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Toradar

Toradar, also known as a toradar or Indian matchlock, is a type of early firearm that originated in South Asia during the 16th century, characterized by its matchlock mechanism and widespread use in the Mughal Empire as a primary infantry weapon.^[1]^[2] Introduced to the Indian subcontinent by Mughal forces under Babur in 1526, the toradar represented an adaptation of European matchlock technology, featuring a serpentine arm to hold a glowing match for igniting gunpowder, and barrels often crafted from twisted steel for enhanced durability.^[2]^[3] These muskets typically measured around 65 inches in length, with stocks decorated in ivory, bone, brass, or lacquer, reflecting regional Rajput and Punjabi craftsmanship.^[4]^[1] The toradar remained a staple in Indian warfare through the 18th and 19th centuries, employed by Mughal armies, regional kingdoms, and even mutineers during the Indian Rebellion of 1857, where examples were captured as trophies by British forces.^[5]^[6] Its design allowed for relatively reliable firing in diverse conditions, though it was eventually supplanted by flintlock and percussion-cap mechanisms in the mid-19th century.^[2] Today, surviving toradars are preserved in museums worldwide, valued for their historical significance in the evolution of South Asian arms and their role in pivotal conflicts like the Battle of Panipat.^[4]^[3]

Overview

Definition and Characteristics

The toradar is a matchlock musket originating in South Asia, characterized by its adaptation to regional warfare and hunting practices during the early modern period.^[2] The toradar featured barrels measuring 40 to 50 inches, with ergonomic designs tailored for South Asian users, including slender, curved wooden stocks that facilitate stable shoulder firing.^[7] Key physical traits of the toradar include a smoothbore steel barrel, a full-length wooden stock often inlaid with decorative elements like silver or enamel, an overall length of 40 to 70 inches, a weight ranging from 8 to 15 pounds, and a caliber between .50 and .75 inches.^[7]^[8]^[9] These traits varied by region, with Mughal examples often featuring damascened barrels and Rajput or Sikh variants showing distinct inlays. Functionally, it relies on a serpentine lock mechanism holding a slow-burning match cord to ignite the black powder charge in the pan, enabling single-shot muzzle-loading operation with an effective range of 50 to 100 yards for aimed fire.^[10]^[11]

Historical Significance

The toradar, a distinctive South Asian matchlock musket, held profound historical significance in the Mughal Empire by revolutionizing military dynamics and extending firepower to broader segments of society. Introduced by Babur during his 1526 invasion, it enabled Mughal forces to deploy disciplined infantry volleys that disrupted cavalry charges, a dominant tactic in pre-gunpowder South Asian warfare, thus democratizing access to effective ranged weaponry beyond elite archers or mounted warriors.^[12] This adaptation empowered regional kingdoms to adopt similar tactics, shifting the balance toward infantry-based strategies and facilitating the empire's expansion across diverse terrains.^[12] By the 17th century, the toradar's proliferation allowed even peasants to wield firearms, fostering rebellions and underscoring its role in challenging centralized authority while bolstering Mughal and successor states' resilience against internal and external threats. Akbar's reforms institutionalized matchlock units, with estimates of around 35,000 musketeers in his forces by 1595, escalating to hundreds of thousands under Aurangzeb, reflecting widespread production to equip vast armies.^[13] Centers like Lahore and Delhi mass-produced these weapons, influencing artisan networks and intra-subcontinental arms trade that supplied allied polities.^[12] Culturally, the toradar transcended military use as an emblem of imperial sophistication and technological adaptation in the pre-modern era.^[14] Surviving artifacts from the 16th–18th centuries, numbering in preserved collections, attest to its enduring legacy, with notable examples held at the Royal Armouries in Leeds and the Metropolitan Museum of Art in New York.^[15]^[16]

History

Origins and Introduction to South Asia

The matchlock mechanism, the foundational technology behind the toradar, emerged in Western Europe during the early 15th century, with the earliest documented examples dating to around 1411 in what is now Germany.^[10] This innovation quickly spread to the Ottoman Empire by the mid-15th century, where it was refined for military use in hand-held firearms known as tüfenks, featuring a serpentine lever to hold and apply a slow-burning match to ignite gunpowder.^[17] Ottoman advancements emphasized mass production and tactical integration, making matchlocks a staple in imperial armies by the 1460s.^[18] Transmission of this technology to South Asia occurred primarily through Ottoman intermediaries and Portuguese traders, who established coastal footholds in India from the early 16th century.^[12] Babur, a Central Asian ruler of Timurid descent with strong Ottoman ties, brought matchlock expertise to the Indian subcontinent upon his invasion in 1525, including skilled artillerists like the Ottoman engineer Mustafa Rumi.^[19] The toradar, as the Indian adaptation of the matchlock musket came to be known, represented an early fusion of these foreign designs with local manufacturing techniques.^[13] Babur decisively introduced the toradar in 1526 at the First Battle of Panipat, where his forces deployed approximately 700–1,000 matchlock-armed infantry in a defensive wagon laager formation, supported by field artillery.^[12] This tactical use of volley fire from matchlocks inflicted heavy casualties on the larger Lodi army, securing a pivotal Mughal victory and establishing firearms as a cornerstone of their conquests in northern India.^[19] The technology's adoption accelerated under Akbar's reign from 1556 to 1605, as he reorganized the military into specialized matchlock units, known as tufangchis, numbering in the thousands by the late 16th century.^[13] Early adaptations of the toradar focused on suitability for South Asian environments, including the lengthening of barrels—often to 41–66 inches—to enhance accuracy and range in vast open plains and during mounted warfare.^[19] Stocks were modified using durable local woods like teak for the butt and fore-end, providing resistance to humidity and heat while allowing for intricate regional engravings and inlays.^[19] These changes, implemented in Mughal workshops by the 1570s, marked the toradar's transition from imported design to indigenous production.^[20]

Evolution in the Mughal Empire

During the reigns of Mughal emperors Jahangir (r. 1605–1627) and Shah Jahan (r. 1628–1658), the toradar underwent significant refinements, marking a peak in its development as a matchlock firearm. During the Mughal period, refinements in toradar design included the development of multi-shot repeating variants, such as four-barrel designs that allowed sequential firing through a revolving mechanism, enhancing firepower for both military and hunting applications.^[21] These advancements built on earlier matchlock technology introduced to South Asia in the 16th century, reflecting the empire's growing emphasis on precision and rapid deployment in warfare.^[12] Portraits from the era, including depictions of Shah Jahan holding a decorated matchlock, illustrate the toradar's integration into imperial iconography and its status as a valued weapon.^[22] Regional adaptations of the toradar emerged during this period, tailored to local materials and combat needs across the Mughal domains. Rajput adaptations in northern India often combined ornate silver inlays reflecting Rajasthani craftsmanship.^[16] These variations maintained the core matchlock serpentine mechanism but diverged in stock design and barrel length—for instance, Sindhi examples from the northwest had elongated barrels (up to 157 cm) and curved, fish-tail butts optimized for horseback use.^[6] Production of toradars flourished in key Mughal centers like Agra and Lahore, where imperial karkhanas (workshops) organized artisan guilds to mass-produce these firearms using high-quality Damascus steel barrels and teak stocks. These hubs employed hundreds of skilled gunsmiths, supporting the empire's vast military apparatus through standardized manufacturing techniques.^[23] However, following Aurangzeb's death in 1707, political fragmentation and regional revolts disrupted these centralized operations, leading to a decline in toradar production quality and innovation as local warlords turned to decentralized workshops.^[12]

Design and Construction

Key Components

The toradar, a matchlock musket, features a barrel typically forged from iron or pattern-welded steel, often exhibiting an octagonal or faceted cross-section that tapers from a wider breech to a narrower muzzle, facilitating balance and aiming; a touch-hole is drilled near the breech to connect the priming pan to the main powder charge for ignition.^[24]^[6] The barrel is secured to the stock via multiple bands, such as brass or wire bindings, ensuring structural integrity during handling, with the breech widening slightly to accommodate the lock assembly's positioning.^[24] The stock forms the foundational structure, constructed from full-length hardwood such as teak or rosewood, providing ergonomic support with a serpentine or fish-tail butt for shouldering and a channeled forearm area to house the barrel; the lock plate is mounted directly on the stock near the breech, reinforced by iron or brass side plates that extend along the sides to prevent splitting under recoil stress.^[25]^[24]^[6] This assembly integrates the barrel's weight distribution with the stock's contours, often in two-piece construction joined mid-length for manufacturability, while the butt's curve aids in stable static positioning.^[24] The lock assembly, integral to the weapon's ignition system, consists of a serpentine arm with pierced jaws to clamp and hold a lit match cord, pivoted on the lock plate adjacent to the priming pan; a trigger mechanism, including a sear, spring, and simple linkage, allows controlled release of the arm to lower the match into the pan, where priming powder awaits contact with the touch-hole.^[24] Positioned on the right side of the stock for right-handed users, the lock interrelates with the barrel's pan—a D-shaped enclosure at the breech—to form a sealed ignition pathway, with the serpentine's motion constrained by the stock's reinforcement plates.^[24] Accessories enhance the toradar's practicality in assembly, including a ramrod of wood or metal stored in a channel under the barrel for loading projectiles and powder, and swivel rings or loops mounted on brass plates along the stock for attaching slings to facilitate transport.^[24]^[6] These elements attach directly to the stock and barrel bands, maintaining the overall static balance without altering core functions.

Manufacturing and Materials

Toradars were manufactured using durable materials adapted to the environmental conditions of South Asia, particularly the high humidity prevalent in regions like northern and central India. Barrels were primarily forged from wootz steel, a high-carbon crucible steel originating from southern India, prized for its exceptional strength, hardness, and characteristic watery or twisted patterns that enhanced both functionality and aesthetics.^[26] Stocks were crafted from seasoned hardwoods such as teak, rosewood, or ebony, selected for their resistance to warping and decay in humid climates.^[19] Elite toradars often featured inlays of gold or silver, applied to stocks and metal components for decorative purposes, elevating their status among nobility and military officers.^[16] The forging process for toradar barrels involved traditional forge-brazing techniques, where strips of high-quality iron or steel were flattened, twisted obliquely into rolls, and their overlapping edges welded together under heat in a specialized forge dedicated to barrel production.^[19] These barrels were typically smoothbore, lacking rifling for simplicity in manufacturing and reliability in field use, though the inherent twist patterns in wootz steel provided visual appeal without functional grooves.^[26] Stocks were shaped through manual carving with chisels and lathes, allowing for ergonomic designs that accommodated the weapon's length and the shooter's posture.^[19] Assembly of the toradar relied on robust, hand-fitted techniques to ensure stability under recoil. The barrel was secured to the wooden stock using langets—flat metal straps—or multiple bands of brass, silver, or iron, fastened with pins and rivets to prevent shifting during firing.^[27] Quality control was maintained through proof-testing, where completed weapons were fired with overcharged powder loads to verify structural integrity and detect weaknesses before deployment.^[19] Production was carried out by specialist gunsmiths, known as toradar makers, working in urban workshops across Mughal-influenced cities like Agra and Delhi, where they employed hand tools such as files, hammers, and swages for precision shaping.^[2] Labor was divided among skilled artisans, with master gunsmiths overseeing the integration of components, drawing on techniques refined over generations to produce weapons that balanced craftsmanship with mass production needs for imperial armies.^[19]

Operation and Usage

Firing Mechanism

The firing mechanism of the toradar relied on the matchlock system, a mechanical ignition device that used a slow-burning match to fire the weapon, allowing the user to keep both hands on the firearm for stability during discharge. This system, introduced to South Asia in the early 16th century, featured an S-shaped serpentine lever that held the match cord and was connected to a trigger for controlled ignition.^[19]^[28] To load the toradar, the user first poured a measured charge of black powder down the muzzle of the barrel, followed by wrapping a lead ball in a lubricated patch or wadding to ensure a tight seal, and then ramming the assembly firmly into place using the attached ramrod. Next, fine priming powder was added to the flash pan adjacent to the touchhole, which communicated with the main charge in the barrel; a sliding cover was often closed over the pan to protect the powder until firing. This muzzle-loading process required precision to avoid over- or under-charging, as improper loading could lead to misfires or barrel bursts.^[19]^[6]^[10] Aiming involved bracing the toradar against the shoulder or under the arm due to its curved stock and length, often aligning rudimentary iron sights on the barrel with the target while the match was prepared. For ignition, the user first lit a length of slow match—typically nitrate-soaked cotton cord that burned steadily at a controlled rate—and clamped it into the serpentine's jaws. The serpentine was then cocked upward via the trigger guard or lever, positioning the glowing match away from the pan; upon squeezing the trigger, located awkwardly on the side of the stock, the serpentine pivoted downward to press the match into the priming powder, igniting it with a brief delay of 1-2 seconds as the flash propagated through the touchhole to the main charge, propelling the ball. This mechanism simplified firing compared to manual ignition but demanded constant tending of the match.^[19]^[6]^[10]^[28] Post-firing safety practices included immediately quenching the spent match in a damp cloth or water to extinguish it and prevent accidental ignition, while the bore was cleaned using the ramrod and oil or a damp cloth to remove residue and inhibit corrosion from powder fouling. Regular maintenance was essential, as accumulated saltpeter from the powder could degrade the barrel if not addressed.^[19] The matchlock system's limitations included high sensitivity to weather, as rain or humidity could douse the match and render the weapon inoperable, necessitating protective measures like oiling the cord or using wind screens in combat. Additionally, the full reload and firing cycle typically took 20-30 seconds per shot, limiting the rate of fire to about two rounds per minute under ideal conditions.^[19]^[10]

Military and Civilian Applications

In the Mughal military, the toradar matchlock musket served as a primary infantry weapon, enabling volley fire tactics that proved decisive in battles such as Panipat in 1526 and Khanua in 1527, where coordinated discharges from defensive positions with field fortifications halted enemy advances and broke cavalry charges.^[29] These tactics involved musketeers operating in open-order formations, often supported by foot archers in a 3:1 ratio for sustained missile fire, while integrating with pikemen who provided close protection against melee assaults, forming versatile combined-arms units that complemented heavy cavalry maneuvers.^[29] At the Battle of Haldighati in 1576, Mughal matchlock infantry effectively stopped an elephant charge without reliance on artillery, demonstrating the weapon's role in disrupting large-scale assaults.^[29] Larger variants, known as wall guns with barrels up to six feet long and capable of launching 3.5-ounce projectiles, were mounted in fortifications for defensive fire against advancing troops, enhancing siege capabilities as seen in operations like the capture of Chittor in 1568.^[19]^[29] Under Akbar, toradar design improvements focused on accuracy and strength, with features like bipods and sights allowing musketeers to function as skirmishers and snipers rather than massed grenadiers, emphasizing marksmanship through graded training systems and regular target practice.^[19]^[29] By the 18th century, as Mughal forces faced Maratha opponents, the toradar's limitations in rapid fire became evident against newer flintlock technologies, prompting tactical shifts toward more mobile skirmishing in regional conflicts, though matchlocks remained in use for their reliability in diverse terrains. Civilian applications of the toradar extended to hunting large game, where its penetrating power made it suitable for targeting dangerous animals like tigers and lions from elephant-back or supported positions, as practiced by Akbar to hone martial skills.^[29]^[19] In princely states and rural militias, the weapon was employed for self-defense against bandits and in community training exercises, symbolizing local autonomy and supplementing traditional arms in irregular forces.^[29] Ceremonial uses included salutes during state functions, while its production and trade as export items reached regions like Persia and Southeast Asia, facilitating cultural and military exchanges.^[19]

Decoration and Cultural Role

Artistic Techniques and Styles

Toradars were often elevated to status symbols through sophisticated decorative techniques that highlighted the skill of South Asian metalworkers. Koftgari, a damascening process originating from Persian traditions, involved incising fine patterns into iron or steel surfaces and hammering thin gold or silver wires into the grooves to create intricate inlays.^[30] This technique was commonly applied to the barrel, breech, and lock plates of toradars, producing durable yet ornate embellishments that resisted wear during use.^[31] Another key method was engraving, executed with sharp burin tools to etch detailed motifs directly onto metal components, allowing for narrative scenes or repetitive designs without additional inlay.^[6] Regional variations in toradar decoration reflected diverse cultural influences and patronage. In the Mughal imperial workshops, particularly during the reign of Shah Jahan in the 17th century, artisans favored elaborate Persianate floral arabesques, densely covering surfaces in gold koftgari to evoke paradisiacal gardens symbolic of imperial splendor.^[32] Rajasthani styles, centered in regions like Mewar, emphasized bolder koftgari inlays with geometric patterns and occasionally integrated Hindu deity figures, adapting the technique to local ironworking traditions for shields, swords, and firearms alike.^[33] Decorative materials for toradars primarily included gold and silver for koftgari work, with gold leaf applied via gilding on wooden stocks and metal fittings to enhance luster.^[32] These were secured through hammering to embed the metals firmly, while etching preceded inlays to define patterns precisely. Enamel paints occasionally added vibrant colors to etched areas, though gold and silver dominated for their prestige and corrosion resistance.^[6] Artisans crafting these decorations operated under the patronage of Mughal and regional courts, where master metalworkers from Persian, Islamic, and Hindu traditions collaborated, blending arabesque florals with indigenous motifs to produce hybrid styles that signified royal favor.^[34] This courtly support ensured toradars not only served military purposes but also embodied cultural synthesis across empires.^[30]

Iconography and Depictions in Art

In Mughal miniatures, the toradar frequently serves as an emblem of royal power and technological superiority, often depicted in dynamic scenes of hunts and battles alongside symbols of nobility such as falcons and elephants. For instance, illustrations from the Baburnama (16th century) portray early matchlocks, or toradars, as cumbersome yet revolutionary weapons wielded by Mughal forces, emphasizing their role in pivotal conquests like the Battle of Panipat in 1526.^[35] Similarly, the Akbarnama includes depictions of Emperor Akbar using a matchlock to snipe opponents during sieges, such as the 1567–1568 event involving Jaimal Rathore, where the firearm underscores strategic prowess and imperial dominance.^[36] Literary references to the toradar in Persian chronicles reinforce its symbolic association with conquest and innovation. In the Baburnama, Babur describes these "tufang" or fire-lances as key to his victories, portraying them as bearers of explosive might that shifted the balance of power in South Asia.^[12] This motif extends to later Mughal texts, where the weapon embodies the fusion of Central Asian military traditions with Indian warfare, symbolizing the empire's expansive ambitions. Artistic contexts further highlight the toradar's integration into South Asian visual culture, appearing in frescoes and artifacts that blend martial themes with decorative elegance. Frescoes in Rajput forts like Mehrangarh depict armed warriors in processions and conflicts, evoking the toradar's presence amid scenes of valor and defense, though often stylized to emphasize heroic poses over mechanical details.^[37] Culturally, the toradar bridges martial valor and artistry, frequently gendered as a masculine attribute in Rajput paintings where it equips noble hunters or warriors, signifying unyielding strength and authoritative command. In Mughal portraits, such as those of Shah Jahan holding a florally decorated matchlock, the weapon transcends utility to represent governance and imperial legacy, with later 18th-century sketches even showing women bearing toradars to challenge traditional gender roles in elite iconography. This duality underscores the toradar's evolution from a foreign import to a core element of South Asian identity, merging firepower with aesthetic refinement.^[36]

Legacy

Decline and Technological Succession

The decline of the toradar matchlock in the 19th century was primarily driven by the introduction of flintlock mechanisms by the British East India Company following the mid-18th century, which offered faster reloading times—typically 15-20 seconds compared to over 30 seconds for matchlocks—and greater reliability in adverse weather conditions, rendering the slower, weather-sensitive matchlock obsolete for organized military use. Regional powers accelerated this shift; the Marathas established arms factories in the mid-18th century, employing European experts to produce flintlock muskets that enhanced infantry efficiency in battles against Mughal remnants and British forces. Similarly, the Sikhs under Ranjit Singh adopted flintlocks through acquisitions from European traders and Mughal arsenals by the early 19th century, integrating them into their Khalsa army for superior firepower during expansions in Punjab.^[38] Residual employment of toradars persisted in peripheral conflicts, notably during the Anglo-Mysore Wars (1767-1799), where Mysore forces under Haidar Ali and Tipu Sultan initially relied on matchlocks alongside emerging flintlocks, though by the Fourth Anglo-Mysore War in 1799, British captures at Seringapatam yielded only 320 matchlocks out of nearly 100,000 firearms, indicating a near-complete transition.^[39] By the Indian Rebellion of 1857, percussion cap muskets had become the standard for British and loyalist forces, providing even quicker ignition and all-weather performance that decisively outmatched the matchlocks still used by many rebels, marking the toradar's effective military obsolescence.^[40] Transitional artifacts bridged this evolution, including hybrid toradar models converted to flintlock mechanisms, such as the Seringapatam matchlock developed in Mysore's royal workshops, which allowed switching between matchlock and flintlock firing to mitigate flint shortages during the late 18th century; these conversions preserved traditional barrels while upgrading ignition systems.^[39] Examples of such hybrids, along with unmodified toradars, are preserved in historic armories, including those at the Red Fort in Delhi, where Mughal-era firearms collections document the technological shift.^[41] In a global context, the toradar shared the matchlock's fate of gradual replacement by flintlocks and percussion systems across Asia and Europe during the 19th century, but its persistence in India until around 1830 stemmed from decentralized, artisan-based production that sustained local supply amid political fragmentation, unlike the centralized European arms industries that rapidly standardized superior designs.^[42]

Modern Replicas and Collectibility

In contemporary times, modern replicas of toradars are primarily handmade by Indian artisans, often commissioned for historical reenactments and film productions, including Bollywood epics depicting Mughal or Rajput eras. These reproductions faithfully replicate the original matchlock mechanisms and decorative elements like koftgari inlay, using traditional forging techniques to ensure authenticity in visual and functional aspects.^[43] Toradars hold significant collectibility among arms enthusiasts and institutions, with original 18th- and 19th-century examples fetching auction values ranging from $5,000 to over $50,000 depending on provenance, decoration, and regional origin; for instance, a fine lacquered and painted matchlock torador from 18th-century India was estimated at £25,000–£35,000 (approximately $32,000–$45,000) at Sotheby's in 2019. Key collections include the Victoria & Albert Museum in London, which houses multiple toradars with gold koftgari and damascened barrels from regions like Malwa, Maratha, and Lucknow, transferred from the India Museum in the late 19th century. The International Military Antiques (IMA-USA) also maintains and offers notable examples, such as a Rajasthan nobility toradar circa 1840 with hand-painted stocks. Authentication typically relies on documented provenance, stylistic analysis, and metallurgical testing to verify damascus barrel patterns and inlay compositions.^[44]^[45]^[46] Scholarly interest in toradars reveals gaps in the cataloging of regional variants, with incomplete documentation of superimposed-load repeating models or specific Mysore and Indore styles despite extensive museum holdings. Ongoing research employs non-invasive techniques like X-ray fluorescence analysis to examine damascening layers and alloy compositions, aiding in distinguishing genuine wootz steel from later imitations. Digital archives, such as those on Google Arts & Culture partnering with institutions like the Metropolitan Museum of Art, provide high-resolution access to toradar artifacts, facilitating broader study and virtual exhibitions.^[47]^[48]^[16] This resurgence also influences modern airsoft designs, with manufacturers incorporating toradar-inspired matchlock aesthetics and ergonomic stocks into non-lethal training replicas for historical simulations.

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Dimensions. Barrel, Length, 1290.0 mm. Overall, Length, 1795.0 mm. Overall, Weight, 3.66 kg. Measurement Notes. Historical dimension notes: Dimensions: overall ...
[37]
Koftgiri Art: Timeless Rajasthani Craftsmanship - Rural Handmade
Jul 20, 2024 · This intricate art form involved inlaying gold and silver into iron to create stunning designs and patterns on swords, daggers, shields, and ...Missing: Toradar | Show results with:Toradar
[38]
https://www.royalarmouries.org/collection/object/object-1822
[39]
The Iron Artisans and Koftgari Work of Rajasthan
Dec 8, 2018 · It is an overlay art in which the iron surface is cut with crosshatches and silver or gold wire is then pressed into the surface with a special tool.Missing: Toradar engraving Deccani styles
[40]
File:Early matchlocks.jpg - Wikimedia Commons
Oct 8, 2024 · Early Indian matchlocks (torador) as illustrated in the Baburnama (16th century). Artist. babur; Tranalated to Persian by a Mughal courtier ...
[41]
Rajputs, Mughals and the Handguns of Hindustan
Mirza Raja Jai Singh had both ordinary matchlock men (dakhil banduk) and mounted matchlock men (sawar banduk) in 1663. Mounted barq-andaz, some of them of ...
[42]
Paintings - Mehrangarh Museum Trust
This painting depicts Jodhpur ladies playing polo with Maharaja Takhat Singh (r. 1843–73). The players ride majestic Marwari horses, identifiable by their ...
[43]
Toradar - Wikipedia
A toradar is a South Asian matchlock primarily found in the Mughal Empire, dating from the 16th century. It was a preferred firearm in India well until the ...
[44]
https://www.sothebys.com/en/auctions/ecatalogue/2019/arts-of-the-islamic-world-l19220/lot.196.html
[45]
Fangs of the Tiger: The Seringapatam Matchlock & Other Guns of ...
Aug 26, 2017 · And this is why only in Mysore, was a unique firearm invented and used which was aptly named by her British foes as – The Seringapatam Matchlock ...
[46]
Musket - Toradar, India, 19th century - Museums Victoria Collections
Indian matchlock musket or Toradar. One of a collection of weapons seized from mutineers during the Indian Mutiny (1857-1859).
[47]
Cutting edge(d) weapons to get a new home
Nov 6, 2021 · Preparations to set up National Museum's new Arms & Armour Gallery at a Red Fort barrack by December are in full-swing.
[48]
Matchlock Gun - Indian, Rajasthan or Lahore
Firearms were used in India starting in the fifteenth century and the matchlock remained the preferred firearms mechanism until about 1830.
[49]
Pakistan and Indian made replicas | The Muzzleloading Forum
Jan 27, 2023 · Short answer, yes you can reenact, safely, with India origin muskets. So my experience is with India origin flintlocks, not percussion guns. I ...
[50]
FR3170 Pedersoli Indian Trade Musket - Dixie Gun Works
This is a fullstock 51 3/16” length. Barrel is 20 gauge, browned, 36 ¼”, Octagon breech to round w/wedding band transition. Front sight is a brass blade.
[51]
a fine lacquered and painted matchlock rifle (torador) with bayonet ...
Of the few extant Indian lacquered matchlock guns, two near contemporary pieces can be found in the Windsor Royal Collection (inv. nos. RCIN 38203 & 37889) ...
[52]
Firearm | Unknown | V&A Explore The Collections
Object type. Firearm ; Brief description. Matchlock toradar steel wood silver, kuftkari, Malwa? ; Credit line. Transferred from the India Museum in 1879.
[53]
Original Indian Toradar “Tiger Hunting” Matchlock Musket with Fully ...
Original Indian Toradar “Tiger Hunting” Matchlock Musket with Fully Hand Painted Stock as Used by Nobility in Rajasthan - circa 1840 · Lifetime Authenticity ...
[54]
Firearm | Unknown | V&A Explore The Collections
Oct 1, 2003 · Matchlock gun (toradar) with a square section barrel and bore, decorated with gold kuftkari, Maratha, 19th century. Physical description.
[55]
[PDF] NON – DESTRUCTIVE XRF ANALYSIS OF METALLIC OBJECTS ...
The X-ray fluorescence analysis was conducted with a non-destructive method aiming to the identifi- cation of the artifacts' construction materials. The study's ...Missing: Toradar | Show results with:Toradar
[56]
Diwali - Wikipedia
It symbolises the spiritual victory of Dharma over Adharma, light over darkness, good over evil, and knowledge over ignorance.Diwali (Jainism) · List of Hindu festivals · Rangoli · Bandi Chhor Divas