Clockwork Angels
Clockwork Angels is the nineteenth and final studio album by the Canadian progressive rock band Rush, released on June 12, 2012.[1]It serves as a concept album, narrating the journey of a young man named Owen Hardy through a steampunk world blending alchemy, order, and chaos, featuring elements like clockwork angels, anarchists, carnivals, and lost cities.[2] The album was produced by Rush and Nick Raskulinecz, with recording sessions spanning April 2010 at Blackbird Studio in Nashville, Tennessee, and October to December 2011 at Revolution Recording in Toronto, Ontario, followed by mixing at Henson Studios in Los Angeles from January to March 2012.[2]
Upon release, Clockwork Angels debuted at number two on the Billboard 200 chart, selling 103,000 copies in its first week in the United States, marking Rush's highest-charting album since 1996's Test for Echo.[2][3]
It also topped the Canadian Albums Chart and reached the top ten in several other countries, including number four in Finland and number ten in Norway.[2] The album's storyline, penned by drummer and lyricist Neil Peart, inspired a companion novel of the same name by Kevin J. Anderson, published in September 2012, which expands on Owen's adventures in the Clockwork Century.[4]
Clockwork Angels supported an extensive world tour from 2012 to 2013, later documented in the live album Clockwork Angels Tour released in 2013.[5]
Critically acclaimed for its ambitious production and return to progressive rock roots, the album is regarded as a fitting capstone to Rush's career.[1]
Development
Background and writing
Rush's decision to create Clockwork Angels marked their return to a full concept album after more than three decades, the last being 2112 in 1976. The project was inspired by the steampunk genre, which imagines a retro-futuristic world powered by steam and clockwork mechanisms, evoking visions of inventors like Jules Verne and H.G. Wells. This aesthetic provided a narrative framework for exploring themes of order versus chaos in a fantastical setting.[6] Songwriting for Clockwork Angels began in 2009, with the initial tracks "Caravan" and "BU2B" emerging as the foundation of the concept. Drummer and lyricist Neil Peart drew from his extensive personal travels and philosophical reflections, incorporating influences such as Voltaire's Candide and ideas of alchemy and human endeavor to craft the storyline of a young man's quest in a rigid, mechanized society. The collaborative process involved Peart developing lyrics, often through email exchanges with bassist/vocalist Geddy Lee, while Lee and guitarist Alex Lifeson composed the music via improvisational jamming sessions in Lee's home studio. Further writing occurred during intensive jamming sessions in early 2011 before the second leg of the Time Machine Tour, with additional refinement from October to December 2011 at Revolution Recording in Toronto alongside producer Nick Raskulinecz.[7][6][8] Rush released "Caravan" and "BU2B" as a digital single on June 1, 2010, two years before the full album's debut; the tracks were also recorded in April 2010 ahead of the band's Time Machine Tour. This early preview allowed the band to share new material while continuing development. The album's narrative was later expanded into a tie-in novel by science fiction author Kevin J. Anderson, written in collaboration with Peart starting in August 2010.[9][6]Concept and themes
Clockwork Angels is a concept album that follows the journey of a young man in a fantastical, steampunk-inspired empire governed by the Watchmaker, a god-like figure who enforces absolute order through clockwork mechanisms and alchemical wonders. The narrative draws inspiration from Voltaire's Candide, portraying the protagonist's quest across a world filled with airships, mechanical angels, and rigid societal structures, as he grapples with the tension between imposed control and the allure of anarchy.[8][10] This storyline reflects Neil Peart's vision of blending progressive rock's extended storytelling tradition with his personal philosophical inquiries into fate and free will, emphasizing a universe where human experience unfolds amid deterministic machinery.[8] The album's themes revolve around the conflict between order and chaos, beginning with motifs of anarchy in the early parts of the narrative, where the young man encounters rebellious ideals that challenge the Watchmaker's regime. As the story progresses, it explores the loss of innocence through encounters with the world's harsh realities, the relentless pursuit of dreams in an unforgiving environment, and ultimately, an acceptance of chaos as an integral part of existence. These elements culminate in "The Garden," symbolizing resolution and a mature reconciliation with life's unpredictability, influenced by Peart's reflections on personal growth and the alchemical transformation of the self.[10][8] Peart incorporated symbolic world-building to deepen the philosophical undertones, envisioning an imaginary empire where clockwork angels enforce divine order and alchemical processes represent both creation and limitation, drawing from literary sources like Joseph Conrad and Diane Ackerman's explorations of the mind. This steampunk aesthetic not only provides a vivid backdrop but also serves as a metaphor for the human struggle against predestination, with the protagonist's odyssey highlighting the interplay of free will within a seemingly mechanical fate. The themes directly informed the plot of the tie-in novel co-authored by Peart and Kevin J. Anderson, which expands the young man's adventures in this clockwork realm.[8][10]Production
Recording
The recording of Clockwork Angels was handled by Rush alongside co-producer Nick Raskulinecz, with engineering duties led by Richard Chycki, who captured the band's performances across multiple phases to accommodate touring commitments and refine the album's ambitious sound.[2][11] Initial tracking began in April 2010 at Blackbird Studio in Nashville, Tennessee, where the band laid down foundational recordings for the opening tracks "Caravan" and "BU2B," assisted by engineer Lowell Reynolds; this early session built on material from prior writing efforts but focused primarily on establishing the core instrumentation.[11][12] Production paused as Rush embarked on their Time Machine Tour, resuming in the fall of 2011 at Revolution Recording in Toronto, Canada, where the bulk of the rhythm section—featuring Neil Peart's dynamic live drumming, Geddy Lee's bass and vocals, and Alex Lifeson's guitars—was committed to tape over several months, emphasizing a raw, organic feel while incorporating subtle electronic textures for the steampunk-inspired aesthetic.[12][13] To enhance the album's orchestral depth, string arrangements were crafted by David Campbell, who conducted a string ensemble during an overdub session on January 18, 2012, at Ocean Way Recording in Los Angeles, California; these lush layers were added to tracks such as "The Anarchist," "Clockwork Angels," "The Garden," and others, providing emotional swells and contrapuntal textures that elevated the progressive rock elements without overwhelming the band's signature interplay.[12][14][15] Additional overdubs, including a new intro for "BU2B" captured on Lifeson's Lerxst Mobile studio unit in West Hollywood, rounded out the instrumentation, with guest contributions like Jason Sniderman's piano on "The Garden" integrated to support the narrative-driven songs.[16][2] Mixing took place from January to March 2012 at Henson Recording Studios in Los Angeles, California, under Raskulinecz's direction and assisted by Martin Cooke, where the team balanced the dense arrangements by prioritizing clarity in Peart's acoustic drum sounds against Lee's layered vocals and Lifeson's multi-tracked guitars, ensuring the electronic and orchestral components blended seamlessly into a cohesive sonic landscape.[11][17] The final mastering was performed by Brian "Big Bass" Gardner at Bernie Grundman Mastering in Hollywood, California, applying subtle compression and EQ to achieve a polished, dynamic release suitable for both digital and vinyl formats.[16][11]Artwork and packaging
The cover art for Clockwork Angels was created by Hugh Syme, Rush's longtime art director, featuring a minimalist clock face adorned with alchemical symbols in place of numerals, set against a dark background to evoke the album's steampunk and sci-fi aesthetic.[18][19] The design shows the time as 9:12, a subtle nod to the band's earlier album 2112.[18] Syme developed this imagery in tandem with Neil Peart's lyrics and the accompanying novel, drawing from the project's working title "Steampunk Serenade" to capture themes of order, chaos, and mechanical wonder.[20] Syme's collaboration with the band began nearly two years before release, starting after the initial recording of two tracks in 2010 and continuing through the Time Machine Tour, where concepts were refined alongside songwriting and rehearsals.[21] Peart specifically requested the pared-down cover to serve as a teaser, with more elaborate visuals reserved for the interior, a choice Syme initially viewed as a compromise but later praised for its iconic simplicity.[18] The interior booklet expands on the steampunk narrative through Syme's custom illustrations for each track, depicting elements like mechanical angels, gears, and fantastical landscapes that align with the tie-in novel's world-building.[20][21] These gouache and acrylic paintings, produced over 18 to 22 months, integrate seamlessly with the lyrics and story, enhancing the conceptual depth.[22][19] The album was packaged in a digipak CD edition with a 28-page stapled booklet containing Syme's artwork and liner notes.[23] A standard double vinyl LP pressing on 180-gram audiophile vinyl was also issued, featuring gatefold packaging with the same interior illustrations.[24] Limited promotional bundles, such as the Classic Rock Fanpack, included the CD alongside a magazine and keychain for enhanced collector appeal.[25]Tie-in novel
The collaboration between Rush drummer and lyricist Neil Peart and science fiction author Kevin J. Anderson to novelize the Clockwork Angels album concept was publicly announced in February 2012.[26] Anderson, a longtime fan of the band, worked closely with Peart to expand the album's lyrics into a full narrative, ensuring fidelity to the original story elements provided by the band.[4] Published by ECW Press, the novel Clockwork Angels was released on September 4, 2012, shortly after the album's June launch, serving as an official tie-in to deepen the album's steampunk universe.[27] An illustrated hardcover edition featured artwork by Rush's longtime designer Hugh Syme, including custom images that complemented the album's visual aesthetic.[28] The unabridged audiobook version, also released in 2012, was narrated by Neil Peart himself.[29] The story follows protagonist Owen Hardy, a young man from the rural village of Barrel Arbor in the fantastical land of Albion, who embarks on a quest for adventure and enlightenment amid a clockwork-driven society ruled by the authoritarian Watchmaker.[27] Each chapter directly adapts elements from the album's songs, weaving themes of order versus chaos, ambition, and discovery into a cohesive narrative that mirrors the record's progression.[30] The novel expanded the album's lore, providing fans with additional context that enhanced appreciation of the music's conceptual depth, and was promoted alongside the band's Clockwork Angels Tour as an immersive extension of the project.[31] Anderson later continued the series with sequels Clockwork Lives (2015) and Clockwork Destiny (2022), further developing the world with Peart's input until his passing.[32]Album content
Musical style
Clockwork Angels represents a return to Rush's progressive rock roots, characterized by intricate compositions, heavy guitar riffs, and a blend of diverse genre influences that infuse the album with a steampunk aesthetic. The album's sound is predominantly hard rock in a classic three-piece format, emphasizing bold, stripped-down arrangements with prominent guitar work and dynamic rhythms, as described by guitarist Alex Lifeson.[33] This progressive core is evident in the album's heavy, guitar-oriented leanings, which align it with Rush's earlier works while incorporating modern production polish.[34] Instrumentation plays a central role in defining the album's texture, with Lifeson's guitar solos providing melodic anchors through double-tracked lines and occasional use of harmonics and feedback, often drawing from blues-oriented riffs reminiscent of Led Zeppelin.[33] Geddy Lee's versatile bass lines and high-register vocals drive the rhythmic foundation and harmonic complexity, while Neil Peart's drumming delivers intricate patterns and shifts in time signatures, contributing to the album's energetic and complex feel.[35] Orchestral elements, such as string arrangements in tracks like "The Garden," add sweeping, cinematic swells that enhance the epic scope of the compositions.[36] Compositional techniques showcase Rush's signature blend of influences, including Eastern and baroque motifs appear in arrangements, such as the string sections evoking a Middle Eastern atmosphere in "The Anarchist," while strong, memorable choruses provide accessible pop-like hooks amid the progressive structures.[37] Epic suites, exemplified by the closing "The Garden," feature acoustic introspection building to orchestral climaxes, reflecting influences from 1970s prog bands like Yes and King Crimson in their ambitious songwriting and thematic cohesion.[34] These elements tie loosely to the album's narrative of order versus chaos, manifesting sonically through contrasting musical moods.[38]Track listing
Clockwork Angels is a concept album consisting of 12 tracks that follow the story of a young man's journey in a steampunk world, with each song contributing to the narrative arc.[2] The standard edition track listing is as follows:| No. | Title | Duration | Writer(s) |
|---|---|---|---|
| 1. | "Caravan" | 5:40 | Lee, Lifeson, Peart |
| 2. | "BU2B" | 5:10 | Lee, Lifeson, Peart |
| 3. | "Clockwork Angels" | 7:31 | Lee, Lifeson, Peart |
| 4. | "The Anarchist" | 6:52 | Lee, Lifeson, Peart |
| 5. | "Carnies" | 4:52 | Lee, Lifeson, Peart |
| 6. | "Halo Effect" | 3:14 | Lee, Lifeson, Peart |
| 7. | "Seven Cities of Gold" | 6:32 | Lee, Lifeson, Peart |
| 8. | "The Wreckers" | 5:01 | Lee, Lifeson, Peart |
| 9. | "Headlong Flight" | 7:20 | Lee, Lifeson, Peart |
| 10. | "BU2B II" | 1:28 | Lee, Lifeson, Peart |
| 11. | "Wish Them Well" | 5:25 | Lee, Lifeson, Peart |
| 12. | "The Garden" | 6:59 | Lee, Lifeson, Peart |
Rush
- Geddy Lee – vocals, bass guitar, keyboards, bass pedals[2]
- Alex Lifeson – guitars, keyboards[2]
- Neil Peart – drums, cymbals, tambourine[2]
Additional musicians
- David Campbell – string arrangements, conductor[2]
- Jason Sniderman – piano[2]
Production
- Nick Raskulinecz – producer, mixing[2]
- Rush – producer[2]
Engineering and technical staff
- Richard Chycki – recording engineer[2]
- Lowell Reynolds – assistant engineer[2]
- Stephen Koszler – assistant engineer[2]
- Jason DuFour – assistant engineer[2]
- Martin Cooke – assistant engineer[2]
- Paul Fig – assistant engineer[2]
- Rouble Kapoor – assistant engineer[2]
- Brian "Big Bass" Gardner – mastering engineer[41]
Art and design
- Hugh Syme – art direction, design, illustrations[2]