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Tele 5

Tele 5 is a free-to-air commercial television owned by , specializing in cult films, series, , and genre programming. Launched originally on January 11, 1988, as a general , it was acquired by the Kirch Group and rebranded as the sports DSF (Deutsches Sportfernsehen) in 1993, leading to the end of its initial run. The channel was revived on April 28, 2002, by the Tele München Gruppe under a new format centered on movies, series, and entertainment content aimed at a broad audience. In , Tele 5 underwent a significant reorientation, replacing much of its reality and lineup with a focus on international film productions, , adventure, and family-oriented series to appeal to niche viewers. It was later integrated into Leonine Holding before being acquired by Discovery Deutschland in July 2020 for an undisclosed sum, with a long-term content licensing agreement secured with the seller; following the 2022 merger of Discovery and WarnerMedia, the channel operates under . Based in Grünwald near , Tele 5 is available via cable, satellite, and , and it emphasizes viewer engagement through online streaming of select content.

History

Original launch and operations (1988–1992)

Tele 5 launched on , 1988, as a of the existing Musicbox channel, which had previously focused primarily on . The new channel shifted toward a broader general format aimed at youth audiences, incorporating alongside programming to appeal to a younger demographic in . This launch marked Fininvest's expansion into the German market under , with the consortium including German partners such as and CLT-UFA, where Fininvest held a significant stake of around 45%. Operations were based in , utilizing the same production facilities as its predecessor Musicbox. Early programming on Tele 5 emphasized a mix of music shows, such as videoclip segments and rock-oriented programs, complemented by imported American series, films, and content to diversify its appeal. In , the channel introduced the daily children's programming block Bim Bam Bino, starting on January 16, which aired in morning and afternoon slots. By the late 1980s, facing intensifying competition from Europe—launched in 1987—Tele 5 began transitioning from a music-heavy lineup to more varied entertainment, including greater emphasis on series and films to capture a wider viewership. This strategic adjustment helped the channel grow its presence amid the expanding private TV landscape in . Audience reach expanded rapidly through and distribution as private infrastructure developed. Tele 5's operations during this period were part of a broader European network effort involving Berlusconi's channels, such as in France and in , though it remained focused on the market. The channel's youth-oriented content and timely programming shifts contributed to its establishment as a key player in Germany's emerging commercial television scene before its closure in 1992.

Bim Bam Bino block

The Bim Bam Bino block premiered on on January 16, 1988, as a dedicated children's programming segment aimed at viewers aged 3 to 12, initially airing for one hour daily before expanding significantly. By the early 1990s, it had grown to occupy 4 to 5 hours per weekday, typically in morning and afternoon slots from approximately 9 a.m. to 6 or 7 p.m., forming the core of 's family-oriented content during its original run. This expansion reflected the block's rising appeal, positioning it as one of the first major weekday children's programs on private television. The block featured a mix of animated and live-action series, with key offerings including classic cartoons such as (Die Schlümpfe) and , alongside action-oriented imports like He-Man and the Masters of the Universe and . Other popular entries encompassed Japanese-influenced adventures like Saber Rider and the Star Sheriffs and Disney animations such as , all integrated into a puppet-hosted format to engage young audiences. Moderation was provided by puppet characters including the mouse Bino (voiced by Siggi Böhmke), the cat , and human host Gundis Zámbó, who introduced segments, interacted with viewers, and promoted interactive elements like contests. Production emphasized in-house German dubbing for international series, ensuring accessibility while incorporating promotional tie-ins with toy manufacturers to capitalize on merchandising opportunities. The block achieved notable ratings success, drawing high viewership shares among children and contributing to Tele 5's reputation for youth programming, with peaks reflecting its status as a daily staple for families. Over its tenure until Tele 5's closure on December 31, 1992, Bim Bam Bino evolved by incorporating educational segments addressing contemporary issues such as , AIDS awareness, and drug prevention, broadening its scope beyond entertainment. Holiday specials and themed episodes further enhanced engagement, maintaining the block's innovative mix of fun and learning until the channel's original operations ended.

Closure and immediate legacy

In late 1992, following its acquisition by the Leo Kirch Group, Tele 5 announced its closure as an entertainment channel. The final broadcast occurred on December 31, 1992, with the frequency immediately repurposed for the launch of Deutsches Sportfernsehen (DSF) on January 1, 1993. The shutdown stemmed from mounting financial losses due to elevated programming expenses in a nascent market, compounded by fierce rivalry from dominant free-to-air networks like and Sat.1. Kirch's acquisition was strategically motivated by the desire to neutralize Tele 5 as a competitor to his flagship and to repurpose the channel for consolidating lucrative sports broadcasting rights, aligning with his broader ambitions in pay-TV and content distribution. Tele 5's immediate legacy manifested in the relocation of key programs to surviving cable outlets. The popular children's block Bim Bam Bino, a staple since the channel's early years, seamlessly transitioned to , where it aired until 1998. Similarly, the enduring Ruck Zuck found continued success on alternative networks, including RTL II from 1993 to 1995, maintaining its production run well into the decade. The closure accelerated the fragmentation of Germany's landscape, underscoring the viability of niche formats and paving the way for specialized channels like DSF to capture dedicated audiences amid the proliferation of pay-TV and themed programming. This shift influenced regulatory discussions on media concentration and spurred the development of targeted cable services in the post-1992 era.

Relaunch and key developments (2002–present)

Tele 5 was relaunched on April 28, 2002, by the Tele München Gruppe as a terrestrial channel centered on movies and entertainment programming. The revival drew on the original channel's legacy of appeal, positioning it to attract viewers aged 25-49 with a focus on sci-fi, fantasy, and films and series. A key development was the introduction of the "" (short for "schlechtesten Filme aller Zeiten," or "worst films of all time") block in 2013, hosted by Oliver Kalkofe and Peter Rütten, which featured ironic commentary on B-movies and ran weekly on Tele 5 until its discontinuation at the end of 2023 by ; the format resumed on and RTL+ in 2024, with new episodes airing as of 2025. In spring 2024, Tele 5 ended its distribution on the freenet TV platform, where it was replaced by RTLup amid ongoing shifts in terrestrial broadcasting. The channel's ownership changed in when Discovery Germany acquired it from , leading to an increased emphasis on the library following Discovery's 2022 merger with to form . This integration bolstered Tele 5's programming with classic American films and series, aligning with its cult and genre focus. Viewership peaked in the , supported by the HD launch in October 2011 on platforms like HD+, though specific metrics reflect broader trends in niche entertainment channels adapting to digital competition. By 2025, amid rising , Tele 5 has maintained a of emphasizing classic series reruns and archival content without major format overhauls, integrating select offerings into streaming ecosystems to sustain reach.

Ownership and operations

Ownership timeline

Tele 5 was launched on January 11, 1988, as a of the music channel Musicbox, formed by a consortium in which Silvio Berlusconi's held a 49% stake, with the remaining divided among German investors including Verlag, CLT, and the Tele München Gruppe (TMG) founded by Herbert G. Kloiber. In 1993, the channel was acquired by Leo Kirch's Kirch Gruppe, which transformed Tele 5 into the sports-focused Deutsches Sportfernsehen (DSF), effectively putting the original Tele 5 brand into dormancy. The Tele 5 name and relaunch rights remained with TMG, which revived the channel on , 2002, under its operation as a general entertainment broadcaster. TMG continued to own and operate Tele 5 until February 2019, when private equity firm acquired TMG and merged it into the newly formed Holding, a . Holding owned Tele 5 until July 2020, when it sold the channel to Discovery Deutschland (now part of ) in a deal that included a long-term content licensing agreement; the acquisition price was not publicly disclosed. As of 2025, Tele 5 remains under the ownership of , with no further changes reported.

Headquarters and technical operations

Tele 5 has maintained its headquarters in Grünwald, a near , , since the channel's original launch in 1988, with operations centered at Bavariafilmplatz 7. This facility houses production studios dedicated to foreign content—particularly and films—and creating promotional materials for the channel's programming. As of 2025, the team consists of approximately 70 staff members, handling day-to-day broadcasting, content curation, and technical support. The channel's technical infrastructure supports distribution via using the standard, alongside cable and satellite platforms across . Its broadcast employs a HDTV format, which is downscaled to standard definition to accommodate legacy receivers and ensure broad accessibility. This setup allows for efficient transmission of the channel's focus on films, series, and , with signals originating from integrated centers. Post-COVID-19, Tele 5 adapted its operations by incorporating remote workflows, enabling staff to manage , coordination, and promo from distributed locations while minimizing on-site needs. This evolution aligns with broader industry trends toward hybrid models for resilience. Additionally, since acquisition in , the channel has integrated with the company's European content hubs, facilitating seamless sourcing of programming from global libraries. Tele 5 complies with German media regulations, including youth protection standards under the Interstate Broadcasting Agreement and content quotas promoting European productions, overseen by the . It participates in voluntary self-regulation bodies such as the Multimedia Service Providers Association (FSM) and the Television Self-Regulation Association (FSF) to ensure editorial integrity and age-appropriate broadcasting.

Programming

Core format and genres

Since its relaunch in 2002, Tele 5 has established itself as a niche entertainment channel targeting adults aged 18-49, with a focus on urban viewers who enjoy nostalgic and genre-specific content such as cult classics, science fiction, fantasy, horror, and B-movies. The channel operates on a 24/7 schedule, featuring themed programming blocks to enhance viewer orientation and engagement, including Sci-Fi Mondays, Action Thursdays, and Adventure Saturdays, while deliberately avoiding news, live sports, or mainstream fare to maintain its specialized identity. This format draws from the channel's original 1988 roots in music and entertainment programming, evolving into a dedicated space for fiction-heavy content that celebrates iconic TV moments. The core genres emphasize films and series reruns, with over 1,000 films broadcast annually, alongside and specials that constitute a significant portion of the lineup, prioritizing favorites in sci-fi, , , and over broad commercial programming. Tele 5's philosophy positions it as the "individualist" among free-TV channels, offering handpicked, character-driven that appeals to loyal fans of genres like those in or franchises, without delving into or lifestyle segments. This approach has cultivated a core demographic representing 61% of viewers aged 20-59, achieving a 0.9% in the 14-49 group as of recent measurements. By 2025, Tele 5 has adapted to shifting media landscapes through increased streaming integrations, including a free mediathek on tele5.de, clips, and livestream options, which garnered 1.1 million video views and 261,000 visits in the first half of 2024, while preserving its linear TV emphasis amid declining traditional viewership. Marketing efforts target this audience via campaigns and genre events, reinforcing the channel's appeal to enthusiasts of nostalgic and fantastical narratives, with 68% among 16-59-year-olds and 2.7 million daily viewers overall. This evolution ensures Tele 5 remains a go-to destination for specialized in a fragmented .

Current series and shows

Tele 5's current programming emphasizes reruns and ongoing rotations of classic and series, aligning with its focus on cult favorites. As of November 2025, the channel features several long-running shows in regular slots, primarily sourced from major studios like following their expanded library access in 2020. All series are presented in German-dubbed versions to cater to the domestic audience. Among the flagship offerings is Star Trek: Discovery, which has been in reruns on the channel since 2017 across multiple seasons, with its current rotation resuming on September 1, 2025, airing weekly on Mondays in starting at 8:15 PM. The series occupies late-night and early-morning slots as well, such as 2:55 AM episodes, allowing for extended viewing options. Complementing this, holds daily afternoon blocks around 4:00 PM to 6:00 PM, featuring consecutive episodes to build immersive viewing sessions. These sci-fi staples form the core of Tele 5's weekday programming, with (Raumschiff Enterprise – Das nächste Jahrhundert) in evening slots leading up to . Comedy series provide lighter afternoon fare, with in rotation since October 6, 2025, airing over 200 episodes in daily blocks from 2:00 PM to 4:30 PM, typically 2-3 episodes per session. This format encourages of the sitcom's ensemble-driven humor. Similarly, classic episodes of continue in ongoing circulation from July 23, 2025, scattered across early mornings (e.g., 5:05 AM) and late evenings, drawing on its extensive archive for flexible scheduling. Weekend programming extends these patterns with longer viewing blocks, such as extended sessions in the evening, enhancing the channel's cult appeal. These series reflect Tele 5's commitment to reliable, genre-specific content, with prime-time hours (8:00 PM to 11:00 PM) dedicated to sci-fi and afternoons to comedies, fostering steady viewer engagement through predictable patterns.

Former series and shows

During its original run from 1988 to 1992, Tele 5 broadcast a range of imported American series and music programs targeted at a young audience, including action-adventure shows like Saber Rider und die Star Sheriffs and BraveStarr, which aired as part of the children's block Bim Bam Bino. Music-focused content, such as video clip compilations and youth-oriented segments similar to Videowoche-style formats, filled prime time slots alongside game shows like Ruck Zuck. These programs ceased broadcasting with the channel's abrupt closure on December 31, 1992, when owner Leo Kirch repurposed the frequency for the sports channel DSF to reduce competition with his other networks. Following the 2002 relaunch under Tele München Gruppe, Tele 5 emphasized sci-fi and cult series from the catalog, including , which ran from at least 2005 through the early 2010s with episodes and telefilms aired regularly until rights lapsed around 2015. Similarly, Stargate SG-1 was a staple in the 2000s, featuring multiple seasons until the mid-2010s when licensing agreements expired amid shifts toward newer content. The game show Ruck Zuck, a holdover from the original era, briefly returned in 2004–2005 before migrating to other broadcasters like ProSiebenSat.1, continuing production into the 2010s due to its enduring popularity.) By 2025, Tele 5 had pivoted from 1990s-era imports to contemporary offerings, phasing out older repeats in favor of fresh acquisitions. In the 2010s, Tele 5 hosted cult movie blocks under the (Die schlechtesten Filme aller Zeiten) format, presented by Oliver Kalkofe and Peter Rütten, which ran from 2012 to 2023 and featured ironic commentary on B-movies and obscure series clips; it ended due to Discovery's strategic format changes and budget reallocations. Wrestling programming, notably , aired from around 2013 until its final episode on March 29, 2017, discontinued after ProSiebenSat.1 secured exclusive rights in 2014, leading to low ratings for the delayed free-TV broadcasts on Tele 5. Other notable cancellations, such as early wrestling highlights in 2005, stemmed from Tele 5's reorientation as a film-centric channel, eliminating sports-adjacent content.

Films and anime

Tele 5's film programming emphasizes cult classics in horror and science fiction genres, with daily features drawn primarily from Warner Bros. licenses and international distributors. Notable examples include the 1974 horror staple The Texas Chain Saw Massacre, which has been regularly scheduled in late-night slots, such as the 1995 sequel Texas Chainsaw Massacre: The Next Generation aired on November 13, 2025. Similarly, Tim Burton's satirical sci-fi comedy Mars Attacks! (1996) features prominently in rotations, with airings planned for November 17, 2025, highlighting the channel's focus on extraterrestrial invasion themes. The channel also rotates action-horror entries like the Underworld series (2003–2016), leveraging its Warner Bros. ownership for exclusive access to vampire-werewolf conflict narratives. These selections underscore Tele 5's strategy of curating B-movies and genre favorites for niche audiences, often in uncut or dubbed German versions. To enhance viewer engagement, Tele 5 introduced themed programming blocks in recent years, such as the "Action Heroes" segment launched in 2024, which airs short profiles of stars from action films like and before feature presentations. This block complements daily movie slots by providing context on performers from titles in rotation, fostering a sense of cult appreciation. Themed nights extend to horror marathons, where films like Texas Chain Saw Massacre sequels pair with similar slashers, typically on weekends or holidays. By 2025, these films are integrated into the Joyn streaming platform for on-demand access post-broadcast, allowing viewers to catch up on missed airings via the Tele 5 Mediathek. German productions like the time-travel fantasy Rubinrot (2013), the first in Kerstin Gier's , continue in periodic rotation, promoted through exclusive channel interviews with stars such as Maria Ehrich. Anime programming on Tele 5 dates back to the channel's 2002 relaunch, featuring dedicated late-night and weekend blocks with dubbed classics from international licensors. Early staples included Sailor Moon seasons (1992–1997), broadcast in German dubs starting around 2003, often in morning or afternoon slots to attract younger viewers. Dragon Ball Z (1989–1996) followed suit, with uncut marathons like the 2006 finale airing 20 episodes over two nights, sourced from Toei Animation licenses. Other notable titles in these blocks were Black Lagoon (2006), which ran in double episodes during a 2013 Monday night experiment, and occasional features like AKIRA (1988), screened as a New Year's special in 2023. These airings typically occurred in 22:00–02:00 time frames, emphasizing mecha, action, and adventure subgenres. Anime blocks were discontinued in 2013 due to low ratings, ending regular output; prior to that, there were sporadic marathons or specials. As of 2025, Tele 5 airs no regular programming, though it previously maintained ties to events like anime conventions via promotional tie-ins, such as previews for titles like (1978) aired in 2023. This approach prioritized accessibility while preserving the channel's legacy in introducing to audiences via Warner and partner licenses.

Feeds and availability

Austrian localized feed

The Austrian localized feed of Tele 5 launched on May 1, 2012, as a dedicated version of the German channel broadcast free-to-air via the Astra satellite at 19.2° East. Operated by Tele München Gruppe, which also owns the Austrian broadcaster ATV, the feed functions as a simulcast of the main German programming focused on films, science fiction series, and anime, but with localized advertising inserted to comply with Austrian market needs. This partnership with ATV facilitates tailored ad sales and promotions suited to Austrian viewers, while ensuring adherence to local broadcasting regulations such as those on advertising volume and content quotas set by the Austrian Communications Authority (RTR). Content adaptations in the Austrian feed are minimal due to the shared , but include the exclusion of Germany-specific promotional segments and the insertion of Austria-oriented announcements or trailers to better resonate with local audiences. While core shows remain unchanged, any regional references in programming are generally handled through standard High German audio, avoiding the need for extensive redubbing, though occasional may appear for dialect-heavy imported content to enhance . The feed maintains the channel's emphasis on classic American films and , mirroring the German version's schedule without significant alterations to comply with audiovisual directives adapted for . The Austrian feed is available nationwide via on and through major cable providers such as UPC Austria and Liwest, as well as streaming on Joyn since February 2024, reaching an estimated 2.5 to 3 million TV households, which represents a substantial portion of 's approximately 3.5 million total TV-equipped homes. Audience metrics for the feed are proportionally lower than the German version due to 's smaller of about 9 million, but it benefits from the high satellite penetration rate of around 29% among Austrian households as of 2025. Following the acquisition of Tele 5 by Discovery Deutschland in July 2020 and the subsequent formation of in April 2022, the Austrian feed has continued stable operations under the new ownership, with ongoing distribution agreements ensuring reliable satellite delivery to Austrian viewers through 2027. has maintained the feed's focus on core programming while integrating it into broader European portfolio strategies, including renewed multi-year deals with SES for broadcast capacity. No major disruptions or format changes have occurred, allowing consistent availability across traditional platforms.

HD simulcast

Tele 5 introduced its high-definition simulcast on October 19, 2011, exclusively via the HD+ satellite platform operated by SES Astra, making it the twelfth HD channel available on the service. This HD feed mirrors the standard-definition (SD) programming lineup, delivering content in resolution with stereo audio to enhance visual clarity for compatible receivers. By 2015, the HD simulcast expanded beyond satellite pay-TV, becoming freely accessible on cable networks like Unitymedia and IPTV services such as those from starting 24, 2015, thereby achieving broader nationwide availability as a full parallel broadcast to the SD version. Technical enhancements accompanied the rollout, including a shift toward more native HD productions and increased bitrate for improved picture quality beginning in December 2011, allowing better upscaling of older content while prioritizing high-definition originals where available. The HD launch contributed to a notable uptick in viewership, with Tele 5 recording double-digit growth in daily among 20- to 59-year-olds (reaching 1.3% in 2011, up 11% from the previous year), reflecting early adoption trends driven by improved broadcast quality. As of 2025, the HD serves as the standard format across all distribution methods, supported by production facilities in Grünwald that facilitate HD content creation. While UHD trials for select programming, such as special features and films, were initiated in collaboration with HD+ as early as 2018, full-scale implementation remains pending. To ensure compatibility with legacy systems, the HD signal undergoes downscaling to 576i SD for non-HD platforms, while integration with smart TV applications enables seamless streaming in high definition on modern devices.

Distribution and platforms

Tele 5 is distributed as a free-to-air channel primarily via satellite on the Astra 19.2° East position at a frequency of 12.480 GHz with vertical polarization, enabling reception across Central Europe with a suitable dish and receiver. It is also available nationwide in Germany through digital cable networks, including major providers such as Vodafone, which carries the channel in its standard lineup. The terrestrial DVB-T2 distribution, previously offered free-to-air in many urban areas via the freenet-TV platform, ended in spring 2024, limiting over-the-air access options. Since 2020, Tele 5 has been integrated into the Joyn streaming service, providing live broadcasts and on-demand episodes accessible via the Joyn website, as well as dedicated apps for , devices, and compatible smart TVs, facilitating IP-based viewing without additional hardware. This streaming availability supports the channel's shift toward digital platforms amid a broader decline in terrestrial TV usage in , where internet-based reception reached approximately 45% preference as of 2025. In , Tele 5 is receivable via cable operators such as Salt, as well as streaming platforms including Zattoo and Teleboy, extending its footprint within the DACH region without dedicated international feeds. The channel operates without pay-TV exclusivity, ensuring broad accessibility across its satellite, cable, and streaming methods, with simulcast supported on all platforms for compatible devices.

Visual identity

Logo evolution

The logo of Tele 5 has undergone several transformations since the channel's in 1988, mirroring its programmatic shifts from music-oriented content to sports, and later to and upon . These changes maintained a consistent emphasis on bold and elements while adapting to technological advancements and ownership transitions. From its launch on January 11, 1988, until mid-1992, the primary logo featured stylized "TELE 5" text with a flower in a circle, using "TELE" and "5" in white lettering on a font. In late 1992, ahead of the channel's closure and conversion to the sports-focused DSF, a variant was introduced by Lambie-Nairn, though this iteration was never employed after the 2002 relaunch. The 2002 relaunch introduced a new logo, which was updated in 2005 for the movie channel rebrand; this design persisted with variations through . From to 2013, a red variant was used, followed by a blue version from 2013 to 2017, emphasizing the channel's sci-fi and theme. A new logo was introduced in 2017, updated in 2019. Following 's acquisition of in July 2020, the logo was redesigned in October 2021 with a modern aligning with branding, including streamlined elements suitable for digital platforms. Following the 2022 merger forming , the design has remained in use as of November 2025, with no significant redesign implemented that year. Throughout its history, all Tele 5 logos have been rendered in for sharp scalability across standard-definition and high-definition formats, ensuring versatility in on-air and promotional use.

Branding elements

Tele 5's on-air graphics and idents are designed to immerse viewers in cinematic worlds that reflect the channel's emphasis on classic films, sci-fi series, and , transporting audiences across genres in a thrilling, interconnected manner. These idents, produced by CapeRock, were launched in January 2022 and feature original shots that pay homage to iconic cinema, including and flexible executions for promotional use. The branding incorporates genre-specific elements, with idents linking diverse styles like sci-fi and action to align with Tele 5's niche programming. Promotional campaigns utilize the "TELE 5, more than you think," which underscores the channel's unexpected depth and cult appeal, supporting both broadcast and digital assets for platforms like Joyn. This approach evolved following the channel's acquisition by (now ) in 2020, enabling refreshed visual identities that enhance viewer engagement across traditional TV and streaming.

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