Fact-checked by Grok 2 weeks ago

Subscript and superscript

Subscripts and superscripts are typographical conventions where selected characters, usually rendered in a smaller font size, are positioned slightly below (subscript) or above (superscript) the of the surrounding text line. These features are fundamental in , scientific, and technical contexts for compactly expressing complex relationships without disrupting . In , superscripts typically denote exponents or powers, as in x^2 for x squared, while subscripts serve as indices to elements in sequences, vectors, or matrices, such as a_i for the i-th term. This distinction allows precise notation in equations, summations, and tensor representations, following conventions outlined in mathematical style guides. In , subscripts indicate the quantity of each atom in a molecular formula, like the "2" in H₂O representing two atoms, whereas superscripts specify ionic charges or mass numbers in isotopes, such as ⁺ in H⁺ or ¹⁴ in ¹⁴C. Beyond science, they appear in linguistics for phonetic notations, in computing for array indices, and in general publishing for footnotes or ordinal indicators like 1ˢᵗ. In digital encoding, the Unicode standard dedicates a block (U+2070 to U+209F) to superscripts and subscripts, providing glyphs for numerals, operators, and letters to support plain-text rendering of equations and formulas across platforms without relying on font-specific styling.

Fundamentals

Definitions

In typography, a subscript is a character or symbol rendered at a smaller size and positioned below the of the surrounding text, allowing for compact notation of elements like chemical indices or mathematical bases. Similarly, a superscript is a character or symbol reduced in size and placed above the , commonly used to denote exponents, footnotes, or ordinal indicators. Both techniques enhance readability by integrating supplementary information without disrupting the primary text flow. The refers to an imaginary horizontal line upon which the bottoms of most letters, such as "x" or "o," align in a font; it serves as the reference for vertical positioning in . Above the baseline lies the and ascender line, accommodating upward extensions like the stems of "b" or "d," while below it is the line for downward parts of letters such as "g" or "p". Subscripts and superscripts deviate from this baseline to create hierarchical visual cues, with their exact placement ensuring optical balance relative to the parent characters. Subscripts and superscripts originated in early and practices, where they were employed to denote mathematical exponents and reference footnotes in manuscripts and incunabula from the onward. This convention evolved from medieval scribal traditions, where raised or lowered letters saved space and clarified annotations in dense texts. In modern , they are typically sized at 60-70% of the normal font height to maintain legibility while appearing subordinate.

Typographic Positioning

In , the positioning of subscripts involves lowering their baseline relative to the primary text to ensure and visual harmony. For subscripts that are dropped below the , the shift-down distance is determined by font metrics to place the subscript glyphs partially below the line while maintaining proportional balance. This depth accommodates the smaller scale of subscript characters (typically 60-80% of normal size in mathematical contexts or around 50-60% in general use) and prevents excessive intrusion into the descender space. Such positioning is influenced by font metrics, including the x-height (the height of lowercase letters like "x") and descender depth, with optical adjustments applied to avoid crowding or uneven visual weight. A variant positioning for subscripts aligns them directly with the , applying no vertical shift to keep them at the same level as surrounding text. This approach is employed in specific notations where integration with the main line is prioritized over traditional lowering, relying on reduced font size alone for distinction. The choice between dropped and aligned positioning depends on contextual , with font-specific metrics like ensuring consistent rendering across typefaces. Superscripts, conversely, are raised above the baseline to distinguish them without disrupting the overall line rhythm. Limited-height superscripts, common in abbreviations, are positioned with a modest upward shift—often not exceeding the ascender height of lowercase letters—and scaled to about 50-60% of normal size to fit within the cap-height bounds. In contrast, full-height superscripts for exponents involve a greater baseline adjustment from the top, shifting upward sufficiently to accommodate the exponent and often extending above the ascender if necessary for clarity. Positioning factors include cap-height (the height of uppercase letters) and x-height ratios, with optical corrections to maintain even spacing and prevent superscripts from appearing disproportionately elevated relative to the base text. These rules ensure that both subscript and superscript elements integrate seamlessly into the typographic structure, guided by established font metrics for cross-platform consistency.

Applications

Mathematical Notation

In mathematical notation, subscripts are commonly employed to index variables, allowing for the precise designation of within sequences, sets, or . For instance, the notation x_i represents the i-th of a x, where i is typically a positive . This convention facilitates the expression of ordered collections, such as in linear algebra where components of a are denoted v_1, v_2, \dots, v_n. The use of subscripts for indexing traces back to the , with early examples appearing in Pierre-Simon Laplace's work on probability and series expansions in 1772, where he denoted terms like $1a, 2a, 3a to distinguish sequential coefficients. Superscripts, in contrast, are primarily used to denote exponents or powers in algebraic expressions, indicating repeated of a base by itself. The notation x^2 signifies x multiplied by itself once, or x \times x, while x^n generalizes to n such multiplications for positive n. This superscript convention for exponents originated in the with , who introduced it in his 1637 treatise to streamline the representation of powers in ic equations, replacing earlier cumbersome repetitions like x \cdot x for squares. Prior to Descartes, notations varied, such as James Hume's 1636 use of elevated figures in an edition of Viète's , but Descartes' system of using small raised numerals standardized the practice for nonnegative exponents by the late . Subscripts and superscripts often combine in mathematical expressions to convey both indexing and exponentiation simultaneously. For example, a_i^2 denotes the square of the i-th term in a sequence a, which is useful in contexts like quadratic forms or polynomial expansions. A prominent application appears in Albert Einstein's mass-energy equivalence principle, formulated as E = mc^2, where the superscript 2 indicates the c squared, relating a body's E to its m. This equation derives from and was first published by Einstein in 1905. In and notations, subscripts and superscripts define bounds and indices to compactly represent or finite series. The symbol \sum_{i=1}^n x_i indicates the total \sum x_i from the lower bound i=1 (subscript) to the upper bound i=n (superscript), aggregating the indexed terms x_1 + x_2 + \dots + x_n. This notation, refined in the , underscores the efficiency of sub- and superscripts in handling iterative mathematical operations.

Chemical Formulas

In chemical formulas, subscripts denote the stoichiometric coefficients, specifying the number of atoms of each in a or . For , the formula H_2O indicates two atoms bonded to one oxygen atom, providing a compact representation of its composition. This practice ensures clarity in expressing empirical and molecular formulas across chemical literature. Superscripts serve to identify by placing the as a left superscript preceding the . , a radioactive used in , is denoted as ^{14}C, where 14 represents the total number of protons and neutrons in the . This notation, formalized in IUPAC recommendations, distinguishes isotopes while maintaining compatibility with standard elemental symbols. Superscripts also indicate ionic charges, positioned to the right of the formula to show the magnitude and sign of the charge. The sulfate ion appears as SO_4^{2-}, signifying a dianionic species with a charge of -2, which reflects its role in compounds like (Na_2SO_4). Such notation is essential for balancing equations and describing oxidation states in ionic compounds. The convention of using subscripts and superscripts traces back to , who in 1813 proposed a systematic notation employing symbols with superscripts for counts, such as H^2O for . This innovation standardized chemical representation amid earlier inconsistent practices, though superscripts for counts gradually shifted to subscripts by the late as the preferred form. An illustrative application occurs in biochemistry with hemoglobin (Hb), a protein that incorporates an iron(II) ion as Fe^{2+} within its heme prosthetic group, enabling reversible oxygen transport in blood.

Linguistic and Other Uses

In linguistics, superscripts and subscripts are employed in phonetic transcription to denote secondary articulations and other phonetic features. For instance, in the International Phonetic Alphabet (IPA), superscript letters such as ʰ indicate aspiration (e.g., [pʰ] for aspirated ), while ʷ denotes labialization (e.g., [kʷ] for labialized ). Subscripts may mark specific phonetic details, such as rhoticity with ʳ (e.g., [ɑʳ] for r-colored vowel). In historical linguistics, particularly in reconstructions of Proto-Indo-European (PIE), subscripts distinguish laryngeals, as in *h₁, *h₂, and *h₃, which represent different consonantal sounds hypothesized to have existed in the proto-language. Superscripts in PIE notation often indicate secondary articulations, like superscript ʷ for labio-velars (e.g., *kʷ). Superscripts are commonly used in abbreviations and ordinal indicators to save space and enhance readability in general text. Ordinal numbers such as 1st, 2nd, 3rd, and 4th employ superscript suffixes to indicate position in a sequence, a convention rooted in typographic efficiency. In dates and historical references, this appears as the 21st century. Similarly, superscript numbers serve as markers for footnotes, placed after punctuation to reference additional information at the page bottom or document end, facilitating scholarly annotation without disrupting the main text flow. In other fields, superscripts and subscripts appear in specialized notations. frequently uses superscript numbers for footnote citations to legal authorities or explanatory notes, ensuring precise referencing in judgments and briefs. In , subscripts distinguish or variants of a , as seen in notations like subscript L for a low-blood-pressure strain allele in QTL studies (e.g., BPL). This allows clear differentiation in genetic models without ambiguity. The use of subscripts and superscripts evolved significantly with digital text processing in the 1980s, transitioning from manual —where compositors physically adjusted type height—to automated features in software. Early word processors like (1978) and subsequent programs such as (1980) and (1983) introduced formatting controls, enabling users to apply sub- and superscript positioning electronically, which democratized their application beyond professional printers. This shift improved accessibility for linguistic, legal, and scientific writing in everyday computing.

Typographic Rendering

Alignment Standards

Alignment standards for subscripts and superscripts ensure consistent legibility and aesthetic balance across typefaces and digital environments, with positioning typically defined relative to the —the imaginary line upon which most Latin letters rest. In standard typographic practice, subscripts are positioned at a depth of approximately 15% to 25% below the baseline, while superscripts are raised to 25% to 35% above it, often scaled to 58% to 62% of the parent font size for optical harmony. These percentages derive from software defaults and font design conventions, such as those in , where superscripts default to a 33.3% baseline shift and 58.3% size reduction. Variations in alignment occur across writing systems to accommodate script-specific proportions and conventions. In Latin and Cyrillic scripts, Unicode provides dedicated superscript Cyrillic characters for phonetic transcription. In Devanagari, subscripts are commonly used for matras (dependent vowel signs), positioned below the baseline consonant to form syllables without disrupting the headline horizontal bar, requiring precise vertical clearance for legibility in complex ligatures. Alignment distinguishes between mechanical (metric-based) and optical (visually adjusted) approaches, with the latter prioritizing perceived balance over strict measurements, particularly in fonts where uniform stroke widths demand tweaks for readability. The font specification, maintained by and , standardizes these via the MATH table's constants (e.g., SubscriptShiftDown and SuperscriptShiftUp), enabling precise positioning in digital displays and supporting variable fonts and high-resolution screens. Font family impacts alignment due to inherent metric differences; for instance, serif fonts like feature ascenders that extend slightly beyond cap height, allowing superscripts to align more naturally with cap tops, whereas sans-serif has proportions where ascenders align closely with cap height.

Visual Examples

To illustrate the alignment of subscript characters, consider a side-by-side comparison of the chemical formula for . In normal text, it appears as H2O, with all characters aligned on the for uniform horizontal positioning. In subscript form, it is rendered as H₂O, where the '2' is lowered below the by about 33% of the font and scaled to roughly 58% of the normal font size, creating a compact attachment to the preceding 'H' while maintaining readability. Superscript alignment varies by context and can be demonstrated through mathematical and ordinal examples. For mathematics, the expression x^2 positions the '2' above the baseline, typically raised by 33% of the font height and reduced to 58% size, often aligning the top of the superscript with the cap height of the font to ensure proportionality in equations. In contrast, ordinal indicators like 2ⁿᵈ use superior forms where the letters 'n' and 'd' are raised similarly but scaled smaller (around 60-70% of normal size) and aligned to the x-height rather than full cap height, resulting in a more restrained vertical extension suitable for numbering sequences. These height variations highlight how mathematical superscripts may protrude higher to match ascender lines, while ordinals remain compact to blend with running text. Cross-font rendering reveals alignment shifts between serif and sans-serif typefaces. In a serif font like , the subscript in CO₂ aligns the '2' with subtle baseline drop and serifs on the numeral for enhanced legibility, positioning it below the according to font metrics. Switching to a sans-serif font like , the same subscript appears more blocky, with the drop according to font metrics and potential shifts of 1-2 pixels in digital previews due to uniform stroke widths, which can make the attachment to 'O' seem less integrated. Problematic cases often involve with adjacent characters, particularly parentheses. For instance, in the expression (x^2), the superscript '2' may crowd the closing parenthesis, creating an optical gap of 5-10% wider than intended because the raised position disrupts standard pair tables, leading to uneven spacing that requires manual adjustments of -30 to -50 units in design software. Diagrams comparing and screen rendering underscore pixel-level differences. In , such as a PDF export of H₂SO₄, subscripts exhibit smooth, vector-based edges with exact alignment at 33% drop, preserving fine details down to 0.1 mm. On web screens, browser rendering of the same formula via tags introduces sub-pixel , causing the subscript '2' to shift by 1-2 pixels vertically or horizontally depending on zoom and display density, which can make the appear inconsistent across devices like versus standard LCD screens. These conventions align with standards like ISO 9541 for font metrics and CSS properties for web rendering.

Digital Implementation

Unicode and Character Encoding

The Standard dedicates the Superscripts and Subscripts block (U+2070–U+209F) to encoding a range of superscript and subscript numerals, operators, and letters, facilitating their use in mathematical, chemical, and phonetic contexts. This block contains 42 assigned characters as of Unicode 17.0, including superscript forms such as ⁰ (U+2070, superscript zero), ⁴ (U+2074, superscript four), and ⁿ (U+207F, superscript Latin small letter n), alongside subscript variants like ₀ (U+2080, subscript zero), ₔ (U+2094, subscript Latin small letter ), and ₜ (U+209C, subscript Latin small letter t). Notable examples outside this block include the precomposed superscript two ² (U+00B2) and superscript three ³ (U+00B3) in the (U+0080–U+00FF), which are commonly used for denoting squared and cubed quantities, such as in m² for square meters. These encoded forms serve as characters, primarily to maintain round-trip with legacy encodings like ISO 8859 series that predated and included fixed superscript/subscript glyphs for specific applications. Unlike precomposed characters (e.g., accented letters formed via base + combining ), superscripts and subscripts in this block often feature mappings that decompose them to plain base characters; for example, ² (U+00B2) compatibly decomposes to 2 (U+0032), and ⁱ (U+2071, superscript Latin small letter i) to i (U+0069). This design allows legacy but requires careful handling to preserve typographic intent, as opposed to true combining sequences where attach non-spacingly to bases. Encoding coverage for superscripts and subscripts is predominantly limited to Latin script elements, with partial support for select Greek and Cyrillic letters scattered across blocks like Spacing Modifier Letters (U+02B0–U+02FF) and Phonetic Extensions (U+1D00–U+1D7F). Gaps exist for comprehensive non-Latin support, as the standard prioritizes commonly attested forms over exhaustive variants; for instance, subscript versions are available only for a subset of lowercase Latin letters (e.g., ₑ for e, but not for q or v until recent proposals). In mathematical notation, where broader alphanumeric styling is needed, the Mathematical Alphanumeric Symbols block (U+1D400–U+1D7FF) supplies over 900 styled letters (e.g., italic, bold, script) that can serve as bases for subscript/superscript positioning, though actual rendering relies on font glyph metrics rather than precomposed sub/sup forms. The foundational encoding of superscript and subscript characters dates to Unicode 1.0 (October 1991), which introduced core superscript digits (e.g., U+2074–U+2079) and operators (e.g., ⁺ U+207A) alongside the Latin-1 superscripts ² and ³ to align with early ISO standards. Expansion occurred progressively; for example, additional superscript digits like ⁰ and ¹ were added in Unicode 1.1 (June 1993), while subscript letters such as ₐ (U+2090) and ₑ (U+2091) entered in Unicode 3.0 (September 1999), with further phonetic subscripts (e.g., ₓ U+2093) incorporated in Unicode 3.2 (March 2002). These additions reflect growing needs in scientific and linguistic domains, culminating in ongoing proposals for missing forms like subscript w, y, z as of Unicode 17.0. Normalization processes in introduce considerations for handling superscript and subscript sequences, particularly in compatibility contexts. normalization forms ( and NFD) treat these characters as atomic, preserving them without decomposition since they lack canonical equivalents to base-plus-combining sequences. In contrast, compatibility normalization (NFKC and NFKD) applies decompositions, converting forms like ⁿ (U+207F) to n (U+006E) or ₃ (U+2083) to 3 (U+0033), which can disrupt subscript/superscript appearance in decomposed text streams. For sequences involving these characters with combining diacritics (e.g., a subscript with an approximated via modifier stacking), NFD may reorder elements for canonical combining class stability, potentially affecting rendering consistency across normalization-aware systems, while favors compact precomposed representations where possible. This distinction underscores the importance of selecting appropriate normalization forms to balance and typographic fidelity in digital text processing.

Markup and Formatting Languages

In HTML, subscripts and superscripts are primarily implemented using the <sub> and <sup> inline elements, which position enclosed text below or above the baseline, respectively, typically with a reduced font size for typographical effect. These tags were introduced in the HTML 3.2 specification, released in January 1997, to support basic inline formatting for scientific and mathematical content on the web. For more precise control over positioning, the CSS vertical-align property can be used, with values such as sub to align the element's baseline with the parent's subscript baseline or super for superscript alignment. In TeX and LaTeX, subscripts and superscripts are achieved in math mode using underscore (_) for subscripts and caret (^) for superscripts, with curly braces {} to group multi-character indices or exponents. For instance, the inline math expression $x_i^2$ produces x_i^2, where i is subscripted and 2 is superscripted. LaTeX, developed by in the early as an extension of Knuth's typesetting system, has included this syntax since its initial release to facilitate high-precision rendering in academic documents. HTML's <sub> and <sup> tags are designed for general inline text markup in web documents, offering semantic structure but limited fine-tuning without CSS, whereas / prioritizes exact , spacing, and adjustments essential for professional mathematical . Historically, 's notation emerged in the 1980s for scholarly use, predating HTML's web-oriented tags by over a . However, in older HTML implementations before 2010, browser rendering of <sub> and <sup> often showed inconsistencies, such as erratic line height adjustments and shifts across , , and other engines.

Font and Software Support

OpenType fonts utilize specific features to enable glyph substitution for superscripts and subscripts. The 'sups' feature tag activates superscript forms, replacing standard glyphs with smaller, raised variants suitable for typographical conventions like or mathematical exponents. Similarly, the 'subs' feature tag handles subscripts by substituting glyphs with lowered, reduced-size versions, often used in chemical notation or ordinal indicators. These features allow applications to dynamically select appropriate glyphs without manual scaling, ensuring consistent rendering across compatible systems. Core system fonts provide varying levels of support for subscript and superscript glyphs. For instance, Unicode MS, developed as an extended version of the Arial typeface, includes comprehensive glyphs for the Superscripts and Subscripts block, covering elements like superscript digits (e.g., ²) and letters (e.g., ᵃ). However, many legacy fonts from before 2000 exhibited gaps in this support, often lacking full sets due to the nascent adoption of standards and limited international character inclusion in early implementations. This historical shortfall meant that applications frequently resorted to scaling regular glyphs, resulting in inconsistent sizing and alignment. In software, tools for applying and adjusting superscripts and subscripts have been available since the 1990s. offers baseline shift options and feature integration via the Character panel, allowing precise manual adjustments for non-OpenType fonts by selecting Superscript or Subscript modes. provides similar functionality through keyboard shortcuts—Ctrl+Shift++ for superscript and Ctrl+= for subscript—enabling quick formatting that scales and positions text relative to the baseline. Accessibility considerations in software handling of subscripts and superscripts focus on semantic conveyance to screen readers. , for example, typically suppresses verbal announcements of superscript or subscript by default to avoid cluttering output, but the elements <sup> and <sub> provide semantic meaning for cases where formatting conveys important information, such as in educational or scientific content. Operating system updates have enhanced mobile rendering precision for these features through better integration. For example, (2021) and later versions—including iOS 26 (2025)—improved font feature handling in and Core Text, allowing more accurate glyph substitution for 'sups' and 'subs' without fallback scaling issues common in earlier releases. (2022) introduced refinements in the FontManager service and APIs, supporting dynamic feature activation for superscripts and subscripts in apps, with further enhancements in Android 16 (2025), leading to sharper, positionally correct display on varied screen densities.

References

  1. [1]
    Format characters in Photoshop - Adobe Help Center
    Nov 12, 2024 · Superscript and subscript text (also called superior and inferior text) are reduced‑size text raised or lowered in relation to a font's baseline ...
  2. [2]
    AMS Style Guide - American Mathematical Society
    In text, set subscripts and superscripts to the right of the symbol, while in display set them above and below the symbol. IN TEXT: ∞ a=1. ∞ a=1. IN DISPLAY ...
  3. [3]
    6.3: Chemical Formulas: How to Represent Compounds
    Mar 24, 2021 · The number of atoms of each kind is indicated by a subscript following the atom. If there is only one atom, no number is written. If there is ...
  4. [4]
    Format characters in InDesign - Adobe Help Center
    Jun 11, 2025 · Make characters superscript or subscript in a non-OpenType font. Select text. Select Superscript or Subscript in the Character panel or ...
  5. [5]
    Superscripts and Subscripts | Blocks - Graphemica
    The Superscripts and Subscripts Unicode block contains digits, signs, and selected letters in raised or lowered form, supporting scientific and scholarly ...
  6. [6]
    MATH - The mathematical typesetting table (OpenType 1.9.1)
    May 29, 2024 · Minimum allowed height of the (ink) bottom of superscripts that does not require moving subscripts further up. Suggested: ¼ x-height.Math Table Structures · Mathconstants Table · Math Variants
  7. [7]
    Superior/superscript, inferior/subscript and ordinals - TypeDrawers
    Jan 22, 2015 · In TeX and OpenType MATH table super and subscripts are drawn as a one set of full sized glyphs with the optical correction needed to look ...
  8. [8]
    Subscript -- from Wolfram MathWorld
    A quantity displayed below the normal line of text (and generally in a smaller point size), as the "i" in a_i, is called a subscript.
  9. [9]
    When was the first recorded use of subscript in mathematics to ...
    May 9, 2021 · In modern mathematical notation, a variable with a subscript can represent a couple of different concepts relating to the notion of index. Or, ...
  10. [10]
    Descartes' Mathematics - Stanford Encyclopedia of Philosophy
    Nov 28, 2011 · Finally, Descartes uses a new exponential notation as he sets forth equations of multiple terms in Book One, and this notation, which replaces ...The Background to Descartes... · La Géométrie (1637) · Book One: Descartes...
  11. [11]
    Earliest Uses of Symbols of Operation - MacTutor
    In 1636 James Hume brought out an edition of the algebra of Viete, in which he introduced a superior notation, writing down the base and elevating the exponent ...
  12. [12]
    [PDF] DOES THE INERTIA OF A BODY DEPEND UPON ITS ENERGY ...
    This edition of Einstein's Does the Inertia of a Body Depend upon its Energy-Content is based on the English translation of his original 1905 German- language ...
  13. [13]
    [PDF] Nomenclature of Inorganic Chemistry | IUPAC
    The present book supersedes not only Red Book I but also, where appropriate,. Nomenclature of Inorganic Chemistry II, IUPAC Recommendations 2000 (Red Book II).
  14. [14]
    [PDF] Chapter P-8 ISOTOPICALLY MODIFIED COMPOUNDS
    The system codified in these recommendations provides for recognition of various types of isotopic modification and thus was chosen in preference to the system ...
  15. [15]
    REVISED NOTATION FOR CHEMICAL ISOTOPES - JAMA Network
    The International Union of Pure and Applied Chemistry (IUPAC) in 1953 and its twin in physics (IUPAP) in 1958 recommended the following style for the writing ...
  16. [16]
    Chemical Symbols - Beautiful Chemistry
    In 1813, Berzelius upgraded the chemical symbol system. (The only difference between his system and modern one is that he used superscripts instead of ...
  17. [17]
    Jons Jacob Berzelius
    Berzelius also introduced the symbolism with which chemical formulas are still written, although he wrote the numbers that specify the ratio of the elements ...
  18. [18]
    [PDF] Berzelius - The Royal Society of Chemistry
    – though eventually, the numerical subscript version (SO2) became the standard form. At first, many chemists were not impressed by the Berzelian symbols – ...
  19. [19]
    Hemoglobins - PubChem
    A heme group is made up of iron (Fe) ion (charged atom) located in a heterocyclic ring, which is also called a porphyrin ring. The site of oxygen binding, the ...
  20. [20]
    Pathophysiology - RCEMLearning
    The majority of iron in haem is in the form of Fe2+ (ferrous ion); this functional form can bind oxygen. Fe2+ can be oxidised to Fe3+ (ferric ion); Fe3+ is non- ...
  21. [21]
    IPA Superscript | International Phonetic Alphabet
    They can indicate a secondary articulation, an aspiration, or the addition of a sound or letter within a word. A superscript letter can function as a diacritic ...
  22. [22]
    What is the meaning of the number 2 in Proto-Indo European ...
    Apr 12, 2018 · As far as the superscript w, that's standard linguistic notation for lip rounding ("secondary labial articulation"). PIE distinguished between ...Spelling of laryngeals in Proto-Indo-EuropeanIs there a LaTeX package for Proto-Indo-European laryngeals?More results from linguistics.stackexchange.com
  23. [23]
    Superscript ordinals | LEGIBLE
    Dec 5, 2012 · When you shrink the letters and elevate them, they're called superscript ordinals: 1 st , 2 nd , 3 rd , and 4 th.
  24. [24]
    What Are Footnotes and How Do You Use Them? - Scribendi
    Footnotes are notes that are placed at the end of a page and used to reference parts of the text (generally using superscript numbers).
  25. [25]
    In-Text References & Footnotes - Law - Legal Citation Guide
    Jul 4, 2025 · Footnote numbers are placed in superscript, usually at the end of the sentence. If you are referring to a word, place the footnote number ...
  26. [26]
    Physiological Genomics
    Subscript L is low-blood pressure (BP)-strain allele; subscript S is S-strain allele. Enlarge table. Table 1. QTL switch components by strain. Enlarge table.
  27. [27]
    A Brief History of Word Processing (Through 1986) / by Brian Kunde
    Dec 13, 1986 · The history of word processing is the story of the gradual automation of the physical aspects of writing and editing, and the refinement of the ...
  28. [28]
    [PDF] Unicode request for Cyrillic modifier letters Superscript modifiers
    Jun 7, 2021 · This is a request for spacing superscript and subscript Cyrillic characters. It has been favorably reviewed by Sebastian Kempgen (University ...
  29. [29]
    Developing OpenType Fonts for Devanagari Script - Typography
    Matra (Dependent Vowel) - Used to represent a vowel sound that is not inherent to the consonant. Dependent vowels are referred to as "matras" in Sanskrit.Missing: subscript | Show results with:subscript
  30. [30]
    Creating a Devanagari font - Glyphs
    Feb 7, 2018 · Devanagari vowel marks, or 'matras', are forms of vowels that appear in combination with consonants and conjuncts. Most will be positioned ...Missing: subscript | Show results with:subscript
  31. [31]
    Optical VS Metrical Design Adjustments in Typography. - Medium
    Nov 8, 2022 · Having metrical adjustments is beneficial only if you need to have a blueprint of a building (Architectural work). Having optical adjustments seems the right ...Missing: mechanical superscript
  32. [32]
  33. [33]
    Superscript and Subscript - [ARCHIVE] Publisher beta on macOS
    Sep 10, 2018 · Times New Roman, as installed with macOS, does not have the full set of superscript and subscript glyphs, but almost only the ones that are ...Superscript and subscript not working properly - Affinity | ForumSupport for Mathematics - Affinity | ForumMore results from forum.affinity.serif.com
  34. [34]
    Lining Figures - Totally Type
    Oldstyle figures correspond to the x-height; figures descend below the baseline while others ascend above the x-height. You can think of oldstyle figures as ...
  35. [35]
    GPOS — Glyph Positioning Table (OpenType 1.9.1) - Microsoft Learn
    May 29, 2024 · A single adjustment positions one glyph, such as a superscript or subscript. A pair adjustment positions two glyphs with respect to one another.
  36. [36]
    CM fonts kerning in math superscripts - TeX - LaTeX Stack Exchange
    Apr 16, 2015 · The simple answer, alas, is that there's no ready-made and automatic way to "fix" the spacing issues you've identified.Which controls the kerning and position of superscript/subscript ...Kerning of subscripts - TeX - LaTeX Stack ExchangeMore results from tex.stackexchange.comMissing: typography | Show results with:typography
  37. [37]
    Superscript and Subscript Line Heights - Chris Krycho
    Apr 8, 2020 · Superscripts and subcripts should not affect the vertical rhythm of the text. That is, they should not affect its leading.Missing: depth x-
  38. [38]
    [PDF] Superscripts and Subscripts - The Unicode Standard, Version 17.0
    These charts are provided as the online reference to the character contents of the Unicode Standard, Version 17.0 but do not provide all the information needed ...
  39. [39]
    UTR #25: UNICODE SUPPORT FOR MATHEMATICS
    Oct 2, 2025 · 2.8 Superscripts and Subscripts. The Superscripts and Subscripts block (U+2070..U+209F) together with U+00B2 ² SUPERSCRIPT TWO, U+00B3 ³ ...
  40. [40]
    Superscripts and Subscripts - Unicode
    Superscripts and Subscripts. Superscripts. See also superscript Latin letters in the Spacing Modifier Letters block starting at 02B0. 2070, ⁰, Superscript Zero.
  41. [41]
    [PDF] Unicode request for subscript w y z and ɣ Characters Properties
    Oct 18, 2024 · There is space for subscript x y z in the Superscripts and Subscripts block in the BMP. Superscripts and Subscripts. 2070. 209F. 207 208 209. 0.
  42. [42]
  43. [43]
    HTML 3.2 Reference Specification - W3C
    Mar 15, 2018 · This specification defines HTML version 3.2. HTML 3.2 aims to capture recommended practice as of early '96 and as such to be used as a replacement for HTML 2.0.
  44. [44]
    Subscripts and superscripts - Overleaf, Online LaTeX Editor
    This article explains how to write superscripts and subscripts in simple expressions, integrals, summations and so forth.
  45. [45]
    [PDF] How (LA)TEX changed the face of Mathematics - Leslie Lamport
    In the late 80's, I proposed to the ACM that they should create standard document styles or macro packages for what were then the three major format- ting ...Missing: 1980s | Show results with:1980s
  46. [46]
    HTML styling problem when using <sup> and <sub> - Stack Overflow
    Sep 19, 2010 · The height of the entire line is adjusted for the superscripted or subscripted text and the text on the left in bold is vertically centered in this line.Superscript not working in a web browserHTML <sup> and <sub> not workingMore results from stackoverflow.comMissing: pre- | Show results with:pre-
  47. [47]
    Syntax for OpenType features in CSS - Adobe Help Center
    Nov 16, 2022 · To achieve the same effect with font-feature-settings, use the “sups” feature tag. Subscript (subs). Example of subscript in action, set in ...
  48. [48]
    Registered features, p-t (OpenType 1.9.1) - Typography
    May 31, 2024 · For glyphs that are not covered by this feature, the original glyph is used in subscripts and superscripts. Example: In the formula Letter a ...
  49. [49]
  50. [50]
    Superscripts and Subscripts characters supported by the Arial ...
    Superscripts and Subscripts characters supported by the Arial Unicode MS font ; SUPERSCRIPT ZERO (U+2070) ; SUPERSCRIPT FOUR (U+2074) ; SUPERSCRIPT FIVE (U+2075).
  51. [51]
    Script and font support in Windows - Globalization - Microsoft Learn
    Mar 11, 2025 · Text-display support for new scripts has been added in each major release of Windows. This article describes changes made in each major release.
  52. [52]
    Format text as superscript or subscript in Word - Microsoft Support
    For superscript, press Ctrl, Shift, and the Plus sign (+) at the same time. For subscript, press Ctrl, Shift, and the Minus sign (-) at the same time.
  53. [53]
    WAI-ARIA: Role-Superscript - DigitalA11Y
    The superscript role is intended to be used only to mark up typographical conventions that have specific meanings; not for typographical presentation for ...
  54. [54]
    Enhancements and Improvements in JAWS 9 - Freedom Scientific
    Oct 29, 2009 · In a document containing superscript and subscript text, JAWS now ignores and no longer says the words superscript or subscript when announcing ...
  55. [55]
    Implement custom fonts | Android Open Source Project
    In Android 12 you can use the FontManager system service to manage installed font files and update device-installed font files without a system update.Missing: subs | Show results with:subs