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Big Order

Big Order (ビッグオーダー, Biggu Ōdā) is a manga series written and illustrated by , the creator of the acclaimed . Serialized in Kadokawa Shoten's from September 26, 2011, to August 26, 2016, the series was collected into ten volumes and explores themes of supernatural powers, post-apocalyptic survival, and moral dilemmas through intense action and . The narrative centers on Eiji Hoshimiya, an introverted high school student haunted by a childhood wish that triggered the "Great Destruction"—a global catastrophe that reshaped the world ten years prior. In this altered reality, individuals known as "Orders" possess abilities granted by ethereal fairies, scaled to the magnitude of their wishes, allowing them to manipulate reality itself. Eiji, bearing the most formidable Order of all, grapples with guilt, protection of his terminally ill sister, and conflicts with rival Orders vying for dominance, including the enigmatic transfer student Rin Kurenai. Big Order received an adaptation in 2016, produced by Asread and directed by Nobuharu Kamanaka, consisting of ten half-hour episodes that aired on and other networks from April 16 to June 18, 2016. The features designs by Chika Kojima, by Evan Call, and theme songs including "" by Yousei Teikoku as the opening. While praised for its visual style and high-stakes battles, the adaptation has been noted for its condensed pacing compared to the source material. An (OVA) was released on October 3, 2015, bundled with the limited edition of the manga's eighth volume, serving as a to the main story.

Background

Development and publication

Big Order was conceived by , a best known for his prior series (Mirai Nikki), which established his signature style of intense psychological thrillers involving supernatural abilities and survival games. The series emerged as a to , building on Esuno's experience with narrative structures centered around reality-altering powers while introducing a new "Order" system that echoes the diary mechanics of his earlier work. Serialization of Big Order began in the November 2011 issue of Kadokawa Shoten's magazine, marking Esuno's return to the demographic following the conclusion of . The series was serialized until its final chapter in the September 2016 issue. In total, it spanned 10 volumes, with the first released on December 21, 2011, and the tenth on September 26, 2016. In 2016, acquired the North American license for Big Order, releasing the first English-language volume on January 31, 2017, translated by Caleb D. Cook and lettering by Phil Christie. The publisher issued all 10 volumes by June 26, 2018, making the series fully available in English.

Thematic elements

Big Order delves into the burden of power and the double-edged nature of wish fulfillment, where individuals granted abilities—termed Orders—must confront the catastrophic repercussions of their deepest desires. The narrative centers on how a single childhood wish can unleash global devastation, as seen in the Great Destruction event, which symbolizes the irreversible consequences of impulsive longing and forces characters to navigate a world forever altered by their actions. This theme is exemplified through protagonists who wield immense control yet live in isolation due to the fear and hatred their powers inspire from society. Redemption through sacrifice emerges as a pivotal , with characters pursuing by prioritizing loved ones' safety over personal gain, often at great personal cost. The series blurs the lines between and villain, portraying Orders users as morally ambiguous figures whose villainous reputations stem from misunderstood intentions rather than inherent , challenging readers to question traditional notions of in a post-apocalyptic landscape. Sibling bonds and protective instincts further underscore these themes, serving as emotional anchors that propel internal struggles and decisions amid external threats. Recurring motifs include destruction and rebirth, with the Great Destruction not only as a literal but also a for personal and the cyclical potential for renewal via Orders' reality-bending properties, such as capabilities. The futility of is woven throughout, as attempts to dominate environments or others invariably result in heightened and unintended harm, emphasizing the limits of human agency even with god-like powers. Esuno's stylistic choices amplify these elements through non-linear storytelling that reflects characters' fragmented psyches, interweaving past traumas with present conflicts to heighten psychological tension. blends seamlessly with , creating sequences where visceral violence underscores mental unraveling, while the artwork employs dynamic paneling to convey the chaos of power usage. In contrast to Esuno's , which thrives on competitive survival games, Big Order subverts this by prioritizing introspective moral dilemmas and personal redemption over rivalry-driven plots.

Synopsis

Setting

The fictional universe of Big Order is a post-apocalyptic devastated by the Great Destruction, a global cataclysm that occurred ten years prior to the main story, devastating the world and killing billions of people. This event left the world in ruins, with surviving societies struggling under the oversight of the , which assumed control of key regions like to maintain order and prevent further chaos. The disaster marked the culmination of escalating tensions involving supernatural powers known as Orders, which manifested during the Great Destruction as individuals across the globe began gaining these abilities after forming intense wishes. At the core of this are Orders, abilities granted to select humans by enigmatic fairy-like entities in response to profoundly strong desires or wishes. Each manifests as a unique power tailored to the nature and intensity of the user's wish, enabling feats that defy natural laws, such as alteration, , or . The scope of these powers varies based on the wish's intensity, with the most powerful capable of world-altering effects like widespread destruction or temporal shifts, while others have more localized impacts. However, Orders impose significant constraints, including severe physical and mental tolls on the user upon activation, as well as specific conditions or triggers required to invoke them, ensuring they cannot be used indiscriminately. There are approximately 2,000 known Order users worldwide. Geographically, the narrative unfolds primarily in , where the skeletal remains of symbolize the widespread devastation, serving as a haunted reminder of lost civilization amid overgrown ruins and scattered survivor enclaves. In contrast, Dazaifu in stands as a fortified stronghold for remnants of society, functioning as a central hub for organized groups of users who navigate the altered landscape. Some Orders facilitate access to hidden realms or parallel dimensions, providing safe havens or strategic advantages, while others incorporate time manipulation elements that can rewind or branch reality itself, profoundly influencing the world's fragile equilibrium. Societally, the post-Destruction world is marked by and division, with international authorities systematically hunting users, viewing them as inherent threats responsible for the and potential harbingers of renewed calamity. This has fostered underground networks of powered individuals, ranging from alliances evading capture to structured factions like those in Dazaifu, which operate semi-autonomously and pursue agendas of or dominance amid the power vacuum.

Plot summary

Big Order follows Eiji Hoshimiya, a high school living in seclusion with his younger sister Sena after the catastrophic Great Destruction that reshaped the world a decade earlier. Believing his childhood wish granted him an —a reality-altering power—that inadvertently caused the event, Eiji suppresses his abilities to avoid further harm. His quiet life is upended when Rin Kurenai, a member of the powerful Dazaifu Group of Ten, tracks him down, seeking retribution for losses tied to the Destruction and aiming to recruit him for their ambitions. As Eiji is drawn into the Group's orbit, he awakens and hones his immense to evade capture and safeguard Sena, leading to intense pursuits and initial revelations about his . The story builds through episodic confrontations that escalate into broader conflicts, marked by shifting alliances and internal betrayals among the Group of Ten's members, each wielding unique Orders driven by their own wishes. Flashbacks intermittently reveal backstory elements, deepening the understanding of the Great Destruction's origins and Eiji's guilt-ridden motivations. In the mid-series, the narrative intensifies with escalating threats from rival factions and the unraveling of deceptions within Dazaifu, forcing Eiji to navigate treacherous loyalties while grappling with the ethical weight of his power. The plot transitions from personal survival to high-stakes battles involving global perils, culminating in personal sacrifices that test Eiji's resolve to protect his loved ones. Volumes 1-3 emphasize Eiji's flight, power exploration, and early alliances; volumes 4-7 delve into and betrayals; and volumes 8-10 resolve the core familial ties and the true nature of the Destruction through a serialized climax blending action and emotional confrontation. The series concludes with Eiji confronting the ultimate origins of the calamity, forging a path toward redemption amid world-ending stakes, structured as a progression from isolated chases to an interconnected web of wishes and consequences.

Characters

Eiji Hoshimiya is the 16-year-old of Big Order, an introverted high school student haunted by guilt over his childhood wish that triggered the Great Destruction ten years earlier, an event that devastated much of the world. His Order, known as Bind Dominator, grants him the ability to destroy or manipulate anything within his domain, a power he initially suppresses due to its catastrophic potential, leading to a pacifist outlook. As threats mount, Eiji evolves from a reclusive figure burdened by self-blame into a resolute protector, particularly of his , using an advanced variant called Illegal Digger to rewrite reality in critical moments. Rin Kurenai serves as the primary and eventual complex ally, a high school student whose perished in the Great Destruction, fueling her vengeful pursuit of Eiji as its perceived architect. Her Order, Rebirth Fire, enables rapid healing, physical enhancement, and resurrection, rendering her nearly invincible in combat and allowing repeated confrontations despite fatal injuries. Rin's motivations stem from a desire for retribution, but her interactions with Eiji reveal emotional depth, shifting her role from unrelenting foe to a conflicted partner in the central conflict. Sena Hoshimiya, Eiji's younger stepsister, embodies the story's emotional core as a cheerful yet frail girl suffering from a terminal blood disorder that confines her to the hospital. Unbeknownst to Eiji initially, her innocent childhood wish acts as the true catalyst for the Great Destruction, harboring latent world-altering potential that becomes pivotal to the narrative's twists. Sena's innocence contrasts the series' darker themes, serving as Eiji's primary motivation to wield his powers protectively while underscoring themes of . The main characters' powers operate within the series' "" system, where wishes manifest as supernatural abilities granted by enigmatic . Eiji's Bind Dominator focuses on destructive and reality-rewriting applications through Illegal Digger, emphasizing control over vast scales but at personal cost. Rin's Rebirth Fire excels in regenerative combat, enhancing durability and offensive capabilities to sustain prolonged battles. Sena's untapped potential hints at transformative wishes, linking directly to the Great Destruction without active use early on.

Dazaifu's Group of Ten

Dazaifu's Group of Ten is an elite organization of ten powerful users headquartered in Dazaifu, , functioning as the primary authority within the Dazaifu Central Bureau to enforce political control and maintain stability following the Great Destruction—a cataclysmic event ten years earlier attributed to the world-ending wish of Eiji Hoshimiya but revealed to stem from his sister Sena's. Formed in the post-Destruction era to restore societal , the group prioritizes neutralizing existential threats like rogue users capable of similar devastation, operating as a collective force to prevent further chaos while advancing regional dominance. Rin Kurenai, an assassin dispatched by the Bureau, executes high-stakes operations aimed at eliminating dangers such as Eiji. The organizational structure emphasizes hierarchy, with members ranked as the "First Hand" through "Tenth Hand," each possessing Class One Orders—supernatural powers of exceptional potency granted by the enigmatic . occurs through systematic scouting of individuals demonstrating elite capabilities, ensuring the group's composition reflects the strongest available talents. Missions typically involve international pursuits of targeted users, strategic territorial expansions like invasions of Yamaguchi and , and defensive actions against national forces, all designed to establish Kyushu's and forge a "" free from prior collapse. Prominent members showcase diverse and formidable abilities that underscore the group's tactical depth. The First Hand, Fuwa Raidou, wields the power to compel the cessation of all combat acts, neutralizing aggression across wide areas, including halting explosives mid-detonation. The Second Hand, Benkei Narukami, commands "Battle-On: Aramitama," a destructive force capable of atomizing matter, from human targets to nuclear missiles, providing unparalleled offensive might. The Third Hand, Hiiragi Yoshitsune, possesses "Fact to Fiction," allowing retconjuration to undo events such as injuries or attacks. The Fourth Hand, Iyo, employs "Star Seeker" for , enabling precise location and prediction of adversaries, as demonstrated in tracking Eiji Hoshimiya. Additional key figures include the Sixth Hand, Lauryn Wright, whose "Skyfish Free" grants flight to himself and allies, enhancing mobility in operations; the Ninth Hand, Mari Kunou, with "Curve Ray" for light manipulation into lasers and camouflage; and the Tenth Hand, Ayahito Sundan, using "Dimensional Warp Gates" to create portals. All members hold Class One Orders, amplifying their individual threats into a synergistic whole. Internal dynamics reveal tensions between ideological factions: some prioritize averting global destruction to safeguard humanity, while others seek aggressive power consolidation for Bureau dominance, fostering rivalries and shifting loyalties amid high-pressure missions. These divisions occasionally undermine cohesion, as seen in debates over alliances with figures like Eiji, yet the group's elite status ensures it remains a pivotal antagonistic force in the narrative.

Other characters

Daisy serves as a pivotal supporting figure in the series, acting as the enigmatic responsible for granting "Orders"— powers—to individuals ten years prior to the main events, which led to widespread chaos known as the Great Destruction. Her backstory involves originating from another dimension and selectively empowering humans based on their wishes, often with unintended catastrophic consequences. Although not aligned with any formal group, Daisy provides crucial aid to Eiji Hoshimiya by enhancing his abilities during key subplots, such as escapes and confrontations, while her utility-based allows for reality-warping support that contrasts with more combat-oriented powers. Gennai Hoshimiya, Eiji's estranged father and a high-ranking official, represents the antagonistic bureaucratic forces hunting rogue users. His backstory reveals a complex family dynamic, having abandoned Eiji and his Sena after the Destruction, driven by his role in containing threats to maintain post-apocalyptic . Lacking a personal , Gennai relies on institutional resources and technology for pursuits, influencing side stories through captures and interrogations that expose Eiji's past vulnerabilities without advancing the central conflict. The appears in political subplots as a non-Order user navigating alliances with the Dazaifu Central Bureau, highlighting governmental tensions amid Order-related crises. His role involves high-stakes negotiations, such as those with the Group of Ten, providing backstory on national recovery efforts post-Destruction and facilitating escapes for protagonists through reluctant concessions. Minor rival users, such as the Limb Robber, emerge in one-off encounters to expand the world's lore, wielding lower-class abilities like precise for tactics that test protagonists' defenses in isolated skirmishes. These peripheral figures, often survivors of the Destruction with utility-focused Orders (e.g., illusion generation or minor ), underscore the diversity of power ranks and contribute to subplots revealing Eiji's orphanage-like upbringing in a fragmented society, without dominating the narrative arc.

Media

Manga

Big Order is a Japanese series written and illustrated by . It was serialized on a monthly basis in Kadokawa Shoten's Shōnen Ace magazine from the November 2011 issue to the September 2016 issue, comprising 55 chapters collected into 10 volumes released between December 21, 2011, and September 26, 2016. Each volume features illustrated by Esuno, showcasing prominent characters such as Eiji Hoshimiya and Sena Hoshimiya against thematic backgrounds related to the story's elements. Some volumes include bonus color pages and author notes providing insights into the creative process. For instance, volume 1 encompasses chapters 1 through 6, introducing the core premise and main protagonist. In , the was licensed by , which published the English-language editions of all 10 volumes from January 31, 2017, to June 26, 2018. The series is also available in digital format through platforms like BOOK WALKER, offering e-book versions for online reading.

Anime

An (OVA) episode of Big Order was produced by Asread and released on October 3, 2015, bundled with the limited edition of the manga's eighth volume. Directed by Nobuharu Kamanaka with series composition by Katsuhiko Takayama, the single 25-minute episode features a structure that randomly selects segments, ultimately covering introductory arcs involving protagonist Eiji Hoshimiya's early encounters with his powers and antagonists. The OVA utilizes the same core staff as the subsequent television series, including character designs by Chika Kojima. The adaptation consists of 10 episodes, produced by Asread and directed by Nobuharu Kamanaka, with series composition and scripting by Katsuhiko Takayama. It aired in from April 15 to June 17, 2016, primarily on . The music was composed by . Key voice actors include as Eiji Hoshimiya and as Sena Hoshimiya, alongside Shiori Mikami as Rin Kurenai and as Iyo. The opening theme is "DISORDER" performed by Yousei Teikoku, while the ending theme is "Koware Sekai Oware" by Aki Hata. Compared to the source , the anime features condensed pacing to fit the 10-episode format, streamlining character backstories and events that receive more expansion in the print version. It also includes an altered ending that diverges from the 's ongoing narrative at the time, resolving the central conflict in a self-contained manner while omitting later arcs. The series was simulcast on outside during its original broadcast. In , home video releases included two Blu-ray volumes: BOX 1 covering episodes 1–5 and BOX 2 covering episodes 6–10, both exclusive to and including bonus booklets. An English-dubbed version was announced for international Blu-ray and DVD release by in partnership with but was ultimately cancelled. The OVA was later bundled with the television series in select international releases, such as Discotek Media's 2020 North American Blu-ray edition.

Reception

Critical reception

The manga adaptation of Big Order received mixed reviews, with critics praising its intricate power system and dynamic artwork while criticizing the narrative for introducing too many characters too quickly and relying on plot conveniences that undermined character motivations. Anime News Network's review of the first omnibus highlighted the "interesting powers" and "dynamic art with good page layouts," awarding the artwork a B- grade, but noted the "haphazard way that Esuno presents [the themes]" as a major disappointment, resulting in an overall C- rating. The series' conclusion was often faulted for feeling rushed, leaving unresolved elements from its complex setup involving wishes and global catastrophe. The adaptation fared worse among reviewers, who lambasted its inconsistent , incoherent storytelling, and lack of narrative coherence, often describing it as a "train wreck" that failed to capitalize on its premise. episode reviews consistently pointed to a "bland" , "uninspired" visual design, and "unmemorable" action sequences, with one critic dropping the series after multiple episodes due to its rapid deterioration into unentertaining mediocrity. In a year-end roundup, the publication named Big Order among the worst of the year, calling it "completely and totally useless, both as and ," with writing, , and characters all deemed subpar. Despite these flaws, some analyses acknowledged the voice acting and occasional visual flair as minor bright spots amid pacing issues. Common praises across both formats centered on Sakae Esuno's distinctive art style, which brought energy to battle scenes, and the creative "Order" power system derived from wish-granting, which allowed for inventive, high-stakes confrontations. Reviewers also noted thematic depth exploring guilt, the consequences of power, and moral ambiguity, though these were undermined by inconsistent execution. In terms of notable analyses, Big Order is frequently compared to Esuno's earlier work Future Diary, with critics viewing it as less polished and more introspective but ultimately inferior in pacing and coherence, as the anime crammed an ongoing manga's content into just ten episodes, resulting in a "convoluted finale" heavy on metaphysics but light on resolution. This led to descriptions of the series as a "trashy treasure"—entertaining in its absurdity yet emblematic of squandered potential.

Commercial performance

The manga series Big Order reflects modest commercial success within the niche shōnen demographic targeted by Kadokawa Shoten's magazine. Specific circulation figures are not publicly available. Early volumes occasionally topped the magazine's internal charts, contributing to steady domestic print sales, though it did not reach the multimillion-copy benchmarks of mainstream titles. In the English-language market, licensed and released the full series from 2017 to 2021, with volumes maintaining niche availability through major retailers, indicative of targeted appeal among fans of creator Sakae Esuno's prior work . Internationally, the saw limited but notable licensing, including a edition published by starting in 2013, which covered all volumes and supported accessibility in Francophone markets. No major German-language release was confirmed from publishers like or Carlsen Comics, limiting its footprint in that region. The 2016 adaptation by Asread, consisting of 10 episodes plus an OVA, underperformed in key metrics, earning average user ratings of 5.35 on and 5.493 on [Anime News Network](/page/Anime News Network), signaling limited broad appeal in . Blu-ray volumes, released in box sets by TC Entertainment, achieved minimal sales, typical for mid-tier spring season broadcasts with under 1% TV share estimates for similar niche series, and did not chart prominently on . Streaming on platforms like garnered moderate views from [Future Diary](/page/Future Diary) enthusiasts, but overall viewership remained subdued compared to contemporaries. Merchandise tied to Big Order was sparse, primarily limited to promotional posters and bundled OVA inclusions in home video releases, with no widespread figures or apparel lines produced by major licensors like . As of 2025, Big Order has received no major industry awards and inspired no sequels or reboots, yet sustains a through digital re-releases and fan discussions on platforms emphasizing its thematic ties to Esuno's oeuvre, ensuring ongoing low-level engagement without significant commercial revival.

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