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The First Power

The First Power is a written and directed by Robert Resnikoff in his feature directorial debut. Starring as Los Angeles Police Department detective Russell Logan, the story centers on Logan's pursuit of the Patrick Channing (), who is executed in the but resurrected through demonic intervention, granting him abilities to continue his murders. The film blends elements of thriller and occult horror, with Logan enlisting the help of psychic Tess Seaton () to combat the killer's otherworldly powers, including and . Produced by Interscope Communications and released theatrically on April 6, 1990, The First Power runs for 98 minutes and is for and themes. The supporting includes as Detective Oliver Franklin and as Commander Perkins, with the screenplay emphasizing themes of good versus evil and the consequences of unchecked vengeance. Filmed primarily in , the movie draws on urban noir aesthetics, featuring gritty street scenes and ritualistic imagery tied to the killer's satanic pact. Upon release, The First Power grossed $22.4 million at the North American against a $10 million budget, achieving moderate commercial success. Critically, it received mixed reviews, earning a 25% approval rating on based on 12 reviews, with praise for Phillips' intense performance but criticism for formulaic plotting and uneven pacing. On , it holds a 5.7/10 rating from over 5,500 user votes, often noted for its blend of action-horror elements and 1990s supernatural tropes. The film has since gained a among enthusiasts for its motif and practical effects.

Synopsis

Plot Summary

Detective , a police officer specializing in serial killers, investigates 15 ritualistic murders committed by Patrick Channing, a Satanist who ritually his victims and carves into their flesh. The crime scenes form a larger pattern across the city, with Channing targeting young women in isolated areas. receives an anonymous phone tip from psychic Tess Seaton about Channing's next intended victim at , where Channing is preparing a . arrives in time to interrupt the ceremony, engaging in a violent struggle with Channing, whom he shoots multiple times before tackling him through a window and placing him under arrest, though not before Channing stabs in the side. Despite promising Tess during their initial contact that he would not seek the death penalty, pushes for after Channing's for the murders. Channing is sentenced to death and executed by lethal gas at San Quentin State Prison. Shortly after the execution, begins experiencing disturbing visions and hallucinations, including glimpses of Channing's malevolent presence. Identical ritualistic murders resume in , with pentagrams carved on the victims, indicating Channing's return through means. Tess contacts Logan again, revealing that she was the anonymous caller and explaining that Channing had invoked "the First Power" by selling his soul to before his death, granting him the abilities of , body , and to continue his killing spree and exact revenge on those involved in his capture and execution. Logan, initially skeptical due to his atheistic beliefs, reluctantly partners with Tess as new victims emerge, including members of the police task force and witnesses. Channing's spirit first possesses a vagrant in a seedy Los Angeles alley, using the body to murder a juror from the trial by slashing her throat and carving a . The spirit then hops to a , who attempts to kill Logan during a routine but is thwarted when Logan shoots the possessed officer after witnessing unnatural strength and . As the possessions escalate, Channing targets directly, teleporting into his home and attempting to strangle him before vanishing. Tess and consult Sister Marguerite, a knowledgeable in matters, who informs them that the First Power can only be countered by a blessed containing a hidden , capable of severing the demonic bond during a reversal. Channing possesses a bag lady who kidnaps Tess, luring to an unused water treatment plant for a final confrontation. In the ensuing battle, uses the to stab the possessed bag lady, exorcising Channing's spirit and reversing the that bound it to the mortal plane. Though survives the ordeal, a lingering vision suggests the threat may not be entirely eliminated.

Themes and Motifs

The central theme of The First Power revolves around the eternal struggle between , manifested through a confrontation between Satanic forces and Christian . The film's , Patrick Channing, embodies by invoking a demonic that grants him the "First Power" of , allowing him to return from execution and continue his murders. In opposition, the narrative posits Christian symbols as instruments of salvation, particularly the crucifix dagger, which serves as a sacred capable of permanently vanquishing the demonic . This binary conflict underscores a universe where counters infernal , drawing on biblical motifs of and . Recurring motifs of and function as metaphors for the inescapability of and the pervasive influence of demonic forces. , depicted as the "Third Power," enables Channing's spirit to inhabit multiple bodies, symbolizing how evil corrupts and spreads unchecked, infiltrating the innocent and eroding personal agency. , the film's titular "First Power," illustrates 's defiance of mortal consequences, portraying evil as an undying force that mocks human justice and perpetuates cycles of violence. These elements blend with allegorical depth, suggesting that internal moral failings invite external demonic takeover, much like a contagion of the soul. The role of faith versus skepticism is explored through protagonist Detective Russell Logan's character arc, highlighting the tension between rational doubt and spiritual reliance. Initially skeptical of supernatural explanations, Logan dismisses psychic visions and religious warnings, relying on empirical police work amid mounting paranormal evidence. As events escalate, he turns to psychic Tess Seaton's clairvoyant abilities—the "Second Power"—and Sister Marguerite's religious artifacts, marking a reluctant embrace of faith as essential to combating evil. This progression critiques modern secularism, positing that true redemption requires bridging skepticism with belief in higher powers. Neo-noir elements amplify the film's atmosphere of isolation and paranoia, with the urban decay of serving as a backdrop that mirrors the characters' internal turmoil. Shadowy streets, rain-slicked alleys, and dimly lit interiors evoke a sense of moral ambiguity and entrapment, enhancing the through a gritty, fatalistic lens reminiscent of classic thrillers. Logan's hard-boiled persona, marked by cynicism and solitary pursuits, further reinforces this , portraying the city as a where demonic forces exploit human alienation. The film offers a subtle critique of , illustrating its inadequacy against transcendent . Channing's execution, intended as final , inadvertently unleashes his , proving that legal cannot eradicate deeply rooted malevolence. This theme questions the finality of death penalty as a deterrent, suggesting it may empower rather than contain , and calls for spiritual rather than punitive solutions.

Production

Development and Writing

Robert Resnikoff made his feature film debut as writer and director with The First Power, crafting a supernatural thriller that blended neo-noir elements with horror centered on demonic possession and resurrection. The script drew inspiration from the real-life case of Gary Gilmore, a convicted murderer executed in 1977 who publicly professed his belief in reincarnation and vowed to return after death, fueling Resnikoff's exploration of a serial killer empowered by Satanic forces to evade execution and continue his crimes. Originally titled Transit, the screenplay incorporated ritualistic Satanic murders and a detective's pursuit of an immortal antagonist, reflecting 1980s trends in occult horror while emphasizing psychological tension and urban grit. Development occurred under Interscope Communications, with producer David Madden overseeing the project, which was greenlit in the late 1980s amid rising interest in possession-themed films. presented the production, allocating a of approximately $10 million to support the script's ambitious blend of action sequences and supernatural effects. secured domestic distribution rights early in , positioning the film for a wide theatrical release. The finalized screenplay, honed through revisions to balance pacing with set pieces, resulted in a 98-minute that maintained a taut arc.

Casting and Filming

was cast as Detective Russell Logan, leveraging his rising star status following breakout roles in (1987) and (1988), which positioned him as a versatile leading man in action and drama genres. portrayed psychic Tess Seaton, drawing on her recent experience in horror films such as Sleepaway Camp III: Teenage Wasteland (1989). took on the role of the antagonist Patrick Channing, capitalizing on his reputation for intense villain performances in films like (1986) and earlier TV work. played Logan's partner, Detective Oliver Franklin, in a supporting role that highlighted his emerging presence in ensemble casts before his iconic turn in (1994). Principal photography commenced on April 17, 1989, and wrapped on June 28, 1989, spanning approximately ten weeks in and around to capture the film's urban setting. Key locations included the abandoned Old Zoo in for murder scenes, Elysian Park for sequences, and the iconic (Case Study House #22) for pivotal interior shots evoking modern isolation. Exteriors simulating were also filmed in the Los Angeles area, emphasizing the story's ties to without on-location travel to . Many sequences involved night shoots to heighten the neo-noir atmosphere of urban horror, with cinematographer Theo van de Sande employing shadowy lighting and dynamic camera work to blend tension with dread. The film's score was composed by , enhancing the atmosphere. The production relied on practical effects for key elements, such as demonic possessions and resurrections, using prosthetics and on-set mechanics to achieve visceral, tangible scares amid the film's modest $10 million . Minor logistical challenges arose during filming in public parks like Griffith and Elysian, where securing permits occasionally led to brief delays, but these did not significantly impact the schedule.

Release

Theatrical Release

The First Power was released theatrically in the United States on April 6, 1990, distributed by as a across 1,332 screens. The film marked the directorial debut of Robert Resnikoff, with promotional materials highlighting this milestone during its rollout. The marketing campaign focused on the film's supernatural thriller elements, with trailers narrated by emphasizing themes of satanic resurrection and demonic through taglines like "Satan has created the perfect . One who cannot be stopped. Be warned." Posters prominently featured pentagram imagery tied to the serial killer's moniker, the Pentagram Killer, alongside star in intense poses to evoke horror and suspense. Internationally, the film saw limited releases later in 1990, including in (France on August 8 and on August 15) and ( on April 14), often with dubbed versions for local audiences. The of America (MPAA) awarded the film an due to its depictions of , , , and intense themes involving satanic rituals and .

Home Media

The First Power was first made available on through VHS and formats in late 1990, distributed by Orion Home Video in the United States. These releases capitalized on the film's theatrical run, offering the thriller in standard format for rental and purchase markets. The film's DVD debut came in 2001 from , following MGM's acquisition of ' library, presented in a basic edition with widescreen anamorphic video, 2.0 audio, and supplemental features limited to the original theatrical trailer. No or extensive extras were included, focusing instead on accessibility for enthusiasts. In October 2014, issued the first Blu-ray edition, featuring a high-definition from the original negative that enhanced the film's noirish visuals and atmospheric tension, alongside DTS-HD audio and the same trailer supplement. This release marked a significant upgrade in quality, praised for its sharp transfer despite the film's modest production values. As of 2025, the film is accessible via digital streaming on free ad-supported platforms such as and subscription services like , broadening its availability to modern audiences without . Internationally, a PAL-format edition was released in the in 1991 by MGM/UA Home Video through rental channels, adapted for broadcast standards. Similar PAL releases followed in other markets, though specific regional variations in content or packaging were minimal.

Reception

Critical Response

Upon its release in 1990, The First Power received predominantly negative reviews from critics, establishing a consensus of disappointment with its formulaic approach to supernatural horror. Desson Howe of The Washington Post described the film as "shopworn and imitative," critiquing its reliance on overused genre conventions without innovation. Similarly, Vincent Canby in The New York Times noted the film's predictable plot twists and overall lack of originality, calling the narrative "seriously stupid" despite some effective action sequences. Aggregated scores reflected this sentiment, with Rotten Tomatoes reporting a 25% approval rating based on 12 reviews and a Metascore of 35 out of 100 on Metacritic based on 10 reviews. Amid the criticisms, some reviewers highlighted strengths in the performances and visual elements. earned praise for his committed portrayal of Detective Russell Logan, bringing intensity and credibility to the role of a skeptical cop confronting the . Jeff Kober's depiction of the menacing Patrick Channing was also commended for its gleeful nastiness and physical presence, adding a layer of chilling threat to the antagonist. The film's use of atmospheric settings, capturing the city's urban grit and nocturnal shadows, contributed to moments of effective tension, evoking a noir-infused vibe. However, the script faced significant backlash for its pacing issues and underdeveloped elements. Critics pointed to weak narrative rhythm, with the story devolving into repetitive chases and revelations that failed to build suspense. The possession tropes were seen as clichéd, drawing heavily from established demonic resurrection motifs without fresh twists, resulting in a derivative feel. Tracy Griffith's psychic character, Tess Seaton, was particularly underdeveloped, serving more as a plot device than a fully realized figure, with her abilities introduced abruptly and lacking depth. In retrospective analyses, the film has garnered a more appreciative view for its cult charm. A 2025 review from JoBlo highlighted its tight pacing, invested acting, and memorable score, positioning it as an underrated entry in supernatural thrillers despite initial flaws. User ratings on IMDb average 5.7 out of 10 from over 5,500 votes, indicating a modest but enduring audience appreciation. Within the genre context, The First Power was often compared unfavorably to the more innovative horrors like The Exorcist sequels, which it echoed in possession themes but lacked in psychological depth. Yet, it marked a transitional piece toward supernatural thrillers, blending cop procedural with elements in a manner that anticipated films like Fallen (1998).

Box Office and Commercial Performance

The First Power had a of $10 million. The film earned $22,424,195 at the domestic , representing its entire worldwide gross as international earnings were negligible. Its opening weekend from April 6–8, , generated $5,677,715 across 1,332 theaters, accounting for 25.3% of the total domestic earnings. The movie proved profitable, delivering a return of over 120% on its through these domestic receipts, supported by steady demand in the moderate market. It performed strongly in urban areas amid a resurgence of films but faded quickly after its debut. In the broader landscape that year, it competed with releases like and .

Legacy

Cult Following

Over the decades following its release, The First Power has cultivated a dedicated , particularly among enthusiasts of 1990s supernatural horror and neo-noir thrillers. The film's gradual rise in popularity during the was fueled by its availability on and DVD through video rental stores, where it appealed to viewers seeking overlooked genre gems with campy, over-the-top sequences like the infamous killer ceiling fan attack. Late-night television airings further exposed it to new audiences, emphasizing its blend of gritty and demonic plotlines that contrasted sharply with its initial critical dismissal. Fan communities have sustained interest through online forums dedicated to obscure 1990s horror, where discussions often highlight the movie's atmospheric tension and thematic ties to Satanic Panic-era fears. Annual watch parties and screenings at horror conventions, such as appearances by cast members like at events including HorrorCon , have fostered communal appreciation and nostalgia for the film's practical effects-driven scares. Marking its 30th anniversary in 2020, the film received renewed attention via retrospective articles and reviews that celebrated writer-director Robert Resnikoff's feature debut, praising its earnest execution despite budgetary constraints. Key to its enduring appeal are ' charismatic portrayal of the haunted detective Russell Logan, the nostalgic charm of its practical effects, and an unpretentious B-movie energy that belies the involvement of a mainstream cast including and . In recent years, increased accessibility on free streaming platforms like has sparked fresh viewership, culminating in spikes around the 35th anniversary in 2025, with podcasts and revisited analyses drawing in younger fans rediscovering its supernatural thrills. In 2025, an official based on the original screenplay was released, further boosting interest among fans. Additionally, has expressed enthusiasm for a potential sequel in recent interviews as of October 2025.

Cultural References

The film has garnered notable recognition in hip-hop culture through its endorsement by rapper Eazy-E, who frequently cited The First Power as his favorite movie during 1990s interviews and incorporated elements from it into his work. Eazy-E sampled dialogue from the film in the intro track "First Power" on his 1993 solo album It's On (Dr. Dre) 187 um Killa, which helped introduce the movie to broader audiences within hip-hop circles and solidified its cult status among fans of the genre. The First Power has been referenced in media retrospectives, appearing in magazine's Issue #90 (1990), which covered its release alongside other supernatural thrillers like and . The film's possession and resurrection tropes have been parodied in comedic sketches highlighting 1990s clichés, such as body-hopping killers, as seen in episodes of shows like that lampooned demonic narratives during the era's Satanic panic. The movie's central concept of a resurrected possessing others influenced subsequent thrillers, most notably Fallen (1998), which expanded on the body-jumping demonic antagonist introduced in The First Power. This motif echoed through the 1990s genre, bridging earlier films like Shocker (1989) with later entries that emphasized vengeance. In pop culture compilations, The First Power frequently appears in lists of underrated 1990s films, praised for its blend of cop thriller and elements that predated more polished successors. It was featured in a 2024 episode of the Shat the Movies, where hosts discussed its eerie atmosphere and ' performance, contributing to renewed interest among retro enthusiasts. In 2025, a revisited review on JoBlo highlighted the film's enduring appeal as an overlooked supernatural cop thriller, sparking discussions on social media platforms about its innovative possession mechanics and potential for a remake.

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