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The Spanish Main

''The Spanish Main'' is a 1945 American adventure film directed by Frank Borzage and starring Paul Henreid, Maureen O'Hara, Walter Slezak, and Binnie Barnes.^[1] Produced by RKO Radio Pictures in Technicolor, the film follows Dutch sea captain Laurent van Horn (Henreid), who, after being sentenced to death by Spanish authorities in the Caribbean, escapes and turns pirate to seek revenge. He leads his crew in raids against Spanish ships and ports, eventually rescuing and romancing the betrothed of corrupt governor Don Juan Alvarado (Slezak), Contessa Francisca Alvarado (O'Hara).^[2] The title refers to the historical mainland territories of the Spanish Empire along the Caribbean coast, the setting for the film's buccaneering action. Filmed on location in California and at RKO studios, the production faced challenges with period costumes and sets but benefited from Hans J. Salter's original score.^[2] Released on October 4, 1945, it received a nomination for the Academy Award for Best Cinematography – Color (Winton C. Hoch and Edward Cronjager).^[3] The film earned mixed reviews for its swashbuckling spectacle but has been noted for O'Hara's spirited performance and vibrant visuals.^[4]

Background and Development

Concept and Script

The concept for The Spanish Main originated with star Paul Henreid, who sought to break away from his established image as a romantic lead in films like Casablanca (1942) by portraying a swashbuckling pirate captain. After Warner Bros. declined the project, Henreid pitched it successfully to RKO Pictures, where it was developed as a Technicolor adventure set in the 17th-century Caribbean, focusing on themes of injustice, rebellion, and romance amid pirate exploits.^[2] The screenplay began with an original story by Aeneas MacKenzie, which was adapted into an initial script by George Worthing Yates. Henreid, dissatisfied with early drafts, pushed for revisions that streamlined the narrative. Herman J. Mankiewicz was then brought in for extensive rewrites, refining plot inconsistencies—such as clarifying the protagonist's motivations for turning pirate—and amplifying the romantic tension between the leads to heighten dramatic appeal.^[2] To add historical flavor, the script incorporated fictionalized portrayals of real pirate figures, notably Anne Bonny, the early 18th-century Irish pirate who operated in the Caribbean; in the film, she appears as a fierce, jealous ally to the protagonist, engaging in a duel that underscores the story's adventurous tone. This blend of fact and fiction allowed the narrative to evoke the lawless era of the Spanish Main while prioritizing entertainment over strict accuracy.^[2] Complementing the screenplay's evolution, the film's musical score was composed by Hanns Eisler at Henreid's specific request, marking a collaboration between the actor-producer and the exiled Austrian composer, known for his work with Bertolt Brecht and Charlie Chaplin. Eisler crafted an intricate, orchestral backdrop that captured the swashbuckling energy of the pirate tale, drawing on his Hollywood experience to integrate dramatic swells for action sequences and lyrical motifs for romantic interludes; the score remains one of the film's most praised elements, though Eisler faced later blacklisting during the McCarthy era.^[2]

Casting Process

Paul Henreid initiated the development of The Spanish Main by pitching the swashbuckling pirate story to RKO Pictures after Warner Bros. declined the project, aiming to transition from his suave romantic leads in films like Casablanca (1942) to more adventurous roles that capitalized on his post-war popularity in dramatic adventures such as The Conspirators (1944). Henreid was ultimately cast in the lead as Captain Laurent van Horn, influencing subsequent script revisions to emphasize the character's roguish charisma.^[2] For the female lead of Contessa Francisca, RKO considered several actresses during pre-production, including Merle Oberon, Laraine Day, and Margo, as reported in contemporary trade publications. Maureen O'Hara was selected after negotiations aligned with her contractual commitment to RKO for one film annually, despite her primary affiliation with Twentieth Century-Fox; this marked her first Technicolor production for the studio and prompted minor script adjustments to better suit her spirited persona.^[2] Walter Slezak was cast as the scheming villain Don Juan Alvarado, drawing on his established screen presence as a charismatic antagonist honed in roles like the Nazi saboteur in Alfred Hitchcock's Lifeboat (1944), which had solidified his typecasting in Hollywood's wartime thrillers. Binnie Barnes portrayed the fierce pirate Anne Bonny, a role that leveraged her background in historical and period dramas, including her acclaimed performance as a scheming courtier in The Private Life of Henry VIII (1933), allowing her to bring authenticity to the character's buccaneering edge. Supporting the principal cast, minor roles were assigned to bolster the film's ensemble dynamics, particularly in the raucous pirate crew scenes; Jack La Rue played the officious Lt. Escobar, while actors like Mike Mazurki (as Erik Swaine) and Ian Keith (as Captain Lussan) contributed to the group's rowdy camaraderie, enhancing the adventure's seafaring atmosphere.^[5]

Production

Filming Locations and Techniques

Principal photography for The Spanish Main took place primarily at RKO Radio Pictures' studios in Hollywood, California, utilizing the studio's extensive backlots to simulate Caribbean ports and coastal settings for the 17th-century pirate adventure.^[6] These backlot constructions allowed for controlled environments to depict the film's tropical landscapes and nautical scenes, enhancing the production's efficiency despite the period setting.^[2] The film was shot in three-strip Technicolor, bringing vibrant hues to its swashbuckling action and lavish visuals.^[4] Cinematographer George Barnes captured the production's colorful sea battles and intricate costumes with striking clarity, earning an Academy Award nomination for Best Cinematography, Color at the 18th Academy Awards.^[7] His work emphasized the Technicolor process's ability to render the Caribbean's sun-drenched shores and elaborate wardrobe in rich, painterly tones, contributing to the film's immersive atmosphere.^[2] Special effects supervisor Vernon L. Walker employed innovative techniques for the film's ship sequences, including detailed miniature models of vessels and matte paintings to recreate the Spanish Main coastline.^[5] These elements seamlessly integrated with live-action footage, particularly in dynamic naval confrontations, where model ships navigated painted backdrops to evoke expansive ocean vistas without on-location shoots.^[8] The matte work, often combined with Technicolor processing, provided a convincing illusion of vast seascapes, underscoring the era's advancements in optical effects for adventure films.^[9] Costume designer Edward Stevenson crafted the production's wardrobe, featuring opulent 17th-century pirate and Spanish colonial attire that highlighted the stars' performances in key scenes.^[5] His designs, including elaborate gowns and seafaring outfits, consumed a substantial portion of the film's $2 million budget, reflecting RKO's commitment to visual spectacle in this Technicolor extravaganza.^[1] Stevenson's attention to historical detail, such as embroidered fabrics and period accessories, not only supported the narrative's romantic and action elements but also amplified the film's colorful aesthetic under Barnes's lens.^[10]

Challenges and Delays

The production of The Spanish Main encountered significant logistical hurdles that prolonged its timeline beyond the initial schedule. Principal photography began in late 1944, but the ongoing jurisdictional strike by Hollywood crew members, which commenced in March 1945 and lasted several months, disrupted post-production work. Although principal cast filming had concluded by May 1945, the labor action halted the construction of miniatures essential for process photography and naval action sequences, delaying completion by several months and contributing to an overall extension of the production schedule.^[11] Budgetary pressures further complicated the shoot, with costs rising from an estimated $2 million to around $2.25 million. This overrun was primarily driven by the expensive three-strip Technicolor process, which demanded specialized equipment, intense lighting, and additional processing fees that strained studio resources during wartime constraints. Reshoots for intricate action sequences, including pirate battles, added to the financial burden, as did the need for enhanced coordination with large groups of extras to depict crowded naval engagements.^[12]^[13] External environmental factors also impeded progress, particularly during outdoor filming of sea voyages and shipboard confrontations, where unpredictable weather in California locations caused repeated interruptions and equipment damage. Director Frank Borzage responded by implementing on-set adjustments, such as extended training sessions for lead actor Paul Henreid to improve his sword-fighting proficiency, ensuring the action scenes met the film's swashbuckling demands without further delays.

Cast and Characters

Principal Roles

Paul Henreid portrays Laurent van Horn, a Dutch sea captain who, after being shipwrecked and enslaved by Spanish authorities in Cartagena, transforms into the pirate known as "The Barracuda" to exact revenge on his oppressors.^[2] Henreid infuses the character with a brooding intensity that underscores Van Horn's internal conflict as a reluctant leader of buccaneers, balancing his noble origins against the necessities of piracy, while his romantic charm emerges in tender moments that humanize the swashbuckling hero.^[14] This portrayal drives the narrative's core tension, positioning Van Horn as the catalyst for rebellion and adventure in the Caribbean seas.^[15] Maureen O'Hara embodies Contessa Francisca, a fiery Spanish noblewoman en route to marry the corrupt governor of Cartagena but captured by pirates, evolving into a resilient ally who wields a sword as deftly as her wit.^[2] O'Hara's signature strong-willed persona shines through Francisca's spirited defiance, transforming the noblewoman from a passive prize into an active participant in the high-seas escapades, her assertive presence adding depth to the film's romantic and action elements.^[14] This characterization highlights themes of empowerment amid adversity, with O'Hara's performance noted for its lush beauty and unyielding resolve that complements the era's adventurous heroines.^[15] Walter Slezak plays Don Juan Alvarado, the scheming Spanish governor of Cartagena whose corruption and cruelty ignite the central conflict by enslaving Dutch survivors and executing dissenters.^[2] Slezak depicts Alvarado as a heinous antagonist laced with comedic undertones, his over-the-top villainy—marked by oily charm and theatrical menace—providing satirical relief while propelling the plot through tyrannical decrees and personal vendettas.^[14] This portrayal establishes Alvarado as the narrative's moral foil, his excesses justifying the pirates' reprisals and amplifying the film's critique of colonial excess.^[15] Central to the film's dynamics are the interactions among these principals, particularly the forced marriage between Van Horn and Francisca, a plot device engineered to avert mutiny among the pirate crew jealous of their captain's prize.^[2] This union evolves from coercion to genuine alliance, fueling romantic tension and collaborative adventures, such as Francisca's aid in escapes and duels, while Alvarado's pursuit heightens the stakes, intertwining personal rivalries with broader themes of revenge and redemption.^[14] These relationships underscore the narrative's blend of melodrama and swashbuckling action, with each character's arc converging in climactic confrontations that resolve the tale's colonial intrigues.^[15]

Supporting Roles

In The Spanish Main, the supporting characters enrich the film's swashbuckling narrative by providing layers of rivalry, intrigue, and camaraderie among the pirates and colonial figures, heightening the themes of betrayal and adventure in the Caribbean setting.^[2] Binnie Barnes plays Anne Bonney, a fierce female pirate who injects humor and dynamic action into the story as a jealous antagonist to the central romance.^[5] Her character, loosely inspired by the real 18th-century Irish pirate Anne Bonny—who sailed the Caribbean with figures like Calico Jack Rackham and gained notoriety for her boldness during the Golden Age of Piracy—challenges the protagonist's bride-to-be, Contessa Francesca, to a dramatic pistol duel rigged with soot bullets for comedic effect.^[16]^[2] Bonney's role escalates tension through her participation in a shipboard mutiny against Captain Laurent van Horn and culminates in her death during the final sea battle, where she offers a dying blessing to Francesca, underscoring themes of redemption amid chaos.^[2]^[17] Barton MacLane portrays Captain Benjamin Black, a rival pirate whose aggressive demeanor fuels conflict in key confrontations, including a duel with van Horn over the contested marriage.^[5] Black's jealousy drives him to plot against the protagonist, leading to his defeat in personal combat and a later act of shooting a fellow captain during an escape sequence, thereby intensifying the film's portrayal of treacherous pirate alliances.^[2]^[18] Other crew members, such as John Emery's Captain Mario Du Billar, amplify the depiction of piracy's internal strife by leading the mutiny that temporarily seizes control of the pirate ship Barracuda, betraying van Horn in a bid for power before meeting his end in a climactic swordfight.^[5]^[2] Mike Mazurki's Erik Swaine serves as a burly, mute enforcer in the crew, contributing brute force to group actions that highlight the rough subculture of seafaring outlaws.^[5] On the Spanish side, Jack La Rue's Lieutenant Escobar and Antonio Moreno's Commandante represent colonial authority, injecting intrigue through their roles in pursuing the pirates and guarding prisoners, which underscores the film's exploration of imperial corruption and cross-cultural clashes.^[5]^[2] These supporting figures come alive in ensemble dynamics during vivid group scenes, such as the chaotic mutiny aboard the Barracuda where loyalties fracture amid shouts and drawn blades, and the rowdy tavern brawls in Tortuga that capture the boisterous, lawless atmosphere of pirate havens with fists, bottles, and improvised weapons flying in Technicolor spectacle.^[2]^[19] Such sequences not only advance the plot through collective rebellion and revelry but also emphasize the film's thematic focus on the volatile bonds within the piracy world, contrasting individual ambitions against group survival.^[18]

Release

Premiere and Distribution

The film had its U.S. premiere on October 10, 1945, in San Francisco, followed by a New York City premiere on November 6, 1945, and a wide theatrical release later that month across the country, distributed by RKO Radio Pictures.^[20]^[21] Custom posters prominently featured Maureen O'Hara as the fiery Contessa Francesca and Paul Henreid as the pirate captain Laurent van Horn.^[22] Following the end of World War II, the film saw international distribution starting in Europe, including a 1947 release in France as Pavillon noir.^[23] With a runtime of 100 minutes, The Spanish Main was approved under the Motion Picture Production Code for general exhibition, making it suitable for family viewing with its emphasis on pirate adventure and romance rather than graphic content.^[2]^[14]

Box Office Performance

The film grossed approximately $3.385 million in domestic rentals and $2.45 million in foreign rentals, totaling $5.835 million.^[24] These figures represent the studio's share of box office earnings, with full audience grosses estimated higher based on typical exhibitor splits of the era. In France, where the film was released as Pavillon noir in 1947, it drew 2,819,971 admissions, a strong performance that contributed significantly to its international profitability amid post-war cinema recovery.^[23] This success aligned with heightened demand for escapist adventure films in the late 1940s, as audiences sought diversion from wartime aftermath through colorful Technicolor spectacles like pirate tales.^[25] Produced on a $2.115 million budget, The Spanish Main generated $1.485 million in profit, a 70% margin that positioned it as RKO's leading earner among its 1945 releases.^[24]

Reception and Legacy

Critical Response

Upon its release in 1945, The Spanish Main received mixed reviews from critics, who praised its technical achievements while faulting the narrative for lacking originality.^[15] The film's Technicolor cinematography, captured by George Barnes, was widely acclaimed for its vibrant depiction of Caribbean seas and pirate skirmishes.^[26] Similarly, Hanns Eisler's original score was highlighted for its adventurous and stirring qualities, providing an effective backdrop to the swashbuckling action despite the film's conventional trappings.^[19] Contemporary outlets like Variety commended the robust action sequences and high-adventure melodrama, noting the story's focus on piracy and satire that elicited occasional humor, with Paul Henreid delivering a dashing lead performance.^[14] However, Bosley Crowther of The New York Times criticized the formulaic plot as overly predictable and rote, likening it to countless prior pirate tales where a hero rescues a damsel from a villainous governor, suggesting it would primarily appeal to younger audiences.^[15] Dialogue was often described as wooden and uninspired, failing to elevate the standard romantic entanglements among the cast.^[2] In modern retrospectives, such as those from Turner Classic Movies, the film has been reevaluated more favorably for Maureen O'Hara's spirited portrayal of the captive bride, which stands out amid the genre's clichés and showcases her as a fiery counterpart to Henreid's pirate captain.^[2] Common critiques persist regarding historical inaccuracies, particularly in its romanticized portrayal of pirate lore and the Spanish Main as a lawless haven, which deviates from documented 17th-century colonial realities in the Caribbean. These elements underscore the film's emphasis on spectacle over authenticity, contributing to its enduring status as a colorful but unremarkable entry in the swashbuckler tradition.^[2]

Cultural Impact and Home Media

The Spanish Main has exerted a notable influence on subsequent pirate-themed cinema, serving as a quintessential example of the 1940s swashbuckler genre that emphasized Technicolor spectacle, romantic intrigue, and high-seas adventure. Released amid a wave of such films, it helped sustain the popularity of the format into the postwar era, paving the way for a revival in the 1950s with productions like Blackbeard the Pirate (1952) and Yankee Pasha (1954), which echoed its blend of historical piracy and moral heroism.^[27]^[1] The film's motifs and dialogue have been referenced in modern popular culture, particularly in Disney's Pirates of the Caribbean franchise. For instance, the 2003 film Pirates of the Caribbean: The Curse of the Black Pearl draws on The Spanish Main for the line "poppet," used by characters in a similar affectionate or mocking tone during captive exchanges, highlighting shared tropes of pirate banter and captivity.^[28] Additionally, the parley scene in the Disney film may allude to a negotiation aboard a captured Spanish ship in The Spanish Main, where imprisoned passengers interact with pirates, underscoring the enduring appeal of such dramatic confrontations.^[29] Preservation efforts for The Spanish Main have been bolstered by its public domain status in the United States, as the original 1945 copyright was not renewed, allowing unrestricted access to prints and spurring community-driven archiving since the late 20th century.^[30] This status has facilitated restorations, including a high-definition transfer by Warner Archive Collection in 2024, which utilized original Technicolor elements to revive the film's vibrant hues and intricate matte paintings, ensuring its visual legacy for contemporary audiences.^[31] Home media releases have made The Spanish Main widely accessible, beginning with manufactured-on-demand DVDs from Warner Bros. in the early 2010s, followed by a definitive Blu-ray edition from Warner Archive in late 2024 featuring enhanced audio and bonus materials like original trailers.^[32] As of 2025, the film streams on platforms such as Amazon Prime Video, where it is available for rental or purchase, reflecting its integration into digital libraries for pirate genre enthusiasts.^[33]

References

[1]
The Project Gutenberg eBook of On The Spanish Main, by John ...
On the Spanish Main Or, Some English forays on the Isthmus of Darien. With a description of the Buccaneers and a short account of old-time ships and sailors.
[2]
Plundering the Spanish Main: Henry Morgan´s Raid on Panama
From 1664 to 1671, Morgan led daring raids throughout the Spanish Main, resulting in riches for himself and his men and exposing the fragility of the Spanish ...
[3]
The Spanish Main (1945) - Turner Classic Movies - TCM
Dutch rebels in the Caribbean turn pirate and kidnap the corrupt Spanish governor's bride-to-be.
[4]
The Spanish Main (1945) - Full cast & crew - IMDb
Cast ; Maureen O'Hara · Contessa Francesca ; Paul Henreid · Capt. Laurent Van Horn ; Walter Slezak in Michael (1924). Walter Slezak · Don Juan Alvarado ; Binnie Barnes ...
[5]
The Spanish Main (1945) - Filming & production - IMDb
The Spanish Main: After being wronged by the Caribbean authorities, a Dutch captain turns pirate to wage war.
[6]
The Spanish Main - Rotten Tomatoes
Rating 50% (16) It is about a Dutch captain who turns pirate to wage war after being wronged by the Caribbean authorities. Paul Henreid and Maureen O'Hara give amazing ...
[7]
The 18th Academy Awards | 1946 - Oscars.org
The Spanish Main. 1 NOMINATION. Cinematography (Color) - George Barnes. Spellbound. 6 NOMINATIONS, 1 WIN. * Music (Music Score of a Dramatic or Comedy Picture) ...
[8]
The Spanish main 1945 - model ships in the cinema
Oct 27, 2015 · Some classically shot Technicolor model ship work in this film only let down by some unconvincing scenic art in the background.
[9]
MATTE & EFFECTS FILMS CELEBRATED: Part Eleven
Oct 16, 2025 · ... matte with painted sailing boat and headland from THE SPANISH MAIN (1945). ... painting being one of a number of mattes and miniature effects ...
[10]
The Spanish Main (1945) - IMDb
Rating 6.3/10 (2,066) With Maureen O'Hara, Paul Henreid, Walter Slezak, Binnie Barnes. After being wronged by the Caribbean authorities, a Dutch captain turns pirate to wage war.Full cast & crew · User reviews · Filmmakers · Plot
[11]
Iconic Historical Movie Costumes of the 1940s - Frock Flicks
Sep 26, 2023 · The Spanish Main (1945), costume design by Edward Stevenson Filmed in Technicolor.
[12]
HOLLYWOOD SLOWED BY STRIKE; Off Schedule
” RKO's spectacular "Spanish Main" is finished so far as cast filming is concerned, but is awaiting construction of miniatures for process photography. Fox ...
[13]
Slow Fade to Black: The Decline of RKO Radio Pictures ...
... The Spanish Main (profit: $1,485,000) leading the way, followed by the ... Hollywood Reporter chimed in, calling the C&C sale, “one of the most ...
[14]
Why classic Technicolor was glorious but too expensive to last
Jul 1, 2015 · The cumbersome and expensive three-strip Technicolor process “required enormous amounts of light, and the studios were required to hire ...
[15]
The Spanish Main - Variety
The Spanish Main. Production: RKO. Director Frank Borzage; Producer Robert Fellows; Screenplay George Worthing Yates, Herman J. Mankiewicz; Camera George ...<|separator|>
[16]
THE SCREEN; Usual Beautiful Lady Is Saved From Usual Heinous ...
Paul Henreid is "dashing" as the pirate, Maureen O'Hara is "spirited" as the girl and Walter Slezak is "heinous" as the governor. They turn it on like water out ...Missing: casting Laraine
[17]
Anne Bonny – Lady Pirate - Legends of America
Anne Bonny (or Bonney) was a famous lady pirate known for her violent temper and ferocious fighting; she operated in the Caribbean along with the likes of ...<|control11|><|separator|>
[18]
SPANISH MAIN, THE - Dennis Schwartz Reviews
... Walter Slezak's well-played villainous Spanish aristocrat role. It was RKO's first film in the three-color Technicolor process, and cinematographer George ...
[19]
The Spanish Main (1945) directed by Frank Borzage - Letterboxd
Rating 3.2 (783) Star Paul Henreid apparently spearheaded the project because he wanted to escape typecasting as a noble idealist.
[20]
The Spanish Main - Trailers From Hell
Feb 1, 2025 · Writer Herman J. Mankiewicz polished the dialogue and veteran director Frank Borzage staged scenes with great precision. The movie is an ...
[21]
The Spanish Main Looks Great on Blu-ray - Solzy at the Movies
Aug 22, 2025 · Cinematographer George Barnes received an Oscar nomination for Best Color Cinematography for his work on The Spanish Main, and it's easy to see ...<|control11|><|separator|>
[22]
The Spanish Main, poster, Maureen O'Hara, Paul Henreid, 1945.
Mar 21, 2019 · The Spanish Main, poster, Maureen O'Hara, Paul Henreid, 1945. Get premium, high resolution news photos at Getty Images.
[23]
The Spanish Main [ NON-USA FORMAT, PAL, Reg.2 Import - France ]
30-day returnsLanguage, ‎English (Dolby Digital 2.0 Mono), French (Dolby Digital 2.0 Mono) ; Actors, ‎Binnie Barnes, John Emery, Maureen O'Hara, Paul Henreid, Walter Slezak.Missing: international distribution
[24]
[PDF] The American Motion Picture Industry, 1945 to 1955 - LSE
1945-46. Bells of St. Mary's (HP). 1,549. 7,950. 3,200. 11,150. 3,715. 240%. The Spanish Main (HC). 2,115. 3,385. 2,450. 5,835. 1,485. 70%. The Spiral Staircase.
[25]
Paul Henreid Movies | Ultimate Movie Rankings
An average Paul Henreid movie grossed $89.10 million in adjusted domestic box office gross ... The Spanish Main (1945) $402.10 million in adjusted box office ...
[26]
MAUREEN O'HARA BOX OFFICE
Oct 25, 2015 · MAUREEN O'HARA BOX OFFICE ; Pavillon noir. The Spanish Main. 1947. 2 819 971. 522 186 ; Voyage sentimentale. Sentimental Journey. 1947. 727 813.Missing: entrées | Show results with:entrées
[27]
Maureen O'Hara, Irish-Born Star Who Played Strong-Willed Beauties ...
Oct 24, 2015 · ... escapist movies of the 1940s and '50s, died on Saturday at her ... The Spanish Main” (1945). She even played a pirate captain herself ...Missing: post- | Show results with:post-
[28]
The 17th Academy Awards | 1945 - Oscars.org
1 NOMINATION. Music (Song) - I'll Walk Alone in "Follow the Boys" Music by Jule Styne; Lyrics by Sammy Cahn. G. Gaslight. 7 NOMINATIONS, 2 WINS. * Actress ...
[29]
The swashbuckler is due its revenge - Entertainment.ie
... Pirate', through to 1945's 'The Spanish Main'. The swashbuckler genre traces its origin to the theatre, where fencing was taught to actors as part of their ...
[30]
The Spanish Main (1945) - Connections - IMDb
Referenced in. The Making of 'The Quiet Man' (Video 1992). mentioned once. Pirates of the Caribbean: The Curse of the Black Pearl (2003). Source of line "Poppet ...
[31]
List of references in Pirates of the Caribbean
The parley scene is a possible reference to the 1945 movie The Spanish Main where after the pirate capture of a Spanish ship the imprisoned passenger ...Missing: brawl | Show results with:brawl
[32]
Public Domain Movies - Feature Films
Public Domain Movies - Feature Movies in the Public Domain. ... The Spanish Main, 1945, The_Spanish_Main. 1521, The Speckled Band. 1522, The ...
[33]
The Spanish Main Blu-ray (Warner Archive Collection)
Rating 8/10 · Review by Randy Miller IIIJan 29, 2025 · The Spanish Main Blu-ray delivers stunningly beautiful video and superb audio in this excellent Blu-ray release
[34]
The Spanish Main - Frank Borzage - Barnes & Noble
Free delivery over $50 Free in-store returns$17.99. View All Available Formats & Editions. The Spanish Main available in Blu-ray, DVD ... Release Date: 11/06/2012. UPC: 0883316677841. Original Release ...Missing: TCM | Show results with:TCM
[35]
Watch The Spanish Main | Prime Video - Amazon.com
Rating 4.6 (311) · 30-day returnsThe scourge of the seas! After escaping unjust imprisonment, a Dutch trader transforms himself into the feared pirate the “Barracuda.” With Paul Henreid, ...Missing: media streaming