The Hunting Ground
The Hunting Ground is a 2015 American documentary film directed by Kirby Dick and produced by Amy Ziering that investigates allegations of sexual assault occurring on United States college campuses, emphasizing purported institutional mishandling and cover-ups by university administrations. [1] The film centers on the experiences of survivors such as Andrea Pino and Annie Clark, who were assaulted at the University of North Carolina and later co-founded an organization to promote campus activism against sexual violence. [2] It features interviews with victims, experts, and officials to argue for enhanced enforcement of Title IX regulations requiring prompt responses to such complaints. [3] The documentary highlights specific cases at institutions including Florida State University and Harvard University, portraying them as emblematic of systemic failures that prioritize institutional reputation over victim support. [4] It relies on statistics asserting high prevalence rates, such as approximately one in five female students experiencing attempted or completed sexual assault, derived from surveys like those conducted by the Centers for Disease Control and Prevention. [5] These claims contributed to its influence on public discourse and policy, including screenings at the White House during the Obama administration that underscored calls for federal oversight of campus procedures. [6] Despite acclaim for amplifying survivor voices, The Hunting Ground has drawn substantial criticism for factual inaccuracies and selective presentation, with Harvard Law School professors labeling it "misleading propaganda" for distorting data on reported assaults and disciplinary outcomes. [7] [8] Analyses have faulted it for blurring distinctions between advocacy and journalism, particularly in cases where accused individuals were exonerated or reinstated after the film's portrayal suggested guilt. [9] Such critiques underscore broader debates over the reliability of campus sexual assault statistics, which often stem from self-reported surveys vulnerable to overestimation due to expansive definitions and non-representative sampling. [5] The film's approach has been seen as fueling policy shifts that expanded administrative authority but raised concerns about due process for the accused. [10]