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Alexandra Hedison

Alexandra Hedison (born July 10, 1969) is an fine art photographer, , and former , recognized for her abstract exhibited in galleries worldwide and her recurring role as the documentary filmmaker Dylan Moreland on the Showtime series . Born in , , to actor and Bridget Hedison, she is of descent from her father and Italian and English descent from her mother and grew up in Malibu. Hedison began her career in acting during the 1990s, appearing in guest roles on television shows such as Lois & Clark: The New Adventures of Superman (1994) as Remy and Melrose Place (1995) as Dr. Reshay, as well as films including Sleep with Me (1994) and The Rich Man's Wife (1996). Her most notable acting performance came from 2006 to 2009 on The L Word, where she portrayed the complex character Dylan Moreland across 14 episodes, earning praise for bringing depth to the role of a troubled filmmaker. After stepping away from acting to focus on visual arts, Hedison studied at the State University of New York at Purchase (1989) and the University of California, Los Angeles (1991), and later earned a BA from Antioch University (2021). Transitioning to photography in the early 2000s, Hedison has developed a distinctive style exploring themes of tradition, novelty, and abstract landscapes, with her works held in prominent collections such as the Grunwald Center at the in and Capital in . Key solo exhibitions include Elements at White Room Gallery in (2004), In the Woods at Meredith Gunderson Projects in (2010), and A Brief Infinity at H Gallery in (2022) and Shinsegae Gallery in (2023). She has also participated in group shows like The Useful and the Decorative at The Landing in (2017) and The Stubborn Influence of Painting at BMOCA in (2021), and in 2025, In Us Is Heaven at Southern Guild Gallery in . In 2008, she received sponsorship from Capital in , supporting her artistic development. As a director, Hedison helmed the documentary short ALOK (2024), which premiered at the and focuses on transgender activist . In her , Hedison married actress and filmmaker in a private ceremony in April 2014, after dating for about a year; the couple has maintained a low public profile while supporting each other's careers.

Early life and education

Early years

Alexandra Hedison was born on July 10, 1969, in , . She is the daughter of actor (1927–2019), born Albert David Hedison Jr. on May 20, 1927, in , and Bridget Hedison (1944–2016), née Bridget Felicity Mori, born on April 16, 1944, in , . Her parents married on June 29, 1968, in . Hedison has one younger sister, Serena Rose Hedison, who later became a film and television producer and editor. Hedison's childhood was shaped by her family's deep ties to the entertainment industry, as her father starred in prominent roles such as Captain Lee Crane in the television series Voyage to the Bottom of the Sea (1964–1968) and CIA agent in the James Bond film Live and Let Die (1973). In 1971, the family relocated to a beachfront home in Malibu, where they lived until 1980 amid a vibrant community of artists and figures during that era. This environment, combined with access to her father's 1960s-era Nikon camera, fostered her early interests in and performance.

Education

Hedison attended local schools in the area during her formative years, growing up in Malibu amid a family involved in the entertainment industry. She pursued higher education in the arts, studying at the at Purchase in 1987 and the in 1992, before earning a degree from in 2021. In 2004, Hedison participated in the American Film Institute's Directing Workshop for Women (DWW), a tuition-free, year-long program designed to train emerging women directors through hands-on experience. The DWW curriculum focused on key techniques, including script development, production planning, and visual storytelling, culminating in the creation of an original under the guidance of industry professionals.

Career

Acting career

Alexandra Hedison began her acting career in 1994 with a small role as the Brunette Actress in the independent comedy-drama , marking her on-screen debut in a film that explored themes of relationships and infidelity among friends. Throughout the mid-1990s, Hedison secured guest spots on popular television series, including a role as Remy in an episode of Lois & Clark: The New Adventures of Superman in 1994 and as Dr. Reshay on Melrose Place in 1995, where she portrayed supporting characters in the high-stakes worlds of superhero adventure and soap opera drama. She also appeared in films such as The Rich Man's Wife (1996), playing a party guest in the thriller starring Halle Berry, and took on the recurring role of Attwood's Boss in the sci-fi miniseries Prey (1998), which spanned seven episodes and delved into evolutionary horror elements. These roles often placed her in ensemble casts, reflecting the competitive landscape of 1990s Hollywood where opportunities for emerging actresses were limited by typecasting pressures. Hedison later reflected on the era's challenges, noting how the industry's emphasis on "show-business" forced her into conforming roles like the "pretty-but-smart girlfriend," constraining her ability to express authentic creativity and leading to a sense of unfulfillment in television dramas. Hedison's most prominent acting role came in the late 2000s with a recurring portrayal of Dylan Moreland on Showtime's The L Word in seasons 3 (2006) and 6 (2009), where she embodied a complex, enigmatic love interest in the ensemble series centered on lesbian life in Los Angeles, earning recognition among viewers for her nuanced performance amid the early 2000s surge in LGBTQ+ representation on television. However, persistent hurdles in the acting scene, including limited breakout opportunities and the demand to fit narrow archetypes, prompted her to gradually step back from on-screen work around 2010, redirecting her energies toward photography and directing as more personally resonant pursuits. In 2025, she returned to acting with a role in the upcoming film Ponchik, directed by Natalie Shirinian. This shift allowed her to escape the typecasting that had defined much of her decade-plus in the industry, though her acting contributions remain notable for bridging mainstream and niche genres during a transitional period for women in entertainment.

Photography career

Alexandra Hedison transitioned to in the late 1990s, marking a shift from her acting career around 1997 or 1998, driven by personal travels and a growing fascination with and spatial dynamics. This evolution was inspired by her experiments with cameras and processing, which allowed her to explore visual storytelling in a static, introspective medium distinct from performance. By the early 2000s, she committed to , working primarily with large- and medium-format cameras to capture precise, deliberate images. Hedison's signature style features large-scale, high-contrast black-and-white photographs that emphasize , urban landscapes, and the interplay between human forms and built environments, often delving into themes of , , and . Her work highlights textures, light, and framing to evoke the tension between individual experience and vast spatial contexts, as seen in series like (Re)building (2005), which examines construction sites as metaphors for loss and recovery, and Ithaka (2009–2010), inspired by fragmented journeys and architectural remnants. Other notable projects include (2010), focusing on natural and constructed ; Everybody Knows This Is Nowhere (2012–2016), documenting the eroding Malibu coastline where she grew up; and (2017–2018), exploring spaces through surreal, abstracted forms. Hedison's photographs have been showcased in solo exhibitions at galleries such as Gallery in (2004, Elements; 2005, (Re)building), Meredith Gunderson Projects and Mews 42 Gallery in (2010, In the Woods and Ithaka), H Gallery in (multiple shows from 2017–2022, including The In Between and Here Not There), and Gallery in (2023). Internationally, her work has appeared in , including a solo presentation at Centro Cultural de Cascais in (2016, ), and group shows like Both Sides of Sunset: Photographs of at Kopeikin Gallery (2017) and In Us Is Heaven at Southern Guild Gallery in (2025). Her images are held in public and private collections worldwide, including the Grunwald Center for the Graphic Arts at the in . Her photography has been compiled in several books, such as Ithaka (2009, exhibition catalog), The In Between (2018), Into the Woods (date unspecified), Two Tabletops Touching (date unspecified), and A Brief Infinity (2022), which introduces cameraless chemigram techniques to create ethereal, painterly abstractions of and form. Features of her work appear in design publications, including articles showcasing her pieces in private interiors, such as emerald-hued tree triptychs in high-profile homes. In recent years, Hedison has adapted her practice with experimental methods like chemigrams, evident in A Brief Infinity exhibited at Von Lintel Gallery (2023) and H Gallery (2022), and presented at FOG Design+Art Fair (2025). These developments underscore her ongoing exploration of "in-between" states, blending traditional processes with innovative, non-camera-based to address impermanence and environmental shifts.

Directing career

Alexandra Hedison made her directorial debut with the animated In the Dog House in 2005, which she co-wrote with Moon Unit Zappa and which screened in the International Shorts Competition at FEST that year. The film features voice performances by and explores interpersonal dynamics through a lighthearted involving a couple and their . In the same year, Hedison directed The Making of "Suit Yourself", a short documentary for that chronicles the production of singer Shelby Lynne's album, highlighting the creative process behind the music. These early projects demonstrated her initial foray into and documentary filmmaking, drawing on her education as a foundation for storytelling techniques. After a period focused on photography and acting, Hedison returned to directing with the 19-minute documentary short Alok in 2024, executive produced by her spouse . The film offers an intimate portrait of artist, poet, comedian, and activist , featuring appearances by influencers and , and was shot from over 50 hours of personal footage captured during the . Hedison's direction emphasizes themes of , self-expression, and relationships, while addressing social issues such as and transphobia, often intersecting with visual aesthetics reminiscent of her photographic work. Alok premiered at the in January 2024, where it was praised for its compassionate exploration of limitless self-expression and challenging societal norms. The short subsequently screened at numerous festivals, including Frameline48, the Sarasota Film Festival (where it won the Best Short Documentary Award), the , the Woodstock Film Festival, and the (2025), reflecting strong industry reception through 2025. Critics highlighted its technical expertise in editing raw footage into a cohesive narrative and its role in amplifying marginalized voices on and . This evolution from brief animated and music-focused shorts to a more personal, issue-driven documentary marks Hedison's growth in handling longer formats and complex social themes.

Personal life

Relationships

Hedison's early romantic relationships remain largely private and have not been publicly detailed in available sources. Her most notable early partnership was with comedian and television host , which began in 2001 shortly after DeGeneres's breakup with . The couple's relationship was high-profile within the entertainment industry, marked by joint public appearances such as attending the 55th Annual together in 2003. They were featured in a 2004 New York Times profile highlighting their shared life in the . The relationship ended in late 2004, with DeGeneres reportedly developing feelings for actress ; both Hedison and DeGeneres issued amicable statements to The Advocate expressing ongoing care for each other amid media scrutiny surrounding the split. In 2013, Hedison began dating actress and director , with the pair first linked romantically in September through connections in the entertainment world. Their relationship gained public attention following Foster's indirect coming-out speech at the in January 2013, where she reflected on her long-term partnerships without naming Hedison specifically. The couple made their debut joint appearance at the Center for the Performing Arts Inaugural Gala in October 2013, drawing media coverage due to both women's prominence and prior privacy about personal lives. They continued to share occasional public moments, including debuts at the —where Foster received an honorary —and the 2024 . As of 2025, they maintain a low public profile while occasionally appearing together, such as at the 2024 , and have expressed mutual admiration in recent interviews. As a same-sex couple in Hollywood during the 2010s, Hedison and Foster faced heightened media interest and speculation, particularly in the years leading up to the U.S. Supreme Court's 2015 legalization of same-sex marriage, while prioritizing privacy amid evolving industry norms for LGBTQ+ visibility.

Family and residence

Alexandra Hedison married actress and filmmaker Jodie Foster in a private ceremony in Los Angeles in April 2014. The couple's union has created a blended family dynamic, with Hedison stepping into the role of stepmother to Foster's two sons, Charles "Charlie" Bernard Foster (born 1998) and Kit Bernard Foster (born 2001), whom Foster shares with her former partner Cydney Bernard. Hedison has no biological children of her own, and together they prioritize the concept of chosen family, fostering close bonds amid their shared life. Hedison and Foster maintain their primary residence in the area. The couple is notably private about their living arrangements, avoiding public disclosures of additional properties or vacation spots to shield their personal space. To balance their high-profile careers in and , Hedison and Foster emphasize work-life boundaries, often limiting exposure of and focusing on quality time together, which has contributed to the stability of their decade-long . This approach to privacy allows them to nurture their family without the intrusion of public scrutiny.

Works

Feature films

Hedison made her feature film debut in 1994 with a small role in the romantic comedy Sleep with Me, where she portrayed a brunette actress attending a wedding reception, contributing to the film's ensemble exploration of relationships and conversations among friends. In 1995, she appeared in the mystery thriller Max Is Missing as Rebecca, a supporting character involved in the search for a kidnapped American boy in Mexico. Her next film role came in 1996's The Rich Man's Wife, a neo-noir thriller, in which she played a party guest during a social scene central to the plot of blackmail and murder surrounding the protagonist.

Television films

In the 1998 television movie Blackout Effect, Hedison played Catherine Parmel, an air traffic controller whose workplace experiences a mysterious nationwide blackout, leading to aviation chaos and investigation.

Television series and guest spots

Hedison's television work began in 1994 with a guest appearance on Lois & Clark: The New Adventures of Superman as Remy in the episode "Fly Hard," where her character interacts with the leads amid a Kryptonite-related plot. The following year, she guest-starred on Melrose Place as Dr. Reshay in the episode "Blind Ambition," portraying a physician treating a patient in the soap opera's dramatic web of personal and professional conflicts. In 1996–1997, she recurred on the short-lived series L.A. Firefighters as Firefighter Kay Rizzo across 13 episodes, depicting the high-stakes lives of Los Angeles rescue workers. Hedison guest-starred on Nash Bridges in 2000 as Special Agent Victoria Trachsel in the episode "Skin Trade," playing an FBI agent assisting the San Francisco inspector in a case involving personal vendettas. That same year, she guest-starred on Diagnosis Murder as Lt. Jean Romanski (uncredited) in the episode "Murder at BBQ Bob's," depicting a police lieutenant aiding Dr. Mark Sloan in solving a murder tied to a beauty pageant. In 1998, Hedison had a guest role on the sci-fi series Prey as Attwood's Boss in several episodes, appearing in a storyline about evolutionary threats to humanity led by a predatory species. Her most notable television role was as Dylan Moreland on The L Word, recurring across 14 episodes in seasons 3 (2006–2007) and 6 (2009), portraying a documentary filmmaker who develops a romantic relationship with art gallery director Bette Porter amid the series' depiction of lesbian lives in Los Angeles. No additional acting credits for Hedison appear after 2009, aligning with her to and directing.

Directorial projects

Alexandra Hedison's directorial projects span short films and documentaries, beginning in 2005 and resuming in 2024. Her early works include two shorts produced that year, followed by a notable documentary short featuring themes of . In 2005, Hedison directed The Making of "Suit Yourself", a documentary short exploring the creation of singer-songwriter Shelby Lynne's album Suit Yourself. The film highlights the recording process and creative decisions behind the project, with Lynne as the central figure. No runtime or festival details are widely documented for this DirecTV-commissioned piece. Also in 2005, Hedison made her narrative directing debut with In the Dog House, an 8-minute animated short that she co-wrote with Moon Unit Zappa. The film stars as Maggie (voice) and , alongside the director in a voice role, and focuses on a lighthearted story involving human-canine relationships. It premiered without major festival recognition and has limited distribution availability. Hedison's most recent project, Alok (2024), is an 18-minute documentary short executive produced by . It offers a portrait of non-binary , , , and comedian Alok Vaid-Menon, examining themes of self-expression, societal norms, and personal freedom through interviews and archival footage. The film premiered at the in January 2024, followed by screenings in the Sundance Shorts Tour, Frameline48, , Sarasota Film Festival, the in October 2025, (2024), and NewFest (2024). It is available via select festival circuits and streaming platforms post-premiere.

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