Stick Figure
Stick Figure is an American reggae and dub band founded in 2005 as a solo project by Scott Woodruff in Duxbury, Massachusetts.[1] Initially a one-man band, Woodruff handled writing, production, and instrumentation for early albums before expanding to a full live lineup after relocating to Southern California around 2012.[2] The band's music blends roots reggae, dub, and electronic elements, earning them recognition as one of the top-selling reggae acts, with three albums topping the Billboard Reggae Albums chart: Set in Stone (2015), World on Fire (2019), and Wisdom (2022).[3] As of 2025, Stick Figure has released eight full-length studio albums, including their latest, Free Flow Sessions, on November 13, 2025, featuring improvisational dub tracks.[3] The band is known for extensive touring and collaborations with artists like Slightly Stoopid and Barrington Levy.[4]History
Formation and early career (2005–2008)
Stick Figure originated as a solo project in 2005 in Duxbury, Massachusetts, founded by Scott Woodruff, who handled all aspects of songwriting, production, and performance as a one-man reggae and dub endeavor.[5] Woodruff, a self-taught multi-instrumentalist, drew inspiration from reggae icons such as Bob Marley and dub pioneers including King Tubby and Barrington Levy, blending their foundational sounds with his own experimental approach.[5][1] Woodruff's early creative process involved home recording experiments using basic equipment, where he layered individual instrument tracks to craft dense, atmospheric compositions that emphasized the project's dub-heavy aesthetic.[1] These initial demos and unreleased material, often featuring echoing delays and bass-driven rhythms, laid the groundwork for Stick Figure's signature sound, reflecting Woodruff's intuitive production style honed through solitary practice.[6] In 2006, he released the debut album The Sound of My Addiction, recorded entirely by himself on a 16-track setup, showcasing raw roots reggae fused with dub elements like reverb-heavy mixes and electronic-infused grooves.[7][8] The album received limited distribution through independent channels, primarily self-released without major label support, which constrained its reach but fostered organic growth.[9] It built a modest online following via platforms like MySpace, where fans discovered Woodruff's handcrafted tracks through word-of-mouth sharing in the burgeoning digital music scene.[5][10] This grassroots reception highlighted the project's appeal to niche reggae enthusiasts, setting the stage for gradual expansion while remaining firmly rooted in Woodruff's solo vision.[1]Early releases and development (2009–2011)
In 2009, Scott Woodruff, the creative force behind Stick Figure, released Smoke Stack, self-produced under his Ruffwood Records imprint. Building on the reggae-dub foundations of prior works like the 2008 album Burnin' Ocean—which featured guest vocals from Jeff McDermott of Clear Conscience on tracks such as "White Fire" to add layered vocal harmonies—Smoke Stack demonstrated refined production techniques, emphasizing live instrument recordings followed by studio layering of effects for a more immersive sound.[11][12][13][14][15] The following year, Woodruff issued The Reprise Sessions on August 3, 2010, introducing heavier dub influences through revamped versions of earlier material alongside new compositions, all self-recorded and produced by Woodruff. This release highlighted evolving techniques in dub effects and looping, creating denser soundscapes with prominent basslines and reverb, as Woodruff continued to handle all instrumentation and mixing independently.[16][17][18] During this period, Stick Figure's fanbase expanded notably through increased online presence, with albums distributed via platforms like Bandcamp, fostering a dedicated reggae-dub audience without major label backing. Woodruff performed small-scale local shows as a solo act using backing tracks, such as a 2010 set at the Ocean Beach Farmer's Market in San Diego, where he played lead guitar over pre-recorded elements to showcase the material live. These efforts were complicated by Woodruff's day job as a carpenter in Massachusetts until around 2009, prompting his decision to remain fully independent on Ruffwood Records to maintain creative control amid financial constraints.[7][19][20]Burial Ground and transition to live band (2012–2014)
In 2012, Stick Figure released Burial Ground, blending mature reggae fusion with dub elements and introspective lyrics exploring themes of personal struggle, loss, and resilience. Produced entirely by Scott Woodruff in his home studio, the 14-track album featured guest vocalists including Jamaican reggae legend Half Pint on "Women of the Night" and longtime collaborator TJ O'Neill on the standout single "Weight of Sound," which became a fan favorite for its echoing dub production and uplifting message amid adversity. Released independently on Ruffwood Records on June 15, 2012, Burial Ground marked a departure from Woodruff's earlier solo efforts by incorporating more layered instrumentation and emotional depth, drawing from his travels and life experiences to create a cohesive narrative of hope rising from hardship.[21][22][23] To bring the album's tracks to life on stage, Woodruff assembled Stick Figure's first official live band in 2012, transitioning from a one-man studio project to a collaborative performing ensemble. The initial lineup included Woodruff on guitar and vocals, Kevin Bong (performing as KBong) on keyboards and backing vocals, Brendan Dane on bass, and Todd Smith on drums, allowing for dynamic interpretations of the recorded material through improvisation and live dub effects. This formation enabled the band to capture the album's atmospheric reggae grooves in a high-energy setting, with Bong's keyboard work adding melodic textures that enhanced the rootsy fusion style. The shift was essential for expanding Stick Figure's reach beyond digital releases and local shows, adapting solo compositions like those from prior albums into communal performances.[24][1][25] The band's debut tour followed in the fall of 2012, opening for The Green on an 18-date East Coast run that built immediate momentum and honed their live presence through extended dub sets emphasizing improvisation and audience interaction. By 2013, Stick Figure secured support slots at major reggae events, including their first appearance at the California Roots Music and Arts Festival in Monterey, where they delivered electrifying performances that showcased the live band's chemistry and helped solidify their reputation in the roots reggae scene. These early tours, characterized by Woodruff's charismatic stage presence and the ensemble's tight rhythms, attracted a growing fanbase drawn to the authentic, vibe-heavy energy of their shows.[1][26][27] Amid this touring breakthrough, Woodruff relocated from Massachusetts to San Diego, California, in 2011, with the move's full impact unfolding through 2012 as he immersed himself in the vibrant West Coast music community to facilitate band assembly and performance opportunities. The relocation provided access to a thriving reggae and dub scene, enabling easier collaboration and proximity to festivals like California Roots, while Ruffwood Records' independent distribution of Burial Ground—handling digital and physical releases—expanded the album's availability nationwide without major label involvement. This period cemented Stick Figure's foundation as a touring act, setting the stage for sustained growth in the genre.[2][28][29]Relocation to California and Set in Stone era (2015–2018)
In 2015, Stick Figure's founder Scott Woodruff relocated from San Diego to the Santa Cruz Mountains in Northern California, establishing a new base that immersed the project in the region's thriving reggae and roots music scene.[30] This move provided access to local studios and a supportive community of musicians, fostering deeper connections within California's vibrant reggae ecosystem.[30] Woodruff built Ruffwood Studios, a rustic log cabin setup in the redwood forest behind his home, which became the creative hub for the band's evolving sound.[30] The relocation coincided with lineup stabilization, as guitarist, keyboardist, and vocalist Johnny Cosmic joined the core group, contributing percussion and backing vocals to enhance the live performances.[31] This addition built on the live band formation from earlier years, solidifying a consistent touring ensemble that included KBong on keys, Kevin Offitzer on drums, and Tommy Suliman on bass.[32] The era's centerpiece was the album Set in Stone, released on November 13, 2015, via the band's own Ruffwood Records. Self-produced entirely by Woodruff at the new Ruffwood Studios, the 14-track record blended roots reggae, dub, and electronic elements, with standout collaborations like "Smokin' Love" featuring Collie Buddz.[33] It debuted at No. 1 on the Billboard Reggae Albums chart, holding the position for multiple weeks and peaking at No. 65 on the Billboard 200, marking a commercial breakthrough.[34][5] Extensive touring amplified the album's momentum, with Stick Figure securing headlining slots at major festivals such as Reggae on the River in July 2015 and Red Rocks Amphitheatre later that year.[35] The band expanded internationally, embarking on its first European tour in 2016, which included stops in Denmark, Italy, France, Spain, Germany, Switzerland, and the Netherlands.[36] Woodruff reflected on the move as a pivotal step toward personal and artistic stability, noting how the serene Northern California environment—surrounded by mountains, redwoods, and ocean—inspired a positive mindset and greater creative freedom in his solo production process.[37] He described the transition as enabling a deeper focus on songwriting amid nature, while the stable home base allowed for stronger band camaraderie and a shift from isolated recording to dynamic live execution.[37]World on Fire, Fire & Stone, and Wisdom (2019–2022)
Stick Figure's album World on Fire was released on August 30, 2019, via Ruffwood Records.[38] The album featured collaborations with artists such as Slightly Stoopid on the title track, Citizen Cope, and longtime collaborator TJ O'Neill, blending reggae, dub, and electronic elements into an eclectic sound.[39] Lyrically, it addressed themes of unity amid social unrest, particularly critiquing the influence of money and greed while proposing paths toward collective healing and positivity.[40] The record achieved significant commercial success, debuting at number 34 on the Billboard 200 and marking the first reggae album to sell over 10,000 copies in its opening week since 2014; its title track alone amassed over 100 million streams on Spotify by 2025.[3][41] The global COVID-19 pandemic profoundly affected the band's operations from 2020 onward, leading to the postponement of their Once in a Lifetime Summer Tour and a broader shift toward virtual releases and home-based recording to sustain creativity amid lockdowns.[42] In this context, Stick Figure collaborated with UK dub producer Prince Fatty on Fire & Stone, an instrumental remix album released on April 30, 2021, via Ruffwood Records.[43] The nine-track project reimagined selections from World on Fire and the earlier Set in Stone using traditional dub techniques, including echo effects, reverb-heavy instrumentation, and stripped-back rhythms to create a fresh, immersive feel.[44][45] It topped the iTunes worldwide reggae charts, highlighting the band's adaptability during restricted live performances.[46] Emerging from the pandemic's constraints, Stick Figure delivered their album Wisdom on September 9, 2022, again through Ruffwood Records—skipping a sixth numbering due to the remix nature of Fire & Stone.[47] The 14-track release featured introspective lyrics exploring personal growth, reflection, and resilience, with standout singles like "Edge of the Ocean," which contemplates renewal and hidden emotions through poetic imagery of starting over.[48] Collaborations included Slightly Stoopid on "Way of Life," Barrington Levy on "Soul of the World," and Collie Buddz, enhancing its roots reggae foundation.[49] As touring resumed, the band performed at post-pandemic festivals such as the inaugural Cali Vibes in Long Beach, California, in February 2022, where they shared the stage with acts like Slightly Stoopid and The Marley Brothers, signaling a return to live energy.[50]Recent activities and Free Flow Sessions (2023–present)
Following the release of their 2022 album Wisdom, Stick Figure experienced a resurgence in live performances, embarking on extensive tours across North America in 2023 and 2024, including headline shows at major venues like Red Rocks Amphitheatre in July 2024 and the Sacred Sands Summer Tour with SOJA and Little Stranger.[51][52] This period marked a return to full-scale touring after pandemic restrictions, with the band delivering high-energy sets that emphasized their dub-reggae fusion and live instrumentation.[53] In 2025, the band's international presence expanded significantly, including their first-ever performances in South America with dates in Santiago, Chile, on May 23 at Teatro Coliseo and São Paulo, Brazil, on May 25 at Terra SP.[54] They also headlined at the Cali Vibes Festival in Long Beach, California, on June 7, captivating audiences with extended jams and guest collaborations.[55] Additionally, Stick Figure performed at the Moon Palace resort in Cancun, Mexico, during the Dave & Tim Riviera Maya event from January 23 to 26, blending their signature rhythms with the tropical setting to engage international fans.[56] Amid this touring momentum, Stick Figure released a series of singles previewing new material, starting with "What A Feeling" on June 20, 2025, which showcased their evolving dub influences through self-produced beats and melodic hooks.[57] This was followed by "Treasure" in early October, a collaboration highlighting rhythmic interplay, and "Moon Palace" on October 15, an instrumental track evoking cosmic dub explorations.[58] Subsequent releases included "Forever" on November 6, 2025, and "Welcome to My World" on October 31, both emphasizing extended riddims and echo effects that built anticipation for their next project.[59][60] On November 14, 2025, Stick Figure released Free Flow Sessions, their eighth studio album and a dub remix project comprising 12 extended riddims that reimagine live session recordings into immersive soundscapes.[61] Self-produced by frontman Scott Woodruff, the album represents an evolution of the band's informal studio jams, prioritizing spontaneous creation over structured songwriting, with tracks like "Moon Palace" and "Forever" serving as anchors for its free-form ethos.[62] Distributed through Ineffable Records, it underscores their commitment to dub's experimental roots while maintaining accessibility for global listeners.[63] Complementing these musical endeavors, Stick Figure broadened their label operations and merchandise reach in 2025, making physical releases and apparel available internationally in the UK, Europe, and South America for the first time, enhancing fan accessibility beyond North America.[4] The band also amplified fan engagement through active social media presence on platforms like Instagram and Facebook, sharing behind-the-scenes content from tours and sessions to foster a sense of community. Looking ahead, Stick Figure has hinted at continued creative experimentation without anticipated lineup shifts, positioning Free Flow Sessions as a foundation for future dub-oriented releases and tours.Musical style and influences
Core genre and sound evolution
Stick Figure's core genre is roots reggae, deeply infused with dub techniques and subtle electronic elements, creating a laid-back yet immersive sound that emphasizes spiritual positivity and introspection. The band's music centers on uplifting lyrics exploring themes of life, love, nature, and personal growth, often delivered through Scott Woodruff's smooth, melodic vocals.[3][64][65] Key sound hallmarks include prominent, weighty basslines that drive the rhythm, combined with airy, reverb-drenched mixes and echoing delays characteristic of dub production, fostering a sense of spaciousness and drift. Woodruff's arrangements frequently employ the classic one-drop reggae rhythm, where the emphasis falls on the third beat with syncopated hi-hats and cross-stick snares, providing a hypnotic groove that blends traditional roots elements with modern polish. This results in tracks that feel both grounded in Jamaican reggae traditions and elevated by contemporary production touches, such as subtle electronic textures.[64][66][67] The band's sound has evolved significantly since its inception as Woodruff's solo project in the mid-2000s, beginning with raw, lo-fi demos recorded on basic equipment that captured intimate, bedroom-style reggae experiments. By the early 2010s, as Stick Figure transitioned to a full live band, productions became more layered and dynamic, incorporating live instrumentation to infuse energy while retaining dub's experimental edge; albums like Set in Stone (2015) marked a shift toward refined, bass-forward mixes with broader sonic palettes. In the late 2010s and 2020s, the sound further matured with polished, improvisational elements drawn from live sessions, blending world music influences and occasional hip-hop-inflected rhythms, as heard in Wisdom (2022), without diluting the core roots reggae foundation. This maturation continued with the 2025 release Free Flow Sessions, which reimagines live improvisations into extended dub tracks, reinforcing the blend of roots reggae and experimental production.[3][6][68][69] Influences on Stick Figure draw heavily from reggae pioneers such as Bob Marley for thematic positivity, Steel Pulse and Barrington Levy for rhythmic intensity, and dub innovators like King Tubby for echo and reverb effects, while Sublime's California-infused ska-reggae vibe shaped the band's accessible, beachy appeal. These roots are evident in Woodruff's self-taught approach, which echoes the DIY ethos of early Jamaican sound systems.[66][5][70][8] Critically, Stick Figure has been acclaimed for revitalizing American reggae by merging authentic dub experimentation with broad accessibility, achieving unprecedented commercial dominance as the top-selling living reggae act on Billboard charts for multiple years, including outselling established Jamaican artists like Shaggy and Damian Marley in 2024. Their avoidance of mainstream pop concessions has earned praise for preserving reggae's spiritual essence while expanding its global reach through innovative live performances and consistent chart-topping releases.[3][71][72]Production and instrumentation
Scott Woodruff has served as the primary producer for Stick Figure since the project's inception, handling the composition, recording, mixing, and mastering of most tracks in a largely solo capacity. Initially operating from a home studio in his basement in Duxbury, Massachusetts, Woodruff utilized multi-track loop machines to layer instruments and vocals, creating dense, dub-influenced arrangements without external collaborators. This hands-on approach persisted after his relocation to California in 2009, initially at Ruffwood Studios in the Santa Cruz mountains, and later at Great Stone Studios in Oakland, California, since January 2017—a historic facility previously used by artists like Green Day—allowing for expanded production capabilities while maintaining his DIY ethos.[1][73][74][75] Central to Stick Figure's sound is the foundational role of bass guitar, provided by Tommy Suliman in the live band era, which anchors the reggae rhythms with deep, resonant lines. Live drums and percussion, played by Kevin Offitzer, add organic propulsion, though Woodruff often programs drum elements using blended samples for precision during solo sessions. Keyboards, handled by Kevin Bong and occasionally Johnny Cosmic, introduce melodic dub effects through synth pads and echoes, while horns are incorporated sporadically via MIDI recordings to evoke classic reggae textures without live ensembles. This instrumentation blend supports Woodruff's multi-tracking techniques, where he records vocals in layers for harmonic depth and employs dubwise drops—sudden instrumental breaks with reverb-heavy echoes—to build tension and release.[1][76][77] In live performances, the band has evolved from Woodruff's early loop-based setups to full-band execution, incorporating live looping elements during improvisational segments like the Free Flow Sessions, which capture spontaneous dub rhythms in real time at Great Stone Studios. Production techniques have advanced with digital tools, including Propellerhead Reason for sequencing and MIDI integration, enabling spatial audio effects through plugins that simulate analog warmth alongside programmed elements. This fusion of analog instrumentation and digital precision is particularly evident in Stick Figure's remix and instrumental albums, such as Reprise Sessions, where Woodruff reworks tracks to highlight dub experimentation and layered soundscapes.[78][75][77]Band members and collaborations
Core live lineup
The core live lineup of Stick Figure, which expanded from founder Scott Woodruff's solo project into a full band in the early 2010s, enables the group's signature reggae-dub sound through collaborative performances emphasizing rhythmic drive and atmospheric layers.[79] This six-piece ensemble delivers high-energy shows characterized by extended improvisational jams that blend roots reggae with dub echoes and reverb, creating immersive experiences for audiences.[1] Scott Woodruff serves as the band's founder, lead vocalist, lead guitarist, and primary producer, having started Stick Figure in 2006 after initially recording solo albums in his bedroom studio.[80] His role anchors the live sets, where he guides vocal melodies and guitar riffs that form the backbone of the band's dub improvisations, infusing personal storytelling with energetic, riff-driven extensions that build crowd engagement.[79] Kevin Bong, known professionally as KBong, handles keyboards and has been a member since 2012.[81] His keyboard work contributes dub-style effects like delays and synth swells, enhancing the improvisational depth and creating the hazy, reverberating atmosphere central to Stick Figure's live energy.[79] Kevin Offitzer provides drums, joining the band in 2011 after graduating from Musician's Institute.[82] His precise yet dynamic drumming drives the reggae rhythms, allowing for seamless transitions into extended jams that maintain high tempo and propel the improvisational flow during live performances.[79] Tommy Suliman plays bass and joined around 2012, coinciding with the band's first major tour.[1] His deep, prominent bass lines form the foundational groove in Stick Figure's dub-oriented sound, supporting improvisational builds by locking in with the drums to create pulsating energy that resonates through venues.[79] Johnny Cosmic (John Gray) contributes guitar, keyboards, and backup vocals, having joined in 2015 after touring with related acts.[32] As a multi-instrumentalist, he layers additional guitar textures and harmonies, enriching live dub improvisations with melodic fills and vocal support that amplify the band's communal, uplifting vibe.[79] Will Phillips rounds out the core on percussion, serving as a touring member whose contributions add rhythmic complexity since at least 2016.[83] His percussion elements, including congas and shakers, inject vitality into the improvisations, heightening the percussive drive and fostering the high-energy, danceable atmosphere of Stick Figure's shows.[79]Notable collaborators and guests
Stick Figure has frequently collaborated with dancehall artist Collie Buddz, beginning with the track "Smokin' Love" from the 2015 album Set in Stone, where Buddz provided guest vocals that infused the song with upbeat Bermudian reggae rhythms.[84] This partnership continued with "Showdown" on the 2022 album Wisdom, highlighting Buddz's signature style to enhance the track's energetic vibe.[85] In 2025, the duo released the previously unreleased "Good Life," a lost recording from 2017 sessions, further solidifying their recurring creative synergy.[86] Reggae rock band Slightly Stoopid has been a prominent collaborator, appearing on multiple projects including the title track "World on Fire" from the 2019 album of the same name and "Way of Life" from Wisdom.[6] Their contributions added layered harmonies and guitar work, expanding Stick Figure's sound into broader reggae rock territories.[49] Slightly Stoopid also joined The Green, Tribal Seeds, Common Kings, and The Movement for the 2019 remix of "World on Fire," creating a collective jam that blended multiple artists' styles into a high-energy dub version.[87] In May 2025, they collaborated on a cover of Sublime's "Slow Ride," reworking the classic track with shared vocals and instrumentation.[88] Other notable guests include Citizen Cope on "Summertime" from World on Fire, bringing soulful vocals to the album's laid-back groove, and roots reggae legend Barrington Levy on "Soul of the World" from Wisdom, infusing authentic Jamaican flavors.[6][49] Keyboardist and vocalist KBong, who later became a core member, provided early guest appearances such as on "Smiles on Faces" from Set in Stone, contributing harmonious backups and keyboard lines that bridged hip-hop inflections with reggae.[89] UK dub producer Prince Fatty helmed the 2021 remix album Fire & Stone, reimagining tracks from World on Fire and Set in Stone with new instrumentation from his roots ensemble, emphasizing heavy bass and echo effects to deepen the dub elements.[90] Recent collaborations include the 2024 single "Home" with Jack Johnson, a mellow acoustic-reggae blend supporting Hawaiian environmental causes, and "Feel Like That" with Sublime featuring original and new Nowell family vocals, marking Sublime's first new material in nearly three decades.[91][92] These partnerships have broadened Stick Figure's appeal by incorporating dancehall energy from artists like Collie Buddz, dub production expertise from Prince Fatty, and rock-reggae crossovers with Slightly Stoopid and Sublime, attracting fans across genres while maintaining a roots foundation.[3][93]Discography
Studio albums
Stick Figure has released seven studio albums, all written, produced, and primarily performed by frontman Scott Woodruff, evolving from solo home recordings to collaborative efforts while maintaining a core reggae and dub sound.[79] These albums mark the band's progression in the American reggae scene, with later releases achieving significant commercial success on the Billboard Reggae Albums chart.[94]| Album | Release Date | Label | Key Achievements |
|---|---|---|---|
| The Sound of My Addiction | April 11, 2006 | Independent (self-released) | Debut album, recorded entirely by Woodruff in a home studio; established the band's foundational reggae-dub style.[95][64] |
| Burnin' Ocean | January 16, 2008 | Ineffable Records | Second full-length release, featuring 14 tracks blending reggae, dub, and rocksteady; self-produced and highlighted Woodruff's multi-instrumental approach.[96][12] |
| Smoke Stack | November 3, 2009 | Ruffwood Records (self-released) | Third full-length album, self-produced by Woodruff; 14 tracks exploring reggae and dub vibes; peaked at No. 13 on the Billboard Reggae Albums chart.[97][13][98] |
| Burial Ground | June 12, 2012 | Ruffwood Records | Debuted at No. 1 on the Billboard Reggae Albums chart and iTunes Reggae chart; included collaborations like "Weight of Sound" with TJ O'Neill.[99][100] |
| Set in Stone | November 13, 2015 | Ruffwood Records / ATO Records | Reached No. 1 on the Billboard Reggae Albums chart; certified as a key milestone with over 100,000 units sold toward the band's cumulative one million album sales; themes centered on romantic love and personal reflection.[101][3][102] |
| World on Fire | August 30, 2019 | Ruffwood Records | Topped the Billboard Reggae Albums chart for multiple weeks, accumulating 322 weeks on the chart by 2025; featured guests like Slightly Stoopid and explored themes of love, loss, and redemption; contributed to the band's three billion global streams.[94][103][104][105] |
| Wisdom | September 9, 2022 | Ruffwood Records | Debuted at No. 1 on the Billboard Reggae Albums chart with 34,900 equivalent album units in its first week (including 10,900 pure sales and 32.3 million streams); seventh studio effort emphasizing unity and introspection, solidifying Stick Figure as the top-selling living reggae artist.[94][47][105] |
Remix and instrumental albums
Fire & Stone is an instrumental dub album by Stick Figure, presented by British producer Prince Fatty and released on April 30, 2021.[106] It reimagines nine tracks drawn from the band's prior releases World on Fire (2019) and Set in Stone (2015), featuring entirely new instrumentation performed by Fatty's ensemble of roots musicians, including prominent saxophone work that enhances the dub aesthetic.[44] The production emphasizes classic dub elements, such as layered echoes and rhythmic extensions, to transform the original vocal-oriented songs into immersive instrumental versions.[45] This release highlights the structural depth of Stick Figure's compositions, allowing dub purists to appreciate the foundational riddims without lyrical overlays.[107] Upon release, Fire & Stone debuted at number one on the iTunes worldwide reggae chart, earning praise for its smooth fusion of California reggae vibes with authentic Jamaican dub influences, though some critics noted a moderate 2.5-out-of-5 rating for its straightforward approach to remixing.[46][45] In 2025, Stick Figure released Free Flow Sessions, a dub-focused remix album on Ruffwood Records, on November 14.[58] Comprising 12 tracks—mostly instrumental—this collection extends and reimagines reggae riddims originating from the band's unstructured studio jams, including six entirely new pieces alongside reworked material.[61] Titles such as "Dub Sailin'" and "Dub Style Blues" underscore its emphasis on dubwise production, with extended rhythms designed to evoke spontaneous creation and appeal to enthusiasts of the genre's experimental side.[108] The album's purpose centers on capturing the essence of "free flow" music-making—entering the studio solely to generate sounds without commercial intent—thereby showcasing the band's production versatility beyond structured vocal albums.[109] Early previews have built anticipation for its instrumental innovations, positioning it as a companion piece that deepens the dub tradition within Stick Figure's catalog.[110]Singles and EPs
Stick Figure has released several notable singles throughout their career, often featuring collaborations and serving as precursors to full-length albums. Early promotional efforts included tracks like "Weight of Sound" featuring TJ O'Neill, released in 2012 from the Burial Ground era, which gained traction through its official music video and streaming platforms, amassing millions of views on YouTube.[111] Similarly, "Shadow" emerged in 2015 as a standout single with a retro-style music video dedicated to the band's dog, Cocoa, emphasizing themes of loyalty and introspection in their reggae sound.[112] In 2019, "World on Fire" featuring Slightly Stoopid marked a high-profile collaboration, debuting as a single ahead of the album of the same name and becoming a streaming hit with over 2 million plays on SoundCloud shortly after release.[113] The track's upbeat reggae fusion helped solidify Stick Figure's presence in the roots reggae scene. Following this, "Edge of the Ocean" arrived in 2022 as a key single from the Wisdom project, accompanied by an official music video filmed on location to evoke nautical exploration and renewal.[114] The band's output accelerated in 2025 with a series of vocal-driven singles tailored for radio and digital promotion. "What a Feeling," released on June 20, 2025, captured laid-back vibes with soulful lyrics about emotional release, supported by an official music video that highlighted the band's evolving production style.[115] In October, "Moon Palace" dropped as the lead single for Free Flow Sessions, blending dub rhythms and melody to create a hypnotic groove, quickly gaining streams on Spotify.[116] "Treasure," a collaboration with Stay High (Tommy Suliman's new project) released on October 3, 2025, fused surf-reggae elements and marked Stick Figure's co-production involvement, positioning it as a fresh crossover hit.[117] November 2025 saw further releases, including "Forever" on November 6, which offered a meditative, drifting rhythm praised for its euphoric soundscapes and immediate availability across streaming services.[118] "Welcome to My World," released on October 30 but gaining momentum into November, served as another Free Flow Sessions preview with dubwise rhythms inviting listeners into Stick Figure's sonic universe, complete with an official video.[119] Regarding EPs, Stick Figure's early digital releases included The Reprise Sessions in 2010, a collection of 12 polished roots reggae tracks reworking prior material with heavy dub and bass influences, distributed via Bandcamp and later streaming platforms as an accessible entry point for fans.[120] These shorter formats have consistently featured music videos and charted modestly on reggae digital singles lists, such as Billboard's, underscoring the band's focus on promotional vocal tracks over extended instrumental works.[121]| Year | Title | Featured Artist | Notes |
|---|---|---|---|
| 2012 | Weight of Sound | TJ O'Neill | Official video; streaming hit |
| 2015 | Shadow | - | Retro video tribute |
| 2019 | World on Fire | Slightly Stoopid | Pre-album single; 2M+ SoundCloud plays |
| 2022 | Edge of the Ocean | - | Nautical-themed video |
| 2025 | What a Feeling | - | June release; emotional reggae single |
| 2025 | Moon Palace | - | October; Free Flow Sessions lead |
| 2025 | Treasure | Stay High | October collab; surf-reggae fusion |
| 2025 | Forever | - | November; meditative groove |
| 2025 | Welcome to My World | - | Late October/November; dub preview |
| 2010 | The Reprise Sessions (EP) | - | 12-track digital collection |