The Newsreader
The Newsreader is an Australian drama television series created by Michael Lucas that premiered on ABC Television on 20 August 2021.[1] Set in the competitive environment of a 1980s Melbourne commercial television newsroom, the series examines the professional pressures and interpersonal dynamics among anchors, reporters, and producers while covering major global events including the 1986 Space Shuttle Challenger disaster, Halley's Comet, and the emerging AIDS crisis.[2] Starring Anna Torv as the ambitious yet volatile lead newsreader Helen Norville and Sam Reid as the rising reporter Dale Jennings, it portrays their evolving professional partnership and personal relationship marked by ambition, secrecy, and workplace rivalries.[1] The program has aired three seasons, with the narrative advancing through the late 1980s to explore evolving newsroom hierarchies, ethical dilemmas in journalism, and societal shifts.[3] Critically acclaimed for its period authenticity, character-driven storytelling, and depiction of media machinations, The Newsreader holds a 100% approval rating for its first season on Rotten Tomatoes based on 19 reviews.[4] It has garnered significant recognition, including two AACTA Awards for Best Drama Series in 2021 and 2023, along with multiple wins for acting and direction.[5][6] The series also received Logie Award nominations and an International Emmy nomination, affirming its status as a standout in Australian television production.[6]Cast and characters
Main characters
Helen Norville, portrayed by Anna Torv, serves as the central female newsreader for the high-ratings News at Six bulletin in 1980s Melbourne, navigating professional rivalries, personal traumas including a past institutionalization, and workplace sexism as one of the first women in the role.[1][2] Her character is characterized as ambitious yet volatile, often clashing with colleagues while striving to maintain her on-air dominance amid shifting newsroom dynamics.[7] Dale Jennings, played by Sam Reid, is an ambitious junior reporter at the same network, initially eager to advance to newsreading and producing, who forms a complex romantic and professional bond with Norville.[1][8] As a bisexual man in a conservative era, Jennings grapples with personal identity, career pressures, and ethical dilemmas in covering major events like the Challenger disaster and AIDS crisis.[2][7] Lindsay Cunningham, portrayed by William McInnes, acts as the irascible news director overseeing the News at Six team, prioritizing ratings and enforcing a high-stakes environment marked by casual bigotry and authoritarian control.[1][7] His leadership style exacerbates tensions among staff, reflecting the cutthroat commercial television landscape of the period.[9]Recurring and guest characters
Maria Angelico portrays Cheryl Ricci, the outspoken make-up artist for the News at Six team, appearing across multiple episodes in both series 1 and 2.[10] Caroline Lee plays Jean Pascoe, a long-serving newsroom administrator involved in production logistics, credited in 18 episodes from 2021 to 2025.[10] John Leary appears as Murray Gallagher, the editor overseeing news segments.[10] Bert La Bonté recurs as Gordon, a colleague in the newsroom featured in 6 episodes of series 1.[10] Maude Davey plays Val Jennings, Dale Jennings' sister, providing family context in select episodes.[11] Robert Taylor portrays Geoff Walters, the network executive influencing editorial decisions, with appearances spanning the series.[10] Marg Downey recurs as Evelyn Walters, Geoff's wife, contributing to personal storylines.[7] In series 2, Chai Hansen joins as Tim Ahern, a supporting news staffer. Notable guest appearances include Daniel Gillies as a key figure in season 2 arcs and Philippa Northeast in recurring guest capacity for that series.[12] For series 3, premiering February 2, 2025, returning recurring cast maintains continuity, with no major new recurring announcements altering prior dynamics as of October 2025.Episodes
Series overview
The Newsreader is an Australian television drama series that aired three seasons on ABC Television, each comprising six episodes released weekly.[13] The first season premiered on 15 August 2021, focusing on events in 1986 and becoming ABC's most-viewed drama series of that year based on audience metrics.[14] [4] The second season aired starting 10 September 2023, advancing the timeline to 1987 and covering topics such as financial crises and shootings, with episodes maintaining the series' format of high-stakes newsroom dynamics.[15] [16] The third and final season, set in 1989, premiered on 2 February 2025 at 8:30 pm, concluding the narrative arc with six episodes addressing personal breakdowns and professional challenges amid major events. [3]Series 1 (2021)
The first series of The Newsreader, comprising six episodes, premiered on ABC Television on 15 August 2021 and concluded on 19 September 2021.[17] Set in a fictional Melbourne commercial television newsroom during the first four months of 1986, the season centers on the volatile professional dynamic and clandestine personal relationship between established newsreader Helen Norville (Anna Torv) and ambitious young reporter Dale Jennings (Sam Reid), as they navigate internal politics, ethical dilemmas, and high-stakes coverage of real-world events such as the Space Shuttle Challenger disaster on 28 January 1986.[18] The narrative intertwines their ambitions with broader newsroom tensions, including executive pressures from news director Neil Chaudhuri (Robert Taylor) and producer Linda Tui (Jean Tong), while addressing period-specific issues like the AIDS crisis and media sensationalism.[18] The series drew an average total audience of 1.5 million viewers across linear broadcast and video-on-demand platforms, marking it as ABC's most-watched drama of 2021.[19] Its premiere episode garnered 552,000 overnight viewers nationally, outperforming prior ABC drama launches in key demographics.[20] Subsequent episodes maintained solid performance, though viewership dipped slightly mid-season amid competition from commercial networks, reflecting typical patterns for public broadcaster dramas reliant on cumulative rather than peak-hour dominance.[21]Episodes
| Episode | Title | Original air date | Synopsis |
|---|---|---|---|
| 1 | Three, Two, One... | 15 August 2021 | In January 1986, Dale Jennings joins the newsroom and partners with Helen Norville to cover the Space Shuttle Challenger launch, exposing initial frictions in their working relationship amid the station's competitive environment.[18] |
| 2 | Once in a Lifetime | 22 August 2021 | As Halley's Comet becomes visible, Helen and Dale's professional collaboration deepens, complicated by Dale's personal life and Helen's guarded demeanor under newsroom scrutiny.[18] |
| 3 | A White Marquis Matinee Jacket | 29 August 2021 | Covering Lindy Chamberlain's release from prison in Darwin on 2 February 1986, the team faces on-location rivalries, highlighting media pack dynamics and Helen's on-air poise.[18] |
| 4 | A Step Closer to the Madness | 5 September 2021 | The 27 February 1986 Russell Street police headquarters bombing in Melbourne disrupts broadcasts and strains Helen and Dale's budding alliance, intertwining personal vulnerabilities with crisis reporting.[18] |
| 5 | No More Lies | 12 September 2021 | Dale's exclusive interview with an HIV-positive mother backfires, unraveling secrets and intensifying media and personal pressures on both journalists amid rising AIDS awareness coverage.[18] |
| 6 | Meltdown | 19 September 2021 | The Chernobyl nuclear disaster on 26 April 1986 forces Helen and Dale to confront the consequences of their affair, as global news eclipses local scandals and tests their professional resilience.[18] |
Series 2 (2023)
The second series of The Newsreader comprises six episodes and aired weekly on ABC Television from 10 September to 15 October 2023, at 8:30 pm AEST. Set primarily in 1987–1988, it depicts the evolving professional partnership and personal strains between news anchor Helen Norville (Anna Torv) and reporter Dale Jennings (Sam Reid), now dubbed the "Golden Couple of News," against the backdrop of pivotal Australian events such as the 1987 federal election, the Hoddle Street shootings, the Black Monday stock market crash, and preparations for the 1988 bicentennial. The narrative explores their fragile off-screen relationship, with Helen pursuing an interview with an Aboriginal activist amid bicentennial tensions, while Dale contemplates a marriage proposal under mounting newsroom pressures.[22][23][24] The series maintains the first season's focus on 1980s television news dynamics, incorporating real historical incidents to underscore interpersonal conflicts and ethical dilemmas in broadcasting. Episodes draw on documented events like the Hawke-Keating leadership tensions and public responses to mass shootings, blending factual reporting challenges with character-driven drama. Critical reception highlighted its heightened stakes and character depth, with the season earning a 100% approval rating on Rotten Tomatoes based on six reviews.[15][25]| Episode | Title | Original air date |
|---|---|---|
| 7 | Decision 87 | 10 September 2023 |
| 8 | People Like You and Me | 17 September 2023 |
| 9 | Greed and Fear | 24 September 2023 |
| 10 | The Hungry Truth | 1 October 2023 |
| 11 | A Model Daughter | 8 October 2023 |
| 12 | Fireworks | 15 October 2023 |
Series 3 (2025)
The third and final series of The Newsreader, comprising six episodes, premiered on ABC Television on 2 February 2025, airing weekly on Sundays at 8:30 pm AEDT.[17] Set in 1989, it portrays news anchor Helen Norville (Anna Torv), who launches her investigative program Public Eye, and reporter Dale Jennings (Sam Reid), now solo host of News At Six and a Gold Logie nominee, as a new network executive fosters rivalry between them amid personal challenges and global events such as the Exxon Valdez oil spill and South African cricket tour boycotts.[26] The season explores their competition in a transforming media environment, with Dale embracing stardom while Helen grapples with professional and private strains.[27]| No. in series | Title | Directed by | Written by | Original air date | Australian viewers (millions) |
|---|---|---|---|---|---|
| 1 | Night of Nights | Kate Woods | Michael Lucas | 2 February 2025 | N/A |
| 2 | A New Era | Kate Woods | Michael Lucas | 9 February 2025 | N/A |
| 3 | Behind the Front Line | Fiona Eagger & Caitlin Golding | Michael Lucas | 16 February 2025 | N/A |
| 4 | One Team, All Brothers | Fiona Eagger & Caitlin Golding | Michael Lucas | 23 February 2025 | N/A |
| 5 | On the Brink | Fiona Eagger & Caitlin Golding | Michael Lucas | 2 March 2025 | N/A |
| 6 | The Fall | Fiona Eagger & Caitlin Golding | Michael Lucas | 9 March 2025 | N/A |
Production
Development
Michael Lucas conceived The Newsreader as a drama exploring the interpersonal dynamics and professional pressures within a 1980s Australian television newsroom, drawing inspiration from the era's societal shifts, including the rise of female news anchors amid workplace misogyny and the integration of major historical events like the Space Shuttle Challenger disaster and the AIDS crisis.[29][30] Lucas, who had prior experience writing for series such as Offspring and Wentworth, began developing the script in 2014 following his work on Party Tricks and expanded it more intensively in 2015 after completing Offspring season 5, viewing the 1980s as a "hinge decade" marked by economic reforms under leaders like Bob Hawke and Paul Keating.[31][30] The project's extended development phase, spanning several years, enabled iterative refinements through collaboration with a writing team including Jonathan Gavin, Niki Aken, and Kim Ho, as well as contributions from script editors like Debra Oswald and Ian Meadows; this period also incorporated research via interviews with former newsroom staff and analysis of ABC archives to ensure authentic depiction of 1986 events and timelines, as recommended by executive producer Brett Sleigh.[31] Lucas pitched the series to the Australian Broadcasting Corporation (ABC) during his script editing tenure on Rosehaven, leading to its commissioning after a prolonged evaluation process that predated the #MeToo movement but aligned with enduring industry issues of power imbalances and gender dynamics.[31][30][32] Production was led by Werner Film Productions, with Lucas serving as writer and producer alongside Joanna Werner, and executive oversight from Werner, Stuart Menzies, ABC's Sally Riley, and Brett Sleigh; the series received principal funding from Screen Australia, the ABC, and Film Victoria, supporting six one-hour episodes directed by Emma Freeman.[33][31] Pre-production commenced in late 2020, delayed slightly by COVID-19 lockdowns in Melbourne, which afforded additional script polishing before principal photography.[31]Casting
Anna Torv was cast in the lead role of Helen Norville, the ambitious and embattled newsreader, drawn to the character's internal volatility following her portrayal of more composed figures in prior projects. She collaborated closely with creator Michael Lucas, producer Jo Werner, and director Emma Freeman during development, and prepared by training on an autocue to replicate 1980s Australian news delivery styles.[34] Sam Reid was selected for Dale Jennings, the young reporter navigating personal and professional challenges; Reid noted that his name surfaced early in casting discussions, and he based the performance on close study of specific real-life Australian TV journalists, adapting their mannerisms while withholding their identities.[35][36] Supporting roles included William McInnes as news director Lindsay Cunningham, Marg Downey as Evelyn Walters, and Michelle Lim Davidson as producer Noelene Kim, the latter partly inspired by early-career experiences of journalists like Leigh Sales operating autocues. The production prioritized diverse casting for key positions, such as Dale's arc involving sexual identity exploration and multicultural representation in the newsroom.[36][37] Casting director Nathan Lloyd earned the 2023 AACTA Award for Best Casting in Television for his selections across the series, which balanced experienced performers with emerging talent to evoke the era's broadcast environment.[38]Filming
Principal photography for the first series primarily occurred over three months in Melbourne, Victoria, Australia, focusing on location shoots in period-appropriate sites including pre-1985 houses, an abandoned building repurposed as the newsroom, and a television studio featuring a constructed news desk.[39] Cinematographer Earle Dresner utilized an ARRI Alexa Mini camera at 2K resolution paired with PVintage prime lenses and diffusion filters such as Hollywood Blackmagic #1 to replicate the lower fidelity of 1980s broadcast video, while shooting at 1600 ISO introduced noise for authenticity; Steadicam operators handled extended tracking shots, and post-production added film grain nightly.[39] Specific sequences recreated historical events, such as the 1986 Russell Street bombing, by locking down the street and deploying era-specific ambulances and fire engines.[39] Filming extended to Mildura in early 2021 to stand in for 1980s Darwin, portraying a media scrum outside a suburban home tied to Lindy Chamberlain's release; local streets were altered into a Northern Territory vista, with residents providing vintage cars and homes, and 14 locals cast as extras in period attire.[40] This relocation from the Northern Territory stemmed from COVID-19 border closures, with pandemic protocols overall constraining broader location access during late 2020 and early 2021 shoots.[40] The second series' production began in July 2022 in Melbourne, prioritizing initial location filming to capture exterior scenes before interiors.[41] For the third series, filming commenced in January 2024 in Melbourne and wrapped in 2024 ahead of its February 2025 release.[42][26]Historical fidelity
Research and accuracy
Creator Michael Lucas initiated research for The Newsreader in 2015, conducting extensive interviews with dozens of former 1980s Australian television newsroom staff, including on-air talent, producers, and behind-the-scenes personnel, many of whom were retired and forthcoming about the era's culture.[29] [43] This process informed a comprehensive "Bible" documenting newsroom practices, interpersonal tensions, and operational realities, enabling a layered depiction of high-stakes environments fueled by competition, caffeine, tobacco, and alcohol.[43] To achieve fidelity in event coverage, the series integrates verifiable historical occurrences with exact dates and contexts, such as the Space Shuttle Challenger explosion on January 28, 1986, the Chernobyl disaster on April 26, 1986, Halley's Comet sightings in early 1986, and the AIDS crisis reporting, supplemented by ABC news archives and purchased international footage like U.S. Challenger clips.[29] [43] News-gathering techniques, including reliance on telexes, faxes, Australian Associated Press wires, police scanners, and field reporting, mirror documented 1980s methods, as do the era's visual hallmarks—voluminous hairstyles, bold earrings, shoulder pads, and on-air grooming pressures.[44] Former ABC journalist Helen Vatsikopoulos, who worked in 1980s newsrooms, affirmed the accurate rendering of systemic sexism—such as female staff evaluated on attractiveness and enduring predatory advances from superiors—while noting the show's overrepresentation of ethnic diversity in commercial TV contexts, where rooms were overwhelmingly white and male, with rare non-European exceptions even at the public broadcaster.[44] Lucas recognized this dominance but incorporated diverse fictional characters to evoke immigrant undercurrents of the period, prioritizing narrative breadth over strict demographic replication.[43] Multiple women journalists from the era independently validated the series' authenticity in capturing gender biases, beauty mandates, and professional hierarchies, describing it as evocative of lived realities.[45]Fictional elements and critiques
The series employs fictional characters and interpersonal dramas, such as the professional rivalry and romantic entanglement between newsreader Helen Norville and reporter Dale Jennings, to explore themes of ambition, sexuality, and scandal within a Melbourne commercial TV newsroom. These narratives are composites inspired by real figures like news anchors Jana Wendt and Mary Delahunty, but Norville's backstory of a fabricated on-air breakdown and personal turmoil is invented for dramatic effect.[46][44] Real historical events, including the Space Shuttle Challenger disaster on January 28, 1986, the Chernobyl nuclear meltdown on April 26, 1986, and the Azaria Chamberlain verdict in February 1986, serve as backdrops, with fictional newsroom responses heightening tension.[46] Certain plot details deviate from verifiable history for narrative convenience, such as the exaggerated visibility of Halley's Comet in Melbourne on February 1, 1986, which was in reality too faint and poorly positioned for urban observation until April.[46] In season 3, the onset of Tiananmen Square protests is advanced to March 1989 rather than mid-April, and a claim that Norville out-hosted Wendt on a major program is inaccurate, as Wendt anchored A Current Affair in 1987.[47] The show also introduces deliberate anachronisms, notably casting a brown-skinned actor as chief of staff Dennis Tibb, improbable in 1980s Australian commercial TV due to prevailing homogeneity, to underscore systemic exclusion based on race rather than merit.[48] Critiques highlight the series' prioritization of contemporary sensibilities over strict fidelity, particularly in depicting newsroom diversity; real 1980s commercial outlets were predominantly staffed by white males, with non-European faces like those at the ABC being rare exceptions, contrasting the show's more inclusive ensemble.[44][49] Season 3 draws further criticism for inserting modern dialogue, such as critiques of "colorblindness" in sports policy, and for sanitized elements like reduced smoking and optimistic career arcs for female and minority characters amid pregnancy, which soften the era's patriarchal constraints.[49] Integration of archival footage, such as Bert Newton's Logies appearance, is faulted for disrupting narrative flow without adding authenticity.[49] While praised for capturing newsroom rituals like contact books and telex machines, these choices are seen by some as projecting present-day progressivism, potentially idealizing a less equitable past.[44]Release
Australia
The first series of The Newsreader premiered on ABC Television on 15 August 2021, airing six episodes weekly on Sunday evenings at 8:30 pm AEST, with each episode subsequently available for streaming on the ABC's on-demand platform, iview.[50] The series was produced by ABC Studios in association with Werner Film Productions and Essential Media, marking it as a flagship Australian drama for the public broadcaster.[1] The second series followed on 10 September 2023, maintaining the Sunday 8:30 pm slot on ABC TV and iview availability, again comprising six episodes that explored escalating professional and personal tensions in the newsroom setting.[51] This release coincided with heightened anticipation following the first season's acclaim, including multiple Logie Award nominations, and was supported by companion programming such as podcasts on ABC platforms.[22] The third and final series launched on 2 February 2025 at the same time slot, with weekly episodes broadcast on ABC TV and simulcast or catch-up on iview, concluding the narrative arc set against late-1980s Australian media shifts.[52] All seasons remain accessible via iview for Australian audiences, emphasizing ABC's strategy of prioritizing domestic linear and digital distribution for its original content.[47]International
In the United Kingdom, the third season of The Newsreader premiered on BBC Two on September 11, 2025, at 9:00 p.m., with all six episodes made available simultaneously on BBC iPlayer.[53][54] The series had previously aired its first season on BBC Two starting July 24, 2022, establishing a presence on the public broadcaster ahead of subsequent international rollouts.[53] In the United States, season 3 streamed on AMC+, following the platform's acquisition of rights that saw season 2 debut on August 7, 2025, with two episodes released weekly thereafter.[55][56] Availability on AMC+ aligned with the service's expansion of Australian drama content, building on earlier U.S. releases of season 1 via platforms like Sundance Now.[57] Entertainment One handled global distribution for the series, securing licenses in more than 80 territories, including ARTE for France and Germany, RTÉ in Ireland, and Viaplay across Nordic countries.[58][19] Additional streaming options emerged in select markets, such as Prime Video for prior seasons, though specific season 3 premiere dates varied by region and were not uniformly announced beyond major English-speaking territories as of late 2025.[59]Reception
Viewership
The first season of The Newsreader, which aired from August 15 to September 5, 2021, achieved a total average audience of 1.5 million viewers across linear television and broadcast video on demand (BVOD) platforms, making it the Australian Broadcasting Corporation's (ABC) highest-rated drama series of 2021.[60][19] This figure encompassed consolidated national viewership data, reflecting strong performance in both live and catch-up viewing, and positioned the series as ABC's top new drama premiere among the 25-54 demographic.[19] The second season, premiering on September 3, 2023, drew a national audience of 800,000 for its launch episode and maintained viewership above 500,000 for all episodes, according to consolidated OzTAM metrics.[61] These numbers represented solid retention for an ABC drama amid competition from commercial networks, though specific BVOD contributions were integrated into the totals following updated measurement practices. The third and final season, airing in early 2025, averaged approximately 800,000 national viewers per episode but experienced a ratings decline compared to prior seasons, reaching near 900,000 only twice and falling to or below 800,000 for about half its run.[61] This performance still marked it as ABC's most-watched drama of the year to date, influenced by shifts in audience measurement methodologies between seasons, including expanded BVOD tracking and exclusion of pre-broadcast on-demand views.[61] Overall, the series sustained above-average viewership for public broadcaster dramas, with totals reflecting consolidated data from OzTAM.Critical reception
The Newsreader has garnered strong critical acclaim, particularly for its first two seasons, with reviewers praising the performances of leads Anna Torv and Sam Reid, the authentic depiction of 1980s Australian television newsrooms, and the series' blend of personal drama with historical events.[62][63] On Rotten Tomatoes, season 1 holds a 100% approval rating from 19 critics, while the series overall scores 100% from 25 reviews, earning a "Certified Fresh" designation.[4] Metacritic assigns season 1 an 81/100 based on 11 reviews, describing it as a "well-told and engrossing drama" that balances industry frenzy with dignified storytelling.[64] Critics have highlighted the show's sharp writing, period authenticity—including its 1980s soundtrack and newsroom dynamics—and its exploration of themes like ambition, sexuality, and media ethics amid events such as the AIDS crisis and political upheavals.[63][62] Season 2 received even higher aggregated praise, with Metacritic scoring it 87/100 from 4 reviews, noted for raising stakes around the 1987 election while maintaining character depth.[65] Publications like The Guardian commended its soapy yet dramatic tone, calling it a "powerful Aussie drama" worthy of broader international success.[25][66] The third and final season drew more mixed responses, with some outlets observing a dip in pacing and narrative cohesion despite strong performances. The Guardian described it as stumbling on its "final lap," though well-drawn characters and brisk format kept it engaging overall.[49] Individual critiques, such as in the Chicago Tribune for season 2, noted repetitive character tropes like the abrasive news director, but affirmed the series' enduring quality as "still great."[67] Audience reception on IMDb aligns with critics at 7.8/10 from over 4,500 ratings, often emphasizing the realistic acting and historical immersion.[1]Awards
At the 11th Australian Academy of Cinema and Television Arts (AACTA) Awards held on December 9, 2021, The Newsreader secured five victories for its first season, including Best Drama Series, Best Lead Actress in a Drama for Anna Torv as Helen Norville, and Best Guest or Supporting Actor in a Drama for William McInnes.[68][69] The series repeated its success at the 13th AACTA Awards on February 10, 2024, winning another five awards for its second season, among them Best Drama Series, Best Lead Actress in a Drama for Anna Torv (her second consecutive win in the category), and Best Direction in Drama or Comedy for Emma Freeman.[70][71] The Newsreader season 2 earned a nomination for Best Drama Series at the 52nd International Emmy Awards in 2024 but did not win, with the award going to the French series Les Gouttes de Dieu.[72][73]| Year | Award Body | Category | Winner(s) |
|---|---|---|---|
| 2021 | AACTA Awards | Best Drama Series | The Newsreader (season 1)[68] |
| 2021 | AACTA Awards | Best Lead Actress in a Drama | Anna Torv[68] |
| 2021 | AACTA Awards | Best Guest or Supporting Actor in a Drama | William McInnes[68] |
| 2024 | AACTA Awards | Best Drama Series | The Newsreader (season 2)[70] |
| 2024 | AACTA Awards | Best Lead Actress in a Drama | Anna Torv[70] |
| 2024 | AACTA Awards | Best Direction in Drama or Comedy | Emma Freeman[71] |