Assala
Assala Mostafa Nasri (born 15 May 1969) is a Syrian vocalist renowned for her emotive delivery and mastery of Arabic pop and classical styles.[1][2] Born in Damascus to composer and singer Mostafa Nasri, she began performing patriotic, religious, and children's songs at age four, inheriting a musical legacy that shaped her early career.[2][3] Her professional debut came in 1991 with the album Law Ta'rafou, followed by over 20 subsequent releases that established her as a prominent figure in the Arab music scene, with millions of YouTube subscribers reflecting her enduring popularity.[4][5] Assala's career has intersected with political currents in Syria; she publicly supported the government of Bashar al-Assad during the 2011 uprising, resulting in a 15-year exile before returning to perform in Damascus in 2025.[6] This stance drew criticism from opposition groups but aligned her with regime loyalists, underscoring divisions within Syrian artistic communities.[6] Despite such controversies, her technical prowess and prolific output—spanning themes of love, resilience, and national identity—have cemented her influence across the Middle East.[1][4]Early Life
Family Background and Childhood
Assala Nasri was born on May 15, 1969, in Damascus, Syria, into a middle-class family with a strong musical heritage.[1][7] Her father, Mostafa Nasri, was a prominent Syrian composer and singer known for his contributions to traditional Arabic music.[1][8] Her mother managed the household as a devoted homemaker, raising Assala alongside four younger siblings: Reem, Amani, Ayman, and Ayham.[9][2] Mostafa Nasri played a pivotal role in fostering Assala's early interest in music, exposing her to the family's artistic environment from a young age.[8] This upbringing in Damascus provided a culturally rich backdrop, where traditional Syrian musical traditions influenced daily family life.[1] In 1986, when Assala was 17, her father died from internal bleeding sustained in a car accident, leaving the family in financial and emotional hardship.[7][1][8] Following his death, Assala assumed significant responsibilities, assisting her mother in caring for her siblings and supporting the household amid the loss of the primary breadwinner.[2][10] This period marked a turning point, compelling her to prioritize family obligations over personal pursuits in her late teenage years.[1]Initial Exposure to Music
Assala Nasri's father, Mustafa Nasri, a respected Syrian composer and singer, introduced her to music from infancy, fostering her early interest through familial immersion in artistic environments.[8] Recognizing her innate vocal aptitude, he actively encouraged her development by arranging initial performances, emphasizing patriotic, religious, and children's repertoire suited to her youth.[1] At age four, Nasri made her debut on Syrian radio and television, singing simple songs that highlighted her clear, emotive voice and garnered immediate attention within local media circles.[2] [4] These appearances, often on children's programs, served as her foundational platform, blending nationalistic themes with accessible melodies to build public familiarity.[3] A pivotal early milestone included recording the theme song "Qessas Al Sho'oub" ("Stories of the Peoples") for the Syrian animated series Hekayat Alamiyah, which aired during her childhood and exposed her work to a broader family audience across the region.[5] This collaboration underscored her precocious technical skill, as she navigated studio recording processes under her father's guidance, laying groundwork for her technical proficiency in phrasing and intonation. Despite the brevity of these formative years—interrupted by Mustafa Nasri's death in a 1986 car accident when Assala was 17—her initial forays established music as both a personal refuge and professional trajectory.[11]Musical Career
Debut and Early Recordings
Assala Nasri initiated her musical involvement in childhood, performing patriotic, religious, and children's songs from the age of four in Damascus, Syria.[2] Her father, composer Mustafa Nasri, recognized her vocal potential and facilitated early opportunities, including her recording of the theme song "Qessas Al Sho'oub" for the animated series Hekayat Alamiyah.[3] These initial recordings emphasized youthful, non-commercial themes suited to Syrian state media and educational programming, predating her professional trajectory.[2] Following Mustafa Nasri's death in 1986, Assala temporarily suspended her activities before resuming in adulthood.[2] Her commercial debut occurred in 1991 with the album Law Ta'rafou, comprising four tracks in the oriental operatic tarab style, such as "Ya Sabra Yana" and "Samehtak Ketir," which evoked emotional depth through classical Arabic melodies and instrumentation.[3] [2] The release marked her entry into the Arab music market, achieving immediate popularity for its heartfelt expression of longing and forgiveness, aligning with tarab's tradition of inducing ecstatic listener response.[3] Subsequent early releases built on this foundation, including Ya Sabra Yana in 1992, which expanded her catalog with similar tarab-infused compositions, and Eazarni (Forgive Me) in 1993, focusing on themes of remorse and relational strain.[12] These works, produced amid Syria's burgeoning recording industry, established Nasri's reputation for powerful, vibrato-rich vocals suited to ballad forms, though limited distribution initially confined impact to regional audiences in the Levant and Gulf states.[1] By the mid-1990s, her output had transitioned toward broader pop elements while retaining tarab roots, setting the stage for wider acclaim.[2]Rise to Prominence in the Arab World
Assala Nasri achieved her commercial breakthrough in 1991 with the release of her debut album Law Ta'rafou, consisting of four tracks in the oriental operatic tarab style that quickly became hits across the Arab world.[13] [14] The album's success stemmed from Nasri's emotive renditions of songs addressing themes of love and endurance, marking her transition from local performances to regional stardom.[1] Subsequent releases in the early 1990s, including Aa'zorni (Excuse Me) in 1993, further amplified her popularity by showcasing her versatility in interpreting classical Arabic melodies with personal intensity.[15] Throughout the 1990s, Nasri solidified her prominence through a series of albums that blended traditional tarab elements with modern production, appealing to audiences in Egypt, the Gulf states, and the Levant via diverse dialects and relatable lyrical content.[1] Key works such as Ala Aini (1996) and Mohtama Bel Tafasil (1999) highlighted her vocal range and emotional authenticity, contributing to her recognition as a leading female artist amid a competitive field dominated by male performers and pop-oriented rivals.[1] [4] By the decade's close, she had produced over a dozen recordings, establishing a fanbase that valued her departure from superficial trends toward substantive, heartfelt expression in Arab music.[4]Mature Career and International Reach
In the 2010s, Nasri continued to release studio albums that maintained her prominence in Arabic pop music, including Qanon Kefak in 2010, featuring tracks that explored themes of love and personal resolve, and Shakhseya Aneda in 2012, which included singles emphasizing emotional independence.[3][16] Subsequent releases such as Ya Magnoon in 2013 and Mesh Faker Leeh in 2018 sustained her chart performance across Arab markets, with singles like "Roh Najdya" in 2019 addressing longing and resilience.[17] Into the 2020s, she issued Shokran in 2022, followed by full-length albums Shayfa Feek in 2022, Lehekt Nafsi in 2023, Thumma Ana in 2024, and Daribet El Bo3d in 2025, reflecting a prolific output amid personal and political challenges.[18] These works, distributed primarily through Rotana, amassed millions of streams and views, underscoring her enduring appeal to Arab audiences.[19] Nasri expanded her performances beyond traditional Arab centers, conducting concerts in Gulf states and diaspora hubs despite periodic bans linked to her political stances. In April 2025, she headlined at Global Village in Dubai, drawing large crowds with a setlist of career-spanning hits.[20] She also performed at Qatar National Convention Centre in Doha on January 31, 2025, and scheduled a return concert in Syria in September 2025 after a 15-year absence due to exile.[21][6] Internationally, her collaborations included a 2014 fusion track in Coke Studio Middle East with American group Kool & The Gang, blending Arabic vocals with funk rhythms to reach broader global listeners.[22] Earlier precedents, such as her 2009 appearance at MGM Grand in Las Vegas alongside Algerian artist Khaled, highlighted potential for Western exposure, though her primary international footprint remains within Arab expatriate communities in Europe and North America.[23]Musical Style and Artistic Contributions
Vocal Characteristics and Technique
Assala Nasri possesses a powerful and resonant voice, often described as clear, emotive, and capable of conveying deep emotional intensity, which enables her to excel in expressing complex sentiments such as passionate love and profound sorrow.[1] Her vocal timbre blends tenderness with strength, allowing for performances that shift seamlessly between warmth and toughness, contributing to her reputation for authentic emotional delivery in Arabic music.[24] This soulful quality, combined with exceptional power, has been highlighted in critiques of her live and recorded works, where she sustains high emotional peaks without strain.[25][15] Nasri demonstrates versatility in technique by adapting her voice across dialects including Syrian, Egyptian, Khaleeji, Lebanese, and Moroccan Arabic, maintaining melodic precision and intonation suited to each regional style.[7] She exhibits strong vocal control over diverse genres, from traditional tarab to contemporary pop, as evidenced by her output of over 20 albums spanning these forms.[26] In Gulf-influenced songs, her technique reportedly optimizes her resonance and projection, enhancing timbre and sustain.[27] This adaptability stems from early training under her father, a composer, though specific pedagogical methods like breath support or vibrato application remain undetailed in primary accounts, with emphasis instead on innate power and stylistic mastery.[2]Genres, Themes, and Influences
Assala Nasri's music primarily encompasses Arabic pop, tarab (classical Egyptian operatic style), and Khaleeji (Gulf) genres, often blending traditional Arabic melodies with contemporary elements.[28][29] Her early work featured patriotic and religious songs, evolving into romantic ballads and Gulf-influenced tracks that highlight rhythmic and lyrical Gulf traditions, which she has described as particularly suited to her vocal timbre.[27] Later releases incorporate tarweedeh styles, as seen in compositions evoking cultural and historical narratives.[30] Thematically, Nasri's lyrics frequently explore love, heartbreak, and emotional resilience, portraying personal struggles and relational bonds with raw intensity that connects across Arab audiences.[1] Songs often depict longing, joy in reunion, and transformation from sorrow to fulfillment through affection, using metaphors of devotion and irreplaceable partnership.[31][32] Patriotic motifs recur, emphasizing national pride, solidarity with oppressed communities, and attachment to homeland amid conflict, rooted in her Syrian origins and public advocacy.[30] Religious and moral undertones appear in select works, reflecting her formative performances.[28] Nasri's artistic influences stem from her familial background, with her father, Mostafa Nasri, a composer and singer whose legacy introduced her to structured Arabic musical forms from childhood.[1] This foundation shaped her preference for substantive, narrative-driven songs over superficial pop, aligning with an "old-school" Arab tradition prioritizing depth and vocal prowess.[33] Her affinity for Gulf lyrics underscores regional stylistic inspirations, enhancing her expressive range in romantic and cultural expressions.[27]Political Involvement and Controversies
Stance on the Syrian Civil War
Assala Nasri expressed opposition to the Syrian regime of Bashar al-Assad from the outset of the uprising in March 2011, aligning herself with protesters demanding political reform and an end to authoritarian rule.[11] In May 2011, she publicly stated that artists should side with the people even if the government oppressed a single individual, marking her as one of the few prominent Syrian celebrities to break from regime loyalty.[34] Her support extended to endorsing the "heroes" of the opposition, as evidenced by her 2013 Twitter messages praising injured activists and urging resilience amid setbacks.[35] Nasri's criticism intensified through music and public statements, including a 2015 song titled "If Only This Throne Could Speak," which directly addressed al-Assad, warning that oppressive thrones inevitably fall—a reference to historical precedents of regime collapse.[36] This led to severe repercussions from the Syrian government, which issued an Interpol arrest warrant against her in February 2015 for her anti-regime advocacy, flagging her as a fugitive and prompting travel restrictions.[36] In September 2014, Lebanese authorities, under Syrian pressure, confiscated her passport at Beirut Airport, effectively stranding her abroad and enforcing a de facto exile that lasted over a decade.[37] Pro-regime Syrian artists denounced her as ungrateful to the Assad family, demanding her citizenship be revoked, while her songs were blacklisted on state media.[36] Throughout the conflict, Nasri maintained a humanitarian focus, emphasizing the suffering of Syrian civilians over factional politics. In April 2018, she posted an emotional Instagram video decrying the war's toll, stating that Syrians yearned for a "merciful death" amid ongoing devastation, and reiterated her longstanding rejection of al-Assad's rule.[38] She performed for opposition-leaning audiences, such as in the West Bank in August 2013, where she affirmed her solidarity with the uprising from its inception.[39] Following the rapid collapse of al-Assad's regime in December 2024, Nasri announced plans to return to Syria in 2025 after 15 years abroad, citing her opposition to the regime's violent suppression of the 2011 revolution as the reason for her prolonged absence, with scheduled performances signaling a potential reintegration into post-Assad cultural life.[6]Exile, Expulsions, and Public Backlash
Nasri's public support for the Syrian opposition following the 2011 uprising resulted in her de facto exile from Syria, as regime authorities banned her music from state media and radio broadcasts, effectively severing her ties to her home audience under Assad control.[40][41] Unable to return safely due to threats of arrest or reprisal, she relocated primarily to Gulf states and Lebanon, where she continued performing while facing intermittent restrictions tied to her political expressions.[6] In September 2014, Lebanese authorities revoked Nasri's passport and imposed a travel ban, a move attributed to pressure from the Syrian regime angered by her anti-Assad statements and activities.[37] This expulsion-like measure stranded her temporarily in Lebanon, highlighting the extraterritorial reach of Syrian regime influence in allied states.[37] Further escalation occurred in February 2015, when Interpol issued a red notice for her arrest at Damascus's request, charging her with "supporting terrorist groups" for her opposition advocacy—a claim widely viewed as politically motivated suppression rather than evidence-based prosecution.[36] Public backlash extended beyond official actions, manifesting in threats and condemnations from regime sympathizers and opportunistic actors. In 2013, Nasri received violent warnings, including an alleged Al-Qaeda threat against a planned Valentine concert in Lebanon, amid broader hostilities toward her pro-opposition profile.[42] Her 2020 music video critiquing Assad provoked outrage in Libya, where the Government of National Accord officially condemned it as inflammatory, leading to performance restrictions in regime-aligned venues.[43] These incidents underscored the risks of her unyielding stance, which prioritized opposition to authoritarian rule over artistic neutrality, drawing ire from pro-Assad networks while earning support from exile communities.[11]Recent Political Actions and Return to Syria
In December 2024, following the collapse of Bashar al-Assad's regime, Assala Nasri publicly celebrated the event as the "liberation" of her homeland, describing it as an "awakening" and expressing unrestrained joy over the end of oppression.[44] On December 24, 2024, she released the song "Syria Jannah" to mark Syria's independence, framing it as a tribute to the nation's freedom and resilience amid the transitional period.[45] Her revolutionary track "Lift your head, you are a free Syrian" subsequently echoed through public celebrations in Damascus, including Umayyad Square during New Year's festivities on January 1, 2025, symbolizing her alignment with the post-regime narrative of renewal.[46] Nasri's longstanding opposition to Assad, which had resulted in her expulsion from the Syrian Artists Syndicate and a 14-year ban from returning home due to arrest fears, positioned her for rehabilitation under the new authorities.[6] [47] In April 2025, the reconstituted Syndicate awarded her honorary membership during an extraordinary council session, explicitly citing her "patriotic stance" against the former regime's repression, which had included professional blacklisting and travel restrictions.[47] This recognition contrasted with ongoing bans on her music by some Syrian outlets aligned with residual regime sympathizers, highlighting divisions in the cultural sector's response to the regime's fall.[40] By August 2025, the Syndicate announced preparations for Nasri's first visit to Damascus in nearly 14 years, including logistical arrangements for a concert, signaling her reintegration into Syrian artistic life.[41] [48] This culminated in plans for a performance in Syria on September 4, 2025, her first since exile, framed as a homecoming for an artist whose anti-Assad advocacy had sustained international backlash but now aligned with the interim government's emphasis on opposition figures' vindication.[6] In parallel, Nasri contributed to Syrian media by completing the soundtrack and music video for the series "Al-Qaysar" in August 2025, further embedding her return in cultural production.[49] These actions underscored her shift from dissident exile to endorsed patriot, though they drew scrutiny from Assad loyalists who continued to decry her as a regime critic.[50]Media and Public Appearances
Television Roles and Judging
Assala Nasri hosted the musical talk show Soula (Arabic: صولا) on Al Hayat TV and Dubai TV, featuring interviews with guest artists and musicians in a format that highlighted their performances and careers.[51] The program, which aired during periods including the early 2010s, positioned Nasri as a television personality beyond her singing, drawing on her industry connections to attract prominent Arab performers.[52] In 2022, Nasri joined the judging panel for the inaugural season of Saudi Idol, the Saudi Arabian adaptation of the Idol franchise produced by MBC Group.[53] She evaluated contestants alongside fellow judges Ahlam, Majid Al Mohandis, and Aseel Abu Bakr, with the show hosted by Rajeh Alharthi and focusing on emerging Saudi vocal talents through auditions and live performances.[53] The season premiered on December 23, 2022, and concluded with weekly episodes culminating in the selection of its first winner.[53] Her role emphasized constructive feedback on vocal technique and stage presence, aligning with her reputation for emotive delivery in Arabic music.[54]Live Performances and Tours
Assala Nasri's live performances have largely occurred in exile destinations across the Middle East and Europe following her vocal opposition to the Assad regime, which led to restrictions in Syria from around 2011 onward. Her concerts often feature extended sets emphasizing emotional delivery and audience interaction, drawing large crowds in Gulf states and diaspora communities. Notable venues include major arenas in the United Arab Emirates, Saudi Arabia, and Lebanon, where she has performed hits spanning her career alongside newer material.[9] In recent years, Nasri has maintained an active schedule of standalone concerts rather than formal multi-city tours. On January 10, 2025, she held a show at Coca-Cola Arena in Dubai, United Arab Emirates.[55] Earlier, on November 25, 2022, she performed at Mohammed Abdo Arena in Riyadh, Saudi Arabia, as part of the Riyadh Season entertainment program.[56] Other appearances include a July 13 concert at Haliç Congress Center in Istanbul, Turkey, and a May 2, 2025, event at König Pilsener Arena in Oberhausen, Germany.[55] [57] A highlight was her August 16, 2025, performance at Forum de Beyrouth in Lebanon, which lasted four hours and marked her return to the city after 27 years, captivating audiences with a repertoire of classic and contemporary songs.[58] She also appeared at the Jerash Festival in Jordan during 2025, delivering an energetic set described as a "powerful journey" of passion and music.[59] With the collapse of the Assad regime in late 2024, Nasri plans her first Syrian concert in 15 years, scheduled for December 2025 in Damascus, potentially coinciding with national holidays, as arranged by the Syrian Artists Syndicate.[6] This event underscores her shifted public standing in her homeland, though no broader tour announcements have followed.[41]Personal Life
Marriages and Relationships
Assala Nasri's first marriage was to the Syrian businessman Ayman al-Dhahabi in the early 1990s, with whom she had a daughter, Sham, born in 1992, and a son, Khaled, born in 1998; the marriage lasted approximately 15 years before their divorce around 2005.[60][61] In 2006, she married Palestinian-American director Tarek al-Arian, with whom she had twin sons, Adam and Ali, and the union endured for 14 years until their separation in January 2020.[62][63] Reports indicate a brief third marriage in April 2021 to an Egyptian parliamentarian from Alexandria, who was 15 years her junior, which ended after three months by mutual agreement without public fanfare.[64] Nasri announced her fourth marriage on September 13, 2021, to Iraqi poet and director Faeq Hassan, aged 52 at the time, describing him as a close friend who commanded her respect; the couple has since shared public displays of affection, including Valentine's Day celebrations in February 2025.[65][66] Despite rumors of infidelity and potential divorce circulating in May 2024, no official separation has been confirmed, and Hassan has publicly affirmed his commitment to fulfilling her aspirations.[67][68] Public accounts from Hassan's ex-wife, Marta Hamed, whom he married in 2009 and with whom he has three children, describe an amicable post-divorce relationship, with her congratulating the couple upon their union.[69][70] No verified extramarital relationships have been documented in reliable reports.Family and Health Challenges
Assala Nasri has four children: a daughter named Sham Al-Dhahabi, a son named Khaled, and twin sons Adam and Ali.[71] Her family life has been marked by challenges stemming from her multiple marriages and subsequent divorces, which have influenced her children's upbringings amid frequent relocations between countries like Syria, the United Arab Emirates, and Egypt.[72] In April 2025, Nasri expressed public support for her daughter Sham following the Egyptian Ministry of Health's closure of Sham's cosmetic surgery clinic due to regulatory violations, a development that drew media scrutiny and highlighted ongoing familial pressures in their Cairo residence.[73] Earlier familial tensions arose from disputes involving the ex-wife of Nasri's current husband, Faik Hassan, who claimed external interferences post-divorce exacerbated issues affecting the children.[69] On the health front, Nasri experienced a near-fatal jet ski accident in July 2020 while riding with Egyptian TV presenter Basma Wahba; the vehicle collided with a boat, but both survived with injuries requiring medical attention.[74] In September 2018, she traveled to the United States for evaluation of persistent headaches, where specialists confirmed no underlying serious conditions after tests, dispelling rumors of a life-threatening illness.[75][76] Nasri has also referenced enduring psychological crises tied to relational strains, though she has not detailed clinical diagnoses publicly.[62]Discography
Studio Albums
Assala Nasri debuted with the studio album Law Ta'rafou in 1991, featuring four songs in the oriental tarab style that marked her entry into commercial Arabic music.[77] Her early discography includes Ya Sabra Ya Na released in 1992, followed by A'ezarni and Wala Tasaddeq, both in 1993, which established her presence in the Syrian and regional music scene through cassette formats prevalent at the time.[78]| Title | Release Year | Format Notes |
|---|---|---|
| Ya Sabra Ya Na | 1992 | Cassette album |
| A'ezarni | 1993 | Cassette album |
| Wala Tasaddeq | 1993 | Cassette album |
Notable Singles and Collaborations
Assala Nasri's notable singles include "Aktar" (More), a track from her 2001 album Hayati that became one of her signature songs, frequently featured in compilations of her greatest hits.[79] "Bo'dak 'Anny" (Far from Me), released in 2006 on 60 De'ei'a Hayah, resonated widely for its emotional depth and remains a staple in her live performances and playlists.[80] More recent releases such as "Bahi Elhsn" (Beautiful Kindness), issued as a single in 2025, highlight her continued output, with lyrics emphasizing resilience and garnered attention in Arabic music circles.[18] In 2025, "Kalam Faregh" (Empty Words) from her album Daribet El Bo3d stood out for its production, achieving visibility through promotional teasers and inclusion in essential playlists.[81] Other singles like "Fouq" (Above), part of her 2023 EP Lehqt Nafsy, and "Mesh Wehsha" (Not Lonely) have been highlighted in streaming collections for their melodic appeal and fan engagement.[81] Nasri has engaged in several collaborations that expanded her reach across Arabic music genres. In 2018, she partnered with Egyptian singer Ramy Sabry on "Mesh Faker" (Not Remembering), blending their vocal styles in a duet that appeared on joint albums and playlists.[17] A 2022 duet with Moroccan artist Asmaa Lamnawar was announced for her upcoming album, marking a cross-regional effort promoted in advance of its July release.[13] In 2025, her work with Tamer Ashour on "Kalam Faregh" from Daribet El Bo3d featured lyrics by Menna Abdel Aziz, showcasing a fusion of composition talents.[82] Additionally, in 2024, she collaborated with Acapella Masreya Band and Fares Katrya on "The Natives," adapting a Palestinian tarweedeh style for contemporary audiences.[30]Reception, Awards, and Legacy
Commercial Success and Chart Performance
Assala Nasri has released over 30 commercially successful albums and more than 50 hit singles throughout her career, establishing her as a leading figure in Arabic pop music.[83] Her discography includes more than 25 full-length albums, many of which have topped regional sales and streaming charts in the Arab world.[1] A notable early commercial peak came with her 2006 album Hayati, which ranked as the second best-selling release for Rotana, the region's largest music production company at the time. In the streaming era, Nasri's success has translated to high digital consumption metrics. Her 2020 album La Testaslem became the most-streamed Arabic album in Saudi Arabia that year and the third most-streamed across the broader [Arab world](/page/Arab world).[4] On YouTube, her channel amassed over 4 million subscribers and 1.5 billion total views by March 2021, with individual music videos like "Fouq" exceeding 205 million views.[4][77] Spotify data reflects sustained popularity, with her compilation Asala Nasri Collection accumulating over 9 million streams and albums like Mohtamma Bel Tafaseel surpassing 8.5 million.[84] Chart performance has been strong on regional platforms, particularly in Lebanon and Gulf countries. For instance, her single "Sabb Farhety" peaked at number 16 on the Official Lebanese Top 20 in April 2024 after 57 plays.[85] Dozens of her singles have achieved chart-topping status across Arab music platforms, contributing to her recognition at events like the 2025 Joy Awards, where she won top honors in music categories for outstanding commercial achievements.[1][86]| Album/Single | Platform/Metric | Performance | Source |
|---|---|---|---|
| Hayati (2006) | Rotana sales | 2nd best-selling | |
| La Testaslem (2020) | Streaming (Saudi Arabia) | Most-streamed Arabic album | [4] |
| "Fouq" | YouTube views | 205 million+ | [77] |
| Asala Nasri Collection | Spotify streams | 9.1 million+ | [84] |
| "Sabb Farhety" (2024) | Lebanese Top 20 | Peak #16 | [85] |