music promotion, venue operation, festivals like Slam Dunk Festival and , and artist management—the label has played a key role in nurturing emerging talent within the UK rock scene. Initially launched to support the band , releasing their gold-certified debut album in 2008, Slam Dunk Records established itself as a cornerstone for and acts before taking a . Relaunched in 2020, it now focuses on new music from both UK-based and international artists, including alt-rock quartet and emo-infused band Beauty School, whose second album From Now On was released through the label in October 2025. The label's integration with live music infrastructure has enabled it to bridge recording and performance opportunities, contributing to the vitality of the independent rock ecosystem in .

History

Founding and early development

Slam Dunk began as a weekly club night in 2001 at The Cockpit venue in , founded by Ben Ray to spotlight emerging sounds in the landscape, including , , , , and metal. This intimate event quickly became a hub for enthusiasts, fostering a dedicated community amid the rising popularity of these genres in the early scene. The club's success laid the groundwork for broader ambitions, transitioning from late-night DJ sets to larger-scale live music initiatives. By 2006, the brand had evolved into event promotion, launching the inaugural Slam Dunk Festival on 27 May at Leeds Millennium Square, a one-day outdoor event that sold out with a focus on acts. This milestone marked Slam Dunk's shift from club-based gatherings to major festival organization, capitalizing on the growing demand for dedicated platforms in the post-millennial and . The festival's positive reception, held in a central urban square with a single stage setup, solidified the brand's reputation as an independent force in live music. Slam Dunk Records was formally established in 2007 as an independent label, emerging directly from the promotional momentum of the festival to nurture talent in the alternative sector; its first major signing, You Me at Six, came in November of that year ahead of their debut album release. Operating under the parent company Futuresound Group—a Leeds-based promoter with over two decades of experience in venue management, event ticketing, and operations including The Key Club—the label positioned itself to support artists through recordings and tours. Early efforts focused on building a sustainable presence in the UK's alternative music ecosystem, navigating the competitive environment following the mid-2000s emo and pop-punk surge that had amplified both opportunities and saturation in the market.

Expansion into promotions and events

Following its initial establishment, Slam Dunk Records expanded its operations post-2007 by integrating deeper into live music promotions, leveraging its roots in the original club night to scale event programming. This growth included the launch of additional club nights under the Slam Dunk Presents banner, which promoted and alternative acts across UK venues, building on the weekly emo and punk-focused events at ' club. The record label's integration with promotions became a core strategy, utilizing the Festival platform to scout and sign emerging artists through demo submissions and on-site performances. This synergy allowed the label to identify talent performing at festival stages, facilitating signings that aligned with its rock and roster. After a period of reduced activity in the , the label was relaunched in 2020, focusing on new releases from and international acts, including initial signing For You The Moon. Key milestones in this expansion included the introduction of dual-site festivals in 2010, with events held simultaneously in and Hatfield (near ), increasing attendance and reach. By the 2020s, the company entered European markets with new festival editions in and , announced in 2022 for launch the following year; further expansions as of 2025 include events in , the , and . Partnerships, such as with for main stage sponsorship starting in 2022, further amplified promotional efforts and artist visibility. Business evolution accelerated through the formation of the Futuresound Group, which encompassed as one of four labels and included subsidiaries for specialized operations. These comprised for in-house record pressing, Futuresound Artist Management for talent development, and an internal ticketing company to streamline event sales. The COVID-19 pandemic disrupted this trajectory, leading to the full cancellation of the 2020 Slam Dunk Festival after an initial postponement from May to proved unfeasible amid government restrictions.

Record label

Signed artists and roster

Slam Dunk Records, relaunched in 2020 as part of the Futuresound Group, maintains a focused roster emphasizing self-driven artists in the , , , and genres, drawing from both established acts and emerging talent, particularly from the and scenes. The label's flagship artist, , has been associated since its founding in 2007, when it released their gold-selling debut album , establishing the label's early reputation in the space. Alumni include and , UK-based acts that debuted releases with the label in the early 2010s and are highlighted in official communications. Recent signings reflect the label's commitment to nurturing international and alternative talent, including , a Leeds-based alt-rock band whose debut EP Pyrokid was released via Slam Dunk on May 5, 2023, followed by their debut full-length album Babyface on March 1, 2024, blending and elements. Beauty School, an emerging act from the scene, joined with their second album From Now On on October 3, 2025, featuring collaborations with artists like Rae Brazill of and of . As It Is, a pop-punk band, signed for a 2024 compilation A Decade Uneventful: B-Sides & Rarities (2012–2022), marking a return to the label after earlier associations. These additions highlight a mix of self-produced emerging bands and those with growing presences, often scouted through events like Slam Dunk . The label has expanded through collaborations, notably a 2025 partnership with alumni, releasing exclusive vinyl editions for pop-punk veterans such as and New Found Glory, including reissues of From the Screen to Your Stereo volumes and live albums. Alumni and past associations include , with a 2025 20th-anniversary edition of Hours released via Slam Dunk, and , whose 2025 album The Sound a Body Makes When It's Still received a limited label pressing. maintains ties through limited merchandise and release exclusives, underscoring the label's affinity for icons. These relationships blend historical signings with ongoing limited-edition ventures. Slam Dunk's signing philosophy prioritizes creative, unique, and self-driven artists who align with the label's community-focused ethos in , accepting demo submissions via streaming links to [email protected] without attachments. This approach fosters diversity across established international acts and up-and-coming talent, particularly from , ensuring a roster that supports grassroots growth in , , and .

Notable releases and collaborations

Slam Dunk Records marked its launch with the release of 's debut album on October 6, 2008, which debuted at number 25 on the and achieved gold certification from the BPI in July 2012 for sales exceeding 100,000 copies. This milestone album not only established the label's focus on and but also propelled to subsequent UK Top 40 entries, including Hold Me Down (number 5 in 2010) and Sinners Never Sleep (number 3 in 2011). Subsequent releases highlighted the label's commitment to emerging talent, such as Decade's self-titled debut EP in 2012, which captured the band's raw energy and helped build their early fanbase through limited physical editions. In more recent years, has emphasized collectible formats, including limited-edition purple and red half-and-half vinyl pressings of Hot Mulligan's 2025 album The Sound a Body Makes When It's Still, exclusive to the label and featuring a postcard from the band's Festival performance. Similarly, ARTIO's 2024 single "Head in the Sand, Finger on the Trigger" (featuring FLASCH), from their album Babyface, addressed themes of and marked a pivotal release in the band's transition narrative. The label has expanded through strategic collaborations, including a 2025 partnership with to reissue classic albums on exclusive , such as The Starting Line's With Hopes of Starting Over EP, tied to the lineup. Joint merchandise lines with festival acts like and have further integrated releases with live events, offering co-branded apparel and accessories to enhance fan engagement. As part of the Futuresound Group, Slam Dunk handles in-house pressing to prioritize physical formats amid the digital streaming dominance, ensuring high-quality, limited-run editions that appeal to collectors.

Slam Dunk Festival

Origins and initial years (2006–2010)

The Slam Dunk Festival launched in 2006 as a one-day event at Millennium Square, marking the inaugural edition organized by promoter Ben Ray to showcase emerging acts. Headlined by Fall Out Boy, the lineup featured supporting performances from The Academy Is..., Capdown, , , , and across a single stage, drawing an initial crowd in the thousands and establishing a foundation in , , and rock genres. In 2007, the festival relocated to Leeds University for its second year, maintaining a single-stage format while expanding its appeal with headliners Reel Big Fish and key acts including Paramore, Mad Caddies, Failsafe, Beat Union, Sonic Boom Six, and You Me At Six. This edition highlighted ska-punk influences alongside emo and pop-punk, fostering growth in attendance and solidifying the event's role in promoting unsigned and label-associated talent. The Slam Dunk Records label, founded shortly after in 2007, began leveraging the festival for artist exposure. By 2008, the festival returned to Leeds University but evolved significantly with the introduction of four stages, sponsored by brands like Glamour Kills and , allowing for parallel performances and broader genre representation. Headliners included , Cute Is What We Aim For, and , joined by acts such as , , The Blackout, , Attack! Attack!, and , which attracted larger crowds and emphasized , , and . This multi-stage setup marked an early innovation in accessibility for diverse audiences and emerging bands. The 2009 edition at Leeds University further expanded to six stages, incorporating sponsors like and Drop Dead, and diversified into metal and elements while retaining core and roots. headlined alongside , , Silverstein, , The Blackout, , Attack! Attack!, , , and , with dedicated areas for up-and-coming acts serving as a precursor to later venue integrations like the Stage. Attendance continued to rise, reflecting the festival's growing reputation as a key event. In 2010, the festival introduced its dual-site format with Slam Dunk North at Leeds University and Slam Dunk South at the University of Hertfordshire over two days, utilizing eight stages including DJ sets on the Babycakes Bar stage. Headliners New Found Glory, , and Against Me! led lineups featuring , Set Your Goals, , , , , , , Deaf Havana, and , blending , , , and influences. This expansion drove combined attendance beyond 20,000, transforming the event from a regional one-day gathering into a national multi-genre powerhouse while prioritizing platforms for breakthrough artists.

Growth to dual sites and international reach (2011–2020)

During the early 2010s, Festival solidified its format with permanent dual-site events in and Hatfield, establishing a weekend tradition that drew growing crowds of enthusiasts. In 2011, the festival featured seven stages across and the in Hatfield, headlined by ska-punk veterans , alongside acts like , , and , marking an expansion in programming that included an acoustic stage for the first time. By 2012, the event streamlined to four stages while retaining the dual venues, with topping the bill and notable performances from and Of Mice & Men. The festival's growth accelerated in 2013 with the addition of a third site at the , increasing to seven stages and hosting over 40 bands, headlined by and featuring high-energy sets from and . This multi-site approach continued in 2014, incorporating brief stops in and alongside the core locations, with as headliners and appearances by and The Ghost Inside emphasizing a mix of and . In 2015, shifted to a city-center setup across Millennium Square, O2 Academy, and , while Hatfield and Wolverhampton remained active; headlined, joined by , , and Architects, with the introduction of an Uprawr DJ stage adding electronic elements to the lineup. From 2016 to 2019, refined its scale while transitioning venues for enhanced capacity and logistics, peaking in attendance and diversity. The 2016 edition celebrated its 10th anniversary across , Hatfield, and , headlined by and New Found Glory, maintaining multiple stages for a broad roster that balanced with emerging sounds. By 2017, headlined the three sites, with Don Broco's performance gaining viral attention through fan-led mask initiatives. In 2018, co-headliners and anchored the bill, featuring Waterparks as a rising act amid legacy performers like . The 2019 event marked a pivotal venue upgrade, moving to Park and Hatfield to Hatfield Park for larger outdoor layouts accommodating over 50,000 attendees combined; headliners included , (curating a Punk In Drublic takeover stage), and , with additional sets from , , and highlighting the festival's blend of punk icons like Pennywise and newer wave artists. Programming during this era consistently balanced legacy acts—such as , , and Pennywise—with emerging talents like , Waterparks, and , fostering intergenerational appeal across , , , and genres. However, the 2020 edition, originally slated for May with headliners and across and Hatfield, was postponed to September amid the and ultimately canceled entirely due to ongoing restrictions, marking the first full halt in the festival's history.

Recent editions and anniversary plans (2021–2026)

Following the disruptions caused by the , Slam Dunk Festival returned on September 4 at in and September 5 at Hatfield Park, with scaled-back events adhering to health guidelines and reduced capacities compared to pre-pandemic editions. Headliners included and , alongside acts like , , and , signaling a tentative revival of live music experiences. The festival fully resumed its standard dual-site format in 2022, hosting events at Hatfield Park on the penultimate in May and the following day, a structure maintained through 2025. Subsequent years featured robust lineups blending established and rising acts; for instance, the 2025 edition spotlighted , , and as key performers across main stages, drawing enthusiastic responses for their high-energy sets. In parallel with events, Slam Dunk expanded into starting in 2023 with inaugural festivals in and , headlined by acts like , and continued growth in 2025 by adding dates in , the , , and returns to and . These international editions broadened the festival's reach while preserving its focus on , , and genres. Attendance surged to record levels from 2023 onward, with the events selling out for the first time that year at around 23,000 per day, though 2024 saw a slight dip to approximately 20,000 amid broader industry trends before rebounding strongly in 2025. The Stage emerged as a vital platform for breakthroughs, exemplified by Heart Attack Man's chaotic, crowd-engaging performance in 2025, which filled the area to capacity and highlighted the stage's role in elevating emerging talent. On September 24, 2025, organizers unveiled plans for the 20th anniversary edition in 2026, set for May 23 at Hatfield Park and May 24 at , boasting the festival's largest lineup to date with headliners , , and , joined by legacy figures like and alongside contemporary acts such as and Boston Manor to celebrate its heritage. To address environmental concerns, introduced sustainability efforts in 2023, including a partnership with Big Green Coach as the official travel provider, offering carbon-neutral coach services that offset emissions through tree-planting programs and ecosystem restoration projects.

Other ventures

The Key Club venue

The Key Club, located at 66 Merrion Street in ' Merrion Centre, opened in September 2014 as the successor to the renowned venue, which had closed earlier that year after two decades of operation. Established by the former owners of the , it was designed as a dedicated 300-capacity space focused on , , and music, providing an underground atmosphere just steps below the bustling shopping centre. As part of the Futuresound Group portfolio—which includes other promoters and venues in the UK—the club quickly filled the void left by its predecessor, inheriting iconic nights and building on ' vibrant heritage. The venue's programming emphasizes intimate gigs and specialized club nights tailored to niche genres, including the weekly Slam Dunk Tuesdays, which feature , , , and anthems to spotlight both established and emerging artists from the scene. Other recurring events include The , a club night dedicated to garage and related sounds, alongside and , creating a diverse lineup of themed evenings that often tie into the broader Slam Dunk ecosystem by previewing festival-caliber acts in a close-up setting. Facilities this focus with a compact stage ideal for up-and-coming bands, a licensed bar offering affordable drinks deals, and dedicated areas for merchandise sales, all within a safe and inclusive environment that hosts hundreds of events annually. National and international acts, such as , Beartooth, and , have performed here, complementing local talent development. Since its inception, The Key Club has maintained regular punk and emo nights, evolving from the early club nights that originated at the in 2001. Post-COVID, the venue experienced a strong resurgence, with numerous shows selling out in 2025, including high-profile gigs by acts like Dead Pony, reflecting renewed demand for live in . This recovery underscores its role as a resilient cornerstone of the local scene, where intimate capacities allow for energetic, community-driven experiences. As a central hub for alternative music community, The Key Club fosters emerging talent by providing accessible performance opportunities and nurturing the punk, emo, and rock subcultures through consistent programming and artist support. Its underground location and genre-specific focus have made it "Leeds' only rock club," sustaining a dedicated fanbase and contributing to the city's reputation as a key destination for independent live music.

Additional promotions and club nights

Slam Dunk Records has maintained the Club Night as a weekly event since its inception in , originally launched at The Cockpit in before relocating to The , where it runs every Tuesday from 11 PM to 3 AM, showcasing and anthems to foster a dedicated fan community. Themed nights within this series emphasize , drawing crowds with curated sets of classic tracks to support grassroots engagement and label artist exposure. Beyond the core club night, Slam Dunk promotes ties with other festivals like , offering combined ticketing options for attendees to access both events in sequence, enhancing promotional reach and community building in the independent music scene. One-off tours and artist showcases, such as headline runs for roster acts like Beauty School, provide targeted promotion for label releases and build direct fan connections through intimate performances. These efforts prioritize smaller-scale events to nurture emerging talent and sustain the pop-punk ecosystem. European extensions include standalone promotional gigs in and the , evolving from initial festival pilots around 2018 to dedicated shows that extend the label's reach abroad while maintaining a focus on community-driven experiences. Recent initiatives feature a 2025 collaboration with , involving exclusive vinyl reissues and merchandise events tied to festival activations, celebrating shared heritage and introducing archival material to new audiences.

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