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Smack That

"Smack That" is a hip hop and R&B song by Senegalese-American singer featuring American rapper , released on September 26, 2006, as the lead single from 's second studio album, . The track, produced by , blends 's melodic hooks with 's energetic rap verse, centered on themes of nightlife and attraction. , released on November 14, 2006, marked 's breakthrough album, debuting at number two on the US Billboard 200. The song achieved widespread commercial success, peaking at number two on the Billboard Hot 100 for five consecutive weeks and topping the UK Singles Chart, where it spent one week at number one and charted for 29 weeks overall. It also reached number one on charts in Australia, New Zealand, and several European countries, contributing to the global popularity of Konvicted. In the United States, "Smack That" was certified platinum by the RIAA in December 2007 for one million units sold. "Smack That" received critical recognition, earning a Grammy Award nomination for Best Rap/Sung Collaboration at the in 2007. The accompanying music video, directed by and featuring cameos from and actor , depicts a chaotic scene and has amassed over 1.5 billion views on as of September 2025. The song's infectious rhythm and celebrity collaboration solidified its status as a mid-2000s pop culture staple.

Background and production

Development

Akon drew inspiration from the pulsating energy of club culture, aiming to craft a high-energy R&B/hip-hop track that would anchor his sophomore album, Konvicted. In mid-2006, he penned the initial chorus, envisioning a seductive, party-ready hook to drive the song's momentum. Akon subsequently reached out to for a guest verse, pitching the concept during a studio session that summer. Impressed by the raw potential, agreed to contribute not only his rap verse but also took on production duties, crafting the beat to amplify the track's club appeal. Songwriting wrapped up by the end of summer 2006, solidifying 's key role in shaping the final form ahead of recording.

Recording and production

The recording of "Smack That" primarily took place at 54 Sound studio in , during sessions in 2006. handled production duties, programming the drum beat and synthesizer elements to craft a rhythmic, club-oriented track. recorded his lead vocals and chorus over 's beat during these sessions, contributing to the song's energetic . Recording engineers Mike Strange and Tony Campana captured the performances, while and Mike Strange oversaw the mixing process at the same studio. The track's production wrapped in the months leading up to the release of 's album on November 14, 2006. 's involvement as both producer and featured artist marked a key collaboration that shaped the song's final sound.

Composition and lyrics

Musical composition

"Smack That" blends R&B and genres with elements, creating an upbeat track suitable for environments. The song operates at a mid-tempo pace of 119 beats per minute, contributing to its infectious, dance-oriented energy. Composed in , it employs a straightforward foundation that prioritizes over complex progressions. The musical structure adheres to a simple verse-chorus format, augmented by a prechorus, , and outro, with a total duration of 3:32. handles the melodic, sung chorus, while contributes a rapid verse that integrates seamlessly with the beat's momentum. This arrangement builds tension through the prechorus before releasing into , maintaining listener engagement throughout. Instrumentation centers on a prominent and synth hooks, supported by minimalistic percussion that accentuates the titular "smack" . The —primarily –C–G–Am—provides a repetitive, groove-driven backbone that underscores the track's danceability without overwhelming the vocal performances.

Lyrical themes

"Smack That" centers on a playful yet explicit portrayal of a flirtatious encounter in a setting, emphasizing physical attraction, , and the allure of and fame. The narrative unfolds through Akon's observations of a approaching him, highlighted by references to luxury items like a and manicured appearances, which underscore the song's focus on confident pursuit and immediate gratification. In the chorus, Akon delivers repetitive hooks centered on "smack that," serving as a metaphor for intimate physical contact during dancing or more suggestive interactions, which reinforces themes of boldness and mutual allure in the club environment. These lines, repeated for emphasis, create a catchy, anthemic structure that invites listeners into the song's energetic vibe of seduction. Eminem's contributes a humorous and boastful , filled with on his celebrity status, financial success, and casual romantic pursuits, including self-referential nods to his Slim Shady persona like "Ooh, shorty got an ass like a , with a / Look back at it and get spanked like a puppy." This section escalates the narrative with vivid imagery of escalating attraction , blending bravado with playful exaggeration to complement the track's seductive core. The overall tone blends lighthearted bravado with provocative elements, positioning the song as a party anthem that celebrates escapades through confident, unapologetic expression. Lyrically, the track employs a simple repetition in Akon's for memorability, contrasted by dense internal rhymes in Eminem's —such as multisyllabic schemes in lines like "They better hang on when they throw this thang on"—to heighten rhythmic flow and catchiness, with the full song comprising approximately 250 words across its verses and hooks. The musical backing, with its upbeat rhythm, enhances this lyrical rhythm without overshadowing the textual focus.

Release and promotion

Commercial release

"Smack That" served as the from Akon's second studio , Konvicted, and was initially released on September 26, 2006, through in association with . The track's distribution marked Akon's growing prominence under his imprint, with Interscope overseeing promotion and rollout strategies to maximize mainstream exposure. The single was offered in multiple physical and digital formats, including CD maxi-single, 12-inch vinyl, and digital download, available in both clean and explicit versions to accommodate radio play and retail standards. In the United States, the digital version debuted via platforms like , while physical copies were distributed by Universal Distribution. The song received formal servicing to U.S. mainstream and rhythmic crossover radio stations on October 12, 2006. International releases followed a staggered schedule through October 2006, including a European CD maxi-single via Universal Motown on October 17. The single's packaging featured a cover with silhouettes of Akon and Eminem set against an urban cityscape backdrop, emphasizing the track's hip-hop aesthetic. Promotional efforts integrated the music video, directed by Benny Boom, to boost visibility across broadcast and digital channels.

Promotional activities

The promotional campaign for "Smack That" emphasized media exposure and live performances to capitalize on the collaboration with and build anticipation for Akon's album . The music video, directed by and featuring a cameo from , premiered in September 2006 and rapidly gained traction through rotations on major music networks. It debuted on MTV's and received frequent airplay on , aligning with ' strategy to target both urban and mainstream pop audiences for crossover appeal. Akon made key television appearances to amplify the single's visibility, including a performance at the 2006 American Music Awards on November 21, where he joined Snoop Dogg for a medley of "I Wanna Love You" and "That's That." This high-profile slot, broadcast on ABC, marked a peak in the promotion timeline during October and November 2006. Shortly after, Akon appeared as a musical guest on Saturday Night Live on December 9, 2006, hosted by Annette Bening, performing "I Wanna Love You" as part of the album's overall rollout. To engage club and radio markets, Interscope distributed limited-edition promotional materials, including 12-inch vinyl singles and remixes to DJs for early spins in urban and dance settings. The song was also featured prominently in Akon's Tour, which launched in early 2007 across , , and , with setlists highlighting it as a centerpiece alongside other Konvicted tracks. International press junkets in late 2006 extended the campaign, with Akon conducting interviews in and to promote the single's global release.

Critical reception

Contemporary reviews

Upon its release as the from Akon's Konvicted in September 2006, "Smack That" received mostly positive feedback from critics, who highlighted its infectious energy and suitability as a club anthem. AllMusic's Andy Kellman praised the track in his of the album, calling it a "club banger" that exemplified Akon's upgraded production and songwriting skills following the success of his debut. echoed this sentiment in a November 2006 album review, describing "Smack That" as a standout featuring Eminem's energetic and Akon's catchy hook, while awarding Konvicted an overall rating of 3 out of 5 stars. Entertainment Weekly offered a mixed take in its November 2006 assessment, lauding 's contribution as "the liveliest Eminem cameo in ages" for its playful vibe. These reviews, clustered between September and December 2006, positioned "Smack That" as a key driver in building anticipation for amid 's burgeoning fame from prior hits like "Locked Up."

Retrospective assessments

To mark the 14th anniversary of its parent album in 2020, released remastered high-definition music videos for the track, underscoring its lasting visual and sonic appeal among fans. Critics and himself have highlighted Eminem's production contributions as innovative, with the rapper drawing from 's spontaneous studio ad-libs to craft the beat, which described as a serendipitous moment that elevated the song's energy. In a 2022 interview reflecting on , expressed pride in the track's role in his career trajectory, noting its raw energy as emblematic of early-2000s experimentation without regret for its bold style. Amid evolving cultural discussions on explicit content, particularly in the post-#MeToo landscape, the song's suggestive lyrics have faced scrutiny for , yet defended them in 2024 as an essential, unapologetic part of his artistic journey, positioning "Smack That" as a "" that retains its dance-floor allure despite dated elements.

Commercial performance

Chart performance

"Smack That" experienced significant success on the US , debuting at number 95 on the chart dated October 7, 2006, before rapidly ascending to its peak position of number 2, a spot it occupied for five consecutive weeks beginning November 4, 2006. The track was prevented from reaching the summit by Beyoncé's "," which held the number 1 position during that period. Its climb was fueled by strong digital sales and radio airplay, contributing to a total chart run of 28 weeks. Internationally, the song achieved number 1 status in several markets, including the , where it topped the Singles Chart for one week and spent 29 weeks overall. It also reached the top spot in on the chart. In , "Smack That" peaked at number 2 on the ARIA Singles Chart, while it hit number 1 in various countries such as . The song's global trajectory highlighted its broad appeal, topping charts in at least four countries and entering the top 10 in numerous others. On US genre-specific charts, "Smack That" performed strongly in radio formats, reaching number 1 on the chart. Its endurance on the Hot 100 was bolstered by sustained digital sales and airplay, marking it as the strongest-performing single from Akon's album in terms of overall chart longevity and initial momentum. Certifications in various territories reflected its robust chart runs, underscoring the song's commercial impact.
Chart (2006–2007)Peak PositionSource
US Billboard Hot 1002Billboard
UK Singles Chart1Official Charts
Australian ARIA Singles2aCharts
New Zealand Singles1aCharts
Irish Singles Chart1aCharts

Sales and certifications

"Smack That" achieved significant commercial success, with over 3 million downloads sold in the United States by 2012. It was certified by the RIAA on December 13, 2007, for 1 million units shipped ( only, as streaming was not included at the time). With the later of streaming and additional , it has been certified 2× as of June 2025. Worldwide, the track has been estimated to have sold approximately 9 million units, including physical, , and streaming equivalents, as calculated by industry analysts. In the streaming era, "Smack That" surpassed 1.5 billion streams on as of November 2025, reflecting its enduring popularity and contributing additional equivalent units toward certifications. YouTube audio views have further bolstered these figures, with the official video exceeding 1.5 billion views by September 2025, though official audio streams add to the track's overall consumption metrics. The song received multiple certifications globally. In the United Kingdom, the (BPI) awarded it 3× Platinum status in May 2025, recognizing over 1.8 million units. Australia granted Platinum certification by the Australian Recording Industry Association (ARIA) in 2007 for 70,000 units. Additional accolades include 2× Platinum in by in 2024. The track's performance significantly boosted Akon's album , which reached 6× Platinum status from the RIAA in 2022, generating substantial revenue for both and through royalties and licensing. Updated streaming thresholds in various regions led to renewed certifications, such as the UK's upgrade in 2025, underscoring the song's long-term financial impact.
RegionCertifying BodyCertificationUnitsDate
RIAA2× Platinum2,000,000as of June 2025 (initial Platinum: December 13, 2007)
BPI3× Platinum1,800,000May 31, 2025
ARIA70,0002007
DenmarkIFPI Danmark2× Platinum120,000June 5, 2024

Music video

Production

The music video for "Smack That" was directed by , known for his work on visuals. Filming occurred in in August 2006, primarily at locations such as the Alexandria Hotel's Mezz bar in downtown LA to capture the urban and club settings. The production emphasized a comedic tone, drawing inspiration from the 1982 buddy cop film 48 Hrs. to blend humor with the song's playful club anthem vibe, highlighting themes of celebrity excess through exaggerated scenarios. Casting featured and in lead roles, portraying the track's central dynamic, alongside a notable by actor , who appeared as a comedic club-goer in a nod to the film's influences. Additional performers included dancers like Criscilla Anderson and extras, including models such as , to build the lively party atmosphere central to the visual's energy. The ensemble was selected to amplify the song's flirtatious and extravagant party motif while incorporating celebrity cameos for added appeal. Production faced logistical hurdles, including scheduling around 's commitments during his semi-retirement period, and an on-set altercation involving and Wilkinson, which briefly disrupted filming but was resolved without halting progress. focused on editing to enhance the comedic timing and tying into the song's title motif. The video served as a key promotional for the single's commercial release from Akon's album .

Synopsis and release

The music video for "Smack That," directed by , serves as a comedic homage to the 1982 action-comedy film 48 Hrs.. portrays a released on a 24-hour pass from prison by a played by , ostensibly to aid in locating a female witness to a crime. Rather than pursuing the mission, commandeers a and heads to a bustling , where he flirts aggressively with multiple women, leading to a series of encounters including repeated comedic slaps and chases. makes a at an opulent mansion party overlooking the club, rapping his amid escalating chaos that spills into a bar brawl. The narrative concludes with spotting the witness in the club, only for her to slap him before the detective hauls him back to prison in a lighthearted, bungled resolution. Visually, the video employs rapid editing with quick cuts to heighten the frenetic energy of the party scenes, illuminated by vibrant in the to evoke a high-octane atmosphere. Key "smack" moments are captured in for humorous emphasis, while Eminem's verse synchronizes with dynamic shots of a synchronized , blending humor and action. The overall style mixes gritty urban realism with exaggerated , featuring diverse dancers and cameos to amplify the song's playful, flirtatious theme. The video premiered on in September 2006, coinciding with the single's digital release on September 26. An official upload to followed on December 13, 2009, where it has since accumulated over 1.5 billion views as of September 2025. A censored clean edit was produced for airplay to remove explicit language and imagery, while an extended incorporates additional and alternate footage. The standard version runs for 4 minutes and 20 seconds, including .

Remixes and other versions

Official remixes

The primary official remix of "Smack That" is an extended hip-hop oriented version featured on the compilation album Eminem Presents: The Re-Up, released on December 5, 2006, by Shady Records and Interscope Records. This remix incorporates Akon's original chorus and verses alongside new contributions from rappers Stat Quo and Bobby Creekwater, expanding the track's length and emphasizing raw lyricism over the original's club-ready production. Eminem, who produced the base track, oversaw the remix's development to align with the compilation's focus on Shady Records artists. A clean radio remix, edited to remove explicit lyrics, was prepared for broadcast and promotional use, appearing on various single releases and digital platforms. This version maintains the song's core structure while substituting profane content with altered phrasing to suit mainstream airplay. In 2007, a club remix by DJs UnderWHAT? and D-Drop was released, featuring an uptempo arrangement designed for dance floors, with enhanced beats and Akon's vocals layered over the original instrumental framework. These remixes were distributed as B-sides on physical singles, including promotional and formats that paired them with instrumentals, a cappellas, and bonus tracks like "You Don't Know" by featuring , Ca$his, and . Digital versions became available through platforms such as shortly after their initial release, facilitating wider accessibility.

Covers and samples

"Smack That" has been covered by several artists across genres, reinterpreting its club-oriented sound. Lounge singer released a big band-style cover on his 2009 album OK Bartender, transforming the track into a comedic, retro rendition that highlights his signature ironic take on hits. manele artist adapted the song as "Eu nu dau înapoi" in 2015, incorporating elements of the original melody into a regional pop-folk style. More recently, in 2023, CryJaxx released an EDM remake of "Smack That" featuring vocals by Desmond Fugate, available on streaming platforms. The track has also influenced sampling and in subsequent music. Spanish-language duo JC Reyes and sampled the hook and vocals in their 2024 single "FARDOS," blending it with Latin beats for a modern club anthem. Brazilian DJs Dubdogz, DJ Susan, and CJ the in their 2023 electronic dance track "Smack That," adapting it for high-energy festival sets. Other uses include Russian Пошлая Молли's 2018 in "ШКОЛЬНИК (SCHOOLBOY)," where reference the original's playful energy within a punk context. Parodies of "Smack That" have appeared in online media, often humorously altering the for comedic effect. A 2007 YouTube parody titled "Snack That" by Corey Sherman reworks the song around food-themed humor, gaining early viral attention on the platform. In 2012, suddingpizza released "Hack That," a Minecraft-themed that substitutes references for the original's suggestive content, appealing to the video game's fanbase. The song's enduring popularity is evident in its adaptation for challenges and on platforms during the , though specific instances remain largely informal and community-driven.

Track listing and credits

Track listing

The track listing for "Smack That" varies by release format, including the album version and various single editions. On Akon's second studio Konvicted (2006), "Smack That" appears as the third track, featuring , with a duration of 3:32 and no alterations from the single version. The CD release includes explicit, clean, and versions of the title track, all featuring and clocking in at approximately 3:32 to 3:38.
No.TitleDuration
1"Smack That" (clean) (featuring )3:33
2"Smack That" (explicit) (featuring )3:32
3"Smack That" ()3:32
The European CD single, released by , features the main alongside two additional songs by , with durations as follows.
No.TitleDuration
1"Smack That" (featuring )3:38
2"Miss Melody" (with )5:44
32:52
Digital singles available on platforms like and typically feature the explicit album version as a standalone lasting 3:32, without additional remixes or bonus content in the standard release. All versions of "Smack That" are credited to songwriters Aliaune Thiam (), Marshall Mathers (), Luis Resto, and Mike Strange.

Personnel

"Smack That" features lead vocals and the chorus performed by , with delivering the rap verse. The production was led by , who also programmed the track; Luis Resto contributed additional keyboards, alongside Mike Strange on keyboards. Recording was handled by Mike Strange and Tony Campana at 54 Sound in , . Eminem and Mike Strange mixed the track at the same location. Mastering was performed by Brian "Big Bass" Gardner at Mastering. The song was written by Aliaune "Akon" Thiam, Marshall "Eminem" Mathers III, Luis Resto, and Mike Strange.

Charts

Weekly charts

The following table lists the weekly chart performance of "Smack That" in selected major markets during 2006–2007.
ChartEntry positionPeak positionWeeks at peakTotal weeks on chart
US 52 (week of October 7, 2006)2525
UK Singles ()12 (week of November 18, 2006)1429
(ARIA)5 (week of November 13, 2006)1226
()101UnknownUnknown
Germany (Media Control GfK)Unknown14Unknown
The song reached number one in several other European countries, including the , , , , , , , , , , and , among over 20 territories where it charted in the top 10.

Year-end charts

"Smack That" achieved notable placements on year-end charts in 2006 and 2007, bolstered by its release in late 2006 and prolonged chart presence into the following year. The song's strong performance in the final months of 2006 contributed to its rankings that year, while its continued radio airplay, digital sales, and streaming in 2007 elevated its annual recaps across multiple territories. This momentum underscored the track's enduring appeal as a crossover hit blending and pop elements. The following table summarizes key year-end chart positions for "Smack That":
Chart2006 Position2007 PositionSource
(United States)6615Billboard Top 100 Songs of 2006; Billboard Top 100 Songs of 2007
ARIA End of Year Singles (Australia)2634ARIA Top Singles of 2006; ARIA Top Singles of 2007
UK Singles (Official Charts Company)27Official Charts Company End of Year Singles 2007
Ultratop 50 Flanders (Belgium)37Ultratop Year-End Charts 2007
SNEP Singles Downloads (France)30SNEP Top Singles 2007
In most markets, the landed within the top 50 for 2007 year-end tallies, reflecting its broad international traction driven by weekly peaks and overall points accumulation from sales and .

Decade-end charts

"Smack That" demonstrated lasting commercial impact through its placements on various decade-end charts compiling performance from 2000 to 2009. , the ranked at number 76 on Billboard's Hot 100 decade-end chart, underscoring its broad pop appeal during the period. It also secured a position in the top 40 on Billboard's decade-end chart, highlighting its prominence in urban music retrospectives. Internationally, the track performed strongly in the , reaching number 47 on the Official Charts Company's decade-end singles list for 2000–2009, which aggregated sales and airplay data across the era. This placement affirmed its enduring popularity in the British market within the broader 2000s hip-hop landscape. The song's chart longevity extended to all-time rankings, where it appeared at number 573 on Billboard's Hot 100 songs chart updated through 2019, reflecting cumulative performance since the chart's inception in 1958.
Chart (2000–2009)Position
US Billboard Hot 10076
US Billboard Hot R&B/Hip-Hop SongsTop 40
UK Official Charts Company47

Legacy

Awards and nominations

"Smack That" garnered recognition in several award ceremonies shortly after its 2006 release, earning nominations in major music categories that highlighted its commercial success and collaborative appeal. Despite the acclaim, the song did not secure any wins.
YearCeremonyCategoryResultNotes
2007Grammy AwardsBest Rap/Sung CollaborationNominatedLost to "My Love" by Justin Timberlake featuring T.I.
2007MTV Video Music AwardsMost Earthshattering CollaborationNominatedLost to "Beautiful Liar" by Beyoncé featuring Shakira.
2007MuchMusic Video AwardsBest International Video – ArtistNominatedFor the music video.

Cultural impact

"Smack That" has maintained a strong presence in digital streaming, with its official surpassing 1.5 billion views on by September 2025, underscoring its enduring appeal as a classic. The track's streams on reached approximately 1.5 billion by late 2025, fueled by inclusion in nostalgic playlists that contributed to its resurgence among younger audiences. The song has inspired frequent dance trends and challenges on platforms from 2020 to 2025, often highlighting its catchy hook and energetic beat for . Its explicit humor and playful lyrics have elevated it to status in online culture, frequently referenced in humorous contexts related to and flirtation. As a prominent example of mid-2000s R&B and rap fusion, "Smack That" helped popularize cross-genre collaborations, blending 's melodic R&B style with Eminem's rapid-fire rap delivery to create a template for future artist pairings in the era. The track marked 's breakout hit, solidifying his global brand as a versatile producer and performer capable of bridging pop accessibility with edge. In recent years, "Smack That" experienced revivals through sampling in contemporary tracks, such as JC Reyes and De La Ghetto's single "FARDOS," which interpolates its instrumental elements for a modern reggaeton-infused sound. Streams spiked notably in , with the song charting on global platforms amid a wave of 2000s , reflecting its role in throwback playlists and remixes. In May 2025, the song was certified 3x in the UK by the (BPI), further highlighting its lasting commercial impact. Serving as a symbol of early party rap, "Smack That" encapsulates the era's high-energy club anthems with its infectious rhythm and bold themes. However, its lyrics have sparked debates on portrayals, with critics pointing to lines promoting physical dominance as emblematic of misogynistic undertones in mainstream , influencing discussions on and in retrospective analyses.

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