Calvin Woods (born April 3, 1999), known professionally as Calboy, is an American rapper and singer from the Chicago area.[1][2] He rose to national prominence with his debut single "Envy Me", independently released in 2018, which later achieved multi-platinum status following his signing to Polo Grounds Music, an imprint of RCA Records.[3][4]Raised on Chicago's South Side in an environment marked by robbery, violence, and drug activity, Woods began rapping in middle school as an outlet to avoid street involvement, teaching himself production software like Pro Tools and FL Studio.[2][5] The success of "Envy Me", which peaked at number 63 on the Billboard Hot 100 and garnered tens of millions of streams and views, led to his debut EP Wildboy in 2019 and subsequent releases featuring collaborations with artists including Lil Wayne and Moneybagg Yo.[4][6]Calboy's career has been punctuated by legal troubles and industry disputes, including a 2022 warrant for aggravated battery after an alleged assault at a Georgia park that left a victim with a broken leg, to which he surrendered to authorities.[7][8] He has also engaged in public feuds, such as criticizing DaBaby for collaborating with NBA YoungBoy and expressing frustration over his verse's removal from Pop Smoke's posthumous album, alongside recent complaints about exploitative treatment by his label.[9][10][11] His lyrics often reflect personal struggles with mental health and substance abuse.[12]
Early life
Upbringing in Calumet City
Calvin Lashon Woods, known professionally as Calboy, was born on April 3, 1999, in Calumet City, Illinois, a working-class suburb in Cook County immediately adjacent to Chicago's South Side.[1][13] The neighborhood, marked by economic disadvantage and elevated crime rates, exposed Woods to pervasive street violence, drug dealing, and robbery from an early age, fostering heightened survival instincts amid limited opportunities for youth.[14][15]Woods lost multiple close friends to the hazards of this environment, including one to gun violence and another to drug overdose, experiences that underscored the causal links between local poverty, gang activity, and premature mortality in the area.[16] These realities, rather than idealized narratives of resilience, shaped his formative worldview, with music emerging as a primary outlet for evasion and self-expression rather than formal education or extracurricular alternatives.[17]Beginning in middle school—around sixth grade—Woods taught himself music production using software such as Pro Tools and FL Studio, honing beats on rudimentary setups amid the distractions of his surroundings.[13][18] This self-directed pursuit represented an initial pivot from the immediate threats of robbing and dealing prevalent in Calumet City, though it did not immediately mitigate personal risks or dependencies he later acknowledged grappling with.[17]
Career
2016–2017: Career beginnings
Calboy, born Calvin Lashon Woods, began recording music independently in 2016 while still a teenager in Calumet City, Illinois, a suburb adjacent to Chicago's South Side.[19] His earliest track, "Bam Bam," was released on September 16, 2016, marking his initial foray into hip-hop production using basic tools like a $250 recording kit acquired through family support.[20] Operating without label backing, he focused on self-taught skills in Pro Tools to craft tracks blending melodic elements with the gritty introspection characteristic of Chicago's emerging rap landscape, though these efforts garnered limited streams and remained confined to local digital platforms.[5]In 2017, Calboy escalated his output with his debut mixtape, The Chosen One, released on July 7 via the independent imprint Paper Gang Inc., followed later that year by Anxiety.[5] These projects, distributed primarily through online channels, emphasized freestyles and original beats that highlighted his Auto-Tune-infused melodies over trap-influenced production, drawing subtle nods to Chicago drill pioneers like Lil Durk while prioritizing personal narratives of hardship and ambition.[5] As an unsigned artist, he hustled for visibility by leveraging social media and grassroots promotion in Chicago's competitive scene, where street credibility often hinged on authentic storytelling amid violence and economic strain, yet commercial metrics stayed modest with no chart entries or widespread radio play.[19] This period laid foundational fan engagement through small-scale live freestyles and digital uploads, fostering a niche following appreciative of his raw, unpolished delivery before any viral escalation.[5]
2018–2019: Breakthrough with "Envy Me"
Calboy released "Envy Me" independently in March 2018, marking his entry into the rap scene with a track produced by JTK that captured street life struggles through concise, melodic flows.[21] The song initially circulated on platforms like SoundCloud, where its raw energy and relatable lyrics about envy and survival resonated with underground audiences, leading to organic shares on social media.[22]By late 2018, "Envy Me" exploded in popularity, propelled by a music video uploaded to YouTube on August 27 that quickly garnered millions of views and fueled viral momentum.[23] This internet-driven ascent bypassed traditional promotion, highlighting the role of digital platforms in elevating independent artists from obscurity to mainstream contention, with the track accumulating over 25 million YouTube views by January 2019.[4]The single's commercial breakthrough came in late 2018, debuting on the Billboard Hot 100 and ultimately peaking at number 31 in June 2019, Calboy's first and highest-charting entry to date.[24] This success attracted major label attention, culminating in a deal with Polo Grounds Music/RCA Records, which re-released the track and positioned it as the lead single for his debut EP Wildboy.[4] Early media coverage, including a Rolling Stone profile, underscored the song's unexpected rise from Chicago's drill-influenced streets to national playlists, though sustained buzz remained tied to its viral origins rather than extensive live tours or TV spots in this period.[4]
2020–2021: Mixtapes, EPs, and RCA Records tenure
In early 2020, Calboy, signed to Polo Grounds Music under RCA Records since 2018, released the EP Long Live the Kings on February 21, featuring high-profile collaborations with Lil Baby, Lil Tjay, and G Herbo to leverage trap beats and melodic hooks akin to his breakthrough "Envy Me."[25][26] The six-track project emphasized polished production and street narratives, supported by label resources for promotion and guest features, yet it debuted at number 136 on the Billboard 200, reflecting moderated commercial impact relative to his 2019 album Wildboy's higher entry at number 30.[27]A deluxe edition expanded the EP to 12 tracks on July 24, 2020, incorporating additional singles like "Purpose" with G Herbo to extend replay value and streaming potential amid competitive rap releases.[28] Despite the label's backing for enhanced distribution—evident in RCA's Sony Music integration—the augmented version did not significantly boost chart longevity or streams, with aggregate Spotify plays for featured tracks trailing far behind "Envy Me"'s 515 million.[29]Into 2021, Calboy's RCA output shifted toward singles, including "Miseducation" featuring Lil Wayne on March 25, which aimed at crossover appeal through veteran pairing but garnered limited airplay or sales data indicative of breakthrough success.[30] Follow-up "Clueless" arrived May 14 via RCA/Sony, maintaining trap introspection with upgraded mixing, though neither track cracked major Billboard metrics, underscoring challenges in replicating viral formulas despite professionalized resources and output volume of roughly one EP plus sporadic singles annually.[31] This phase highlighted label-enabled experimentation but empirical signs of waning momentum, as streams and visibility plateaued without matching prior peaks.[27]
2022–present: Independent releases and reduced visibility
In March 2022, Calboy publicly criticized his labels Polo Grounds Music and RCA Records, accusing them of exploitative practices and treating him as a "label slave" in Instagram posts urging fans to pressure the companies for his release.[10][32] He subsequently departed from RCA, launching independent projects under his imprint Loyalty & Company.[33][34]Calboy's independent output began with the album Black Heart in 2022, followed by UNCHAINED on November 3, 2023, which he described as a declaration of artistic freedom after label constraints.[35][34] Additional releases included the mixtapeSorry 4 the Leaks, Vol. 1 in 2023 and its sequel Sorry 4 the Leaks, Vol. 2 in 2024, alongside sporadic singles such as "Gang Time" featuring Skilla Baby in September 2023 and "For The Better" in September 2025.[35][36] These projects emphasized personal themes of struggle and resilience but lacked the promotional backing of major-label distribution.[37]His visibility has contracted compared to prior years, with activity limited to regional performances rather than national tours. Notable appearances included a free-entry show at 529 EAV in Atlanta on October 25, 2025, and a performance in Yellow Springs, Ohio, on October 19, 2025.[38][39] No large-scale tour dates were scheduled as of October 2025, reflecting a shift toward localized engagements amid the competitive hip-hop landscape.[40]
Legal issues
2022 aggravated battery allegation
On May 4, 2022, Calvin Lashon Woods, professionally known as Calboy, allegedly attacked a male victim at Rabbit Hill Park in Dacula, Gwinnett County, Georgia.[41][42] The victim suffered a broken leg, facial lacerations, bruises to the face and torso, and additional injuries requiring medical attention, as documented in the police incident report.[8][43]Gwinnett County Police Department investigators identified Woods as the suspect based on witness statements and evidence from the scene.[44]Following the incident, authorities issued an arrest warrant for Woods on May 12, 2022, charging him with aggravated battery, a felony under Georgia law.[7][45] Woods, then 23 years old and residing in Marietta, Georgia, remained at large initially, with police believing he was last seen in the Dacula area.[41] He surrendered voluntarily to the Gwinnett County Sheriff's Office on May 17, 2022, and was booked into jail without bond.[8][46]The allegation stemmed from police findings of intentional infliction of serious bodily harm, with the victim's documented injuries providing empirical evidence of the assault's severity despite any potential claims of self-defense by Woods, which were not substantiated in official reports.[47] No trial outcome or resolution has been publicly reported as of available records.[48]
Related drug charges and other incidents
In May 2022, as part of the investigation into the aggravated battery incident in Dacula, Georgia, authorities discovered tetrahydrocannabinol (THC) in Calboy's possession during his surrender to police, resulting in felony charges of manufacturing and delivering the controlled substance.[8] These drug charges stemmed directly from items found on or associated with him at the time of arrest on May 17, 2022, separate from but concurrent with the batterywarrant.[8]Calboy was initially held without bond following his surrender, with court proceedings denying pretrial release amid concerns over the severity of the allegations.[49] In a September 2023 interview, he recounted the bond denial in the battery-related case, asserting his innocence and framing his actions as necessary self-protection against an aggressor, while criticizing the legal process for overlooking evidence of the victim's prior threats.[49]Bond was later set at approximately $28,000 to $30,000, which he posted to secure release.[49]No convictions or final resolutions for the THC manufacturing and delivery charges, nor for ancillary matters tied to the 2022 events, have been publicly documented as of October 2025, reflecting gaps in accessible court outcome data beyond initial filings.[8]
Artistry
Musical style and themes
Calboy's music primarily falls within the melodic trap subgenre of hip-hop, characterized by trap beats featuring heavy 808 bass, hi-hats, and synth melodies, paired with vocals that blend rapping and singing through prominent auto-tune effects for a polished, emotive delivery.[50] This approach enhances accessibility, allowing his flows to shift fluidly between melodic hooks and rhythmic verses, as evident in tracks where he layers introspective narratives over sparse, atmospheric production.[14] In his own description, the style incorporates "realistic facts" within trap frameworks while fusing multiple genres to create dynamic, intense soundscapes.[51]Lyrically, Calboy's themes revolve around envy, survival amid violence, and the pursuit of material success, often rooted in the harsh realities of Chicago's South Side and Calumet City environments without romanticization or glorification. Songs frequently depict personal loss, grief, and trauma from street life, such as bereavement from gun violence or the psychological toll of rapid fame, presented as unvarnished reflections rather than aspirational tales.[52][14] For instance, his breakout single "Envy Me" (2018) explores resentment from peers over achieved wealth and status, juxtaposed against ongoing threats of betrayal and peril, underscoring a causal link between hardship and resilience drawn from lived experience.[1]Critics have noted that while this authenticity lends credibility—distinguishing it from fabricated bravado in trap music—recurrent motifs of interpersonal conflict and antisocial survival strategies risk reinforcing genre conventions that normalize aggression or fatalism in urbanyouth culture.[27] Defenders, including Calboy himself, counter that such portrayals stem from empirical observation of environmental pressures, serving as cautionary realism rather than endorsement, with introspective elements adding depth beyond surface-level boasts.[51] This balance reflects a commitment to causal fidelity in depicting how violence and envy perpetuate cycles in high-risk settings, informed by first-hand proximity rather than abstracted ideals.
Influences
Calboy's artistic development was shaped by Chicago's drill rap pioneers, whose raw energy he adapted into a more melodic form during his early experimentation. Starting to produce music at age 12, he drew initial inspiration from drill heroes like Lil Durk, incorporating street-oriented narratives and beats into his self-recorded tracks.[53] This foundation reflected the broader influence of Chicago forebears such as Chief Keef, whose high-energy drill style permeated the local scene Calboy emerged from, though he prioritized personal adaptation over direct emulation.[54]Broader hip-hop and pop figures also informed his vocal delivery and thematic range. Calboy has cited Lil Wayne, 2Pac Shakur, and Michael Jackson as key listens from his South Side upbringing, blending their emotive flows and crossover appeal with drill's aggression.[1] Video games like Rock Band and Guitar Hero further fueled his production curiosity, exposing him to instrumentation and melody outside traditional rap.[51]Central to his path was a self-taught ethos, minimizing reliance on formal mentorship or over-dependence on idols. In middle school, Calboy learned recording and mixing through YouTube tutorials, fostering an original process that evolved drill's intensity into introspective, sing-rap hybrids.[1] This hands-on approach, begun around 2011, underscored his causal progression from fan to creator, distinct from rote imitation.[55]
Commercial performance and reception
Chart success and streaming metrics
Calboy's breakthrough single "Envy Me" (2018) peaked at number 31 on the Billboard Hot 100, marking his highest charting position to date and spending 26 weeks on the chart.[24] The track earned a 5× Platinum certification from the RIAA, signifying at least 5 million equivalent units consumed in the United States through sales and streaming.[6] As of October 2025, "Envy Me" has accumulated over 515 million streams on Spotify, dominating his catalog and contributing the bulk of his streaming revenue.[56]Subsequent releases under RCA Records showed moderate chart performance without replicating this success. His debut EP Wildboy (2019), led by "Envy Me," debuted at number 30 on the Billboard 200.[57] Follow-up projects, including the EP Love Live the Kings (2020), achieved lukewarm entry on the Billboard 200 but failed to produce additional top-40 Hot 100 singles.[58] Other tracks, such as "Adam & Eve" (2020), have garnered around 46 million Spotify streams, underscoring a reliance on the initial hit for sustained metrics.[56]Independent releases from 2022 onward have not yielded significant chart entries, reflecting a decline in mainstream visibility. Aggregate streaming data indicates Calboy's total Spotify plays exceed 700 million, predominantly driven by "Envy Me," with newer material generating under 50 million streams per track.[59] Estimates of his 2024 net worth hover around $6 million, attributed to streaming royalties, touring, and endorsements, though such valuations remain approximate and unverified by financial disclosures.[60]
Critical assessments and public perceptions
Calboy's breakthrough single "Envy Me," released in 2018, garnered praise for its raw depiction of street hardships and emotional vulnerability, resonating with listeners through melodic trap delivery that captured Chicago's gritty authenticity.[61] Reviewers highlighted the track's sorrowful lyrics and infectious hooks as emblematic of relatable pain in urbanyouth experiences.[62]Subsequent projects like the 2019 EP Wildboy received mixed user assessments, with some commending its melody-driven bangers but others critiquing the output as bland and generic within the oversaturated trap landscape, lacking distinctive lyrical innovation beyond familiar themes of loss and survival.[63] Aggregate ratings on platforms such as Rate Your Music averaged around 2.7 out of 5, reflecting perceptions of formulaic production that prioritized commercial appeal over deeper introspection.[64]Public discourse often frames Calboy as an underrated talent emblematic of viral fame's transience, with fans arguing his consistent releases post-"Envy Me" demonstrate untapped potential stifled by industry dynamics, while declining chart performance underscores challenges in sustaining momentum amid rap's proliferation of similar artists.[65] Some online critiques position "Envy Me" within waves of mumble-influenced hits, questioning its replay value and contribution to homogenized viralrap lacking substantive evolution.[66] This view persists despite positive nods from outlets like XXL, which spotlighted his promise as a 2020 Freshman for emotive freestyles rooted in personal adversity.[67]
Discography
Mixtapes
Calboy's initial forays into recording came through two independent mixtapes released in 2017, which helped cultivate his early audience in Chicago's drill-influenced rap scene prior to his viral breakthrough with the single "Envy Me" in 2018.[68] His debut project, The Chosen One, arrived on July 7, 2017, distributed via Paper Gang Inc. and featuring production from collaborators like 80Ape and Jay Bandz.[69][16]The Chosen One consisted of tracks emphasizing personal ambition and street narratives, serving as a foundational release that garnered local streaming traction on platforms like Audiomack, though specific aggregate stream figures remain unverified in public data.[70]Five months later, on December 7, 2017, Calboy dropped Anxiety, a 12-track effort hosted by DJ Pharris and self-released without major label backing.[71][72] The mixtape explored themes of emotional turmoil and resilience, with standout cuts like "Fatality" and "Athletes" contributing to its rotation in underground playlists, further solidifying his pre-contract buzz.[73]These early mixtapes, totaling over 20 songs across both, distinguished themselves from Calboy's subsequent extended plays by their raw, unpolished mixtape format typical of independent Chicago artists building catalogs via free distribution sites.[68]
Extended plays
Calboy's debut extended play, Wildboy, was released on May 31, 2019, through Polo Grounds Music and RCA Records following his signing with the label.[55] The 10-track project featured elevated production values compared to his prior independent mixtapes, incorporating trap-influenced beats and high-profile collaborations with artists including Moneybagg Yo on "Unjudge Me," and Lil Durk and Yo Gotti on "Ghetto America."[74]Lead single "Envy Me" anchored the EP, driving its commercial performance as it debuted and peaked at number 30 on the Billboard 200 chart.[75]Long Live the Kings, Calboy's second EP, arrived on February 21, 2020, also via RCA Records, comprising six tracks with a runtime of approximately 17 minutes.[76] Notable inclusions were "Givenchy Kickin," featuring Lil Baby and Lil Tjay, emphasizing themes of street success and luxury amid continued trap production.[26] A deluxe edition followed on July 24, 2020, expanding the release to 12 tracks with additions like "Barbarian" featuring Lil Tjay.[28] These EPs distinguished themselves from Calboy's earlier mixtapes through RCA's involvement, which provided greater budgetary support for mixing, guest features, and digital distribution, resulting in broader streaming accessibility and minor chart entry for Long Live the Kings.[27]
Singles as lead artist
Calboy achieved his breakthrough with the independent single "Envy Me", released on September 13, 2018.[4] The track, which reflects themes of street life and success in Chicago, gained traction through social media dance challenges and streaming platforms.[77] It debuted on the Billboard Hot 100 on December 29, 2018, and peaked at number 31 on May 4, 2019, spending 27 weeks on the chart.[58] "Envy Me" has been certified five-times platinum by the RIAA, denoting five million units sold or streamed in the United States.[78]Subsequent lead singles, such as "Get a Bag" in 2019 and "Adam & Eve" later that year, followed the viral success of "Envy Me" but did not replicate its chart performance.[79] These releases maintained Calboy's focus on trap-influenced melodies and personal narratives, though they primarily garnered attention within hip-hop streaming audiences rather than mainstream radio or charts.[80]
Guest appearances
Calboy has contributed guest verses to tracks by prominent hip-hop artists, fostering industry alliances and amplifying his reach beyond solo releases. His 2019 feature on Chance the Rapper's "Get a Bag," from the album The Big Day, marked an early high-profile collaboration; the album debuted at number 7 on the USBillboard 200, charting for 11 weeks and exposing Calboy to Chance's established fanbase.That same year, Calboy appeared on YG's "Konclusions" alongside Lil Mosey, part of YG's 4Real 4Real album, which entered the Billboard 200 at number 7 and featured West Coast production emphasizing trap cadences. The track's inclusion in YG's project, certified gold by the RIAA, linked Calboy to California rap networks.[81]In 2020, Calboy joined the remix of Pop Smoke's "Diana," featuring King Combs, for the deluxe edition of Shoot for the Stars, Aim for the Moon; the parent album debuted at number 1 on the Billboard 200, selling over 145,000 equivalent units in its first week and achieving diamond certification for its lead single "For the Night."[82] This posthumous feature on Pop Smoke's breakout project, which amassed over 3 billion global streams by 2021, significantly boosted Calboy's streaming metrics through algorithmic cross-promotion on platforms like Spotify.[83]Additional appearances include Ann Marie's "Property" (2019 single) and Lil West's "Want Love" (2019, from Vex Part 2), which garnered moderate radio play and playlist placements, further embedding Calboy in melodic trap circles.[84][85] These collaborations, totaling over a dozen documented features by 2020, underscored his versatility in supporting roles while prioritizing melodic flows over lead billing.
Live performances
Headlining shows
Calboy initiated his debut headlining tour, the Rockstar Wild Boyz Tour, on February 8, 2019, capitalizing on the viral momentum of his breakout single "Envy Me."[1] The tour encompassed multiple U.S. dates, including October 19, 2019, at Newport Music Hall in Columbus, Ohio; October 12, 2019, at Citi Field in New York, New York; and December 13, 2019, at Club Spades in New Orleans, Louisiana.[86] An additional headlining appearance followed on April 12, 2020, at The Middle East - Sonia in Cambridge, Massachusetts.[86]In late 2024, Calboy mounted the I Shine Tour, performing on December 20 at Soundwell in Salt Lake City, Utah, and December 21 at Bourbon on Division in Chicago, Illinois.[87][88]Demonstrating continued independent touring activity into 2025, Calboy headlined a free-entry show on October 25 at 529 EAV in Atlanta, Georgia, with local openers selected via competition.[89][90]
Supporting roles
Calboy performed as a supporting act on Kodak Black's Dying to Live Tour in 2019, sharing the bill with YNW Melly and Sniper Gang across multiple North American dates from March to May.[91][92] The tour, announced on February 12, 2019, featured Calboy on dates including stops in Nashville on April 4 and Chicago on May 2, exposing him to audiences amid the rising popularity of his breakout single "Envy Me," which had peaked at number 49 on the Billboard Hot 100 earlier that year.[93]Later in 2019, Calboy joined 21 Savage's I Am > I Was Tour as an opening act, replacing DaBaby alongside Young Nudy, with performances running from July 10 to August 16 across 20 U.S. cities starting in Oklahoma City.[94][95] This slot aligned with the tour's promotion of 21 Savage's platinum-certified album i am > i was, providing Calboy additional visibility to hip-hop fans during a pivotal early-career phase following his RCA Records signing in 2018.[96]These supporting roles in 2019 marked key opportunities for audience expansion and industry networking, leveraging Calboy's emerging profile from viral tracks to secure slots with established artists amid a competitive rap touring landscape. No major supporting tour appearances have been documented since, with Calboy's live activity shifting toward independent headlining dates and smaller venue shows by 2025, reflecting a more selective touring approach.[86]