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Unsainted

"Unsainted" is a song by the American heavy metal band Slipknot, serving as the from their sixth studio , We Are Not Your Kind. Released on May 16, 2019, by , the track runs for 4:20 and opens with a grandiose arrangement inspired by ' "You Can't Always Get What You Want." The song was accompanied by an official music video directed by percussionist Shawn "Clown" Crahan, which debuted the band's updated masks for the album era and amassed over 4.7 million views in its first 24 hours, breaking Slipknot's personal record. Lyrically, "Unsainted" explores themes of , self-loathing, desperation, and personal , drawing from vocalist Taylor's experiences following the end of a toxic relationship; Taylor described it as a "punctuation mark" for the , finalized after multiple recording attempts. The track's anti-religious undertones and intense instrumentation underscored Slipknot's evolution amid lineup changes, including the return of original guitarist and the addition of new members like percussionist .

Background and recording

Development and writing

The songwriting for "Unsainted" was credited to , , , and . The track originated during the band's sessions for their sixth studio album, , which began in early 2018 as they toured in support of their previous release. Guitarist initiated the core musical ideas by developing riffs at home and jamming them out with drummer during tour downtime, creating an organic foundation that emphasized raw energy and perseverance. The development of "Unsainted" occurred amid significant internal turmoil within Slipknot, particularly the March 13, 2019, lawsuit filed by percussionist alleging unequal profit distribution from the band's revenue streams. Fehn's subsequent departure from the band on March 18, 2019, marked a pivotal shift in group dynamics, as the remaining members focused on completing the without him; "Unsainted" became their first official release following this change, signaling a new era for . These events contributed to a tense creative environment, pushing the group to channel frustration into their material while maintaining their commitment to collective songwriting. Corey Taylor provided key lyrical contributions, drawing from his ongoing battles with and a sense of personal disillusionment, themes he described as capturing a "rough patch" in his life where he grappled with self-loathing and the futility of external . The initial lyrics explored motifs of loss of , particularly critiquing as a false remedy for inner turmoil, with lines like "You've killed the saint in me" reflecting a rejection of martyrdom and spiritual hypocrisy. These elements were fleshed out during pre-production sessions at a studio with producer , where Taylor layered vocals over the instrumental framework after the band had arranged the core structure. The writing process involved intensive collaboration among the band, with Root and Weinberg refining beats and riffs, Crahan contributing atmospheric ideas like the choral intro, and the full group iterating on arrangements to build tension and release. This approach marked a deliberate shift toward a more aggressive, anthemic sound, contrasting the experimental and melodic leanings of their prior album .5: The Gray Chapter (2014), as the members sought to recapture the visceral intensity of their earlier work while incorporating evolved dynamics.

Studio recording

The recording sessions for "Unsainted" occurred at in , , as part of the broader production for Slipknot's sixth studio album , spanning from November 2018 to April 2019. The track was produced by Slipknot in collaboration with , with mixing duties led by at Joe's House of Compression in ; Barresi's involvement focused on enhancing the album's dense sonic palette, including layered percussion arrangements and orchestral flourishes to heighten the intensity. A distinctive element of "Unsainted" is the choral vocals provided by the Angel City Chorale, which were recorded separately at to infuse the song with a gothic, hymn-like texture that underscores its dramatic build. Key production decisions included Corey Taylor's multi-tracked vocal performances, layering screamed and clean deliveries to create dynamic contrasts, while Sid Wilson's turntable scratches and effects were woven into the mix by Barresi to add textural depth without overpowering the core instrumentation.

Composition and lyrics

Musical style and structure

"Unsainted" is classified as with heavy influences, clocking in at a of 4:20. The song follows a verse-chorus form, beginning with an intro featuring a choral build-up that establishes an atmospheric tension before erupting into aggressive verses and anthemic choruses. A mid-song incorporates heavy, palm-muted guitar riffs reminiscent of styles, building to an explosive outro that intensifies the track's chaotic energy. These elements contribute to dynamic shifts, transitioning from ambient, choir-led segments to high-intensity sections designed for mosh-pit engagement. Key instrumentation drives the song's sonic aggression, with aggressive guitar riffs handled by and in drop B tuning, creating a wall of distorted sound. Polyrhythmic drumming by provides a propulsive backbone, while atmospheric samples and percussion from and —recorded prior to Fehn's departure—add textural layers. The track maintains a tempo of approximately 101 in the key of , allowing for its blend of groove and ferocity. The choral elements in the intro are provided by the Angel City Chorale, enhancing the song's dramatic opening.

Lyrical themes and interpretation

The lyrics of "Unsainted," penned by Slipknot frontman , delve into themes of , the erosion of personal innocence, and a pointed critique of as an insufficient balm for mental anguish. In the , Taylor declares, "Oh, I'll never kill myself to save my soul / I was gone, but how was I to know? / I didn't come this far to sink so low / I'm finally holding on to letting go," capturing a raw refusal to conform to external salvations amid profound inner turmoil. These lines reflect Taylor's own battles with clinical during the song's creation, a period marked by sobriety struggles and the aftermath of a toxic relationship that left him grappling with self-blame and isolation. Central to the song is the concept of being "unsainted," employed as a for spiritual disillusionment and the crushing weight of societal expectations, particularly those imposed by religious . Taylor portrays not as redemption but as a source of and repression that exacerbates crises, with verses lambasting it as "myopic" and "dystopic," urging listeners to reject forced in favor of authentic self-liberation. This theme draws directly from Taylor's lifelong experiences with , where he has described repression as a destructive force that stifles personal growth and healing. The loss of innocence emerges through imagery of a "killing field" overgrown and wild, symbolizing corrupted purity under societal and religious pressures that demand over genuine . Lyrically, the song employs a structure that amplifies its emotional intensity: screamed verses build a sense of mounting against , while repetitive choruses create an anthemic, release that reinforces themes of defiance and release. The bridge intensifies this confrontation, with lines like "Did you think you could win? And ? / Did you think you could do it again? I'm not your " and the repeated accusation "You've killed the in me / How dare you me?" directly challenging false and the imposition of guilt. This musical build-up subtly enhances the lyrical delivery, allowing the screamed to underscore the verses' fury before yielding to the chorus's resolute . Interpretations of "Unsainted" often connect its motifs to Slipknot's longstanding exploration of and , framing the narrator's rejection of sainthood as an act of personal against oppressive norms, though the song avoids overt attacks on any specific . The outro's insistent repetition of the martyrdom refrain echoes this rebellious spirit, positioning the loss of an imposed "saint" as empowerment through unfiltered self-confrontation.

Release and promotion

Single release

"Unsainted" was released as the from Slipknot's sixth studio , We Are Not Your Kind, on May 16, 2019, through . The track was made available exclusively in formats, including and streaming on major digital service providers. A limited physical edition was produced as a incentive at select retailers such as FYE. The song was later included on the full , which arrived on August 9, 2019. The band announced the single's release on May 16, 2019, via their official website and channels, capitalizing on anticipation built from their Roadshow tour reveal earlier in the year. Initial distribution emphasized digital accessibility and targeted radio formats for airplay eligibility and promotion.

Marketing and promotion

Slipknot generated significant pre-release hype for "Unsainted" through a series of cryptic posts, including teaser videos that built suspense in the weeks leading up to the single's release on May 16, 2019. These efforts culminated in two eerie clips shared on May 14 and 15, featuring snippets of lyrics from the track and unsettling footage of vocalist , which effectively teased the song's themes of inner conflict and rebirth. The band's announcements for events, including the 2019 Roadshow , further amplified this buzz by tying the new music to their signature festival experiences and summer performances. Following the release, promotional efforts extended to radio airplay on heavy metal stations such as SiriusXM's and , where the track received prominent spins alongside exclusive interviews. In these discussions, band members like addressed the group's evolution, highlighting the influence of their new percussionist and redesigned masks as symbols of renewal after lineup changes. Such appearances underscored the single's role in marking a fresh chapter for Slipknot post their 2014 album .5: The Gray Chapter. Digital campaigns bolstered visibility, with the official music video premiering on on the release date and quickly trending worldwide, introducing fans to the band's updated aesthetics. The track was strategically placed on editorial playlists across streaming platforms like , driving early streams and engagement among metal audiences. Additionally, pre-orders for the parent included "Unsainted" as an instant gratification download, incentivizing fans to commit early and integrating the single into broader .

Music video and visuals

Production

The official music video for "Unsainted" was directed by Slipknot percussionist Shawn "" Crahan. Filming took place in May 2019. Cinematography was handled by Ryan Mackfall, who employed desaturated colors to convey a stark, unsettling tone throughout the visuals. The production incorporated both practical and digital effects, including and by . In , the footage was edited to intercut scenes of the band performing with narrative elements. This approach aligned with the video's release alongside the single on May 16, 2019. A featurette was released on May 16, 2020.

Content and themes

The music video for "Unsainted" depicts a surreal, cult-like ritual involving masked figures who perform enigmatic ceremonies in a dimly lit, industrial space, evoking a sense of clandestine gathering and impending transformation. The narrative unfolds through fragmented scenes of hooded participants circling effigies and engaging in synchronized movements, building tension toward a climactic sacrificial fire where a stone statue is ignited, symbolizing themes of destruction and rebirth as the flames consume the old form to herald renewal. This fiery ritual serves as a visual metaphor for shedding past constraints, aligning with the video's overarching exploration of personal and collective reinvention. Slipknot members appear in new matching jumpsuits that obscure their forms, further concealing individual identities behind to underscore anonymity and the chaotic dissolution of self amid group fervor. Directed by percussionist Shawn "Clown" Crahan, the visuals employ kaleidoscopic distortions and slow-motion sequences to amplify the disorienting energy of the ritual, portraying the band as both participants and icons in a frenzied uprising. These elements tie directly to the song's , with imagery of desecrated religious icons—such as stained glass windows—mirroring the "unsainted" concept of rejecting sanctity in favor of raw, defiant liberation. Subtle easter eggs enrich the video's layers, including the band's numbered masks (0-8) referencing their nine-member history and abstract renditions of Slipknot's iconic "S" symbol etched on lips and surfaces, nodding to their longstanding without overt explanation.

Critical reception

Professional reviews

Professional reviewers praised "Unsainted" for its blend of melodic introspection and explosive aggression, marking a strong return for Slipknot after their hiatus. described the track as an "unsparing headbanger," highlighting how it opens with Taylor's clean vocals over a choir-backed melody before erupting into the band's signature intensity, adding an epic scale through the choral elements that amplified its emotional depth and aggression. Revolver lauded the song as a showcase of Slipknot at their "catchy best," balancing its heavy riffs and percussive assault with a massive, infectious that echoes pop sensibilities while delivering gnarly, pit-ready grooves, positioning it as a potential modern classic akin to "Before I Forget." Kerrang! acclaimed "Unsainted" as a "high-octane pummelling" that bridges the band's eras, commencing with eerie, virtuous electronics and an angelic choir for a cleansing atmosphere before diving into gritty, chainsaw guitars and dynamic vocal shifts from Taylor's soaring cleans to snarling verses. Critics reached a positive on the single's evolution, viewing it as more accessible and explosive than prior releases like "The Devil in I," with its orchestral flourishes and radio-friendly hooks signaling a refined yet ruthless progression in Slipknot's sound.

Fan and critical accolades

The track has been celebrated by s, topping magazine's fan poll for the best songs of so far, ahead of Killswitch Engage's "Unleashed," Whitechapel's "Doom Woods," and others, reflecting its immediate resonance within the metal community. On Slipknot fan sites and forums, including those associated with , "Unsainted" frequently ranks among the band's top songs from the post-2014 era, praised for its aggressive energy and cinematic production. In retrospective assessments, "Unsainted" has earned acclaim as a standout track in Slipknot's catalog. In 2024, ranked it as the 11th best Slipknot song overall, highlighting its pummeling verses, melodic chorus, and sonic diversity. The song's official generated significant buzz, surpassing 50 million views by the end of 2020 and over 165 million views as of November 2025, sparking fan theories on platforms like that linked its themes of upheaval to the band's internal drama, particularly the recent departure of percussionist and the introduction of new and a mysterious ninth member.

Commercial performance

Chart performance

"Unsainted" achieved notable success on various and charts worldwide following its release. In the United States, the single peaked at number 4 on the chart and remained on the listing for 20 weeks. It also reached number 5 on the Airplay chart, marking Slipknot's seventh top 10 entry there. On the Official Rock & Metal Singles Chart, "Unsainted" climbed to a peak of number 2 and charted for a total of 28 weeks, with its strong performance largely propelled by digital downloads and streaming activity. The track's longevity on this genre-specific chart underscored its appeal within the and metal community. Internationally, "Unsainted" peaked at number 12 on Australia's Rock Singles Chart and number 25 on 's Rock Songs chart, reflecting solid reception in key markets. For year-end summaries, the song ranked number 35 on the 2019 Alternative Songs year-end chart, highlighting its sustained impact throughout the year.
Chart (2019)Peak PositionWeeks Charted
Billboard Hot Rock & Alternative Songs420
Official Rock & Metal Singles228
Australia Rock Singles12-
Rock Songs25-

Certifications and sales

"Unsainted" was certified by the RIAA in the United States on October 7, 2020, for combined sales and streaming equivalent to 500,000 units. In , the single achieved status from on January 7, 2025, representing 80,000 units. The track also earned Silver certification from the BPI in the on July 1, 2022, for 200,000 units. By November 2025, "Unsainted" had accumulated over 370 million streams on , bolstering its overall consumption metrics and contributing to the commercial success of Slipknot's album . It also received a Gold certification in .

Use in media and live performances

Media appearances

"Unsainted" served as the official theme song for WWE's : Toronto event on August 10, 2019, at in , , where it was prominently featured during wrestler entrances and promotional segments. The track was released as (DLC) for the video game on October 31, 2019, allowing players to perform the song with full band instrumentation as part of a weekly pack that also included Alice Cooper's "."

Live renditions

"Unsainted" received its live concert debut on July 26, 2019, at the in , during the opening show of the Roadshow tour. Performed as the fourth song in the setlist after "(515)," "People = Shit," "(sic)," and "Get This," the rendition featured explosive pyrotechnics synchronized with the track's heavy riffs and breakdowns, while frontman urged the crowd to participate through chants and . The song was subsequently played at Iowa on August 10, 2019, at the Iowa State Fairgrounds in Des Moines, marking a pivotal performance for the Iowa-native band amid their ongoing . This rendition maintained the high-energy format, with the audience's enthusiastic response amplifying the track's aggressive dynamics and thematic intensity. As a core element of Slipknot's World from 2019 to 2020, "Unsainted" became a consistent setlist fixture, typically positioned early to ignite the show's chaotic atmosphere. Live versions often incorporated extended instrumental breakdowns, allowing for improvised percussion elements and unveilings that heightened visual drama, alongside Taylor's calls for collective sing-alongs during the . Following the tour's interruption by the in early 2020, "Unsainted" remained integral to Slipknot's post-pandemic live sets, adapted with percussionist —who joined in 2019 following lineup changes—and delivered with undiminished vigor. In 2024, the band showcased the song at various events, including Knotfest Brasil on October 19 at in , where it retained its explosive production and fan interaction despite ongoing personnel shifts. The song continued to feature prominently in 2025 during the band's European tour and festivals, such as Rock am Ring in on June 7 and in on June 4, maintaining its role in high-energy performances.

Personnel and credits

Band members

The core band members credited on "Unsainted" are (lead vocals), (guitars), (guitar), (bass), (turntables and keyboards), (drums), Shawn "Clown" Crahan (percussion, backing vocals), and "133" Jones (electronics, samples). Chris Fehn provided percussion contributions to the track prior to his departure from the band in March 2019 following a over royalties, but did not participate afterward.

Production and additional contributors

"Unsainted" was co-produced by the band Slipknot and , who also served as the primary engineer. The recording took place at in , . Fidelman had previously collaborated with Slipknot on their 2014 album .5: The Gray Chapter, bringing his experience in production to the project. Engineering support was provided by Greg Gordon, Sara Killion, and Paul Fig, with assistant engineers Bo Bodnar and Chaz Sexton. The track was mixed by Joe Barresi at Joe's House of Compression in Pasadena, California, with Jun Murakawa assisting on mixing duties. Mastering was handled by Bob Ludwig at Gateway Mastering Studios in Portland, Maine. Editing was overseen by Dan Monti. A notable additional contributor was the Angel City Chorale, a Los Angeles-based choir of over 100 singers, who performed the choral vocals in the song's intro to establish a haunting, cinematic atmosphere. This element was specifically envisioned by percussionist Shawn "Clown" Crahan and Fidelman to contrast the band's aggressive style. Art direction for the single's release was led by Crahan, with design by Michael Boland of The Boland Design Company. A&R coordination was managed by David Rath.