Fact-checked by Grok 2 weeks ago

tri-Ace

tri-Ace Inc. is a founded on March 16, 1995, by Yoshiharu Gotanda, Masaki Norimoto, and Joe Asanuma, specializing in the creation of games (RPGs) for consoles, personal computers, and other platforms. The company is headquartered in Minato-ku, , and as of July 1, 2025, employs 174 people, with Yoshiharu Gotanda serving as CEO. tri-Ace emerged from former employees of Wolf Team (a division of ) following disputes over the development of , and it has been closely associated with publisher (now ), which provided initial financing and continues to collaborate on major titles. The studio's business activities encompass the planning, development, production, and sales of software and hardware for gaming consoles and PCs, alongside IT technology support and management. tri-Ace gained prominence in the late 1990s with its debut title (1996), marking the start of its flagship sci-fi series, which combines , expansive worlds, and intricate storytelling. Subsequent successes include the series (beginning in 1999), renowned for its unique side-scrolling and mythology-inspired narrative, as well as other notable works like (2009) and (2008). In 1996, the company reorganized into tri-Ace Inc., and Joe Asanuma departed in 1998, leaving Gotanda to lead. Since March 2015, it has operated as a of Nepro Japan Inc. (now NJ Holdings Inc.), maintaining partnerships with major firms such as , Bandai Namco, and . tri-Ace's contributions to the genre emphasize innovative battle systems and high-fidelity graphics, influencing numerous titles in the industry.

History

Founding and early years

tri-Ace was established on March 16, 1995, in Tokyo, Japan, by Yoshiharu Gotanda, Masaki Norimoto, and Joe Asanuma, who were key members of the "Three Aces" from Wolf Team, a subsidiary of Telenet Japan. These developers had previously contributed to the creation of Tales of Phantasia (1995), but left Wolf Team following disputes with publisher Namco over marketing and creative direction, seeking greater independence to pursue their vision for action RPGs with real-time combat. The newly formed studio began with a small team of around 20 former Wolf Team staff, focusing on innovative amid the transition from 16-bit to next-generation consoles. As an independent developer with limited resources, tri-Ace relied heavily on publishing support from to bring their projects to market, allowing them to concentrate on without the burdens of distribution and funding. This partnership proved crucial in the studio's early survival, enabling experimentation with advanced techniques despite the constraints of operating as a startup in Japan's competitive game industry. tri-Ace's debut title, (1996), was developed for the Super Famicom and published by , marking a breakthrough with its real-time RPG mechanics, seamless world exploration, and pioneering use of 2D/3D hybrid graphics achieved through sprite scaling to simulate depth. The game drew from the team's experience on , incorporating fluid combat and branching narratives via the Private Actions system, but pushed technical boundaries on aging hardware, resulting in one of the Super Famicom's most ambitious RPGs. Early development faced hurdles such as optimizing complex systems like skill-based item creation and space-faring storytelling within memory limits, yet the title's success established tri-Ace's reputation for blending and elements.

Growth and key partnerships

Following the release of their debut game, tri-Ace expanded its portfolio with Star Ocean: The Second Story, launched in 1998 for the and published by . This sequel built on the original's foundation by enhancing the private actions system, which allowed players to influence character relationships through optional interactions, leading to branching narratives and over 80 possible endings based on choices. In 1999, tri-Ace developed , a side-scrolling action RPG drawing from themes, published by for the . The game received acclaim for its innovative system, enabling players to recruit souls of the deceased as customizable warriors with unique abilities and backstories integrated into the narrative. Valkyrie Profile also marked tri-Ace's early experimentation with 3D graphics, employing polygonal models for dynamic combat sequences alongside 2D exploration. tri-Ace's close partnership with provided essential publishing support and financing from the company's inception, fostering opportunities for cross-promotions within Enix's lineup. The merger of and Square formed , seamlessly transitioning tri-Ace's publishing arrangements and solidifying their role in high-profile development. During this growth phase from to , tri-Ace expanded its team to over 50 staff members by the early , supporting more complex projects. A notable milestone was the 2001 release of Star Ocean: Blue Sphere for Game Boy Color, a Japan-exclusive portable adaptation and direct sequel to The Second Story, co-developed by tri-Ace and published by Enix to extend the series' reach to handheld audiences.

Financial challenges and recovery

Following the close partnership with Square Enix that intensified around 2006, tri-Ace experienced a notable slowdown in output during the late 2000s and 2010s, attributed to internal restructuring and a shift toward fewer, more resource-intensive console projects amid changing industry dynamics. This period saw reduced game releases after key titles like Star Ocean: The Last Hope (2009), as the studio navigated dependency on established intellectual properties such as the Star Ocean series while struggling to secure new external contracts. A pivot to mobile gaming with the free-to-play title Star Ocean: Anamnesis (2016–2021) provided temporary revenue, but its shutdown in June 2021 exacerbated financial strain, leaving the studio without steady income during the development of subsequent projects and contributing to failed attempts at new ventures in a market increasingly dominated by free-to-play models. The fiscal year ending June 2022 marked a low point, with net sales plummeting 42.9% to ¥1.25 billion and an operating loss of ¥684 million, pushing the company toward as development costs mounted without offsetting revenue streams. These challenges stemmed from the abrupt end of , overreliance on the IP for revenue—which accounted for a significant portion of prior successes but limited diversification—and unsuccessful pitches for new projects amid broader industry transitions to mobile and live-service formats. The situation strained operations, forcing tri-Ace to self-fund major endeavors like Star Ocean The Divine Force (2022) with minimal external support. Signs of recovery emerged in the fiscal year ending June 2024 under parent company NJ Holdings, which acquired tri-Ace as a consolidated in March 2015, with the game business segment—primarily driven by tri-Ace—reporting net sales of ¥7.58 billion and an operating profit of ¥340 million, a sharp turnaround from prior deficits through cost optimizations like reduced outsourcing expenses. This improvement was bolstered by sustained sales from , which contributed key revenue post-launch, alongside transitory factors and streamlined development processes that mitigated earlier losses. In 2025 (ending June 2025), tri-Ace continued R&D investments under NJ Holdings' oversight, with the game business achieving an operating profit of ¥103 million in the first half despite a sales dip from completed project phases, though impairment losses related to studio assets and ongoing were noted. For the full year, the game business reported net sales of ¥6.539 billion and operating profit of ¥236 million, while consolidated operating profit was ¥51 million, reflecting positive growth amid recovering operations.

Recent developments

In 2023, tri-Ace released Star Ocean The Second Story R, a full of the 1998 classic, which achieved commercial success and critical acclaim, surpassing the studio's expectations for reception. The title sold over 43,000 physical copies in during its debut week across and platforms, while generating nearly $1 million in revenue from more than 20,000 sales within its first ten days. This performance boosted tri-Ace's visibility in the market, paving the way for enhanced porting efforts, including optimized versions for additional hardware configurations to broaden accessibility. In November 2025, to mark the second anniversary, developers shared insights in an , reflecting on its success. From 2024 to 2025, tri-Ace conducted active recruitment drives through the MYNAVI platform, targeting experienced programmers, R&D specialists, UI/UX artists, and other roles with expertise in and development. These efforts included new graduate hires announced in July 2024 for various divisions, with applications closing in September 2024, followed by ongoing calls for mid-career professionals such as R&D programmers in December 2024 and preparations for MYNAVI 2026 postings in March 2025. The hires aimed to bolster technical and creative capacities for ongoing and future projects. In July 2025, tri-Ace presented at CEDEC 2025 on building an environment to accelerate generative utilization. As of November 2025, tri-Ace has not announced any confirmed new intellectual properties, though industry discussions speculate on potential expansions tied to the franchise's 30th anniversary in 2026. The studio maintains its status as a subsidiary of Nepro Japan under NJ Holdings, emphasizing high-fidelity remasters and collaborations amid recovering profits, with operating income showing positive growth in 2024 following earlier challenges.

Games

Star Ocean series

The Star Ocean series, tri-Ace's flagship action role-playing game franchise, debuted with the original Star Ocean in 1996 for the Super Famicom, marking the studio's first major release as a space opera RPG that fused science fiction exploration with fantasy elements in a real-time combat system. This inaugural title introduced innovative mechanics such as the item creation system, allowing players to craft equipment and consumables through skill-based mini-games, and set the foundation for the series' signature blend of interstellar travel and planetary adventures. Published by Enix, the game emphasized player agency in story progression, drawing inspiration from Western sci-fi like Star Trek while pioneering real-time battles in Japanese RPGs at the time. Subsequent entries expanded on these core ideas, with : The Second Story (1998, PlayStation) introducing dual protagonists—Claude C. Kenny and Rena Lanford—alongside over 80 possible endings influenced by character relationships, solidifying the series' narrative depth. : Till the End of Time (2003, ) shifted to fully environments and a more philosophical storyline involving concepts, though its plot twists and limited party size of three characters during battles drew mixed reactions. The series continued with : The Last Hope (2009, and ), the chronological prequel featuring the "Blindsiding" evasion mechanic to enhance fluidity, followed by : Integrity and Faithlessness (2016, and 3), which emphasized seamless transitions between exploration and battles in a linear sci-fi narrative. Tri-Ace also developed the mobile title : (2016, and ), a entry with elements focusing on multiplayer raids, and : The Divine Force (2022, multi-platform), which incorporated 360-degree aerial movement and dual-protagonist switching for open-world traversal. A , : The Second Story R (2023, multi-platform), revitalized the classic with updated visuals, refined battle mechanics, and full while preserving the original's multiple endings. Central to the franchise are its signature features, including Symbology, a where characters cast spells with varying charge times and effects, contrasting physical skills and enabling strategic depth in battles. Private Actions, optional character interactions in towns and hubs, allow players to build levels that influence romance options, dynamics, and branching story paths, adding replayability and emotional investment. The series' real-time action battles evolved from sprite-based systems in early titles to open-world in later ones like The Divine Force, where seamless flight mechanics facilitate vast planetary navigation and dynamic encounters. This progression maintained the sci-fi/fantasy hybrid, with advanced civilizations coexisting alongside medieval worlds affected by "symbological" phenomena, while the item creation and skill systems grew more intricate, incorporating cooking, forging, and customization for progression. Commercially, the Star Ocean series has seen varying success across its entries, with : The Second Story standing out as a commercial hit, selling over 1.094 million units worldwide. The franchise as a whole has sold approximately 3.44 million units through its mainline console titles as of recent estimates, bolstered by remakes and ports that have extended its reach on modern platforms. : The Divine Force achieved notable initial performance, moving over 44,000 physical units in during its first week and generating nearly $2 million in revenue within the first month of release.

Valkyrie Profile series

The Valkyrie Profile series, developed by tri-Ace, debuted with the original Valkyrie Profile for the PlayStation in 1999, co-published by Enix. The game centers on Lenneth, a Valkyrie who recruits the souls of deceased humans—known as einherjar—as warriors for the gods of Asgard amid impending Ragnarok. Gameplay features turn-based combat in a side-scrolling format, where players execute combo attacks through timed button presses across a party of up to three characters, emphasizing tactical positioning and skill synergies over traditional leveling. Exploration occurs in 2.5D pixel-art dungeons, with einherjar recruitment involving short, episodic narratives that highlight each soul's mortal struggles and deaths, allowing players to send them to Valhalla or use them in battle. The series expanded with sequels and spin-offs that built on the original's foundation while introducing variations. Valkyrie Profile 2: Silmeria, released for PlayStation 2 in 2006, serves as a prequel set centuries earlier, shifting to full 3D graphics and a more linear narrative focused on another Valkyrie possessing a human prince, with battles incorporating a "monster part" system for customizable skills and sealstone puzzles for environmental interaction. Valkyrie Profile: Covenant of the Plume, a 2008 tactical RPG for Nintendo DS, acts as another prequel and diverges into grid-based strategy combat, where players lead a plume-wielding unit in moral choices involving sacrifice and betrayal during a war-torn era. In 2022, Valkyrie Profile: Lenneth launched as a remastered port of the original (based on its 2008 PSP version) for PlayStation 4, PlayStation 5, Nintendo Switch, and other platforms, adding features like rewind functionality, quick saves, and trophy support while preserving the core 2.5D visuals and mechanics. Thematically, the franchise draws loosely from , reimagining elements like and to explore mortality, , and the tension between fate and , often through tragic human stories that underscore themes of valor in death and rejection of predestined ends. Innovative 2.5D visuals in blend hand-drawn cutscenes with pixelated environments, creating a aesthetic that enhances the ethereal tone. Multiple endings—ranging from A (optimal, unlocking bonus content like the Seraphic Gate dungeon) to C (poorer performance)—reflect player choices in einherjar management and story progression, adding replayability. Development of began as a strategy concept but evolved under tri-Ace's direction to prioritize emotional, omnibus-style storytelling, influenced by the co-publishing partnership with that encouraged experimentation beyond tri-Ace's sci-fi roots.

Other titles

In addition to their flagship series, tri-Ace has developed a variety of standalone and collaborative titles across multiple genres, showcasing a shift toward tactical RPGs, action adventures, and experimental mechanics, often in partnership with publishers like and . These projects highlight the studio's versatility beyond sci-fi and themes, focusing on mid-tier console and handheld games with innovative combat systems. By 2025, tri-Ace's overall portfolio includes over 25 titles, with several non-franchise works contributing to their reputation for real-time and strategic elements shared across their oeuvre. Among the notable releases is (2005), an action for published by , where players can recruit over 150 characters to build a diverse party in a fantasy world blending exploration and relationship-building. Another standout is (2008), a real-time fantasy adventure for co-published by and Game Studios, emphasizing synchronized party combat and an original storyline about liberating the moon from chains. (2010), developed by tri-Ace and published by for and , introduced a unique gun-based tactical system using hexagonal grids and trajectories for strategic depth in a setting. Lesser-known contributions include (2014), a multiplayer action for developed in collaboration with , featuring online co-op hunts in a sci-fi . Exist Archive: The Other Side of the Sky (2015), published by for and Vita, combined side-scrolling action with progression as players control multiple characters switching between and battles. Tri-Ace also handled battle system development for Lightning Returns: Final Fantasy XIII (2013), integrating into Square Enix's episodic finale for and Xbox 360. Earlier efforts like Frontier Gate (2011) for , a free-to-play action with base-building published by , and Beyond the Labyrinth (2012) for , a dungeon crawler with touch-based mechanics, further demonstrate their experimentation with portable formats.

Development approach

Game engine and technology

tri-Ace has relied on proprietary game engines throughout its development history, emphasizing in-house tools tailored to their action RPG designs. Early titles like Valkyrie Profile (1999) utilized advanced 2D sprite technology, featuring hand-drawn animations with fluid motion and layered parallax scrolling for immersive environments. This approach allowed for detailed character expressions and dynamic combat visuals on hardware limitations of the era. The studio's shift to full began with a custom for : Till the End of Time (2003), supporting real-time rendering for expansive worlds and intricate battle dynamics. In , tri-Ace initiated development of the ASKA (tri-Ace Superlative Knowledge-based ) to modernize their toolkit, evolving from prior 2D foundations into a comprehensive 3D framework. ASKA debuted in (2008) and was prominently featured in : The Last Hope (2009), with HD enhancements for improved texture resolution and lighting effects. Its core components include IZUMO for resource and task management, SUWA for animations and physics simulation, and YAKUMO for graphics and rendering, enabling responsive enemy behaviors during encounters. Subsequent iterations of ASKA powered titles like Star Ocean: The Divine Force (2022), incorporating optimizations for open-world traversal and high-fidelity visuals on modern hardware. As of August 2025, tri-Ace is developing a next-generation AI-driven to succeed ASKA. Innovations within the engine include for item synthesis systems, where outcomes depend on algorithmic combinations of materials and skills to produce varied equipment attributes. This is complemented by AI-driven enemy patterns that adapt to player actions, enhancing tactical depth in combat. ASKA remains primarily an internal tool, with limited licensing and usage confined to tri-Ace's collaborations, especially on Square Enix-published projects.

Design philosophy and innovations

tri-Ace's design philosophy centers on creating engaging, player-driven experiences that prioritize fluid, combat mechanics over traditional turn-based systems, allowing for skill-based interactions that emphasize timing, positioning, and combo execution. This approach stems from the studio's founding members' backgrounds at Wolf Team, where they contributed to action-oriented titles like , but evolved to focus on deeper depth in RPGs to enhance player agency and immersion. For instance, in the series, developers integrated relationship systems through Private Actions and affinity-building mechanics, enabling multiple narrative paths and replayability based on player choices in character interactions. Key innovations include the combo-based attack system in , which introduced real-time tactical battles where players chain soul crushes and photon attacks for high-risk, high-reward combos, diverging from grinding-focused progression to reward strategic party composition and timing. In , tri-Ace pioneered customizable gunplay mechanics, where weapons are built modularly from parts, allowing players to craft diverse loadouts for cinematic, distance-based that breaks from sword-and-magic conventions, inspired by developers' personal interests in hobbies. These elements often blend hybrid sci-fi and fantasy worlds, granting exploration freedom through seamless transitions between and overworld navigation, as seen in Star Ocean's settings that mix planetary adventures with interpersonal dynamics. Founder Yoshiharu Gotanda, as director and CEO, has profoundly influenced this philosophy by emphasizing emotional narratives tied to player decisions, drawing from his experience in character-driven stories while prioritizing replayability through branching outcomes and hidden depths, such as multiple endings in that encourage "rejecting fate" via gameplay choices. Gotanda's guidance often pushes for overachieving in fun elements, imagining player perspectives to balance challenge with accessibility, as evidenced in his hands-on role in plot conceptualization and battle refinements across titles. Over time, tri-Ace has evolved toward greater accessibility, particularly in remakes like Star Ocean: The Second Story R (2023), where was refined with snappier , break systems, and simplified controls to onboard modern players while preserving original complexity, reflecting a shift to balance depth with broader appeal amid series hiatuses. This adaptation includes full and updated visuals to enhance emotional engagement without altering core replayability features.

Organization

Key personnel

tri-Ace was founded in March 1995 by Yoshiharu Gotanda, Masaki Norimoto, and Joe Asanuma, former employees of Telenet Japan's Wolf Team division, with the company name playing on the trio's status as the "three aces" behind projects like . Gotanda serves as president, CEO, and CTO, handling roles in programming, scenario writing, and direction for major titles such as the and series, where he emphasizes character-driven narratives to deepen player emotional investment. Norimoto contributes as a lead game designer and supervisor, shaping mechanics and world-building across multiple releases, including Star Ocean: Till the End of Time and Radiata Stories. Asanuma, an early director, helped establish the studio's initial creative direction before leaving the company in 1998. Among other influential figures, composer Motoi Sakuraba has provided soundtracks for nearly all tri-Ace projects since the company's inception, blending orchestral elements with electronic motifs to enhance atmospheric storytelling in games like Valkyrie Profile and Resonance of Fate. By July 2025, tri-Ace employed 174 staff members, reflecting stable long-term retention with Gotanda continuing to lead narrative and technical development.

Corporate structure and subsidiaries

tri-Ace Inc. was founded as an independent studio on March 16, 1995, by Yoshiharu Gotanda, Masaki Norimoto, and Joe Asanuma, former employees of Telenet Japan's Wolf Team division, focusing initially on role-playing games published by . The studio maintained a close partnership with (later following the 2003 merger), which published most of its titles, but remained independently owned until its acquisition in March 2015 by Nepro Japan Co., Ltd., a mobile gaming and retail company that restructured as a holding entity named NJ Holdings Inc. to oversee diversified operations including game development. Under NJ Holdings, tri-Ace operates as a wholly owned , contributing to the parent's game business segment while benefiting from its JASDAQ-listed structure for broader resource allocation. The company's headquarters is located at Sumitomo Fudosan Shibakoen First Building, 7th Floor, 3-8-2 Shiba, Minato-ku, 105-0014, , a central position facilitating collaboration with Tokyo-based publishers like . As of July 1, 2025, tri-Ace employs 174 staff members across its operations. Internally, the organization is structured around specialized teams, including a dedicated (R&D) department focused on advancing AI-driven game engines and technologies such as and , alongside programming and design teams that handle core development tasks for console and other platforms. Annual revenue is primarily derived from agreements, with a significant portion linked to deals for major titles in series like , though the studio has reported fluctuating financials, including impairments in its R&D operations as part of NJ Holdings' consolidated results for fiscal year 2025. tri-Ace has no direct subsidiaries of its own, maintaining a lean structure as a development-focused entity within NJ Holdings. Its mobile development efforts, exemplified by the 2016-2019 title Star Ocean: Anamnesis co-developed and published by Square Enix, ceased with the game's service shutdown, marking the end of that operational arm without ongoing affiliates. The studio engages in external collaborations for select projects, such as partnerships with Sega on Resonance of Fate (2010) and Phantasy Star Nova (2014), which expanded its portfolio beyond Square Enix-published works.

References

  1. [1]
    tri-Ace Inc. - MobyGames
    Tri-Ace was founded by Yoshiharu Gotanda, Masaki Norimoto and Joe Asanuma in 1995. These three were the Three Aces from Wolf Team.
  2. [2]
    Company Information | tri-Ace Inc.
    1. Planning, development, production and sales of software and hardware for PC and gaming consoles. 2. IT technology development, support and sales of computer ...
  3. [3]
    Tri-Ace - GDRI :: Game Developer Research Institute
    Jun 24, 2023 · The company is most well-known for the Star Ocean and Valkyrie Profile series of RPGs. Research Methods: Actual mentions, online resources, print
  4. [4]
    Star Ocean – 1996/1998 Developer Interviews - shmuplations.com
    Jan 10, 2022 · —If you could each share one-by-one, what were some of the challenges you faced in this development? Gotanda: With the Playstation, we had much ...<|control11|><|separator|>
  5. [5]
    How is this series different from Tales? - Star Ocean - GameFAQs
    Rating 58% (67) May 10, 2015 · First you may know that some tri-Ace progammers (SO developper) also worked on the very first Tales of Phantasia but left Namco after that.Is this from the people who worked on the Tales series? - Star OceanWhat would have happened to Tales if Namco and Tri-Ace never ...More results from gamefaqs.gamespot.com
  6. [6]
    Star Ocean: The Second Story - IGN
    Jun 16, 1999 · Come see our slew of new screen-shots and a hands-on first impression of this huge RPG. By IGN Staff. Updated: May 20, 2012 9:48 pm.<|control11|><|separator|>
  7. [7]
    Star Ocean: The Second Story's Private Action System Was Fantastic
    Feb 8, 2016 · The Private Action system was an optional feature that allowed your party to split up whenever you got to a town, causing individual party ...Missing: branching narratives
  8. [8]
    Valkyrie Profile - IGN
    Rating 9.1/10 · Review by IGNTri-Ace. Publishers. Enix. Franchises. Valkyrie Profile. Features. Memory Card, Vibration, DualShock. Initial Release. Dec 22, 1999. Platforms. PlayStation.
  9. [9]
    History｜About Square Enix Group
    ENIX CORPORATION, KONIKA ENIX, and Enix Products merge into Eidansha Boshu Service Center, which is subsequently renamed ENIX CORPORATION. Feb.1991, ENIX ...
  10. [10]
    Game software firms Enix, Square to merge on April 1
    Nov 27, 2002 · Game software makers Enix Corp. and Square Co. said Tuesday they have agreed to merge on April 1 to bolster their earnings base and ...
  11. [11]
    Star Ocean: Blue Sphere – Developer Interview - shmuplations.com
    Jan 10, 2022 · —It was an interesting decision to develop Blue Sphere so it would be compatible with both Game Boy and Game Boy Color systems. 1.
  12. [12]
    Star Ocean: Blue Sphere (2001) - MobyGames
    Oct 3, 2008 · Star Ocean: Blue Sphere ; Released: June 28, 2001 on Game Boy Color ; Credits: 86 people ; Publishers. Enix Corporation ; Developers. tri-Ace Inc.
  13. [13]
    tri-Ace - Wikipedia
    tri-Ace, Inc is a Japanese video game developer founded in 1995. They are known for their role-playing games, most notably the Star Ocean and Valkyrie ...Resonance of Fate · Infinite Undiscovery · Radiata Stories · Beyond the LabyrinthMissing: size | Show results with:size
  14. [14]
    Report: Star Ocean Dev Tri-Ace Takes Major Fiscal Losses - Siliconera
    Oct 6, 2022 · Star Ocean developer tri-Ace is suffering from financial difficulties after large losses in the previous fiscal year, according to reports.<|control11|><|separator|>
  15. [15]
    tri-Ace announces a huge loss and decreased earnings in the June ...
    Oct 4, 2022 · The article revealed that tri-Ace's sales during the whole year dropped by 42.9% from over 2 billion to 1.25 billion yen (~US $8.675 million).Missing: challenges acquisition
  16. [16]
    Star Ocean Developer Tri-Ace Financial Reports Reveal Company ...
    Oct 4, 2022 · Star Ocean Developer Tri-Ace Financial Reports Reveal Company Loss of ¥684,000,000. Developer tri-Ace recently disclosed its June 2022 ...
  17. [17]
    [PDF] Supplemental Material For FY2024 Full Year Financial Results
    For FY2024 Full Year. Financial Results. NJ Holdings Inc. ... financial year and to be profitable for the full year. ... tri-Ace Inc. becomes a consolidated ...
  18. [18]
    [PDF] Supplemental Material For FY2025 First Half Financial Results
    （1）Full Year Consolidated Earnings Forecast. 22. (Reference). FY2024 Results. Jul.'23-Jun.'24. Progress. FY2025. Forecast. Jul.'24-Jun.'25. FY2025 1H. Results.
  19. [19]
    NJ Holdings (they own tri-Ace y'know) FY 6/25. Operating Profit
    Aug 24, 2025 · NJ Holdings (they own tri-Ace y'know) FY 6/25. Operating Profit: +51. Game Business: +236. (million yen). Game Studio impairment loss + tri-Ace ...
  20. [20]
    Famitsu Sales: 10/30/23 - 11/5/23 [Update] - Gematsu
    Nov 9, 2023 · Star Ocean: The Second Story R was the highest selling multiplatform new release. opening at 28,850 units on Switch, 14,367 units on PlayStation ...
  21. [21]
    STAR OCEAN THE SECOND STORY R Sales Soar, Revenue Nears ...
    Nov 15, 2023 · Sales reached nearly $1 million, with more than 20,000 copies flying off the digital shelves. This financial triumph underscores the game's ...
  22. [22]
    Star Ocean The Second Story R Reception Better than ... - NeoGAF
    Dec 30, 2023 · One particular comment made by director Yuichiro Kitao also stood out, which was that the reception to this remake has been better than the team expected.
  23. [23]
    Company information has been released on MYNAVI 2025.
    Jul 19, 2024 · tri-Ace has started hiring new graduates for various divisions. Please check continuously MYNAVI 2025 for further information. PREV NEXT ...Missing: 2024-2025 | Show results with:2024-2025
  24. [24]
    Entry for Mynavi 2025 has ended. | NEWS | tri-Ace Inc.
    Sep 6, 2024 · Entry for Mynavi 2025 has ended. Thank you very much to everyone who participated in the selection process. Thank you for your interest in ...Missing: 2024-2025 | Show results with:2024-2025
  25. [25]
    RECRUIT | tri-Ace Inc.
    At tri-Ace, our mission is 'deliver through games, a new user experience' and as such we are game creators that value 'innovating', 'entertaining' and ...
  26. [26]
    tri-Ace had an increase in profit in the fiscal year 2024 - Reddit
    Sep 26, 2024 · r/starocean - tri-Ace had an increase in profit in the fiscal year ... It takes a special kind of madness to make a Star Ocean game properly, and ...Star Ocean The Divine Force is a great low budget game that tried to ...Tri-Ace's Future with Square Enix : r/starocean - RedditMore results from www.reddit.comMissing: Divine Force
  27. [27]
    Star Ocean: A Retrospective - RPGamer
    Feb 26, 2024 · tri-Ace's Star Ocean series has a storied history. Appearing on the Super Famicom in 1996, Star Ocean was known for being one of the first ...
  28. [28]
    'Now That's What I Call 10 out of 10!' - A Star Ocean Series ...
    Jul 16, 2025 · It's certainly possible and was probably the only thing tri-Ace and Square Enix felt comfortable doing after the controversial SO3.Missing: collaborations | Show results with:collaborations
  29. [29]
    Star Ocean for Series - Sales, Wiki, Release Dates, Review, Cheats ...
    The Star Ocean series of RPGs consists of the following releases: Star Ocean - 235,000; Star Ocean: The Second Story - 1.094 million; Star Ocean: Blue ...
  30. [30]
    Famitsu Sales: 10/24/22 - 10/30/22 [Update] - Gematsu
    Nov 3, 2022 · Star Ocean: The Divine Force was the highest selling multiple SKU new release, moving 27,001 units on PlayStation 4 and 17,177 copies on ...
  31. [31]
    Star Ocean: The Divine Force sales amounted to almost $2 million in ...
    Dec 29, 2022 · Star Ocean: The Divine Force sales amounted to almost $2 million in the first month of release on Steam. The sixth major part of the Star Ocean ...
  32. [32]
    tri-Ace Interview on Valkyrie Profile - Famitsu Translation - RPGFan
    Oct 20, 1999 · Yamagishi: The world that Valkyrie Profile takes place in is based off the world portayed in Norse Myths but we've changed many things about it.
  33. [33]
    Valkyrie Profile – 1999 Developer Interview - shmuplations.com
    Jan 13, 2022 · This Valkryie Profile interview with director Yoshiharu Gotanda covers the design, difficulty balance, and origin of the game as a strategy RPG.Missing: history | Show results with:history
  34. [34]
    Valkyrie Profile 2 – 2006 Developer Interview - shmuplations.com
    Jan 13, 2022 · This interview offers a wealth of insight into the making of the second game in tri-Ace's cult Norse-themed action-RPG series, direct from several of its lead ...Missing: mechanics | Show results with:mechanics
  35. [35]
    Valkyrie Profile: Covenant of the Plume - RPGFan
    Genre(s). Strategy RPG ; Platform(s). Nintendo DS ; Developer(s). tri-Ace ; Publisher(s) · Square Enix; Square Enix ; Release Date(s) · November 1, 2008; ...
  36. [36]
    VALKYRIE PROFILE: LENNETH - out now on PS5 and PS4
    Dec 22, 2022 · VALKYRIE PROFILE: LENNETH is available now for PS5 and PS4. If you purchased the VALKYRIE ELYSIUM Digital Deluxe Edition, you can download it today.
  37. [37]
    What's Valkyrie Profile All About? - Anime News Network
    Sep 28, 2022 · Enix and tri-Ace's creation did just that upon its 1999 debut. Valkyrie Profile cast players as an ethereal Norse battlemaiden recruiting dead ...
  38. [38]
    Radiata Stories - IGN
    Rating 8/10 · Review by IGNDevelopers. Tri-Ace. Publishers. Square Enix. Features. Memory Card, Vibration, DualShock, 16:9, 480p. Initial Release. Jan 27, 2005. Platforms. PlayStation 2.
  39. [39]
    Infinite Undiscovery - RPGFan
    Genre(s). Action RPG ; Platform(s). Microsoft Xbox 360 ; Developer(s). tri-Ace ; Publisher(s). Square Enix; Square Enix; Square Enix ; Release Date(s).<|control11|><|separator|>
  40. [40]
    https://www.ign.com/games/radiata-stories
  41. [41]
    The Baroque Beauty of Valkyrie Profile, Tri-Ace's Greatest RPG
    Sep 25, 2020 · It exemplifies an era of wild experimentation in the RPG genre, in which Japanese developers set out to tell ambitious stories while subverting ...
  42. [42]
    Tri-Ace Tech Demo Shows Us Their Shiny Rendering Engine
    Apr 21, 2011 · However, this really is a teaser for the next Star Ocean game, set in 4D space, following the adventures of the space faring crew that inspired ...
  43. [43]
    Tri-Ace Using ASKA Engine For An Unannounced Game - Siliconera
    Apr 2, 2010 · Tri-Ace's internal ASKA Framework was built to make Infinite Undiscovery, Star Ocean: The Last Hope, Resonance of Fate, and a fourth game.
  44. [44]
    Tri-Ace still uses their old game engine from 2008 - Rushdown Radio
    May 30, 2023 · One of the highlights of this episode was the revelation that ASKA, tri-ACE's proprietary game engine, has been employed in both console and ...
  45. [45]
    tri-Ace working on unannounced game using ASKA Engine - Gematsu
    Apr 2, 2010 · The game is using a second generation version of the ASKA Engine – which means it should perform better than the already released tri-Ace games.
  46. [46]
    Item Creation - Star Ocean: Till the End of Time Guide - IGN
    Mar 26, 2012 · To create it, first recruit Misty Lear, Mackwell, and Maria. Place them on one production line, then look for an item that costs around 5000 Fol to create.Missing: procedural | Show results with:procedural
  47. [47]
    Star Ocean: The Last Hope – 2009 Developer Interview
    Jan 10, 2022 · This massive interview covers the making of Star Ocean 4, the first high-definition entry in tri-Ace's long-running sci-fi RPG series.
  48. [48]
    Interview: tri-Ace and Sega on Resonance of Fate - Engadget
    Oct 7, 2009 · Mitsuhiro Shimano, producer, Sega: Sega was actually looking for a strategic title in their lineup, and we also kind of had RPGs in our mind.
  49. [49]
    Star Ocean The Divine Force Reveals Development Details; Tri-Ace ...
    May 29, 2023 · Star Ocean The Divine Force Reveals Development Details; tri-Ace CEO Involvement, Scrapped Bunny Racing Minigame & Writing Challenges. By ...
  50. [50]
    STAR OCEAN THE SECOND STORY R Anniversary interview | Square Enix Blog
    ### Summary of Design Philosophy, Innovations, and Accessibility Improvements in STAR OCEAN THE SECOND STORY R
  51. [51]
    Star Ocean 5 Creators On Making Its Battle System And Characters ...
    Jul 15, 2016 · Siliconera got to speak with the makers of Star Ocean: Integrity and Faithlessness from tri-Ace and Square Enix.<|control11|><|separator|>
  52. [52]
    Masaki Norimoto - MobyGames
    Masaki then co-founded Tri-Ace with Yoshiharu Gotanda and Joe Asanuma , where he continues to design and plan games.
  53. [53]
    Joe Asanuma - MobyGames
    After Tales of Phantasia was completed and released, Joe Asanuma founded Tri-Ace with. Their first release (Star Ocean) was directed by him.
  54. [54]
    Game Music :: Motoi Sakuraba :: Biography - Square Enix Marketing
    Sakuraba's involvement with tri-Ace also eventually established his links to record label Team Entertainment and the spinoff company tri-Crescendo.
  55. [55]
    Introduction | Company Information | tri-Ace Inc.
    tri-Ace Inc. became a software development company in March 1995. We became a member of NJ Holdings Inc. in March 2015. We are involved in the development of ...
  56. [56]
    NJ Holdings // Game Studio // tri-Ace // Wit One // Xevious Program ...
    Dec 18, 2022 · Always important to remind ourselves, tri-Ace is a contract developer, Square Enix owns the Star Ocean & Valkyrie Profile IPs & makes the final ...
  57. [57]
    tri-Ace Inc. Research and Development Department.
    This page is for the Research and Development Department in tri-Ace Inc. The main page of tri-Ace Inc. http://www.tri-ace.com/. If you have a question ...
  58. [58]
    "EPIC SCI-FI ACTION-RPG STAR OCEAN: ANAMNESIS COMES TO ...
    STAR OCEAN: ANAMNESIS © 2016-2018 SQUARE ENIX CO., LTD. All Rights Reserved. Developed by tri-Ace Inc. ANAMNESIS, CRYSTAL DYNAMICS, DRAGON QUEST, EIDOS ...Missing: arm | Show results with:arm
  59. [59]
    SEGA Creates a New Adventure with Tri-Ace, Inc. - IGN
    May 15, 2009 · SAN FRANCISCO & LONDON - SEGA of America, Inc., SEGA Europe, Ltd and tri-Ace Inc. today announced a partnership to develop Resonance of Fate ...