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Smoke + Mirrors Tour

The Smoke + Mirrors Tour was the second major by band , launched to promote their sophomore studio album, , which was released on February 17, 2015, via / and debuted at number one on the chart with 195,000 album-equivalent units sold in its first week. The tour officially commenced on April 12, 2015, at the Movistar Arena in , , and concluded on February 5, 2016, at the Ziggo Dome in , , encompassing 109 performances across , , , , and . Announced in February 2015, the tour featured innovative stage production designed by Moment Factory, transforming venues with immersive visuals that evolved from monochromatic realism to vibrant , enhancing the band's high-energy performances of tracks like "," "," and "I Bet My Life" alongside staples from their debut album . North American dates, which began in June 2015, included opening acts such as and , drawing large crowds to arenas and contributing to the tour's reputation as a visually and sonically spectacle-driven outing. A highlight was the July 4, 2015, show at Toronto's Air Canada Centre, which was filmed and released as the , capturing the band's dynamic live presence before a sold-out crowd.

Background

Announcement

The second studio album by , Smoke + Mirrors, was released digitally on February 17, 2015, through various platforms including , marking the band's first major follow-up to their debut . The album's release followed the public announcement of the Smoke + Mirrors Tour earlier in February 2015, generating immediate buzz among fans for its alignment with the album's themes of illusion, deception, and theatrical performance. Initial tour dates were revealed in early February 2015, ahead of the album release, highlighting the South American leg kicking off on April 12, 2015, at Movistar Arena in Santiago, Chile, followed by arena shows across starting June 3, 2015, in . Early promotion included the announcement of a preview performance on March 17, 2015, at The Star Event Centre in Sydney, Australia, serving as an intimate showcase of new material ahead of the full tour launch. To build hype and facilitate early access, partnered with for the "Destination Dragons" fan contest, launched on January 26, 2015, which offered winners complimentary flights, VIP tickets, and behind-the-scenes experiences at select tour stops. Tickets for the initial dates went on sale rapidly, with many North American shows selling out within hours, underscoring the band's growing global appeal post-album debut.

Development

Following the massive success of their Night Visions Tour, which solidified Imagine Dragons' status as a leading rock act, the band opted to launch the Smoke + Mirrors Tour mere months after the album's February 17, 2015, release to sustain that momentum and introduce new material to live audiences. Logistical planning encompassed multiple international legs—beginning in in April 2015, followed by starting June 3 at Portland's , then , , and through early 2016—with venue selections focused on arenas and amphitheaters capable of hosting 10,000 to 20,000 fans per show, including major sites like Philadelphia's Wells Fargo Center and Los Angeles' The Forum. Coordinating this global itinerary presented significant challenges, particularly in managing cross-continental travel, tight schedules that allowed minimal downtime (often just one day off after three shows), and the physical demands on the band, such as muscle strain and vocal recovery for frontman . A key hurdle was adapting the album's experimental sound—featuring darker, more introspective tracks with intricate electronic and orchestral elements—to the high-energy demands of live performances, requiring extensive adjustments during rehearsals to maintain cohesion and audience engagement. Pre-tour preparations centered in , the band's hometown, where they conducted intensive rehearsals to refine set transitions and synchronize performances, while integrating new visual elements drawn from the album's surreal artwork by Tim Cantor, developed in partnership with production firm Moment Factory to create an immersive, thematic experience.

Production

Opening acts

The Smoke + Mirrors Tour featured a rotating lineup of opening acts tailored to each leg, with selections emphasizing complementary and indie influences to build anticipation for ' performances. For the South American leg in April 2015, select dates featured local opening acts, including Vivanativa in . In the North American leg, spanning June to August 2015, Canadian band served as a primary opener for the majority of dates, delivering high-energy sets that highlighted their synth-driven sound. Rising pop artist joined as support for select shows, including additional appearances that showcased her burgeoning popularity and dynamic stage presence through tracks from her debut EP. For the European leg, beginning in October 2015, British indie rock group Sunset Sons opened for the majority of dates across , including performances in the UK and , where their surf-rock vibes provided an upbeat prelude to the headliners. Local acts occasionally filled support slots for specific venues to align with regional audiences. The Oceania portion in September 2015 primarily featured Australian rock band British India as openers for shows in , , and , infusing local flavor with their raw, anthemic style that resonated with the tour's rock ethos. These supporting artists collectively heightened the tour's energetic atmosphere, fostering a seamless transition into ' main set. In the Asian leg during late August 2015, openers varied by market, often incorporating regional talent to engage diverse crowds, though specific lineups were not uniformly announced across promotions.

Staging and visuals

The Smoke + Mirrors Tour featured an elaborate stage design centered around a circular platform that elevated above the audience during key climactic moments, creating an intimate yet immersive connection with the crowd. This setup was complemented by eight tall convex LED columns arranged as screens, which could synchronize to form unified stunning images or fragment into dynamic patterns, incorporating visual illusions such as appearing from certain audience angles. These elements drew from the tour's thematic emphasis on and , evoking the album's "" motif through optical tricks and shapeshifting projections. Visual effects were driven by extensive use of LED screens and , including 360-degree displays surrounding the to immerse them in evolving environments—from flat, colorless abstractions to vibrant , surreal distortions, , and ethereal landscapes. Heavy integration of lasers, including the Phenom system of programmable eye-safe audience-scanning units developed by Lightwave International, added sweeping beams and refracting mini-mirrors forming laser sculptures and light curtains. Synchronized lighting, powered by 44 High End Systems Solaspot Pro 1500 fixtures and controlled via Barco XHD-400 media servers, blended seamlessly with video content on the columns and Barco HDF-W26 projectors, generating illusions that mimicked and extended the projections for a cohesive, high-energy aesthetic. participation was enhanced by LED bracelets, which illuminated in sync with the performance, integrating fans into the visual narrative. The production was helmed by Moment Factory, responsible for creative direction, technical design, content creation, and turnkey execution, in collaboration with creative director and scenic designer Jesse Lee Stout. Lighting design was led by Sooner Routhier, with content direction by Adam Hummel and technical direction by James Richardson. For filmed elements, such as the concert capture released as Smoke + Mirrors Live, director Dick Carruthers oversaw multi-camera shoots involving over 20 cameras and aerial helicopter footage to document the visuals. This setup represented an evolution from the Night Visions Tour, incorporating more experimental multimedia platforms and automation for transformative stage configurations adaptable to arena venues worldwide.

Musical content

Set list

The Smoke + Mirrors Tour featured a standard 19-song setlist that heavily emphasized tracks from the band's second album, (2015), while incorporating fan-favorite hits from their debut (2012) to maintain high audience engagement. A representative performance from the July 4, 2015, show at Air Canada Centre in opened with the explosive "Shots" from , quickly transitioning into "" and the staple "It's Time," before delving deeper into new material like "" and "." The set balanced energetic anthems such as "Radioactive" with introspective cuts, culminating in the encore closer "." The typical sequence, drawn from multiple 2015 North American shows, proceeded as follows:
  1. Shots
  2. Trouble
  3. It's Time
  4. Forever Young (Alphaville cover)
  5. Polaroid
  6. I'm So Sorry
  7. Thief
  8. Tiptoe
  9. Bleeding Out
  10. The River
  11. Demons
  12. Radioactive
  13. On Top of the World

  14. Encore:
  15. The Fall
Concerts averaged 90–100 minutes in duration, allowing for dynamic pacing that built from intimate acoustic moments to crowd-surging climaxes. Songs were delivered in high-energy arrangements, with amplified guitars, pounding , and layered vocals tailored to environments and live crowd interaction. The set incorporated deep cuts such as "Dream" and "" alongside established hits like "It's Time" and "Radioactive" to showcase the band's evolving sound while prioritizing audience familiarity. The encore structure typically comprised 3–4 songs, focusing on fan favorites to extend the communal energy, often ending with the brooding intensity of as a powerful sign-off.

Song selections and variations

The Smoke + Mirrors Tour's exhibited notable variations across its legs, reflecting adaptations to regional audiences and the band's evolving preferences. In the leg, incorporated local flavor by covering Midnight Oil's during shows in and , performed three times in total to enthusiastic crowd responses. Similarly, in , the band occasionally included the traditional Mexican folk song as a cultural nod, with a notable at the Pa'l Norte Festival in in April 2015 during the tour's promotional phase. Rarities and B-sides added unpredictability to the performances, with tracks like the Night Visions deluxe edition song "Thief" appearing in 16 shows, often as surprises for dedicated fans. Other infrequent inclusions encompassed covers such as "Song 2" by and "Budapest" by , each performed once, alongside medleys like "Bleeding Out / " in a single late-tour instance. Omissions varied by show, with album tracks such as "The River" limited to just seven performances and "Second Chances" to four, allowing the band to streamline sets while prioritizing high-energy staples. Over the tour's duration from 2015 to 2016, the evolved from heavier reliance on material in initial North American dates—featuring extended medleys like " / / " four times—to a more balanced mix in European and subsequent legs, incorporating additional older hits and streamlined arrangements for larger venues. The staple cover "Forever Young" by remained consistent, played 93 times across the as a crowd-pleasing . Special events highlighted acoustic variations, particularly during the Destination Dragons promotional mini-tour in early 2015, where fan contest winners attended intimate club shows in cities like and ; these featured stripped-down renditions, including an acoustic version of "Warriors" to showcase the band's versatility in smaller settings.

Critical reception

North America

The North American leg of ' Smoke + Mirrors Tour received generally positive reviews, with critics highlighting the band's energetic performances and strong audience interaction in arena settings. At the in , on June 18, 2015, Curtis Schieber of praised the band's high-energy delivery, noting their ability to deliver "drama with precision" through a charismatic lead singer and an expert four-piece ensemble that skillfully built momentum throughout the show, fostering deep crowd engagement despite no major innovations. Reviews were more mixed in the , where the elaborate production sometimes overshadowed the music. A Times critique of the July 31, 2015, performance at the nearby described the show as "over the top," laden with lasers, LED lighting, artificial smoke, and a ramp extending into the audience, which amplified the spectacle but made high-powered tracks like "Radioactive" feel somewhat bombastic in the large venue. Attendance reached highs in major Canadian cities, exemplified by the sold-out July 4, 2015, show at Toronto's Air Canada Centre, which drew approximately 15,000 fans and was selected for official live recording due to its enthusiastic reception. Fan reports emphasized emotional connections, particularly during "Radioactive," where audience singalongs and smartphone lights created a palpable bond with the band. At the tour's North American kickoff on June 3, 2015, at Portland's , OregonLive lauded the "overwhelming" lasers and the group's enthusiasm, with singer arm-waving energetically as the light show climaxed, deepening the audience's involvement.

Europe

The European leg of the Smoke + Mirrors Tour, spanning late 2015 to early 2016, garnered positive critical feedback for its adaptation to varied arena venues and audiences, emphasizing high-energy performances that bridged cultural divides through dynamic staging and thematic universality. A in The Writing Greyhound of the November 2015 concert at London's lauded the experimental sound of the Smoke + Mirrors album, describing it as more innovative than the pop-rock focus of while retaining fan-favorite elements for broad appeal, and highlighted the visuals with abundant mirrors and smoke machines that exploded onto the stage for an engaging opener. However, the longer set was noted for occasional pacing issues amid the mix of hits and lesser-known tracks. German and Dutch press coverage praised the infectious energy at key shows, such as the February 2016 performance at Amsterdam's , where the crowd's wild response underscored the band's rock-infused delivery and pyro effects that particularly thrilled audiences accustomed to high-octane European rock acts. Unique feedback highlighted appreciation for the English ' universal themes of struggle and , which resonated deeply with diverse continental audiences and contrasted with more domestically focused U.S. critiques by fostering a sense of shared emotional connection.

Oceania

The Oceania leg of the Smoke + Mirrors Tour commenced with a preview performance on March 17, 2015, at The Star Event Centre in , , serving as an intimate warm-up ahead of the album's release and the full tour rollout. Held in a theater-style venue with a capacity of around 2,000, the show created significant buzz among fans, featuring a mix of tracks from the debut album —such as "It's Time," "Demons," and "Radioactive"—alongside early previews of songs like "," "," "," "Summer," "I'm So Sorry," and "I Bet My Life." Frontman engaged the crowd warmly, praising 's summer weather and local culture, which heightened anticipation for the band's sophomore effort and positioned the event as a key promotional tie-in for the album. The full Oceania itinerary followed in September 2015, encompassing arena shows across and that drew strong regional crowds, reflecting the band's growing popularity in the market. At the Qantas Credit Union Arena (formerly ) in on September 4, George Palathingal of awarded the performance four stars, highlighting the "dazzling visuals" and "fire effects" that amplified the high-energy set, along with the band's sweat-soaked effort delivering propulsive percussion and stadium anthems despite occasional lapses in charisma. In Auckland, the shows at Vector Arena on September 8 and 9 received positive coverage from Rachel Bache in , who commended the audience's enthusiastic sing-alongs and dancing during hits like "" and "Radioactive," as well as the band's powerful vocals and harmonies on ballads such as "It's Time," though noting some overwhelming strobes and muddled transitions. These performances underscored the tour's dynamic production and fan engagement in , blending new material with established favorites to sustain momentum.

Tour dates and commercial performance

Itinerary

The Smoke + Mirrors Tour comprised 109 concerts over a 10-month period, commencing on April 12, 2015, at the Movistar Arena in , , and concluding on February 5, 2016, at the Ziggo Dome in , . The tour was structured into four primary legs. The South American leg, held from April to May 2015, featured 6 performances across the region, beginning with the opening show in . Following this, the North American leg ran from May 29 to September 19, 2015, encompassing 54 shows in the United States, , and , with notable stops including the in on July 3. The and leg took place from August to September 2015, consisting of 13 dates (8 in and 5 in ), highlighted by a performance at the Arena (then known as Qantas Credit Union Arena) in on September 4. The European leg, the longest of the tour, spanned October 2015 to February 2016 with 36 shows, including two nights at in on November 5 and 6, and commencing on October 11 at the König Pilsener Arena in , .

Box office scores

The Smoke + Mirrors Tour demonstrated significant commercial success, particularly in , where it grossed $25.2 million from 48 shows in 2015, ranking 41st on Pollstar's Year-End Top 200 n Tours list. This figure reflected an average ticket price of $52.99 and total attendance of 475,740, highlighting the band's growing draw in arena venues following their debut era. Sell-outs were common in key markets, such as Toronto's Air Canada Centre on July 4, 2015, where the show drew 14,899 attendees and generated $692,691 in revenue. Internationally, the tour added substantial earnings, with estimating an additional approximately $20 million from shows across , , and other regions in 2015, based on reported capacities and sales at venues like London's (approximately 15,000 capacity per show). These figures contributed to a worldwide gross of $45.2 million for the year, ranking 45th on 's Top 100 Worldwide Tours, with 496,703 tickets sold across 91 shows and an average ticket price of $53.09. Overall, the tour sold an estimated 1.5 million tickets worldwide across its full run of over 100 dates, solidifying ' transition to arena-headlining status and underscoring their post-Night Visions commercial momentum. This performance not only recouped production costs but also boosted the band's profile for subsequent releases.

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