Bring Me to Life
"Bring Me to Life" is a song by the American rock band Evanescence, featuring guest rap vocals by Paul McCoy of 12 Stones. Released on April 22, 2003, as the lead single from the band's debut studio album Fallen, the track is a 3:56-minute blend of nu metal, gothic metal, and rap rock elements, characterized by Amy Lee's soaring soprano vocals, heavy guitar riffs, orchestral strings, and McCoy's aggressive rap verse.[1][2] The song was written by Evanescence's Amy Lee, Ben Moody, and David Hodges, with Lee's lyrics inspired by her then-boyfriend (later husband) Josh Hartzler, whom she described as awakening her from emotional numbness. It was initially recorded for inclusion on the soundtrack album Daredevil: The Album, released on February 4, 2003, which propelled early radio airplay and listener demand before its standalone single release.[3][4] Commercially, "Bring Me to Life" became Evanescence's breakthrough hit, peaking at number five on the Billboard Hot 100 chart and reaching number one on the Alternative Songs (then Alternative Airplay) chart, where it held the top spot for four weeks. Internationally, it topped charts in countries including Australia, Italy, and the United Kingdom, contributing to Fallen's global sales exceeding 17 million copies. As of 2025, the song has amassed over 1.7 billion streams on Spotify.[5][6] At the 46th Annual Grammy Awards in 2004, "Bring Me to Life" won Best Hard Rock Performance, while Evanescence also secured Best New Artist; the song was additionally nominated for Best Rock Song. Its music video, directed by Philipp Stölzl, depicts Lee jumping from a building in a dreamlike sequence symbolizing emotional escape, and it received heavy rotation on MTV, further boosting the band's visibility. The track remains a staple of Evanescence's live performances and a defining nu metal-era anthem.[7]Development
Songwriting
"Bring Me to Life" was written by Amy Lee, Ben Moody, and David Hodges in 2002 during the early songwriting sessions for Evanescence's debut album Fallen in Little Rock, Arkansas.[8][9] The song's creation drew from Amy Lee's personal experiences of emotional numbness amid a difficult and abusive relationship, capturing her yearning for emotional awakening and connection.[10] This inspiration stemmed from a pivotal encounter with her future husband, Josh Hartzler, then a friend, who asked her at a restaurant, "So, are you happy?"—a question that pierced her facade and directly influenced the opening lyrics: "How can you see into my eyes like open doors / Leading you down into my core / Where I've become so numb."[11] Lee has described the track as reflecting a desire to break free from desensitization and embrace life more fully.[12] Initial demo versions of the song featured only Lee's vocals and the band's piano-driven ballad elements, without any guest contributions, as the group experimented with blending gothic rock influences and nu-metal aggression during band discussions.[13] These early iterations evolved as Evanescence refined the track's dynamic structure to heighten its emotional intensity.[14] Wind-up Records executives suggested incorporating male rap-rock vocals to appeal to a broader rock audience, a decision influenced by industry biases against a female-led piano rock sound, ultimately leading to a collaboration with Paul McCoy of 12 Stones.[15] Lee, initially resistant, compromised by co-writing McCoy's parts to ensure they integrated with the song's core, resulting in his guest appearance on the final version.[12] The song received its first live performance on December 31, 2002, at Nitelife Rocks in Little Rock, Arkansas, prior to full recording.[16]Recording
The recording of "Bring Me to Life" occurred in late 2002 across multiple studios in the greater Los Angeles area, including Ocean Studios in Burbank, NRG Recording Studios in North Hollywood, and Conway Recording Studios in Hollywood, California.[17] The track was initially recorded for inclusion on the soundtrack album Daredevil: The Album, released on February 4, 2003. Produced by Dave Fortman in collaboration with band members Ben Moody and Amy Lee, the sessions emphasized a fusion of nu-metal aggression and gothic orchestration.[18] Engineering duties were led by Jeremy Parker and Jay Baumgardner, who handled tracking and mixing to balance the track's dynamic shifts.[18] Amy Lee's lead vocals were captured with an emphasis on raw emotional delivery, incorporating layered harmonies to heighten the song's dramatic crescendos; these were tracked at NRG Studios using a grand piano for the iconic intro. Guest rapper Paul McCoy of 12 Stones recorded his verses separately to accommodate scheduling, adding a contrasting intensity to the arrangement.[19][20] Orchestral elements, including live strings arranged by David Campbell and recorded at The Newman Stage, were integrated with heavy guitar riffs processed for a gritty, overdriven tone, reflecting the band's vision for a cinematic sound. These production choices were influenced by external input on guitar textures during the sessions.[17][20] The process was marked by challenges, including tight deadlines imposed by Wind-up Records and pressure to align with commercial nu-metal trends, which prompted compromises like the rap feature. Budget limitations necessitated efficient, focused sessions, with the costly string overdubs requiring band advocacy to secure approval. Final mixes were finalized in early 2003 ahead of the album's mastering at Sterling Sound in New York.[20][17]Musical elements
Composition
"Bring Me to Life" is a blend of nu metal, rap rock, and symphonic rock genres, characterized by its fusion of heavy guitar riffs, electronic elements, and classical piano influences.[12] The original version of the song has a runtime of 3:57.[21] The song follows a verse-chorus form, beginning with a haunting piano intro that builds tension before transitioning into verses with Amy Lee's soaring vocals, leading to an explosive chorus featuring heavy guitars and drums.[22] A rap bridge performed by guest vocalist Paul McCoy intensifies the dynamics, followed by orchestral swells that add dramatic depth.[23] It is composed in the key of E minor at a tempo of approximately 95 beats per minute.[24] Instrumentation on the recording features Amy Lee's piano and lead vocals, Ben Moody's guitars, Josh Freese on drums, Francesco DiCosmo on bass, and guest rap vocals by Paul McCoy.[25][19] String arrangements by David Campbell incorporate orchestral elements for symphonic texture.[26] The track draws influences from Linkin Park's hybrid rap-rock style and 12 Stones' post-grunge sound, evident in the rap integration and emotional intensity.[27] Guitars are tuned in Drop D to achieve a heavier, more aggressive riff tone.[28] The piano riff reflects Amy Lee's classical training, incorporating motifs reminiscent of traditional piano compositions.[29]Lyrics and themes
"Bring Me to Life" centers on the theme of awakening from emotional numbness and despair, serving as a desperate plea for revival through human connection or self-confrontation. The lyrics depict a protagonist trapped in a state of spiritual and emotional death, yearning to be pulled back into vitality by someone who can pierce their isolation. This core motif reflects a broader exploration of vulnerability and the transformative power of authentic relationships, drawing from personal experiences of hardship to symbolize the journey from passivity to empowerment.[12][30] Key lines such as "Wake me up inside / Call my name and save me from the dark" encapsulate the song's urgent call for salvation from inner darkness, while the rap section—written by Amy Lee—introduces a contrasting aggressive tone with lines like "All this pain is an illusion," underscoring a raw plea for emotional rescue amid turmoil. The verse "How can you see into my eyes like open doors / Leading you down into my core / Where I've become so numb" highlights the tension between exposure and detachment, emphasizing the fear of being truly seen. These elements blend introspection with confrontation, creating a dynamic narrative of struggle and hope.[12][10][30] Amy Lee has described the song as deeply autobiographical, inspired by her depression during an abusive relationship and a pivotal encounter with her future husband, Josh Hartzler, who challenged her with the question, "Are you happy?" This moment, she explained, sparked the lyrics as a reflection of unspoken frustrations and the courage needed to break free, infusing feminist undertones of reclaiming personal agency from emotional suppression. "The song was initially about him, but in a broader way about breaking free from something I knew I had the power to if I was brave enough," Lee stated in a 2022 interview. The track avoids explicit religious references, despite its gothic imagery, focusing instead on secular themes of self-rescue and interpersonal salvation.[12][10][30] Symbolically, the "open doors" of the eyes represent vulnerability and the risk of emotional revelation, inviting another to access the numb "core" where life has faded, metaphorically evoking spiritual death as a state of disconnection rather than literal demise. Numbness serves as a central metaphor for desensitization in toxic dynamics, with the plea for awakening signifying rebirth through confrontation and love. The lyrics were largely finalized during the initial songwriting phase with Ben Moody but underwent slight revisions in the studio, including the integration of the rap verses as a label compromise, though Lee crafted them to maintain thematic contrast between aggression and intimacy.[12][30][10]Release and formats
Single releases
"Bring Me to Life" served as the lead single from Evanescence's debut studio album Fallen, released by Wind-up Records. The track first gained exposure through its inclusion on the soundtrack album for the film Daredevil, which was released on February 4, 2003, providing early radio airplay and building anticipation ahead of the commercial single launch.[31][4] In the United States and internationally, the commercial single was released on April 22, 2003, marking the band's initial push into the mainstream rock market, with some regions following in May 2003 across Europe, Australia, and other areas. Wind-up Records emphasized radio promotion targeting alternative and rock stations, leveraging the song's dramatic nu-metal style and guest vocals by 12 Stones' Paul McCoy to secure heavy airplay and position it as the album's flagship track. This soundtrack tie-in contributed to its early chart momentum, debuting on the Billboard Alternative Songs chart in early 2003. The single was issued in various physical formats, including CD singles, cassette singles, and DVD singles in select markets like the UK and Europe. Common track listings featured the album version of "Bring Me to Life" alongside B-sides such as "Farther Away" and "Missing," with some editions including remixes like the Bliss mix or enhanced content with the music video. Digital download formats became available later as online platforms expanded in the mid-2000s. While not officially a double A-side in most territories, promotional efforts in certain markets bundled it with the follow-up single "Going Under" to maximize exposure.[32][33] In 2023, a remastered version of "Bring Me to Life" was included in the 20th anniversary deluxe edition of Fallen, released on November 17 by Craft Recordings, featuring updated audio quality and bonus material like B-sides and rarities but without a dedicated new single campaign.[34]Track listings
"Bring Me to Life" was released in multiple formats as a single, including CD, cassette, and digital downloads, with variations in track configurations depending on the region and edition. Commercial CD singles typically featured the album version alongside B-sides, remixes, and enhanced content such as music videos. Later reissues and compilations included remastered and live versions.US and European CD Single
The primary commercial CD single for the US and European markets was a three-track release issued by Wind-up Records in 2003. This edition included the album version, a remix, and a B-side track from the album Fallen.| No. | Title | Length |
|---|---|---|
| 1. | "Bring Me to Life" (Album Version) | 3:57 |
| 2. | "Bring Me to Life" (Bliss Mix) | 3:59 |
| 3. | "Farther Away" (Album Version) | 3:58 |
UK CD Single
The UK maxi-single, released by Wind-up and Epic in 2003, expanded to four tracks, incorporating the album version, a B-side, a remix, and video content. An enhanced edition included interactive photo galleries.| No. | Title | Length |
|---|---|---|
| 1. | "Bring Me to Life" (Album Version) | 3:59 |
| 2. | "Farther Away" (Album Version) | 4:00 |
| 3. | "Bring Me to Life" (Bliss Mix) | 3:59 |
| Video | "Bring Me to Life" (Video Version) | 4:13 |
UK DVD Single
The UK DVD single, also from 2003 via Wind-up and Epic, focused on visual and acoustic content, including live acoustic performances recorded during promotional sessions.| No. | Title | Length |
|---|---|---|
| Video 1 | "Bring Me to Life" (Video Version) | 4:13 |
| Audio 1 | "Bring Me to Life" (Album Version) | 3:59 |
| Audio 2 | "Bring Me to Life" (Live Acoustic Version) | 4:06 |
| Audio 3 | "My Immortal" (Live Acoustic Version) | 4:24 |
Japanese CD Single
The Japanese release, handled by Epic in 2003, was a two-track edition featuring the album version and remix, with an insert containing a band biography in Japanese. No commercial bonus remix was included on the single, though regional album editions of Fallen featured exclusive content.[33][37]| No. | Title | Length |
|---|---|---|
| 1. | "Bring Me to Life" (Album Version) | 3:57 |
| 2. | "Bring Me to Life" (Bliss Mix) | 3:58 |
Other Regional Editions
Additional regional CD singles varied slightly. The Austrian four-track version added the music video to the standard three audio tracks. The Korean maxi-single included a holographic sticker and mirrored the UK audio configuration with video. No official 12-inch vinyl single was released at the time of the original 2003 launch, though later anniversary editions of Fallen (2023) featured the track on double LP pressings, and a 2017 Synthesis 7-inch picture disc vinyl included an orchestral version.[38][33]Digital, Promo, and Later Versions
Radio promotions featured clean and edited versions of the album track, shortened to approximately 3:17 for airplay. The 2023 remastered version of "Bring Me to Life," part of the Fallen 20th anniversary deluxe edition by Craft Recordings, retains the original 3:57 length with improved audio fidelity. The orchestral arrangement from the 2017 album Synthesis runs 4:25 in studio form, while the live rendition on Synthesis Live (2018) extends to about 4:30, incorporating strings and guest elements. The track also appears as the opening song on Fallen (track 2 in some editions).[32][6]Commercial success
Chart performance
"Bring Me to Life" debuted on the US Billboard Hot 100 at number 64 on the chart dated March 15, 2003, before climbing to its peak position of number five on the chart dated June 7, 2003, and remaining on the ranking for a total of 29 weeks. The song's inclusion on the soundtrack for the film Daredevil, released in February 2003, significantly boosted its initial chart ascent by increasing radio airplay and sales.[12] It also reached number one on the Alternative Airplay chart in 2003, marking Evanescence's first leader on that tally.[39] Internationally, the single achieved strong performance across multiple markets. In the United Kingdom, it topped the Official Singles Chart for four weeks beginning May 24, 2003, and charted for 38 weeks overall.[40] The track reached number one on the ARIA Singles Chart in Australia, where it held the top spot for six weeks and spent 27 weeks on the listing.[41] In Germany, it peaked at number two on the Official German Charts for three weeks and charted for 25 weeks.[42] "Bring Me to Life" topped the charts in at least five countries and entered the top 10 in more than 15 nations worldwide.[12] On year-end tallies, the song ranked as the number one track on Billboard's 2003 Alternative Airplay chart.[43] For the 2000s decade, it placed at number 196 on the Billboard Hot 100 decade-end chart.[44] In the streaming era, "Bring Me to Life" experienced a resurgence in popularity during the 2020s, fueled by viral usage on TikTok, leading it to enter the Spotify Global daily chart multiple times, including positions within the Top 200 in 2023 and beyond, and a new peak of #146 on the Billboard Global 200 in September 2025.[45][46] A 2023 remaster of the track, accompanied by an official visualizer, resulted in minor re-entries on rock-oriented charts such as Hard Rock Digital Song Sales and iTunes rankings.[47]| Chart (2003) | Peak Position | Weeks on Chart |
|---|---|---|
| US Billboard Hot 100 | 5 | 29 |
| US Alternative Airplay | 1 | N/A |
| UK Singles Chart | 1 | 38 |
| Australian ARIA Singles | 1 | 27 |
| German Singles | 2 | 25 |
Certifications and sales
In the United States, "Bring Me to Life" was certified 3× Platinum by the Recording Industry Association of America (RIAA) in 2019, denoting shipments of three million units including physical singles, digital downloads, and streaming equivalents.[48] The single has sold over three million units in the US, contributing significantly to the commercial dominance of Evanescence's debut album Fallen.[31] Internationally, the track received strong recognition, including a 2× Platinum certification from the Australian Recording Industry Association (ARIA) for 140,000 units shipped.[49] It has also achieved multi-platinum status in several other markets, including the United Kingdom (Platinum, 600,000 units by BPI) and Italy (Platinum, 50,000 units by FIMI), reflecting its enduring global appeal and sales exceeding millions of units worldwide when combined with streaming data.[50]| Region | Certification | Units Certified | Source |
|---|---|---|---|
| United States (RIAA) | 3× Platinum | 3,000,000 | RIAA via Loudwire |
| Australia (ARIA) | 2× Platinum | 140,000 | ARIA via TheReflex |
| United Kingdom (BPI) | Platinum | 600,000 | BPI |
| Italy (FIMI) | Platinum | 50,000 | FIMI |
Critical response
Reception
Upon its release in 2003, "Bring Me to Life" garnered praise for Amy Lee's operatic vocals and the song's emotional depth, with Rolling Stone describing it as a goth-metal power ballad featuring surging intensity and a dramatic rap-rock cameo that highlighted her powerful delivery.[54] Critics noted the track's ability to blend delicate piano with heavy guitars, creating a compelling contrast of vulnerability and aggression.[54] In retrospective assessments, the song is widely regarded as a quintessential nu-metal anthem of the 2000s, emblematic of the era's fusion of gothic melancholy and hard rock energy. Kerrang! has retrospectively hailed it as an enjoyable cornerstone of early-2000s "Kerrang goth," underscoring the rap's essential contrast despite mixed contemporary opinions on its stylistic fit.[55] Among fans, particularly in emo and goth communities, "Bring Me to Life" holds iconic status as a defining track of millennial alternative culture, often evoking nostalgia for its raw emotional resonance.[56] In a 2023 interview, Amy Lee described the inclusion of the rap verse in "Bring Me to Life" as a "difficult pill to swallow," noting it was added at the label's insistence but does not align with her personal style.[57]Accolades
"Bring Me to Life" earned significant recognition in major music awards ceremonies shortly after its release. At the 46th Annual Grammy Awards held in 2004, the song won the award for Best Hard Rock Performance and received a nomination for Best Rock Song.[7] The accompanying music video garnered nominations at the 2003 MTV Video Music Awards for Best Rock Video and Best New Artist in a Video.[58] In addition, the track was honored at the 2003 Billboard Music Awards, where it took home the Soundtrack Single of the Year award due to its prominent placement on the Daredevil soundtrack.[59] It also secured a win for Choice Rock Track at the 2003 Teen Choice Awards, reflecting its popularity among younger audiences.[60] The song received a nomination for Best Single at the 2003 Kerrang! Awards.[61] Retrospectively, "Bring Me to Life" ranked at number 69 on VH1's 100 Greatest Songs of the 2000s list in 2011.[62] No major new awards or nominations have been bestowed upon the song since 2004, though it continues to be celebrated in anniversary retrospectives as of 2025.[63]Media and visuals
Music video
The music video for "Bring Me to Life" was directed by Philipp Stölzl and released in February 2003.[64] It features a surreal narrative centered on themes of emotional awakening and salvation, with lead singer Amy Lee portraying a despondent woman trapped in a nightmarish urban dreamscape. In the video, Lee is depicted as suicidal, standing on the edge of a towering skyscraper amid pouring rain and levitating figures, before being pulled back by a shadowy guardian figure played by guitarist Ben Moody, symbolizing rescue from inner turmoil.[63] This gothic romantic imagery, blending dreamlike horror with ethereal romance, underscores the song's lyrics about numbness and revival.[65] The video's aesthetic, including the CGI-generated futuristic cityscape, draws inspiration from the Daredevil soundtrack tie-in, though the song itself appears in key action sequences and the end credits of the film. Production took place primarily in Bucharest, Romania, in January 2003, utilizing the historic Hotel Rembrandt for interior scenes of Lee's bedroom and apartment.[66] To achieve the video's otherworldly effects, including the CGI-generated futuristic cityscape, levitation sequences, and dynamic rain elements, the team employed green screen compositing and extensive post-production visual effects.[65] The choreography emphasizes fluid, dramatic movements that evoke gothic romance, with Lee's barefoot wanderings and Moody's reaching gestures heightening the emotional intensity between the characters. Intercut with these surreal vignettes are performance segments showing the band, including guest vocalist Paul McCoy of 12 Stones, in a stark, industrial setting.[63] Its heavy rotation on MTV in 2003 significantly boosted the song's mainstream breakthrough, contributing to Evanescence's rapid rise.[67] By November 2025, the official music video on YouTube had amassed over 1.6 billion views, marking it as one of the platform's most enduring rock visuals.[52]Promotion
The inclusion of "Bring Me to Life" on the soundtrack for the film Daredevil, released on February 4, 2003, marked a pivotal promotional milestone, leveraging the movie's marketing to expose the track to mainstream audiences and generate significant radio airplay on alternative and pop stations. This tie-in not only boosted early streams and sales but also positioned the song as a crossover hit, with endorsements tied to the film's superhero theme amplifying its gothic rock appeal.[4][31] The single's rollout was further supported by high-profile media exposure, including the music video reaching number nine on MTV's Total Request Live in April 2003, which helped sustain viewer engagement during the initial chart climb. To promote the parent album Fallen, Evanescence incorporated "Bring Me to Life" as a centerpiece in their debut headlining tour, the Fallen Tour, spanning 2003 to 2004 across North America and Europe, where it opened many shows and drove ticket sales amid the band's rising fame.[68][69] Internationally, promotion emphasized festival circuits, with live renditions at major European events like Germany's Rock am Ring and the Netherlands' Pinkpop in 2003, capitalizing on the song's chart success in countries such as the UK and Italy to build a global fanbase. In 2023, marking the 20th anniversary of Fallen, Craft Recordings launched a digital campaign featuring a remastered version of "Bring Me to Life" alongside a previously unreleased 2002 demo, promoted via streaming platforms and social media to reignite interest among longtime listeners. As of 2025, no major standalone promotional efforts have occurred beyond ongoing tour integrations, including a notable reunion performance with guest vocalist Paul McCoy at the Louder Than Life festival.[70][71][34][72]Performances and arrangements
Live performances
"Bring Me to Life" debuted live on December 31, 2002, at Nitelife Rocks in Little Rock, Arkansas, marking the song's first public performance just months before its official release.[16] The track quickly became a staple in Evanescence's setlists during their early tours, including the 2003 Family Values Tour alongside Korn, where it was performed at multiple dates such as the May 17 show in Lafayette, Louisiana.[73] It also featured prominently on the Ozzfest 2003 lineup and during the band's European arena tours for the Fallen album, including high-energy renditions at festivals like Rock am Ring in Germany.[70] A milestone came on February 8, 2004, when Evanescence performed "Bring Me to Life" at the 46th Annual Grammy Awards, sharing the stage with guest vocalist Paul McCoy of 12 Stones in a live duet that highlighted the song's hard rock edge and contributed to its win for Best Hard Rock Performance.[74] Over the years, the band adapted the song for various live contexts, including acoustic versions during the 2003 AOL Sessions, where Amy Lee delivered a stripped-down rendition emphasizing piano and vocals.[75] Following McCoy's reduced involvement after the mid-2010s, Evanescence incorporated guest rappers for the male vocal parts, such as Sonny Sandoval of P.O.D. at a September 2022 show and Jacoby Shaddix of Papa Roach at Rock am Ring in June 2023.[72] In celebration of the 20th anniversary of Fallen in 2023, Evanescence's tours featured extended introductions for "Bring Me to Life," building anticipation with orchestral swells before launching into the full arrangement, as heard during their March 17 performance at Madison Square Garden.[76] The song's live demand endured despite early radio resistance, where some stations initially hesitated to play it due to perceptions of it being "too feminine," prompting the addition of rap elements; however, concert audiences consistently embraced it.[77] Amy Lee has made vocal adjustments over time to suit her evolving range and the song's demands, maintaining its intensity across thousands of shows while avoiding strain seen in early performances.[78] The track reached a poignant reunion milestone in 2025, with McCoy joining Lee for a full duet at the September 21 Louder Than Life Festival in Louisville, Kentucky—the first such collaboration in nearly nine years since 2016.[79] By November 2025, "Bring Me to Life" had been performed over 750 times by Evanescence alone, underscoring its enduring role as a live centerpiece across more than two decades of touring.[16]Synthesis arrangement
The Synthesis arrangement of "Bring Me to Life" was released as the lead single from Evanescence's fourth studio album, Synthesis, on August 18, 2017, ahead of the album's full release on November 10, 2017.[80][81] This version reimagines the 2003 original by stripping away the rock elements, including drums, guitars, and the guest rap by Paul McCoy of 12 Stones, in favor of a full orchestral backdrop blended with electronic synths for a cinematic sound.[82][83] Amy Lee performs all vocals solo, emphasizing her piano and voice against swelling strings and ambient electronics that heighten the song's emotional intensity.[81][84] Produced by Amy Lee and Will Hunt (also known as William Hunt or Science), the track was recorded at EastWest Studios in Los Angeles and The Cave in Nashville, with orchestral arrangements and conduction by David Campbell.[81][85] Extending to 4:18—longer than the original's 3:57—the arrangement incorporates layered strings, subtle synth programming, and choral-like swells in the chorus to evoke a more mature, introspective evolution of the song's themes of awakening and despair.[81][86] Critics and fans have praised this iteration for its soaring, atmospheric quality, allowing the composition to breathe in a way that highlights Lee's vocal range without the original's nu-metal edge.[82][23] The arrangement served as a centerpiece for Evanescence's Synthesis Live tour, which ran from October 2017 through 2018 across North America and Europe, featuring live performances with full orchestras assembled locally for each show.[87][81] A concert film and live album, Synthesis Live, captured a performance from the fall 2017 U.S. leg at the Grand Theater in Connecticut and was released on October 12, 2018, via Eagle Rock Entertainment, including the orchestral "Bring Me to Life" among 19 tracks.[88][89] The Synthesis album, driven by this reworking, debuted at number eight on the Billboard 200 and reached number one on the Classical Albums chart.[90] As of 2025, no further updates or new arrangements of this version have been released by the band.Legacy
Cover versions
"Bring Me to Life" has inspired numerous cover versions by artists across various genres, ranging from rock and classical to electronic interpretations. The Vitamin String Quartet released an instrumental string arrangement in 2003 as part of their tribute album to Evanescence, capturing the song's dramatic intensity through orchestral elements.[91] Similarly, the band Halocene offered a cinematic rock reimagining in 2020, emphasizing the track's emotional depth with modern production.[92] Remixes of the song have also been produced for film soundtracks and club play. The song has been sampled in hip-hop and electronic tracks, with over 54 documented instances on WhoSampled. Classical adaptations include a cello rendition by GnuS Cello, which strips the song to its melodic core for a haunting, instrumental effect.[93] Amy Lee has expressed approval for select covers that respect the song's original spirit, though she has been selective about permissions.[94] In 2023, coinciding with the 20th anniversary of Fallen, fan covers surged in popularity on TikTok, with users creating acapella and acoustic versions that amassed millions of views. As of 2025, no major new professional covers have emerged.Cultural impact
"Bring Me to Life" has left a significant mark on popular culture, appearing in various media that amplified its reach beyond music. The song was featured on the soundtrack for the 2003 film Daredevil, starring Ben Affleck, where it accompanied key scenes and helped introduce Evanescence to a broader audience.[95] These placements solidified the track's association with early 2000s cinematic and televisual angst, contributing to its iconic status in youth-oriented media. The song played a pivotal role in popularizing female-fronted rock during the early 2000s, breaking barriers for women in a male-dominated genre. Amy Lee's powerful vocals and the band's gothic rock style inspired subsequent artists in the emo and alternative scenes, fostering a wave of bands that blended emotional depth with heavy instrumentation.[96] As a symbol of 2000s adolescent angst, "Bring Me to Life" resonated with themes of emotional numbness and awakening, sparking ongoing discussions about mental health. Interpretations often frame the lyrics as a metaphor for emerging from depression or isolation, with Amy Lee herself reflecting on how the song's creation stemmed from personal experiences of grief and emotional turmoil.[97] In the 2020s, it experienced a revival through social media trends, including TikTok challenges that recontextualized its dramatic delivery, boosting streams and royalties for the band.[98] To mark the 20th anniversary of Evanescence's debut album Fallen in 2023, the band released a remastered deluxe edition and embarked on special tours, including performances in Australia that celebrated the song's origins with full orchestral arrangements.[20] Fan communities organized events and zines to commemorate the milestone, highlighting the track's lasting connection with listeners. By 2025, "Bring Me to Life" continued to be referenced in media as an enduring hit, reaching a new peak at No. 146 on the Billboard Global 200 chart following a reunion performance with guest vocalist Paul McCoy at the Louder Than Life festival.[46] The song's legacy includes propelling Evanescence to global breakthrough status, with Fallen selling over 17 million copies worldwide and earning Grammy recognition. It has been ranked among the greatest tracks of the 21st century, placing at No. 195 on Rolling Stone's list of the 250 Greatest Songs of the 21st Century So Far, underscoring its blend of post-grunge, nu-metal, and gothic elements.[99]Production credits
Personnel
The lead vocals on "Bring Me to Life" were performed by Amy Lee of Evanescence, with guest rap vocals provided by Paul McCoy of 12 Stones.[100][22] Ben Moody handled lead guitar duties, while John LeCompt contributed rhythm guitar; Rocky Gray played drums, and Dave Hodges provided piano and backing vocals. Bass was recorded by session musician Francesco DiCosmo.[101][102] The track was produced by Dave Fortman, with additional engineering by Mike Mongillo; Jay Baumgardner handled mixing, and Ted Jensen mastered the recording at Sterling Sound. String arrangements were overseen by David Campbell and David Hodges, featuring session musicians, while the single version included orchestral arrangements by Graeme Revell.[101][103][104] The 2023 remaster of the track, part of the 20th anniversary edition of Fallen, retained the original personnel credits without alterations.[105]Release history
"Bring Me to Life" was initially featured on the soundtrack for the film Daredevil, released on February 4, 2003, by Wind-up Records.[33] The commercial single followed shortly after in the United States on March 24, 2003, via Wind-up Records in CD and digital formats. Internationally, it was issued on June 2, 2003, in the United Kingdom by EMI, and in May 2003 across Europe by various labels including Epic and Wind-up.[32] Subsequent reissues included a re-release of the single in 2006 by Wind-up Records. An orchestral arrangement was featured on the album Synthesis, released November 10, 2017, by BMG Rights Management. In 2023, a remastered version was included in the 20th anniversary edition of Fallen, issued on November 17 by Craft Recordings in digital, CD, and physical formats, with a vinyl reissue available for the anniversary celebration.[34] As of 2025, no new re-release has occurred, though the 2023 remastered track continues to receive streaming updates on major platforms.| Date | Region | Label | Format |
|---|---|---|---|
| February 4, 2003 | Worldwide | Wind-up Records | Soundtrack inclusion (CD) |
| March 24, 2003 | United States | Wind-up Records | CD, digital |
| June 2, 2003 | United Kingdom | EMI | CD, cassette, DVD |
| May 2003 | Europe | Various (Epic, Wind-up) | CD maxi-single, enhanced |
| November 10, 2017 | Worldwide | BMG Rights Management | CD, digital, vinyl (Synthesis orchestral version) |
| November 17, 2023 | Worldwide | [Craft Recordings](/page/Craft Recordings) | Digital, CD, 2-LP vinyl (remastered) |