SOJA
SOJA, an acronym for Soldiers of Jah Army, is an American roots reggae band formed in 1997 in Arlington, Virginia, by high school friends Jacob Hemphill, Bobby Lee (Bob Jefferson), and Ryan Berty.[1][2] The eight-piece ensemble, which includes percussionist Kenny Bongos, keyboardist Patrick O’Shea, saxophonist Hellman Escorcia, trumpeter Rafael Rodriguez, and guitarist Trevor Young alongside the founders, blends traditional reggae influences with contemporary rock and jam-band elements to create an accessible, message-driven sound.[3][1] Over more than two decades, SOJA has built a global fanbase through extensive touring and album releases under ATO Records, addressing themes of love, unity, social justice, and personal resilience in songs inspired by figures like Bob Marley.[3][2] Their breakthrough came with increasingly polished productions, culminating in a Grammy Award win for Best Reggae Album in 2022 for Beauty in the Silence, which featured collaborations with artists such as UB40, Stick Figure, and Rebelution and was recorded in studios like Circle House in Miami.[4][3] In 2024, they released an acoustic version, Beauty in the Acoustic, followed by singles including "We All Need Love" featuring Kolohe Kai in 2025. As of late 2025, the band is on a touring hiatus led by frontman Jacob Hemphill's health-related break.[5][6] Notable releases include the debut full-length Peace in a Time of War (2002), Strength to Survive (2012), and Poetry in Motion (2017), each showcasing their evolution from basement jams to international stages while maintaining a commitment to positive, conscious lyrics.[1]History
1997–2005: Formation and early independent releases
SOJA, originally known as Soldiers of Jah Army, was founded in 1997 in Arlington, Virginia, by high school friends Jacob Hemphill (lead vocals and guitar), Bobby Lee Jefferson (bass and vocals), and Ryan Berty (drums), who bonded over their shared passion for reggae music.[2] The band's name derived from the acronym SOJA, standing for Soldiers of Jah Army, reflecting their roots-inspired ethos drawing from Rastafarian themes.[7] Early on, the group included Eric Rogers on keyboards and harmony vocals, rounding out the initial lineup as they began rehearsing in local basements.[8] The band quickly transitioned to live performances, starting with gigs in Washington, D.C.-area venues shortly after high school, where they honed their sound for diverse audiences including Jamaican, Ethiopian, and African-American communities.[7] These grassroots shows were supported by self-recorded demos, which helped build a local following amid the challenges of operating independently without major label backing.[2] Self-promotion became a core effort, with the members handling booking, flyer distribution, and regional touring across the mid-Atlantic to gain exposure, often facing skepticism as a predominantly white ensemble in the reggae scene.[7] In 2000, SOJA released their self-titled debut EP, an eight-track project recorded at Lion & Fox Recording Studios in Washington, D.C., under sound engineer Jim Fox, marking their first foray into professional recording on their own terms.[7] This was followed by their inaugural full-length album, Peace in a Time of War, issued independently in 2002, which captured their raw, message-driven reggae style amid ongoing regional tours.[9] A dub companion, Dub in a Time of War, emerged in 2005, further showcasing their independent creativity before lineup shifts, including Rogers' departure in 2003 and replacement by Patrick O'Shea on keyboards.[10] These years solidified SOJA's foundation through persistent grassroots efforts, laying the groundwork for broader recognition.[11]2006–2012: Signing with labels and rising popularity
In 2006, SOJA signed with independent label Innerloop Records and released their second studio album, Get Wiser, which debuted in the top 10 on the iTunes reggae chart and marked the band's first significant step toward broader recognition.[12] The album's success prompted SOJA's inaugural European tour, allowing them to expand beyond their Washington, D.C. roots and connect with international audiences through live performances that highlighted their fusion of reggae rhythms and socially conscious lyrics.[12] Building on this momentum, the band released Born in Babylon in August 2009 through DMV Records as an iTunes exclusive, featuring 15 tracks that explored themes of personal struggle and resilience, further solidifying their growing fanbase in the reggae scene. In 2011, SOJA signed with ATO Records, co-founded by Dave Matthews, transitioning to a major label that provided wider distribution and professional support for their evolving sound.[13] This partnership culminated in the 2012 release of Strength to Survive, produced by John Alagia and featuring collaborations with artists such as Damian Marley, Collie Buddz, and J Boog, which debuted at number one on the Billboard Reggae Albums chart and held the top spot for four of its first five weeks.[14][15] During this period, SOJA's lineup stabilized with the contributions of percussionist Kenneth Brownell (known as Kenny Bongos), who joined early in the band's development and added dynamic conga and djembe elements to their live sets, and keyboardist Patrick O'Shea, a member since 2003 whose organ and synth work enhanced the group's roots reggae foundation.[16][17] The band undertook extensive touring, including a 2012 European run in support of Strength to Survive that reached countries like Spain, Germany, and Italy, helping to cultivate a global following despite challenges such as a last-minute cancellation in Madrid due to logistical issues.[18] SOJA garnered increasing media coverage in reggae outlets, with features and interviews in publications like United Reggae highlighting their rise as an American act blending traditional roots with modern influences, and appearances at key festivals that amplified their visibility within the genre.[19] By 2012, the band's relentless touring—over 360 shows in 18 months—and chart-topping success had transformed them from a regional outfit into a rising force in international reggae, setting the stage for further global expansion.[14]2013–2018: International tours and album cycles
In 2014, SOJA released their fifth studio album, Amid the Noise and Haste, on August 12 through ATO Records. Produced by Grammy-winning Jamaican producer Supa Dups, the album incorporated upbeat reggae sounds with introspective lyrics, featuring collaborations with artists such as Damian "Junior Gong" Marley on tracks like "Your Song." It debuted at No. 1 on the Billboard Reggae Albums chart and reached No. 20 on the Billboard 200, marking the band's growing commercial presence in the genre.[20][21][22] The album's release propelled SOJA into an intensive period of international touring, with the band performing over 150 shows annually across multiple continents. They headlined sold-out venues in Europe, including a notable performance in Cologne, Germany, in 2014, and extended their reach to South America with annual stops in countries like Argentina, Chile, and Uruguay by 2015. These tours built on the band's earlier momentum, emphasizing high-energy live sets that solidified their fanbase in regions beyond North America.[23][24] By 2017, SOJA issued their sixth studio album, Poetry in Motion, on October 27 via ATO Records, continuing their exploration of reggae fused with rock, folk, and hip-hop elements. The record delved into themes of peace, social awareness, and human connection, with tracks like "Moving Stones" and "I Can't Stop Dreaming" highlighting the band's evolving songwriting. The promotional cycle included live performances to celebrate the release, such as a hometown show at The Anthem in Washington, D.C., at the end of 2017.[25][26][27] Throughout this era, SOJA maintained lineup stability, with core members Jacob Hemphill (vocals, guitar), Bobby "Lee" Jefferson (bass, vocals), and Ryan "Bird" Berty (drums) remaining since the band's formation in 1997, alongside consistent contributions from other long-term players like Patrick O'Shea on keyboards. No major departures occurred, allowing the group to focus on creative output and global performances without internal disruptions.2019–present: Grammy success, acoustic projects, and touring hiatus
In 2021, SOJA released their seventh studio album, Beauty in the Silence, on September 24 via ATO Records, marking a return after a three-year hiatus from full-length releases.[28][29] The album featured collaborations with artists such as Collie Buddz, J Boog, and Eli Mac, blending roots reggae with introspective themes of personal growth and social reflection. The album's success culminated in SOJA winning the Grammy Award for Best Reggae Album at the 64th Annual Grammy Awards on April 3, 2022, their first win in the category after previous nominations.[30] This victory, however, ignited significant controversy, particularly among Jamaican reggae fans and artists who criticized the Recording Academy for awarding a non-Jamaican, American band in a genre originating from Jamaica, labeling SOJA as "culture vultures."[31][32] Nominees like Spice, Sean Paul, and Koffee, all Jamaican, fueled online backlash on social media, with some viewing the win as a wake-up call for the Jamaican music industry to elevate its global production standards.[33][34] Despite the criticism, the Grammy significantly boosted SOJA's visibility, drawing renewed attention to their discography and expanding their audience beyond reggae circles, as media outlets debated the cultural implications of the award in reggae's evolution.[32][30] This heightened profile contributed to increased streams and sales for Beauty in the Silence, positioning SOJA as a bridge between traditional roots reggae and contemporary international sounds.[34] In 2024, SOJA revisited the album through Beauty in the Acoustic, released on February 23, offering intimate, stripped-down versions of its tracks recorded live during Sugarshack Sessions.[35][36] The project emphasized the band's songwriting core by reducing instrumentation to acoustic guitar, bass, and vocals, highlighting emotional depth in songs like "Press Rewind" and "The Day You Came" without the original's fuller production layers.[37] This re-recording served as a creative pivot, allowing fans to experience the material in a raw, performative style that underscored SOJA's live energy.[37] On May 14, 2025, SOJA released the single "We All Need Love" featuring Kolohe Kai, a collaborative track blending their signature reggae grooves with Hawaiian influences to promote themes of unity and compassion.[38] The song, produced under ATO Records, received positive reception for its uplifting message and marked SOJA's continued exploration of cross-genre partnerships in the reggae-rock scene.[38] In September 2025, frontman Jacob Hemphill announced a personal touring hiatus for the remainder of the year, citing the need for rest after over two decades on the road with SOJA.[6] This decision impacted scheduled appearances, including the band's planned performance at Live Loud Fest from November 4–8, 2025, aboard a cruise from Miami to Cozumel, prompting adjustments to their live commitments.[6][39] Amid these developments, SOJA maintained momentum through ongoing collaborations, such as their 2021 track "Something to Believe In" with Stick Figure, which exemplified their side projects in fusing reggae with dub elements and continued to resonate in live sets and playlists.[40] This partnership highlighted Hemphill's production role and the band's commitment to communal music-making beyond traditional albums.[40]Band members
Current members
The current members of SOJA, as of 2025, form the band's core lineup responsible for its signature reggae fusion sound. Jacob Hemphill serves as lead vocals and guitar since 1997; he is the primary songwriter and founder of the group.[41][42] Bobby Lee (Jefferson) handles bass and vocals since 1997; as a co-founder, he provides harmonic support that enriches the band's vocal layers.[41][42] Ryan Berty plays drums since 1997; also a co-founder, he provides the rhythmic foundation essential to SOJA's groove-oriented style.[41][42] Kenny Bongos (Ken Brownell) contributes percussion since 1997; his work adds dub and roots elements that deepen the band's reggae authenticity.[41][9] Patrick O'Shea manages keyboards and melodica since 2003; his arrangements enhance the fusion aspects of SOJA's music.[41][9] Hellman Escorcia provides saxophone; his contributions add horn sections to the band's live and recorded sound.[41] Rafael Rodriguez plays trumpet; he supports the reggae brass elements integral to SOJA's style.[41] Trevor Young handles guitar and vocals; formerly the band's guitar technician, he joined as a full member in 2011.[41]Former members
SOJA's early lineup evolved as the band professionalized, with several members departing during the initial independent release phase to focus on the core group. Eric Rogers served as the band's keyboardist and harmony vocalist from its formation in 1997 until 2003. As a schoolmate of founding members Jacob Hemphill and Bobby Lee Jefferson, Rogers contributed to SOJA's earliest demos and live performances, helping shape their initial roots reggae sound.[43] Rogers departed in 2003, paving the way for Patrick O'Shea to join on keyboards and guitar for subsequent recordings, including the 2006 album Get Wiser.[9] This change contributed to lineup stabilization around the enduring trio of Hemphill, Jefferson, and drummer Ryan Berty, enabling expansions in percussion and horns as SOJA pursued label deals and wider tours. Prior to 2006, the band featured transient auxiliary players, such as additional percussionists and early guitarists, whose brief tenures aligned with the shift from basement rehearsals to structured performances; specific details on these members remain limited in documented histories.[1] These adjustments ultimately reinforced the group's focus on a consistent ensemble for rising popularity.Musical style and influences
Musical style
SOJA's music is primarily rooted in roots reggae, characterized by skanking guitar rhythms that form the backbone of their upbeat, groove-oriented sound.[44] The band employs traditional reggae elements such as off-beat guitar chops and subtle dub effects, including reverb and echo on bass and percussion, to create a layered, immersive texture.[1] Their tracks often feature guitar-driven melodies that propel the music forward, blending acoustic and electric elements for a dynamic feel.[45] A key aspect of SOJA's style is their emphasis on live instrumentation, with the eight-piece ensemble utilizing horns, keyboards, and percussion to add depth and eclectic flair.[44] This approach is enhanced by frequent guest features from artists across genres, introducing varied vocal harmonies and instrumental contributions that enrich the reggae foundation without overshadowing it.[46] The result is a fusion of roots reggae with rock, hip-hop, Latin, and go-go influences, producing a versatile sound that maintains reggae's rhythmic pulse while exploring broader sonic palettes.[47][48] The band's style has evolved from the raw, basement-honed reggae of their early independent releases in the late 1990s and early 2000s to more refined and collaborative productions in subsequent albums.[49] For instance, their 2017 album Poetry in Motion showcases polished, multi-layered arrangements that integrate rock, folk, and hip-hop elements through intricate production and high-profile collaborations, marking a shift toward a more expansive and accessible sound.[45] In a development from 2024, SOJA's release Beauty in the Acoustic pivots to stripped-back arrangements, focusing on acoustic guitar, minimal percussion, and raw vocal delivery to emphasize intimacy and songcraft over dense instrumentation.[37][50]Influences and themes
SOJA's music draws heavily from the roots reggae tradition, with lead singer and songwriter Jacob Hemphill citing Bob Marley and the Wailers as a primary influence for their spiritual and unifying qualities. Marley's folk-infused approach, particularly evident in albums like Survival, inspired SOJA's emphasis on global oneness and positive messaging, which Hemphill first encountered through his father's record collection during his childhood. Similarly, Peter Tosh's militant reggae style, known for its confrontational critiques of oppression, shaped SOJA's bolder lyrical stances, as seen in Hemphill's admiration for Tosh's role in challenging systemic issues alongside the Rolling Stones' promotion of reggae. Jimmy Cliff's contributions to the genre's socially charged narratives also resonate in SOJA's work, providing a template for blending personal introspection with broader calls for change. While modern fusion acts like Slightly Stoopid represent contemporary peers in the American reggae scene, Hemphill has noted that non-reggae artists such as Paul Simon and Sade exerted a stronger early impact on his songwriting, prioritizing emotional depth over genre-specific fusion.[51][52] Hemphill's personal background profoundly informs SOJA's global perspective, stemming from his formative years spent in Africa. Raised partly in Monrovia, Liberia, during his early childhood, he was immersed in diverse cultures that reinforced a worldview of humanity as "one people," countering divisions he later observed in the West.[53][54] This exposure, combined with his involvement in Washington, D.C.'s local reggae scenes during high school, deepened his connection to authentic reggae roots and fostered a commitment to cross-cultural dialogue in his lyrics. Hemphill's early songwriting, beginning with simple hums as a toddler in a musical family, evolved into a prolific output of around 1,000 songs, all composed by him, reflecting these experiences without dogmatic adherence to any single ideology.[55] Lyrically, SOJA explores themes of social justice, love, environmentalism, and personal growth, often infused with Rastafarian elements as a "livity" promoting peace, education, and historical awareness rather than strict religious observance. Songs critique consumerism and advocate for environmental preservation, as in Born in Babylon and Strength to Survive, urging listeners to prioritize unity over materialism. Early works like the album Peace in a Time of War address anti-war sentiments and government policies, echoing post-9/11 disillusionment, while later releases emphasize resilience and self-discovery amid chaos. Rastafarian motifs, such as references to Jah and historical enslavement in tracks like "Rasta Courage," underscore calls for collective healing without proselytizing. The band's collaborative ethos further reflects influences from international reggae scenes, particularly Jamaica and Hawaii, where SOJA has built lasting ties. Partnerships with Jamaican artists like Damian Marley, Chronixx, and Kabaka Pyramid infuse authentic island rhythms and militant tones, while collaborations with Hawaiian acts such as Kolohe Kai and Anuhea incorporate island soul and unity-focused vibes, as heard in "We All Need Love." These exchanges highlight SOJA's role in bridging American reggae with global traditions, maintaining thematic consistency from early anti-war messages to recent explorations of enduring human strength.Discography
Studio albums
SOJA's studio discography spans over two decades, beginning with independent releases that captured their raw reggae roots and evolving into polished, collaborative efforts on major labels. The band's albums often blend roots reggae with rock, soul, and acoustic elements, reflecting themes of social justice, love, and personal growth. Their output has garnered increasing commercial success, including multiple chart-topping releases and a Grammy Award. The band's debut full-length album, Peace in a Time of War, was released independently in 2002 through their own SOJA label. Recorded at Lion and Fox Recording Studios in Washington, D.C., it showcased a raw reggae sound influenced by early influences like Bob Marley, with tracks emphasizing unity and resistance amid global conflicts.[56][9] Get Wiser, SOJA's second studio album, arrived in 2006 via Inna Vision Records, marking a breakthrough that expanded their fanbase through more introspective songwriting and polished production. Standout tracks like "You Don't Know Me" highlighted the band's growing maturity, blending reggae rhythms with emotional lyrics about relationships and self-discovery. The album helped establish SOJA's presence in the reggae scene, leading to wider tours and recognition. In 2009, Born in Babylon was released digitally first on August 25 exclusively through iTunes under DMV Records, with physical CD releases following on labels such as Kingstone Records in 2010. This third full-length effort achieved chart success, peaking at No. 3 on the Billboard Reggae Albums chart, and featured themes of alienation and hope in modern society. Its innovative digital rollout anticipated broader industry trends and solidified SOJA's transition to a major label.[57][58][59] Strength to Survive, the band's fourth studio album, came out on January 31, 2012, via ATO Records and debuted at No. 1 on the Billboard Reggae Albums chart. Produced by John Alagia at Lion and Fox Studios, it included hits like "Everything Changes," exploring resilience and change with anthemic reggae-rock arrangements that appealed to a global audience. The album's success propelled SOJA to headline larger festivals and international tours.[14][60] SOJA's fifth album, Amid the Noise and Haste, was released on August 12, 2014, by ATO Records, debuting at No. 1 on the Billboard Reggae Albums chart and No. 20 on the Billboard 200. Featuring global guests such as Damian "Jr. Gong" Marley on "Your Song" and Michael Franti on "I Believe," it addressed finding peace in chaos through diverse reggae fusions, earning a Grammy nomination for Best Reggae Album.[61] Poetry in Motion, released on October 27, 2017, via ATO Records, leaned into acoustic and stripped-down elements while tying into the band's extensive touring schedule. Recorded at Haunted Hollow Studio in Charlottesville, Virginia, tracks like "I Can't Stop Dreaming" emphasized lyrical poetry and emotional depth, reflecting the road's influence on their songwriting. The album maintained their reggae core but incorporated subtler instrumentation for a more intimate feel.[62][63] The seventh studio album, Beauty in the Silence, emerged on September 24, 2021, through ATO Records, inspired by the COVID-19 pandemic's themes of isolation, reflection, and human connection. Collaborations with artists like UB40 and Stick Figure added layers to its resilient reggae sound, leading to SOJA's first Grammy win for Best Reggae Album at the 64th Annual Grammy Awards in 2022.[64][4] In 2024, SOJA released Beauty in the Acoustic on February 23 via ATO Records, reimagining tracks from Beauty in the Silence in intimate acoustic arrangements captured during a Sugarshack Sessions performance. This eighth album highlighted the band's songwriting prowess with minimalistic production, focusing on raw vocals and instrumentation to evoke vulnerability and closeness.[35][65]Live albums and EPs
SOJA's early extended play, the self-titled SOJA EP, released in 2000, marked the band's debut recording effort and laid the groundwork for their reggae sound with eight tracks including originals and dub versions such as "Nuclear Bomb," "Zion Livity," and "Freedom Time."[66] Produced independently in Arlington, Virginia, the EP showcased the raw energy of the then-quintet and was distributed primarily through local channels and tours.[67] In 2008, SOJA issued the Stars and Stripes EP as a limited tour edition, featuring five tracks like the title song "Stars and Stripes," "To Whom It May Concern," and "Bleed Through," which blended reggae rhythms with introspective lyrics on social and personal themes.[68] Recorded, mixed, and mastered by longtime collaborator Jim Fox, the EP served as a bridge between their independent roots phase and major-label signing, emphasizing live-friendly arrangements that captured the band's evolving stage presence.[69] That same year, SOJA released Live in Hawaii, a DVD documenting performances from their January 2008 island tour across O'ahu, Maui, Kaua'i, and Kona, directed and produced by Marc Carlini with a five-camera crew.[70] The release includes 15 tracks such as "Sorry," "Revolution," "Be Aware," and "Rasta Courage," highlighting the band's connection to Hawaiian reggae culture and their high-energy delivery to enthusiastic crowds.[71] SOJA's first official live audio album, SOJA: Live in Virginia, arrived in 2016 via ATO Records, recorded at The National in Richmond, Virginia, on May 17, 2015.[72] Spanning 14 tracks including "Creeping In," "Mentality," "She Still Loves Me," and "Not Done Yet," the album captures the band's matured ensemble sound with guest appearances and emphasizes their ability to translate studio complexity into dynamic live settings over nearly two decades of touring.[73] More recently, the The Covers EP was released on January 29, 2021, through ATO Records, featuring seven cover songs that reflect the band's influences, such as Bob Marley's "So Much Trouble in the World," Peter Tosh's "Pressure Drop," and Crowded House's "Don't Dream It's Over."[74] Recorded collectively during the COVID-19 pandemic as a creative outlet, the EP highlights SOJA's interpretive style, blending reggae elements with the originals to pay homage to reggae pioneers and diverse artists while showcasing vocal harmonies and instrumental interplay.[75]| Release | Year | Type | Label | Key Tracks |
|---|---|---|---|---|
| SOJA | 2000 | EP | Independent | Nuclear Bomb, Zion Livity, Freedom Time |
| Stars and Stripes | 2008 | EP | Independent | Stars and Stripes, To Whom It May Concern, Bleed Through |
| Live in Hawaii | 2008 | Live DVD | Independent | Sorry, Revolution, Rasta Courage |
| SOJA: Live in Virginia | 2016 | Live Album | ATO Records | Creeping In, Mentality, Not Done Yet |
| The Covers EP | 2021 | EP | ATO Records | So Much Trouble in the World, Pressure Drop, Don't Dream It's Over |