Third Day
Third Day is an American Christian rock band formed in Atlanta, Georgia, in 1991 by lead vocalist Mac Powell and guitarist Mark Lee.[1] Renowned for their energetic live performances and songwriting rooted in faith, the band became a cornerstone of contemporary Christian music (CCM), blending rock influences with themes of worship, redemption, and hope.[1] Over their career, Third Day released 14 studio albums, achieved sales exceeding 10 million records worldwide, and secured 31 number-one singles on Christian radio charts.[1] The band's core lineup included drummer David Carr and bassist Tai Anderson, alongside Powell and Lee, though earlier members like guitarist Billy Wilkins and later additions such as Brad Avery contributed to their evolving sound during the 1990s and 2000s.[2] Their breakthrough came with the self-titled debut album in 1996, followed by hits like "Cry Out to Jesus" and "Mountain of God" from Wherever You Are (2005), along with earlier releases such as Wire (2000), which propelled them to multi-platinum status and widespread acclaim.[1] Third Day's accolades include four Grammy Awards in gospel and contemporary Christian music categories, 24 GMA Dove Awards, one American Music Award, induction into the Georgia Music Hall of Fame, and the ASCAP Vanguard Award for their impact on Christian music.[1] After a farewell tour in 2018, the group announced a reunion in 2025, planning a 30-city arena tour in 2026 to celebrate their 30th anniversary and perform their catalog of hits.[3]History
Formation and early independent work (1991–1994)
Third Day was formed in 1991 in Powder Springs, Georgia, by high school friends Mark Lee on guitar and Mac Powell on lead vocals during their senior year at McEachern High School. Initially operating as a garage band named Nuclear Hoedown, the group started by covering secular rock songs and performed at small local venues in Cobb County. Shortly thereafter, they recruited bassist Billy Wilkins to round out the lineup, marking the beginning of their transition toward original music with Christian themes.[4][2] The band adopted its name "Third Day" from the biblical reference to Jesus' resurrection on the third day, as described in passages like 1 Corinthians 15:4. Early practices took place in garages and local churches around the Atlanta area, where the members developed their sound amid limited resources. In 1992, a pastor connected Lee and Powell with drummer David Carr and bassist Tai Anderson from a local group called the Bullard Family Singers, leading to their integration into the band and further solidifying the rhythm section. This period saw a shift from secular covers to composing faith-based rock songs, reflecting the members' growing commitment to Christian music.[4][5][1] During 1991–1994, Third Day focused on independent recordings, producing demo tapes such as the 1993 release Long Time Forgotten to showcase their material. They self-released the cassette album Contagious in 1994, which included original tracks emphasizing Christian messages and received positive local reception. The band played early gigs at youth rallies, coffeehouses, and small Atlanta-area venues, gradually building a regional audience through word-of-mouth and church events.[6][4][7] Challenges defined this formative era, including lineup instability—Billy Wilkins departed during the Contagious sessions in 1993, prompting guitarist Brad Avery to join and infuse a stronger rock edge—and the lack of professional equipment, which forced reliance on basic setups for practices and performances. Despite these hurdles, the core members' high school bonds and shared faith laid the foundation for the band's enduring identity.[4]Signing with Reunion Records and debut releases (1995–1997)
In 1995, Third Day solidified their lineup with the addition of guitarist Brad Avery, who joined after the band heard him performing with singer Chris Carder and invited him to audition.[8] That same year, the band signed a one-album deal with the independent label Gray Dot Records, releasing their self-titled debut album in June, which combined tracks from their earlier independent work with new material like "Consuming Fire" and "Take My Life."[9] The album highlighted the band's emerging Southern rock style infused with Christian themes, recorded at Furies Studio in Atlanta.[10] Following the independent release, Reunion Records signed Third Day to a multi-album deal in late 1995, marking their entry into the major Christian music market.[5] The label re-mixed and re-released the self-titled album in 1996, produced by David Mardis, featuring tracks such as "Forever," "Holy Spirit," and "Lord of the Dance."[11] This version gained broader distribution and introduced the band to a national audience through initial radio play on Christian stations.[12] Building on the debut's momentum, Third Day recorded their follow-up album Conspiracy No. 5, released in August 1997 and produced by Sam Taylor.[13] The record refined their sound with a more polished Southern rock edge, driven by songs like "My Hope Is You" and "You Are So Good to Me," which became early radio favorites and emphasized themes of faith and redemption.[14] During this era, the band conducted promotional tours across the Southeast and beyond, performing at festivals and churches to cultivate a dedicated following.[4] With their core members—Mac Powell on vocals, Mark Lee on guitar, Tai Anderson on bass, David Carr on drums, and now Brad Avery on lead guitar—fully in place, Third Day experienced a period of creative focus, though differing visions on musical direction occasionally arose amid the transition to professional recording.[8] This lineup stability enabled Powell and Lee to take primary roles in songwriting, shaping the band's signature blend of rock energy and spiritual depth.[4]Breakthrough and mainstream acclaim (1998–2004)
Third Day's breakthrough came with the release of their third studio album, Time, on August 23, 1999, which debuted at number one on the Billboard Christian Albums chart and became the band's first gold-certified record by the RIAA, signifying sales of 500,000 copies.[12] The album featured the hit single "I've Always Loved You," which helped solidify their presence in the contemporary Christian music scene.[15] Guitarist Brad Avery, who joined the band in 1995, contributed to the album's production and enhanced their dynamic live performances, bringing a fuller rock sound to their shows.[16] In 2000, Third Day shifted toward worship music with Offerings: A Worship Album, a live recording captured at a church in Atlanta, Georgia, that reinterpreted several of their earlier hits alongside new worship songs like "King of Glory."[17] The album earned the band their first Grammy Award for Best Contemporary Gospel Album in 2001 and marked a pivotal moment in their evolution, blending southern rock with congregational praise.[18] This release expanded their audience within Christian circles and set the stage for further acclaim. The band's fifth studio album, Come Together, arrived in May 2001 and continued their upward trajectory, achieving gold certification and winning a Grammy for Best Rock Gospel Album.[12][18] Tracks like "Show Me Your Glory" gained traction as crossover attempts, receiving airplay on both Christian and select secular radio stations, while the album's raw, psychedelic-influenced rock style drew praise for its energy.[19] The accompanying Come Together Tour showcased their growing live prowess, including appearances at major Christian festivals such as Creation.[6] By 2004, Third Day had amassed over one million album sales through multiple gold certifications for Time, Offerings, and Come Together, establishing them as a mainstream force in Christian music.[20] Media coverage in outlets like CCM Magazine highlighted their rise, featuring interviews on their blend of rock roots and faith-driven lyrics.[15] The period also saw initial international expansion, with tours reaching Europe and Australia, broadening their global fanbase.[17]Peak commercial success and expansions (2005–2009)
The band's commercial peak intensified with the release of their eighth studio album, Wherever You Are, on November 1, 2005. Self-produced in part by the group for the first time, the record blended rock anthems and introspective ballads, yielding major radio hits including "Cry Out to Jesus," which topped the Billboard Christian Songs chart for multiple weeks, and "Mountain of God," a stirring track emphasizing faith amid uncertainty.[21] The album's strong sales performance led to RIAA platinum certification in 2016, reflecting over 1 million units sold, a testament to Third Day's growing mainstream appeal within Christian music.[22] Expanding into seasonal offerings, Third Day released their first holiday album, Christmas Offerings, on October 17, 2006. The project featured reimagined classics such as "O Come All Ye Faithful" and "O Holy Night" alongside original compositions like "Born in Bethlehem" and "Jesus, Light of the World," capturing the band's signature Southern rock energy in a festive context. It debuted at No. 1 on the Billboard Christian Albums chart, marking their first chart-topping release in that category and solidifying their versatility beyond standard rock fare. In 2007, Third Day capitalized on their catalog with the double-compilation set Chronology, released in two volumes: Volume One: 1996–2000 in March and Volume Two: 2001–2006 in August. These collections included remastered hits, rare tracks, and live recordings from early tours, providing fans with a retrospective of the band's evolution while highlighting fan-favorite performances like "Consuming Fire" and "Cry Out to Jesus." The releases underscored their enduring popularity, with live elements drawn from high-energy arena shows that drew thousands.[23] The year 2008 brought further diversification through the worship-oriented studio album Revelation, released July 29 under a new distribution deal with Provident Label Group, a unit of Sony BMG, following discussions about label transitions from their longtime home at Essential Records. Produced by Howard Benson, known for work with mainstream rock acts, the album featured the duet "Born Again" with Flyleaf's Lacey Mosley, blending Third Day's rock roots with contemporary worship elements. Tracks like "Call My Name" became radio staples, peaking at No. 1 on the Christian Songs chart.[24] Capping the period, Live Revelations arrived in April 2009 as a CD/DVD set documenting the band's Revelation Tour, capturing raw onstage performances and behind-the-scenes glimpses of their international arena outings across North America and Europe. The project earned a GMA Dove Award nomination for Long Form Music Video, while Revelation itself swept multiple Doves, including Rock/Contemporary Album of the Year, bringing Third Day's total wins to 24. By the end of 2009, the band had surpassed 5 million albums sold globally, reflecting their peak commercial footprint.[20]Transitional albums and worship focus (2010–2014)
Following the departure of guitarist Brad Avery in 2008 to pursue solo projects, Third Day continued as a quartet while incorporating touring musicians such as Marcus Penningshime on guitar from 2010 to 2012.[25][26] This lineup adjustment allowed the band to maintain stability amid a creative shift toward more introspective and faith-centered material. Their tenth studio album, Move, released on October 19, 2010, via Essential Records, marked this evolution with a blend of southern rock energy and personal vulnerability.[27] Produced by Paul Moak and recorded in the band's own studio for greater artistic control, the record featured tracks like "Make Your Move," an upbeat call to action in faith, and "Trust in Jesus," which explored themes of surrender and reliance on divine guidance. Critics noted the album's raw, gospel-infused sound as a refreshing return to the band's roots while pushing boundaries with collaborations, including a guest appearance by the Blind Boys of Alabama on "Lift Up Your Face."[27] Building on this momentum, Third Day released their eleventh studio album, Miracle, on November 6, 2012, also through Essential Records and produced by Brendan O'Brien.[28] The project delved deeper into themes of personal faith struggles and redemption, with standout singles like "I Need a Miracle," which captured raw pleas for divine intervention amid life's challenges, and "Your Love Is Like a River," emphasizing God's sustaining grace.[29] The album debuted at No. 1 on the Billboard Christian Albums chart and No. 10 on the Billboard 200, selling 29,000 copies in its first week and underscoring the band's enduring appeal in contemporary Christian music.[30][31] This release highlighted a transitional phase where Third Day balanced rock-driven anthems with more contemplative elements, reflecting frontman Mac Powell's songwriting focus on authentic spiritual journeys. To promote Miracle, the band embarked on the Miracle Tour starting February 21, 2013, spanning 45 cities across North America with opening acts Colton Dixon and Josh Wilson.[32] The tour emphasized live energy and audience engagement, incorporating extended sets that encouraged congregational participation through familiar worship choruses and new material designed for communal singing.[33] This approach aligned with a growing worship focus in their performances, where songs like "Revelation" and "Mountain of God" from earlier albums were reimagined to foster collective reflection and praise, drawing from the band's history of church and camp gigs.[34] During this period, Third Day began developing their first worship album in over a decade, Lead Us Back: Songs of Worship, announced on October 30, 2014, for a March 2015 release.[35] The project featured live recordings captured at New York City's Madison Square Garden and other venues, prioritizing stripped-down arrangements for congregational use, including re-recorded hits like "Soul on Fire" and originals such as "Lead Us Back."[36] This initiative stemmed from the band's desire to revisit their worship origins, blending rock instrumentation with accessible melodies to support church settings and deepen fan connection through shared spiritual experiences.[37] Amid these band efforts, lead singer Mac Powell explored solo ventures, announcing a country album, Southpaw, in 2012 for release in October 2014, which showcased his vocal range in a genre-blending context.[38] Despite this detour, Powell reaffirmed his commitment to Third Day, viewing the solo work as a complementary outlet that enriched his contributions to the group's faith-based rock sound.[38]Final studio work and farewell tour (2015–2018)
In 2015, Third Day released their twelfth studio album, Lead Us Back: Songs of Worship, on March 3 through Essential Records, marking their first full-length worship project in over a decade.[39] The album featured intimate, stripped-down arrangements centered on themes of revival and spiritual renewal, including the lead single "Soul on Fire" featuring All Sons & Daughters, which peaked at No. 2 on the Billboard Christian Airplay chart and emphasized a yearning for deeper faith.[40] This release reflected the band's ongoing shift toward worship-oriented music while maintaining their signature rock influences. Following internal discussions in late 2017 about the band's legacy after 25 years, Third Day announced their decision to disband, framing Revival—their thirteenth and final studio album, released August 4, 2017, via Provident Label Group—as a fitting capstone that returned to their southern rock roots recorded at Fame Studios in Muscle Shoals, Alabama.[41] Produced by Monroe Jones, the album included the title track "Revival," which debuted at No. 1 on the Billboard Christian Airplay chart and captured the band's desire for spiritual and musical rejuvenation amid reflections on their career's sustainability.[42] Lead singer Mac Powell later shared that the choice to end stemmed from personal life transitions, including priorities as fathers and husbands, rather than creative disputes, allowing members to pursue individual paths without conflict.[43] The Farewell Tour commenced on May 31, 2018, in Seattle, Washington, initially planned for 12 dates but expanded to 20 shows across major U.S. markets due to demand, produced by Awakening Events and sponsored by Food for the Hungry.[44] The performances featured career-spanning sets drawing from their 31 No. 1 radio singles, blending high-energy rock anthems with worship elements, and fostered emotional connections with fans through extended encores and personal anecdotes from the stage.[45] Powell noted the tour's bittersweet tone, highlighting burnout from decades of touring and a collective wish for more family time, which had built over years of balancing band commitments with home life.[46] The tour concluded with a sold-out final concert on June 27, 2018, at Red Rocks Amphitheatre in Morrison, Colorado, where the band delivered a two-hour set to over 9,000 attendees, closing with "Revelation" and expressions of gratitude for their journey.[47] By this point, Third Day had sold more than nine million albums worldwide, cementing their status as one of Christian music's most enduring acts.[44]Hiatus and 30th anniversary reunion (2019–present)
Following the conclusion of their farewell tour in June 2018, Third Day entered an indefinite hiatus, with the band members choosing to forgo new music releases and extensive touring to prioritize rest and personal lives after more than 27 years of continuous activity.[45] This period allowed the original lineup—Mac Powell, Mark Lee, David Carr, and Tai Anderson—to step away from the demands of the music industry, marking a deliberate pause in the band's operations without any formal disbandment announcement beyond the tour's end.[1] During the hiatus, the members pursued individual endeavors outside the band. Lead singer Mac Powell focused on his solo career, releasing his debut Christian album New Creation in 2020 and a live recording Live From Red Rocks in 2023, while also embarking on personal tours and songwriting collaborations in Nashville.[46] Guitarist Mark Lee concentrated on songwriting and occasional live performances at churches, maintaining a lower profile centered on family and creative projects.[48] Drummer David Carr, who had already reduced his involvement prior to the tour's end, explored production work and other music-related interests, while bassist Tai Anderson transitioned into marketing and business ventures, including founding "Market Like A Rockstar" to blend his industry experience with entrepreneurial efforts.[49][50] On June 18, 2025, Third Day announced a reunion of the original quartet for a limited-engagement 30th anniversary celebration, highlighting the band's formation in 1991.[51] The "Third Day: 30th Anniversary Tour" is scheduled as a 30-city U.S. arena run, commencing on March 19, 2026, at VyStar Veterans Memorial Arena in Jacksonville, Florida, and concluding with a hometown finale at State Farm Arena in Atlanta, Georgia, on May 23, 2026.[52] Special guest Zach Williams will join the tour, with setlists featuring the band's classic hits such as "Cry Out to Jesus" and "Mountain of God," alongside select rarities from their catalog; no new album or recordings have been planned as part of the reunion.[53] Tickets went on sale June 27, 2025, via the band's official website and partners like Live Nation.[1] The reunion received widespread media attention, including a CCM Magazine cover story in October 2025, where the members reflected on their legacy of four Grammy Awards and over 25 years of influencing contemporary Christian music through faith-driven rock anthems.[54] In the interview, Powell emphasized the tour as a celebratory return to live performance without long-term commitments, noting the enduring impact of their music on fans' spiritual journeys.[55] As of November 2025, the tour has generated strong fan enthusiasm, underscoring the band's lasting popularity in the Christian music community.[56] While framed as a one-time milestone event, the members have expressed openness to future opportunities if the response continues to resonate, though no additional plans have been confirmed.[57]Musical style
Genres and sound characteristics
Third Day's music is primarily rooted in Christian rock, infused with Southern rock elements that feature prominent electric guitars, anthemic choruses, and lyrics centered on faith.[58] The band's sound often incorporates gospel and pop influences, creating a dynamic blend that appeals to both contemporary Christian music (CCM) audiences and broader rock listeners.[4] This core style emphasizes raw energy through driving rhythms and layered instrumentation, while maintaining a focus on uplifting, biblically inspired themes such as praise and redemption without overt proselytizing.[59][60] In their early 1990s work, Third Day drew from grunge-influenced alternative rock, delivering raw, aggressive tracks with distorted "grunge-style" guitars and introspective lyrics exploring personal doubt and spiritual struggle.[61] Albums like Conspiracy No. 5 (1997) exemplify this phase, characterized by heavy riffs and a high-energy edge that contrasted with more polished CCM contemporaries.[62] As the band evolved into the mid-2000s, they integrated worship elements, particularly in the Offerings series (2000 and 2003), shifting toward piano-driven ballads and congregational hooks designed for communal singing.[63] These releases softened the rock intensity, prioritizing emotive builds and harmonious refrains to foster a sense of collective praise.[4] Later albums, such as Lead Us Back: Songs of Worship (2015), leaned into acoustic worship with folk and pop sensibilities, featuring soul-inflected gospel touches and sing-along melodies that emphasize vulnerability and renewal.[37] Throughout their career, the band's production highlights layered guitars from members like Mark Lee and Brad Avery, providing textural depth, alongside a rhythmic backbone from David Carr and Tai Anderson that propels anthemic structures.[64] Mac Powell's raspy, gritty vocals remain a signature, conveying authenticity in themes of redemption and overcoming doubt, often supported by rich vocal harmonies that enhance the emotional resonance.[65][66]Influences and evolution
Third Day's musical influences drew heavily from Southern rock traditions, with band members citing Lynyrd Skynyrd and the Allman Brothers Band as key inspirations for their guitar-driven riffs and earthy energy.[67] Frontman Mac Powell, raised in Alabama, incorporated classic country elements alongside these rock roots, shaping the band's distinctive Southern-inflected sound.[67] Additionally, U2's anthemic scale influenced their expansive arrangements, while Atlanta-based acts like the Black Crowes, R.E.M., and Drivin' n' Cryin' contributed to a regional flavor of alternative rock.[68] Within Christian music, early inspirations included DC Talk and Rich Mullins, whose youth-oriented rock energy and lyrical depth informed Third Day's evangelistic approach and poetic songwriting.[68] Steven Curtis Chapman and emerging bands like Switchfoot also resonated with the group, blending pop accessibility with faith-based themes.[68] These influences helped Third Day avoid the more sanitized contours of contemporary Christian music (CCM), favoring organic instrumentation over electronic trends prevalent in the genre during the late 1990s and 2000s.[14] The band's style evolved from an initial acoustic Southern folk rock base in their early independent work, incorporating pop, blues, and bluegrass elements.[5] By their 1997 album Conspiracy No. 5, they shifted toward a grunge-infused sound with metal aggression, chunky percussion, and electric guitars, reflecting 1990s alternative trends.[5] This phase transitioned into a more rooted Southern rock on Time (1999), embracing looser, earthier tones that returned to their debut's raw energy.[4] The 2000s marked a pivotal adaptation to the worship music boom with Offerings: A Worship Album, a live-recorded collection of praise songs that hybridized their rock foundation with pop-worship structures, achieving platinum status and broadening their appeal.[4][14] Post-2010, Third Day leaned into acoustic intimacy on albums like Revival (2017), delivering a roots-style experience reminiscent of their early days with stripped-down arrangements and gospel revival spirit.[69] This evolution showcased a matured confidence, prioritizing heartfelt authenticity over experimentation.[68] Critics praised Third Day for their genuine Southern rock authenticity, distinguishing them from more formulaic CCM acts and earning mainstream recognition for songs that blurred genre lines.[70] However, later works like the Offerings sequels drew some critique for adhering too closely to a successful worship formula, limiting sonic innovation.[71] Third Day's legacy lies in mainstreaming Christian rock on radio, with 31 number-one hits that helped integrate faith-based music into broader audiences, paving the way for the genre's indistinguishability from secular rock in the 2000s.[1]Members
Current members
As of the band's 2025 announcement for their 30th anniversary reunion tour, Third Day's active lineup consists of its four original core members: Mac Powell on lead vocals, Mark Lee on rhythm guitar and backing vocals, David Carr on drums and percussion, and Tai Anderson on bass guitar. This configuration marks the first time all four have performed together since 2015, with the group reuniting exclusively for a limited 30-city arena tour in 2026, featuring no additional musicians announced to date.[72][1] Mac Powell has served as Third Day's lead vocalist and primary songwriter since the band's inception in 1991. His emotive vocal delivery, characterized by a raw, soulful Southern rock timbre, has been central to the band's signature sound across their discography. During the post-2018 hiatus, Powell pursued a successful solo career, releasing the Christian rock album New Creation in 2021, which debuted at No. 1 on Billboard's Top Christian Albums chart.[4][73][74] Mark Lee, a co-founder of Third Day, has contributed rhythm guitar and backing vocals since 1991, providing harmonic support and co-writing several key tracks throughout the band's history. As the longest-tenured member alongside Powell, Lee's acoustic and electric guitar work helped define the group's blend of rock and worship elements. Following the 2018 farewell tour, Lee maintained a lower public profile, focusing on family life, authoring the memoir Hurt Road: The Music, the Memories, and the Miles Between in 2017, and engaging in music production and speaking engagements centered on faith and personal testimony.[75][76] David Carr, another co-founder, has handled drums and percussion for Third Day since 1991, delivering the driving rhythms that underpinned the band's live energy and recorded output. He stepped back from full-time touring in 2017 to prioritize family, but remained involved in select performances through 2018. Post-hiatus, Carr has focused on family and local ministry in Atlanta, Georgia.[77][4] Tai Anderson joined Third Day in 1995 as bassist, anchoring the low-end groove on their albums and tours while also playing piano on select tracks. Beyond performance, Anderson managed much of the band's business operations, including marketing, tour logistics, and strategic growth from inception through their peak years. During the hiatus, he adopted a low-profile approach, transitioning into marketing consulting and creative direction, leveraging his experience to advise on branding for faith-based and music-related ventures without pursuing high-visibility solo projects.[78][79]Former members
Billy Wilkins served as the original keyboardist for Third Day from 1991 to 1993, contributing to the band's formative years and early demos during their high school inception in Marietta, Georgia. He departed the group to pursue a career as a school teacher, allowing the band to continue developing their sound without a direct replacement in that role at the time.[8][2] August McCoy joined as a guitarist in 1991 alongside founders Mac Powell and Mark Lee, helping shape the band's initial rock-oriented style through local performances. His tenure was brief, ending in 1992 when he left to attend college, marking one of the earliest lineup changes as Third Day sought to solidify their core membership.[80] Brad Avery was the lead guitarist from 1995 to 2008, playing a pivotal role in enhancing the band's live energy and contributing to their peak commercial era with albums like Come Together and Wire. His departure, announced in February 2008 after over 1,000 concerts, was described as a mutual decision to allow him to pursue solo projects; the band opted not to replace him, continuing as a quartet. Avery's exit coincided with a gradual shift toward more worship-focused material in subsequent releases, such as Move (2010), though no conflicts were reported among members.[25][8][4] In addition to core members, Third Day employed various touring musicians during the 2000s, including keyboardists like Scotty Wilbanks (2006–2018) and occasional horn sections for live performances, but these were not considered official band members. The departures of early members like Wilkins and McCoy had minimal long-term impact, while Avery's influenced the band's evolution without disrupting their trajectory.[4]Discography
Studio albums
Third Day's studio discography spans 13 major label original albums released between 1996 and 2017, primarily through Reunion and Essential Records, blending Christian rock with worship elements in later works. Excluding early independent releases, these albums collectively sold over 7 million copies in the United States, contributing to the band's total sales exceeding 10 million albums worldwide and legacy with 31 number-one Christian radio singles, including "Cry Out to Jesus."[1] The albums marked key milestones, from their raw rock debut to polished worship recordings, often topping or charting high on the Billboard Christian Albums chart.| Album Title | Release Date | Label | Peak Position on Billboard Christian Albums | Other Notable Achievements |
|---|---|---|---|---|
| Third Day | May 7, 1996 | Reunion Records | #11 | Debut album introducing the band's Southern rock sound. |
| Conspiracy No. 5 | August 26, 1997 | Reunion Records | #7 | Expanded their fanbase with harder-edged tracks. |
| Time | August 24, 1999 | Essential Records | #1 | Certified Gold by RIAA; featured hits like "My Hope Is You."[81] |
| Offerings: A Worship Album | October 24, 2000 | Essential Records | #1 | Platinum certification; shifted toward worship style with re-recordings.[82] |
| Come Together | May 22, 2001 | Essential Records | #1 | Peaked at #31 on Billboard 200; Platinum certification.[83] |
| Offerings II: All I Have to Give | March 25, 2003 | Essential Records | #1 | Continued worship focus with original and re-recorded songs. |
| Wire | August 3, 2004 | Essential Records | #1 | Experimental rock album with electronic influences. |
| Wherever You Are | November 1, 2005 | Essential Records | #1 | Peaked at #8 on Billboard 200; Platinum certification.[84] |
| Revelation | July 29, 2008 | Essential Records | #1 | Peaked at #6 on Billboard 200; led by "Call My Name." |
| Move | October 19, 2010 | Essential Records | #5 | Marked a transitional phase with pop-rock elements.[85] |
| Miracle | November 6, 2012 | Essential Records | #3 | Emphasized faith themes; featured "I Need a Miracle." |
| Lead Us Back: Songs of Worship | March 3, 2015 | Essential Records | #6 | Acoustic worship album; peaked at #20 on Billboard 200. |
| Revival | August 4, 2017 | Essential Records | #4 | Final studio album, returning to roots; produced by Monroe Jones.[86] |
Live, compilation, and holiday albums
Third Day's non-studio releases encompass live recordings that preserve the band's dynamic stage presence, compilation sets that retrospective their career milestones, and holiday projects blending seasonal traditions with their rock sensibilities. These albums, primarily issued through Essential Records until the band's independent phase, highlight performance evolutions and fan-favorite tracks without introducing new original material. Over their career, the band produced at least seven such releases, with the most recent marking their farewell era. The band's live discography began with Live in Concert: The Come Together Tour, a 2003 DVD capturing performances from their tour supporting the Come Together album, featuring high-energy renditions of tracks like "40 Days" and "Show Me Your Glory" alongside bonus content such as band interviews. This was followed by Live Wire in 2004, a CD/DVD set recorded during the Wire tour, including live versions of songs like "Rockstar" and "Come On Back to Me," which showcased Third Day's raw southern rock energy in concert settings. In 2009, Live Revelations arrived as a CD/DVD combo, presenting reimagined tracks from their Revelation album performed live with an emphasis on worship elements, such as extended audience interactions during "Revelation" and "Born Again."[87] The farewell period culminated in Live from the Farewell Tour, a 2023 two-disc CD (with accompanying DVD) self-produced by longtime collaborator Scotty Wilbanks, featuring 18 tracks like "Consuming Fire" and "Cry Out to Jesus" drawn from 2018 tour recordings, serving as a capstone to over 25 years of touring.[88] Compilation albums provided retrospectives of Third Day's output. The 2007 double-disc sets Chronology, Volume One (1996–2000) and Chronology, Volume Two (2001–2006) remixed and repackaged early hits with new recordings, such as a 2006 version of "Thief," and included DVD footage of live performances and music videos; Volume One debuted at No. 61 on the Billboard 200 and No. 2 on the Top Christian Albums chart. In 2010, the Offerings Box Set collected both worship albums (Offerings and Offerings II: All I Have to Give) with bonus live tracks and devotionals, emphasizing the band's spiritual songwriting focus. Holiday releases centered on Christmas themes. Christmas Offerings (2006) marked Third Day's entry into seasonal music, mixing original songs like "Christmas Like a Child" with classics such as "O Come All Ye Faithful," and achieved No. 2 on the Billboard Holiday Albums chart while winning the Dove Award for Christmas Album of the Year.[12] A companion Christmas Offerings: Live in Concert DVD followed in 2008, documenting tour performances of holiday tracks with guest artists, capturing the band's festive live atmosphere. No additional non-studio albums have appeared since the 2023 live release, aligning with the band's hiatus and selective reunions.Awards and recognition
Grammy Awards
Third Day has received four Grammy Awards, all in categories recognizing excellence in gospel and contemporary Christian music, out of a total of 11 nominations across their career.[89] The band's first win came at the 45th Annual Grammy Awards in 2003 for Best Rock Gospel Album with their live album Come Together, which captured their energetic performances and helped bridge Christian rock with broader audiences.[90] This achievement marked a significant milestone, affirming their growing influence in the genre.[91] In 2005, at the 47th Annual Grammy Awards, Third Day won Best Rock Gospel Album for Wire, their studio release featuring raw, faith-driven rock tracks that resonated with fans and critics alike.[92] Their third Grammy followed in 2007 at the 49th Annual ceremony, where Wherever You Are took Best Pop/Contemporary Gospel Album, highlighting their evolution toward more accessible, worship-oriented sounds.[93] The fourth and final win occurred in 2010 at the 52nd Annual Grammy Awards for Best Rock or Rap Gospel Album with Live Revelations, a dynamic live recording that showcased their live prowess and spiritual depth.[18] In acceptance speeches across these events, band members often expressed gratitude to their faith community and emphasized how the recognition amplified their mission to share Christian messages through music.[93] Beyond these wins, Third Day earned nominations in various gospel categories, including Best Pop/Contemporary Gospel Album for Offerings in 2003, Best Gospel Song and Best Gospel Performance for "Born Again" in 2010, and Best Contemporary Christian Music Performance/Song for "Soul on Fire" in 2016, underscoring their consistent impact in the field.[89][91] These accolades, presented by the Recording Academy, elevated Third Day's mainstream visibility while celebrating their contributions to contemporary Christian music.[94]| Year | Category | Work | Result |
|---|---|---|---|
| 2003 | Best Rock Gospel Album | Come Together | Won |
| 2005 | Best Rock Gospel Album | Wire | Won |
| 2007 | Best Pop/Contemporary Gospel Album | Wherever You Are | Won |
| 2010 | Best Rock or Rap Gospel Album | Live Revelations | Won |