Stay Trippy
Stay Trippy is the third solo studio album by American rapper and producer Juicy J, released on August 27, 2013, through Kemosabe Records and Columbia Records.[1] The project represents Juicy J's first major-label solo effort following his departure from the hip-hop group Three 6 Mafia, with whom he had achieved significant success, including an Academy Award for Best Original Song for "It's Hard out Here for a Pimp" in 2006.[2] It features a star-studded array of guest appearances, including Wiz Khalifa, Justin Timberlake, Chris Brown, Lil Wayne, A$AP Rocky, Trey Songz, Wale, Young Jeezy, Big Sean, and the late Pimp C, among others.[3] Production on the 16-track album was handled by a team of prominent contributors such as Dr. Luke, Mike Will Made It, Lex Luger, Cirkut, and Juicy J himself.[2] Upon release, Stay Trippy debuted at number four on the US Billboard 200 chart, selling 64,000 copies in its first week and marking Juicy J's highest-charting solo release.[4][5] The album was propelled by the lead single "Bandz a Make Her Dance," featuring 2 Chainz, which peaked at number 29 on the Billboard Hot 100 and achieved platinum certification by the RIAA.[6] Subsequent singles like "Show Out" with Young Jeezy and Big Sean, and "Talkin' 'Bout" featuring Chris Brown and Wiz Khalifa, further highlighted the album's trap-influenced sound and party anthems, solidifying Juicy J's resurgence in mainstream hip-hop.[3]Background
Announcement and development
Juicy J began distancing himself from Three 6 Mafia around 2010 to focus on his solo career, marking a significant shift after the group's 2008 album Last 2 Walk. This transition allowed him to explore independent projects and collaborations outside the group's structure. In November 2011, he joined Wiz Khalifa's Taylor Gang Records as a partner and A&R representative, which provided the platform for his renewed solo endeavors. The album Stay Trippy was officially announced by Juicy J in March 2012, when he revealed the title via social media, emphasizing its connection to his longstanding "trippy" persona rooted in drug culture and his affiliation with Taylor Gang's lifestyle. At the time, he expressed interest in high-profile collaborations with artists such as Nas, Dr. Dre, and Jay-Z for the project, though none of these ultimately materialized on the final tracklist. Development of the album began in 2011, following successful mixtapes like Blue Dream & Lean, and positioned Stay Trippy as Juicy J's major-label solo debut through Columbia Records and Kemosabe Records in partnership with Taylor Gang. During pre-production, Juicy J recorded over 75 songs, reflecting an extensive creative process that honed the album's direction toward party anthems and trap influences. This timeline underscored his pivot to a mainstream solo presence after years of group work and underground mixtapes.Recording process
The recording sessions for Stay Trippy spanned from 2011 to 2013, coinciding with Juicy J's affiliation with Taylor Gang Entertainment following his signing in late 2011.[7] Much of the work occurred in makeshift setups, primarily hotel rooms, as Juicy J toured extensively with Taylor Gang artists on outings like the 2050 Tour in late 2012.[8][9] This peripatetic approach, driven by relentless tour commitments, fostered a raw, improvisational production style that mirrored the album's high-energy vibe, often capturing vocals and beats in non-traditional spaces like apartments using basic equipment such as a $100 microphone.[10] Juicy J recorded over 75 songs during this period, drawing from collaborations across various locations to build a substantial pool of material.[11] From this, the final standard edition was curated to 16 tracks, prioritizing infectious party anthems that aligned with the project's trippy, celebratory ethos.[12] Juicy J maintained a hands-on role throughout, engineering and producing several sessions himself alongside co-producers like Crazy Mike, leveraging his longstanding expertise from Three 6 Mafia to shape the sound directly.[13][14]Production
Key producers
Juicy J served as an executive producer on Stay Trippy alongside Dr. Luke and Wiz Khalifa, overseeing the album's direction while co-producing several tracks to incorporate his gritty Memphis rap influence characterized by raw, bass-heavy rhythms rooted in Three 6 Mafia's legacy.[15] He collaborated with Crazy Mike on tracks including "Smokin' Rollin'", "Wax", and "Gun Plus A Mask", blending street-oriented percussion and ominous samples that evoke the Southern trap sound.[16] Mike Will Made It emerged as a central figure, delivering signature trap beats with booming 808s and hypnotic hi-hats on four tracks: "Stop It" (co-produced with Marz), "Bandz a Make Her Dance", "Show Out" (co-produced with J-Bo), and "Smoke a N***a".[16] His contributions, marked by sparse yet infectious melodies, helped propel the album's club-ready anthems and aligned with the rising trap wave of the early 2010s.[17] Dr. Luke and Cirkut brought polished, pop-infused production to tracks like "Bounce It" (with Baby E) and "Scholarship", featuring futuristic synths, layered hooks, and radio-friendly sheen that contrasted the album's rawer elements.[16] Lex Luger supplied aggressive, orchestral trap beats with heavy bass and dramatic strings on "So Much Money" (co-produced with Juicy J and Crazy Mike), "All I Blow Is Loud", and "If It Ain’t".[16] Timbaland contributed to "The Woods", infusing eclectic percussion and atmospheric textures for a more experimental vibe, while Young Chop handled "No Heart No Love" with Chicago drill-inspired snares and minimalism.[16] "Talkin' Bout" was produced by Ritz Reynolds, Sap, and ID Labs for smooth, R&B-adjacent grooves.[16] The production process unfolded from 2011 to 2013 under the Kemosabe and Columbia Records banner, emphasizing a mix of established hitmakers to broaden Juicy J's appeal.[17]Collaborations and features
Stay Trippy features an extensive roster of guest artists across its 16 tracks, with 12 songs incorporating collaborations that enhance the album's party-oriented and trap-infused sound. Wiz Khalifa appears on two tracks—"Smoke a N***a" and "Talkin' Bout"—leveraging his close affiliation with Juicy J through Taylor Gang Records, where Juicy J serves as a partner and A&R representative since 2011. Other notable features include The Weeknd on the deluxe bonus track "One of Those Nights," Lil Wayne and 2 Chainz on "Bandz a Make Her Dance," A$AP Rocky on "Scholarship," and Justin Timberlake on "The Woods." Additional guests comprise Chris Brown, Wale, Trey Songz, Young Jeezy, Big Sean, the late Pimp C, Yelawolf, and Project Pat.[13] These collaborations were secured through a combination of longstanding industry relationships and label synergies. For instance, Juicy J's Memphis roots facilitated his partnership with fellow Memphian Justin Timberlake, with whom he had previously collaborated on Timberlake's 2006 album FutureSex/LoveSounds; Timberlake reciprocated by contributing to Stay Trippy. Similarly, the Taylor Gang connection streamlined Wiz Khalifa's multiple appearances, reflecting the collective's collaborative ethos. High-profile names like Lil Wayne and A$AP Rocky were drawn in via Juicy J's established rap network and the project's buzz from singles like "Bandz a Make Her Dance."[18] Specific guest contributions add distinct flavors to individual tracks. On "Scholarship," A$AP Rocky's verse merges his Harlem swagger with Juicy J's Memphis crunk style, creating a seamless blend of East Coast flair and Southern bounce through vivid imagery of street life and excess. These inputs not only elevate the production but also introduce varied vocal dynamics and regional influences.[19] The prevalence of features significantly bolsters the album's track diversity, infusing trap anthems with pop sensibilities, melodic hooks, and diverse rap perspectives that broaden its appeal beyond traditional Southern hip-hop audiences. With guests on over three-quarters of the songs, Stay Trippy achieves a collaborative density that mirrors Juicy J's transition to mainstream solo stardom while maintaining his underground edge.[20]Music and lyrics
Musical style
Stay Trippy is primarily rooted in Southern hip-hop and trap music, drawing heavily from Juicy J's Memphis crunk origins with Three 6 Mafia while incorporating mainstream pop and R&B elements for broader appeal. The album's sound emphasizes a polished, club-ready aesthetic that blends the gritty, hypnotic bounce of early Memphis rap with contemporary trap's atmospheric production.[21][22][23] Key sonic features include booming 808 bass lines, synth-driven beats with swirling atmospherics, and auto-tuned, chant-like hooks designed for high-energy party environments. Tracks often feature trap drum patterns with rapid hi-hats and tempos ranging from creeping mid-tempo grooves around 76 BPM to upbeat club anthems up to 150 BPM, creating a dynamic flow suited for strip clubs and late-night drives. Producers like Mike Will Made It contribute to this with UFO-like synth pads and hard-knocking beats that evoke a modern, upscale fatalism.[21][6][22][23] The album represents an evolution from the dark, horrorcore-infused Memphis crunk of Juicy J's Three 6 Mafia era—characterized by sinister synths and cold 808s—to a more hedonistic, mainstream trap sound influenced by producers like Mike Will Made It. This shift maintains the original's mysterious, aggressive edge but refines it into buoyant, radio-friendly tracks with a focus on atmospheric depth over raw menace.[22][6][21] Representative examples highlight this range: "Bandz a Make Her Dance," a quintessential trap banger with Mike Will Made It's swirling synths and pounding 808s driving its infectious, party-centric energy, contrasts with the slower, more atmospheric "One of Those Nights," which integrates R&B-infused melodies and subtle Weeknd-inspired production for a moody, introspective vibe.[22][6][21]Lyrical themes
The lyrics of Stay Trippy predominantly revolve around hedonism and a "trippy" lifestyle characterized by excessive drug use, including references to lean, weed, and pills, as seen in tracks like "Codeine Cups," where Juicy J raps about pouring codeine into Styrofoam cups, and "All I Blow Is Loud," which celebrates marijuana consumption.[24][25] Wealth and material success form another core motif, with boasts about stacks of cash and luxury spending, exemplified in "Bandz a Make Her Dance," a strip club anthem that equates money with attracting women.[6][22] Promiscuity is equally prominent, often tied to party excess and casual encounters, as in "Stop It," where lines like "I'ma fuck me a model, you only get to live one time" underscore a YOLO mentality.[24][26] Personal elements infuse the content with reflections on Juicy J's post-Three 6 Mafia independence, marking Stay Trippy as his first major solo release after distancing himself from the group, allowing him to emphasize his individual evolution from Memphis street roots.[13] Street life appears through gritty depictions of hustling and survival, blended with excess as a form of escapism from those origins, evident in verses about moving weight and living lavishly to evade past hardships.[6][22] Guest artists enhance these themes, such as Wiz Khalifa on "Smoke a Nigga," where his lines about "Cali weed in a dutch, purple lean in my cup" amplify the drug-fueled party vibes and hedonistic energy.[25][27] The overall tone is boastful and celebratory, reveling in vices with raw, unapologetic delivery, showing minimal introspection compared to Juicy J's earlier, more narrative-driven work with Three 6 Mafia.[24][6]Release and promotion
Marketing efforts
To build anticipation for Stay Trippy, Juicy J released the mixtape Blue Dream & Lean on November 29, 2011, which featured collaborations with artists like Wiz Khalifa and served as an early showcase of his solo trap sound and party-oriented style ahead of his major label signing.[28] This project helped reintroduce Juicy J to a broader audience following the dissolution of Three 6 Mafia, generating buzz through free digital distribution on platforms like DatPiff and establishing key themes of excess that would carry into the album.[29] In 2012, following his signing to Kemosabe Records—an imprint founded by producer Dr. Luke—Juicy J focused on single releases to sustain momentum, including the platinum-certified "Bandz a Make Her Dance" featuring 2 Chainz, which was initially dropped via Twitter and later re-released with additional guests like Lil Wayne to amplify viral spread.[8] Kemosabe and parent label Columbia Records supported these efforts with promotional pushes, including radio airplay and digital distribution, positioning the tracks as precursors to the full album while Juicy J teased content on social media to engage fans directly. The album's release, originally slated for late 2012, faced delays that pushed it to August 27, 2013; to manage fan expectations during this period, Juicy J and his labels dropped additional content, such as the May 2013 mixtape Trippy in the Trap, which previewed album vibes and featured exclusive tracks to maintain hype without overcommitting to a firm date.[30] Columbia facilitated digital pre-orders starting in mid-August 2013 via iTunes, bundling instant grat tracks like "Bounce It" to incentivize early purchases and drive streaming numbers.[31] A cornerstone of the campaign was the Stay Trippy Tour, announced in March 2013 and running from April 21 to September 2013, with A$AP Ferg as the opening act across 37 North American dates; the tour emphasized live debuts of album cuts like "Show Out" and "Get You Some," turning performances into interactive promotions that extended the album's trippy, high-energy aesthetic to venues from San Diego's House of Blues to New York's Irving Plaza. Social media teasers, including Instagram posts of cover art and tracklists in July 2013, along with a TV-style commercial aired in late August, further amplified the tour's reach by highlighting guest features and party themes to encourage ticket sales and pre-release engagement.[32]Singles
The lead single from Stay Trippy, "Bandz a Make Her Dance", was initially released in June 2012 as an independent track featuring 2 Chainz, with a remix adding Lil Wayne issued later that year. Produced by Mike WiLL Made-It, the song marked Juicy J's successful solo comeback after years focused on Three 6 Mafia and guest features, building significant anticipation for the album through its viral strip club-themed appeal and online challenges. It peaked at number 29 on the Billboard Hot 100 and was certified platinum by the RIAA for over one million units sold.[8][33][34] The music video for "Bandz a Make Her Dance", directed by J.R. Saint, emphasized provocative strip club visuals with dancers and the artists interacting in a club setting, further amplifying its party anthem status and contributing to the track's cultural buzz ahead of the album's release.[35] Follow-up single "Show Out" arrived on January 25, 2013, featuring Big Sean and Young Jeezy, and continued the high-energy trap sound while sustaining momentum from the lead track. It reached number 75 on the Billboard Hot 100, showcasing Juicy J's ability to secure prominent collaborations that heightened album hype.[36][6] "Bounce It", released on June 25, 2013, as the third single with features from Wale and Trey Songz, blended rap and R&B elements to appeal to a broader audience and peaked at number 74 on the Billboard Hot 100. The track's upbeat production helped maintain radio presence during the pre-album rollout.[37] The fourth single, "Talkin' Bout", featuring Chris Brown and Wiz Khalifa, was announced in January 2014 with its music video following in March, extending promotion post-album release through its themes of nightlife and success. While it did not chart on the Hot 100, the single reinforced Juicy J's collaborative network and prolonged the project's visibility.[38][39] Collectively, these singles shaped Stay Trippy's anticipation by establishing Juicy J as a relevant solo force in mainstream hip-hop.[20]Commercial performance
Sales figures
Stay Trippy debuted with 64,000 copies sold in the United States during its first week of release, securing a number 4 position on the Billboard 200 chart.[40] By November 2013, the album had accumulated total U.S. sales of 138,000 units, according to Nielsen SoundScan data.[41] Despite this performance, the album received no RIAA certifications.[42] International sales for Stay Trippy remained limited, with distribution primarily through digital downloads under Columbia Records, reflecting the album's focus on the U.S. market.[43] The album's commercial outcome was influenced by the success of its lead single "Bandz a Make Her Dance," which generated significant buzz, alongside Juicy J's affiliation with Taylor Gang Entertainment, though overall figures were modest when compared to major hip-hop releases from contemporaries like Big Sean during the same period.[5]Chart positions
Stay Trippy achieved notable commercial success upon its release, debuting at number four on the US Billboard 200 chart dated September 14, 2013, marking Juicy J's highest-charting solo album to date and surpassing the performance of his prior independent releases like the 2002 album Chronicles of the Juice Man, which peaked at number 93. The album remained on the Billboard 200 for 26 weeks, with its final charting position at number 153 in April 2014, reflecting sustained interest driven by hit singles such as "Bandz a Make Her Dance," which peaked at number 29 on the Billboard Hot 100 and helped propel the album's entry. On the Top R&B/Hip-Hop Albums chart, it debuted and peaked at number two, spending 28 weeks in total and outperforming Juicy J's earlier mixtapes like Blue Dream & Lean (2011), which garnered underground buzz but no comparable mainstream chart presence. For the year-end 2013 Billboard 200, Stay Trippy ranked at number 176, underscoring its role in Juicy J's mainstream resurgence.[44] Internationally, the album entered the Billboard Canadian Albums chart at its peak of number 11, lasting one week and highlighting cross-border appeal amid the success of its lead singles. In the United Kingdom, it debuted at number 174 on the Official UK Albums Chart for one week but performed stronger on the Official Hip Hop and R&B Albums Chart, reaching number 17 in its sole week there.[45]| Chart (2013) | Peak Position | Weeks on Chart |
|---|---|---|
| US Billboard 200 | 4 | 26 |
| US Top R&B/Hip-Hop Albums | 2 | 28 |
| Canadian Albums (Billboard) | 11 | 1 |
| UK Albums (OCC) | 174 | 1 |
| UK R&B Albums (OCC) | 17 | 1 |
Reception
Critical reviews
Upon release, Stay Trippy received generally favorable reviews from music critics, who appreciated its high-energy trap sound and party-oriented vibe while noting some limitations in lyrical innovation. At Metacritic, the album earned a score of 66 out of 100 based on 10 critic reviews, signifying "generally favorable reviews."[46] Critics frequently praised the album's energetic production, infectious hooks, and Juicy J's charismatic, unapologetic delivery, which captured a lively club atmosphere. XXL magazine gave it an "XL" rating—the publication's highest—highlighting its comeback energy and describing it as a record that maximizes Juicy J's strengths as a hitmaker with fresh, big-budget stripper rap.[22] Spin magazine awarded 8 out of 10, calling it "Caligula club music and nothing but, Stay Trippy is a pimp party of the highest order" for its bold, hedonistic appeal. RapReviews scored it 7.5 out of 10, commending how it "sounds good loud" through tight beats and fun, ratchet anthems.[24] On the other hand, several reviewers critiqued the album for formulaic lyrics, superficial depth, and heavy dependence on guest appearances, which sometimes overshadowed Juicy J's solo presence. Rolling Stone rated it 3 out of 5 stars, pointing to its repetitiveness as a "parade of jams involving weed, drank and sketchy sex" that leaned too heavily on familiar tropes.[47] Slant Magazine issued a low 4.0 out of 10, faulting the production as otherwise bland beyond standout tracks and criticizing the relentless, one-note party themes. AllMusic gave it 3 out of 5 stars (equivalent to 60/100), acknowledging its spirit but noting how the effortless style occasionally veered into feeling effort-less.Accolades
Stay Trippy received recognition from several music publications for its role in Juicy J's career resurgence, appearing at number 27 on Complex's list of the 50 best albums of 2013.[48] The album was praised in end-of-year rankings for revitalizing the rapper's solo presence after years focused on Three 6 Mafia and production work.[8] The lead single "Bandz a Make Her Dance" (featuring Lil Wayne and 2 Chainz) earned a RIAA Gold certification on August 1, 2013, for 500,000 units sold in the United States.[49] This marked a significant commercial milestone for Juicy J, highlighting the track's popularity in club and strip club culture prior to the album's release.[50] Despite its commercial success and positive critical reception, Stay Trippy did not receive major award nominations such as Grammys.[51] However, the project was widely credited with reestablishing Juicy J as a relevant solo artist in mainstream hip-hop, boosting his visibility through high-profile features and tour appearances.[8]Legacy
Cultural impact
Stay Trippy played a pivotal role in popularizing trap party anthems during the early 2010s, with its lead single "Bandz a Make Her Dance" emerging as a defining strip club staple that blended Memphis rap's gritty energy with mainstream trap's hypnotic beats.[52][53] The track's infectious hook and explicit celebration of nightlife excess influenced the era's hip-hop sound, embedding Three 6 Mafia's signature "redrum-rap" into commercial trap production and contributing to the genre's dominance on radio and in clubs.[21] The album significantly boosted Juicy J's solo career, marking his return to prominence after Three 6 Mafia's hiatus and opening doors to high-profile collaborations within the Taylor Gang collective. This resurgence led to features on major hits, including his verse on Katy Perry's "Dark Horse," which propelled him toward potential chart-topping success and broadened his appeal beyond hip-hop circles.[38] On a broader scale, Stay Trippy reinforced the Memphis trap sound's integration into the mainstream, shaping southern hip-hop's bass-heavy aesthetic that now permeates the genre. It inspired subsequent artists in hedonistic rap, such as Migos and Future, by fusing underground fatalism with polished, party-driven narratives that echoed in their triplet flows and auto-tuned excess.[54][21][55] The album's title phrase "stay trippy" has been adopted as a cultural mantra in youth and party scenes, reflecting Juicy J's ethos of unapologetic indulgence. While no major reissues have occurred, Stay Trippy maintains a strong streaming presence, appearing in Spotify's top albums for the artist as of 2025 and featuring prominently in trap and hip-hop playlists.[56][57]Retrospective views
In the 2020s, Stay Trippy has been reevaluated as a pivotal work in Juicy J's career resurgence, blending his Memphis roots with the emerging trap sound to extend his relevance beyond the crunk era of Three 6 Mafia. In a 2020 interview, Juicy J reflected on the album's origins, explaining that the title and overarching "trippy" ethos emerged from a moment of intense creativity while under the influence, capturing a mindset that defined his solo pivot toward mainstream trap anthems. This shift positioned the album as a bridge between 2000s Southern crunk aggression and 2010s trap's hedonistic production, with tracks like "Bandz a Make Her Dance" serving as enduring examples of its transitional role.[58][59] Critics and retrospectives have highlighted the album's lasting impact on Juicy J's longevity, crediting it with revitalizing his solo trajectory after a period of stalled momentum post-Three 6 Mafia. A 2020 analysis noted how Stay Trippy's success, driven by hits like "Bandz a Make Her Dance," powered a Billboard 200 top-five debut and reestablished Juicy J as a trap influencer, influencing subsequent Southern rap evolutions. No formal reissues have occurred, yet the album maintains cult appeal through sustained fan engagement and live performances, such as Juicy J's explosive 2024 BET Hip Hop Awards rendition of "Bandz a Make Her Dance," affirming its timeless club status.[59][60] The record's enduring listenership is evidenced by its streaming metrics, surpassing 670 million plays on Spotify's deluxe edition by November 2025, reflecting its integration into the trap canon without relying on anniversary editions or vinyl revivals. Peers and outlets continue to acknowledge Stay Trippy for propelling Juicy J's production influence into modern trap, as seen in his ongoing collaborations that echo the album's blueprint.[57]Content and credits
Track listing
The standard edition of Stay Trippy features 16 tracks with a total runtime of 61:37.[2]| No. | Title | Featuring artist(s) | Length | Producer(s) |
|---|---|---|---|---|
| 1 | "Stop It" | 3:21 | Mike WiLL Made-It, Marz | |
| 2 | "Smokin' Rollin'" | Pimp C | 2:36 | Crazy Mike, Juicy J |
| 3 | "No Heart No Love" | Project Pat | 4:03 | Young Chop |
| 4 | "So Much Money" | 3:31 | Lex Luger, Crazy Mike, Juicy J | |
| 5 | "Bounce It" | Wale, Trey Songz | 4:20 | Dr. Luke, Cirkut |
| 6 | "Wax" | 3:33 | Crazy Mike, Juicy J | |
| 7 | "Gun Plus a Mask" | Yelawolf | 3:23 | Crazy Mike, Juicy J |
| 8 | "Smoke a Nigga" | Wiz Khalifa | 2:48 | Mike WiLL Made-It |
| 9 | "Show Out" | Big Sean, Young Jeezy | 3:54 | Mike WiLL Made-It, J-Bo |
| 10 | "The Woods" | Justin Timberlake | 4:20 | Timbaland |
| 11 | "Money a Do It" | 3:56 | Crazy Mike, Juicy J | |
| 12 | "Talkin' Bout" | Chris Brown, Wiz Khalifa | 4:21 | ID Labs, Ritz Reynolds, Sap |
| 13 | "All I Blow Is Loud" | 3:38 | Lex Luger | |
| 14 | "Bandz a Make Her Dance" | 2 Chainz | 4:17 | Mike WiLL Made-It, J-Bo |
| 15 | "Scholarship" | A$AP Rocky | 3:29 | Dr. Luke |
| 16 | "If It Ain't" | 3:43 | Lex Luger |
| No. | Title | Featuring artist(s) | Length | Producer(s) |
|---|---|---|---|---|
| 17 | "One Thousand" | Wiz Khalifa | 3:25 | The Internz |
| 18 | "Having Sex" | 2 Chainz, Trina | 4:22 | London on da Track |
| 19 | "One of Those Nights" | The Weeknd | 4:16 | Da Internz |
Personnel
Juicy J served as the lead artist, providing primary vocals and raps across all tracks, while also acting as an executive producer. Executive producers: Juicy J, Dr. Luke, Wiz Khalifa.[62][13]Performers
- Wiz Khalifa – featured vocals (tracks 8, 12), executive producer[62][16]
- Pimp C – featured vocals (track 2; posthumous, sourced from archival recordings)[63]
- Big Sean – featured vocals (track 9)[62]
- Young Jeezy – featured vocals (track 9)[62]
- 2 Chainz – featured vocals (track 14)[62]
- Trey Songz – featured vocals (track 5)[62]
- Wale – featured vocals (track 5)[62]
- Project Pat – featured vocals (track 3)[62]
- Yelawolf – featured vocals (track 7)[62]
- Justin Timberlake – featured vocals (track 10)[62]
- Chris Brown – featured vocals (track 12)[62]
- A$AP Rocky – featured vocals (track 15)[62]
- The Weeknd – featured vocals (deluxe edition track 19 "One of Those Nights")
- Trina – featured vocals (deluxe edition track 18 "Having Sex")
Production Team
Dr. Luke and Cirkut handled production on several tracks, including "Bounce It," with Dr. Luke also serving as an executive producer. Mike WiLL Made It produced tracks such as "Stop It" (co-produced with Marz), "Show Out" (co-produced with J-Bo), and "Bandz a Make Her Dance" (co-produced with J-Bo). Lex Luger contributed production to "So Much Money," "All I Blow Is Loud," and "If It Ain't." Timbaland produced "The Woods," Young Chop handled "No Heart No Love," and ID Labs, Ritz Reynolds, and Sap produced "Talkin' Bout." Juicy J and Crazy Mike co-produced tracks like "Smokin' Rollin'," "Wax," "Gun Plus a Mask," and "Money a Do It." Baby E, DannyBoyStyles, and others provided additional production support across the album.[62][16]Additional Contributors
Mixing was led by engineers including Jaycen Joshua (on tracks like "Show Out" and "Talkin' Bout"), E. Dan (on multiple tracks such as "Stop It" and "Smokin' Rollin'"), and Serban Ghenea (on "Bounce It"). Recording engineers included Mike "Crazy Mike" Foster and Andrew Drucker. A&R direction was overseen by JR Lindsey, with coordination by Gelareh Rouzbehani and marketing by Naima Cochrane. Artwork and design were handled by Chris Feldmann, with photography by David Lusk.[3][16][62]Release history
| Region | Date | Format(s) | Label(s) | Catalog No. |
|---|---|---|---|---|
| Various | August 27, 2013 | CD, digital download | Columbia, Kemosabe Records | 88883 76011 2 |
| US | August 27, 2013 | CD (Best Buy exclusive) | Columbia, Kemosabe Records | 88883 76421 2 |
| Various | August 27, 2013 | CD (clean version) | Columbia, Kemosabe Records | 88883 76012 2 |
| Canada | August 27, 2013 | CD | Columbia, Kemosabe Records, Sony Music Canada | 88883 76011 2 |