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The Tide Is High

"The Tide Is High" is a song written by John Holt and first recorded by the Jamaican vocal trio in 1967, featuring a doo-wop-inspired style with accompaniment that evokes a melancholic, pleading tone about . The track, produced by Duke Reid and released on the Treasure Isle label, remained a regional hit in but gained little international attention at the time. The song achieved global prominence through a cover by the American band , released in October 1980 as the lead single from their fifth studio album, . Infused with rhythms and pop sensibilities, Blondie's version—featuring lead vocals by and production by —topped the for two weeks in November 1980 and reached number one on the for one week on January 31, 1981, becoming the band's third US chart-topper. It also peaked at number one in and , selling over two million copies worldwide and exemplifying Blondie's genre-blending approach during their commercial peak. Subsequent covers have further popularized the song across genres, including a 2002 remix by British girl group titled "The Tide Is High (Get the Feeling)," which incorporated new verses and topped the for three weeks, earning platinum certification in the UK. Other notable versions include renditions by artists such as in 1978 (reggae adaptation) and Billie Piper in 2000 (pop cover), highlighting the song's enduring appeal and adaptability in music from rocksteady to contemporary pop. The track's simple, timeless lyrics—"The tide is high but I'm holding on / I'm gonna be your number one"—have made it a staple in discussions of reggae's influence on Western pop music.

Background

Composition

"The Tide Is High" was written by John Holt, Howard Barrett, and Tyrone Evans in 1967, during Holt's tenure as lead singer of the Jamaican group . The lyrics reflect Jamaican influences, utilizing the ocean tide as a for the highs and lows of romantic persistence, where the narrator expresses unwavering determination to win over a love interest amid competition from others. The song captures the resolute spirit of addressing romantic rivals with lines like "I'm not the kind of man who gives up just like that." Musically, the composition employs a straightforward verse-chorus form, rooted in rocksteady's signature rhythm—slower than , with prominent bass lines, offbeat guitar accents, and subtle horn arrangements that underscore the song's mellow, harmonious vibe.

Original Recording and Release

"The Tide Is High" was recorded in 1967 by the Jamaican vocal group at Treasure Isle Recording Studio in Kingston. The session was produced by Arthur "Duke" Reid, a prominent figure in the Jamaican music scene known for his work at the Treasure Isle label. The Paragons' lineup featured John Holt on lead vocals, alongside harmony vocalists Howard Barrett and Garth "Tyrone" Evans, marking their rocksteady-era configuration following earlier lineup changes. The track was released as the B-side to "Only a Smile" on a 7-inch single via the Treasure Isle label in that same year. Accompanied by and the Supersonics on instrumentation, including notable violin contributions, the single exemplified the smooth sound emerging from Kingston's studios. Initially, the release saw limited international distribution, finding its primary audience through Jamaica's vibrant culture where DJs and selectors played it extensively in local communities.

The Paragons Version

Track Listing

The original single of "The Tide Is High" by was released in 1967 on the Treasure Isle label in , appearing as the B-side to "Only a Smile" with a runtime of approximately 2:43, while the A-side "Only a Smile" has a runtime of approximately 2:58. The recording features backing by & The Supersonics, including accompaniment.
SideTitleDuration
AOnly a Smile2:58
BThe Tide Is High2:43
This single, produced by Duke Reid, included no alternate mixes or versions during the original era. "The Tide Is High" was subsequently included on the group's 1967 album On the Beach with The Paragons, where it appeared as one of the tracks in its standard single version.

Reception and Legacy

Upon its release in 1967, "The Tide Is High" achieved significant popularity within Jamaica's scene, where it resonated with audiences through its melodic harmonies and romantic themes, though formal music charts did not exist at the time. The track was heavily featured on the island's influential sound systems—mobile DJ setups with powerful speakers that dominated street parties and community gatherings—helping to amplify 's slower, soulful sound across Kingston and beyond. The song's success bolstered the career of lead singer John Holt, who drew on its emotional delivery and his Paragons tenure to launch a highly successful solo career in the early 1970s, establishing himself as a key figure in and with hits that echoed the intimate style of the original recording. It also influenced broader reggae developments, as rocksteady's emphasis on basslines and vocal interplay paved the way for the genre's evolution in the ensuing decade. In the , "The Tide Is High" experienced a rediscovery through reissues of the original album On the Beach with and inclusion on various anthologies, which preserved and reintroduced gems to new listeners amid reggae's rising international profile. This revival underscored the track's cultural significance as a cornerstone of , embodying Jamaica's post-independence spirit of innovation and local pride while safeguarding the genre's harmonious legacy against the dominance of faster-paced styles.

Blondie Version

Production

Blondie's version of "The Tide Is High" was produced by for the band's fifth studio album, , released in November 1980. The production marked Chapman's second collaboration with the group following the success of , during which he emphasized polished, radio-friendly arrangements to blend the band's roots with broader pop and genre influences. The track was recorded at United Western Studios in , , where the band relocated at insistence to capture a more expansive sound away from their base. Core band members contributed prominently, with delivering the lead vocals, on guitar, on drums, on keyboards, on bass, and on rhythm guitar. The arrangement fused elements with influences, incorporating synthesizers from Destri, a , and string arrangements by session musician Jimmie Haskell to add lush, orchestral layers to the rhythm. Additional percussion, including eight tracks of drum sticks tapped on a bench, enhanced the track's light, percussive groove. The decision to cover the song stemmed from the band's growing interest in following the disco-infused success of "Heart of Glass" from , prompting them to revisit genre-blending experiments in pre-production by referencing the original version by . This approach allowed to adapt the track into a vibrant, horn-driven pop- hybrid that aligned with 's eclectic style.

Commercial Performance

"The Tide Is High" was released as a single by Chrysalis Records in September 1980, serving as the lead single from Blondie's album Autoamerican. In the United States, the song topped the Billboard Hot 100 chart for one week on January 31, 1981, becoming Blondie's third number-one single there. It spent a total of 26 weeks on the Hot 100 and ranked 17th on the Billboard year-end Hot 100 chart for 1981. The single was certified gold by the RIAA in January 1981 for sales of one million copies in the US. The reggae-infused production contributed to its crossover appeal, blending new wave with Caribbean rhythms to attract a broad audience. Internationally, "The Tide Is High" achieved number-one status on the for two weeks starting November 15, 1980, marking Blondie's fifth UK chart-topper. It peaked at number four in on the and topped the charts in via the RPM Top Singles survey. In the , it peaked at number four on the Dutch Top 40. The track's global success underscored Blondie's versatility in adapting elements for mainstream pop audiences.

Accolades

Blondie's rendition of "The Tide Is High" earned a nomination for International Single of the Year at the 1982 Juno Awards, where it competed against tracks such as Kim Carnes's "Bette Davis Eyes" and Kool & the Gang's "Celebration." The track has been celebrated for bridging reggae and pop genres, helping to popularize reggae-infused sounds in mainstream Western music during the early 1980s and solidifying Blondie's reputation as genre innovators. Its offbeat rhythms and laid-back vibe exemplified the era's fusion of new wave with Caribbean influences, paving the way for subsequent pop-reggae hybrids. "The Tide Is High" has also left a mark through sampling in later works, notably in Kon Kan's 1989 single "Arts in D Minor ()," which incorporated elements of its melody and vocal hooks to blend and pop. Additional samples appear in tracks like RhythmX feat. B-Legit's 1993 song "Somethin' I Can't Deny," highlighting its enduring rhythmic appeal in and contexts.

Track Listings

Blondie's "The Tide Is High" was released in various formats in 1980, primarily 7-inch vinyl singles through . The standard configuration featured the single edit as the A-side, paired with a B-side track.

UK 7" Single (CHS 2465)

TrackTitleDurationNotes
AThe Tide Is High3:50Single edit.
BSusie and Jeffrey4:05Album track from .

US 7" Single (CHS-2485)

TrackTitleDurationNotes
AThe Tide Is High4:40Full album version.
BSusie and Jeffrey4:05Album track from Autoamerican.

Album Inclusion

"The Tide Is High" (4:40) appears as track 2 on the standard edition of Blondie's fifth studio album Autoamerican (1980).

Digital Download Formats (Post-2002)

Digital versions became available through platforms like iTunes and Spotify in the mid-2000s, typically featuring the album version (4:40) as a standalone track or bundled with Autoamerican. Remastered editions from 2001 include the single edit.

Atomic Kitten Version

Production and Release

Atomic Kitten's version of "The Tide Is High," subtitled "(Get the Feeling)," was produced by Bill Padley and Jem Godfrey as the second single from the group's second studio album, Feels So Good, released in 2002. The production featured a pop arrangement incorporating electronic beats and Euro house elements, with layered vocals performed by the lineup of Liz McClarnon, Natasha Hamilton, and Jenny Frost. The version incorporates new verses titled "Get the Feeling" alongside the original lyrics. The track was recorded and mixed at Wise Buddah Music Studios in , , where Padley and Godfrey handled arrangement, programming, and instrumentation to adapt the original song—known for its metaphor of enduring romantic commitment—into a contemporary early pop sound, drawing inspiration from the success of Blondie's 1980 cover while targeting the market. It was released on August 26, 2002, by as a in , following the album's "It's OK!," with additional vocal production by .

Chart Performance

Atomic Kitten's version of "The Tide Is High (Get the Feeling)" debuted at on the on 7 September 2002, holding the top position for three weeks and spending a total of 16 weeks in the top 40. It ranked number 13 on the UK year-end singles chart for 2002 and number 79 on the decade-end chart for 2000–2009. The single also achieved strong international success, peaking at number one in for four weeks with 13 total weeks on the chart. In , it reached number one on the RIANZ Singles , lasting 23 weeks overall. In , the track peaked at number three on the Official German s, remaining on the chart for 13 weeks. It debuted at number four on the Australian ARIA Singles . In the UK, the single has accumulated over 651,000 combined sales as of 2021, according to data. Globally, it received significant radio support, topping the European airplay chart and contributing to its broad continental appeal.

Music Video

The music video for Atomic Kitten's cover of "The Tide Is High (Get the Feeling)" was directed by Jake Nava and released in 2002. Filming occurred at Sanctuary Asylum Studios in , , on June 20, 2002. The production emphasizes a vibrant, playful pop aesthetic through studio-shot sequences featuring the group in matching white outfits performing synchronized . Key visuals include the trio walking and singing in front of a flashing backdrop, interspersed with shots of each member and dynamic group dances during the , evoking an energetic, feel-good theme aligned with the song's summery lyrics. Notably, band member appears visibly pregnant throughout the video, with no efforts made to conceal it. The video's rotation on music channels like contributed to the single's strong performance in youth-oriented markets.

Track Listings

The single "The Tide Is High (Get the Feeling)" by was released in various physical and digital formats in 2002, primarily through Innocent and . Configurations varied by region, with the market featuring multiple CD singles and a cassette edition. The radio mix served as the lead track across most releases, often paired with remixes, medleys, or covers.

UK CD1 (SINC D38)

This enhanced four-track was the primary commercial release in the .
TrackTitleDurationNotes
1The Tide Is High (Get the Feeling) (Radio Mix)3:26Lead single version.
2Album Medley5:10Medley including "It's OK!", "Love Won't Wait", "Feels So Good", "Walking on the Water", and "The Moment You Leave Me".
33:38Cover of the song.
4The Tide Is High (Get the Feeling) (Enhanced Video)N/A video content.

UK CD2 (SINC D39)

The second CD single offered extended mixes aimed at and club audiences.
TrackTitleDurationNotes
1The Tide Is High (Get the Feeling) (Groove Brothers 12" Mix)5:35Extended remix by Groove Brothers.
2The Tide Is High (Get the Feeling) ( Mix)7:46 by Lasgo.
3Feels So Good (Almighty Mix)7:25 of the track by Almighty.

UK Cassette Single (SINC 38)

The cassette edition duplicated tracks on both sides for simplicity.
SideTitleDurationNotes
AThe Tide Is High (Get the Feeling) (Radio Mix)3:26Lead single version.
AAlbum Medley5:10Same as CD1 track 2.
BThe Tide Is High (Get the Feeling) (Radio Mix)3:26Duplicated from A-side.
BAlbum Medley5:10Duplicated from A-side.
The cassette played the same content on both sides.

Album Inclusion

"The Tide Is High (Get the Feeling)" (radio mix, 3:26) appears as track 3 on the standard edition of Atomic Kitten's second studio Feels So Good (2002). Some international editions, such as the release, include additional content like the Groove Brothers edit, but no verified Spanish-language version titled "Alas Como Águilas" appears on official editions.

Digital Download Formats (Post-2002)

Following the initial physical release, digital versions became available through platforms like and starting in the mid-2000s. The standard EP mirrors the CD1 structure:
TrackTitleDuration
1The Tide Is High (Get the Feeling)3:28
2Album Medley5:12
33:38
Later reissues, such as on streaming services, often feature the radio mix as a standalone track or bundled with the full Feels So Good album.

Certifications

Atomic Kitten's version of "The Tide Is High (Get the Feeling)" was certified Platinum by the on 19 June 2020 for combined sales and streams of 600,000 units in the . The single was also certified Platinum by the in 2002, representing 70,000 units shipped in . In , it received a Gold certification from the Gramophone Producers Association (GLF, now part of IFPI ) in 2002 for sales of 15,000 units. The track did not receive any certification from the (RIAA) in the United States. Overall worldwide sales for the single are estimated at 1.5 million units.

Other Versions

Papa Dee Version

In 1996, Swedish rapper Papa Dee (David Christopher Daniel Wahlgren) released a cover of "The Tide Is High" on his album The Journey, issued by Telegram Records Stockholm under the label. This adaptation transformed the original 1967 rocksteady song by into a ragga hip-hop style, blending rhythms with verses. The track was produced by , John Amatiello, , and , emphasizing instrumentals beneath Papa Dee's energetic toasting and lyrics. It also peaked at number 20 on the Finnish Singles Chart. Clocking in at 3:43 for its original version, the single received limited radio play in but failed to gain significant traction beyond . On the Swedish Singles Chart, it debuted at number 50 on August 16, 1996, reached a peak of number 44, and charted for a total of three weeks. Despite the album's moderate domestic success—peaking at number 9 on the Swedish Albums Chart—"The Tide Is High" did not achieve major international recognition or commercial breakthroughs.

Kardinal Offishall Version

"Numba 1 (Tide Is High)" is a 2008 remix of the classic "The Tide Is High", performed by Canadian rapper featuring American singer . Released as the fourth single from Offishall's fourth studio album Not 4 Sale on September 9, 2008, via and Kon Live Distribution, the track updates the original with contemporary urban elements. Produced by Jamaican-American producer , the song blends R&B hooks delivered by Hilson with Offishall's verses, maintaining the chorus melody while infusing rhythms and flows. An alternate album version features Barbadian singer , but the single and prominently feature Hilson. This version contributes to the song's long of covers and across genres. The track achieved moderate commercial success, peaking at number 38 on the Billboard Canadian Hot 100 chart and spending 13 weeks on the ranking. It also charted at number 84 on the and number 29 on the UK R&B Chart. The accompanying music video, directed by Gil Green, features Offishall and Hilson in urban settings with dance sequences and party scenes, emphasizing the song's upbeat vibe. The single was certified Gold in Canada by Music Canada for sales and streaming equivalent to 40,000 units.

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