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Crobot

Crobot is an hard rock band formed in 2011 in , consisting of vocalist and harmonica player Brandon Yeagley, guitarist and backing vocalist , bassist and backing vocalist Pat Seals, and drummer and backing vocalist Dan Ryan. Renowned for their high-energy live performances and a gritty, riff-driven sound that fuses , , and influences, Crobot draws from the raw energy of 1970s rock while incorporating modern psychedelic and elements to create anthemic tracks about rebellion, , and the human condition. The band gained initial recognition with their debut EP The Legend of the Spaceborne Killer in 2012, followed by their full-length debut album Something Supernatural in October 2014 via , which showcased their explosive style through tracks like "The Legend of the Spaceborne Killer" and established them as a rising force in the scene. After lineup changes and continued touring as openers for acts in the rock and metal genres, Crobot signed with Mascot Records in 2018, leading to the release of Motherbrain in 2019, featuring the hit single ""; Feel This in 2022, capturing their live intensity; the EP Rat Child in 2021; and their most recent album in 2024, along with its White Rabbit Deluxe Edition in 2025, which explores introspective themes with renewed vigor. Hailing from a blue-collar coal-mining town, Crobot's music serves as a for the disenfranchised, and they have built a dedicated following through relentless North tours, including headlining runs like the 2025 "Bastards of the Holy Riff Tour" with , solidifying their reputation as torchbearers for authentic, groove-laden rock 'n' roll.

History

Formation and early career

Crobot was formed in the summer of 2011 in , by vocalist Brandon Yeagley and guitarist , who sought to revive the raw energy of classic . The band's initial lineup featured Yeagley on lead vocals and harmonica, Bishop on guitar and backing vocals, bassist Sam Grimm, and drummer Tony Kobel. This configuration performed locally in the Pennsylvania scene for about a year, honing their high-energy sound through club shows and building a following among regional audiences drawn to their riff-driven, blues-infused style. The group later stabilized with the permanent addition of brothers Jake Figueroa on bass and Paul Figueroa on drums, replacing Grimm and Kobel to solidify their . Crobot's first significant output came in 2012 with the self-released EP The Legend of the Spaceborne Killer, a four-track effort that captured their explosive live vibe and garnered attention through an accompanying for the . This release marked their initial independent milestone, distributed via digital platforms and physical CDs, and helped propel them into regional tours across the Northeast, sharing stages with emerging acts and further cultivating a dedicated fanbase. These early efforts culminated in 2013 when the band signed with , transitioning from local buzz to broader industry support.

Wind-up Records era

In late 2013, Crobot signed with following the label's discovery of the band's energetic live performances and online presence, marking their transition from independent acts to a major-label outfit. The deal, finalized in November, came after Wind-up expressed interest during Crobot's regional touring, including shows that highlighted their raw, groove-driven rock sound. This period solidified the band's original lineup of vocalist Brandon Yeagley, guitarist , bassist Jake Figueroa, and drummer Paul Figueroa, which remained stable through their early professional breakthrough. The band's debut full-length album, Something Supernatural, was recorded in 2014 at Studio 606 in Northridge, , with producer (known for his work with and ). Released on October 28, 2014, via , the 12-track album captured Crobot's blend of riffs and psychedelic elements, receiving praise for its high-energy production and the band's confident songwriting. To promote the record, Crobot issued key s such as "Nowhere to Hide," which debuted as the lead track in mid-2014, accompanied by an official directed by Adam Mason that premiered on July 29 and showcased the band's theatrical stage persona. Another , "Legend of the Spaceborne Killer," followed earlier in the year from their preceding EP, building anticipation for the . Supporting Something Supernatural, Crobot embarked on extensive initial tours from late 2014 into 2015, opening for established acts to expand their audience. Notable runs included the in early 2014 alongside and , as well as slots supporting and The Sword, where their live intensity drew attention from industry figures. They also performed at major festivals like in , on May 17, 2014, sharing the bill with headliners such as and . In spring 2015, Crobot joined and for a North American arena tour, delivering high-octane opening sets that helped solidify their reputation for explosive performances.

Lineup changes and Mascot Records

Following the release of their second album Welcome to Fat City on September 23, 2016, via , Crobot experienced significant lineup instability. The band's rhythm section, brothers Jake Figueroa on bass and Paul Figueroa on , departed in April 2017 citing creative differences after a successful run that included extensive touring. This shift came amid ' ongoing financial challenges, which had been acquired by Bicycle Music in 2013 and faced operational difficulties, prompting Crobot to seek new management and label support. The core songwriting duo of vocalist Brandon Yeagley and guitarist remained intact to guide the band forward. In June 2017, Crobot announced the addition of drummer Dan Ryan, formerly of Scorpion Child, and bassist James Lascu to stabilize the lineup and resume activities. Ryan brought a dynamic energy to the percussion, while Lascu provided a solid low-end foundation, allowing the band to maintain their high-octane live performances. These changes marked a period of adaptation, as the group navigated personnel transitions while preparing new material under their revamped roster. The band's affiliation with Mascot Records began with their third studio album, Motherbrain, released on August 23, 2019. This outing emphasized groove-oriented with sci-fi-infused lyrics exploring themes of technology, control, and human struggle, produced by the band alongside engineer Brian Virtue. Subsequent bass lineup adjustments occurred, with joining in 2019 and Tim Peugh in 2021, reflecting ongoing evolution in the rhythm section. Motherbrain received praise for its heavier riffs and thematic depth, solidifying Crobot's reputation in the groove rock scene. In 2021, the band released the EP Rat Child via Mascot Records. Crobot's fourth album under Mascot, Feel This, was announced on March 10, 2022, and released on June 3, 2022, featuring the lead single "Better Times," a rallying anthem amid global uncertainties. Produced by Jay Ruston, the record blended raw energy with introspective grooves, showcasing the band's resilience post-changes. Bassist Pat Seals joined in 2023. The band released their fifth studio album Obsidian on September 13, 2024, via Mascot Records, exploring introspective themes. During this 2016–2022 era, Crobot maintained a rigorous touring schedule, headlining U.S. and European dates while supporting prominent acts like Rival Sons on select bills, including festival appearances and co-headlining runs that amplified their live reputation for explosive, riff-driven sets.

Recent developments

In late 2025, Crobot underwent a significant lineup change with the addition of brothers Willie Jansen on bass and vocals and Nico Jansen on drums and percussion, marking their recording debut on the band's new "Gun to My Head." This replaced the previous members, while vocalists Brandon Yeagley and guitarist continued as the core leaders of the group. The change refreshed the band's dynamic ahead of new material. On October 31, 2025, Crobot released "Gun to My Head" as the from their upcoming sixth studio album, scheduled for 2026. The track showcases the band's signature high-energy rock sound, blending gritty riffs and powerful vocals, and serves as the first preview of the full-length project. Details on the album's title and exact release date remain forthcoming as of November 2025. Supporting the single's rollout, Crobot embarked on the "Bastards of the Holy Riff Tour" in fall 2025, co-headlining with across North American venues. The tour, running from late October through November, included stops in cities such as ; ; and , delivering live performances that highlighted the band's evolving lineup and new music. This series of shows built momentum for the 2026 album release. Originally hailing from , Crobot relocated their base to , in recent years, a move that has shaped their current creative environment amid the city's vibrant music scene. This shift coincides with the band's 2025 activities, infusing their work with fresh regional influences.

Musical style and influences

Core style elements

Crobot's core musical style is rooted in , characterized by groovy, riff-driven compositions that emphasize heavy guitar tones and energetic, howling vocals. The band's sound features sharp, frenetic guitar riffs layered over thunderous drums and ferocious bass lines, creating a visceral, groove-heavy foundation often described as "dirty groove rock." Frontman Brandon Yeagley's distinctive vocal delivery includes primal screams and soulful hooks, complemented by his use of harmonica for bluesy, 1970s-inspired solos that add a layer of raw, chaotic texture to tracks like "Feel This." Song structures in Crobot's music typically follow a verse-chorus format, designed for high-impact hooks that encourage , while incorporating extended jams and gut-wrenching guitar solos to build dynamic tension and release. This approach blends aggressive metal riffs with funky, psychedelic undertones, resulting in songs that prioritize relentless rhythms and organic, jam-derived energy over complexity. Their production style evokes a raw, analog feel, capturing the unfiltered intensity of live performances through detail-oriented recording that highlights big grooves and feedback-laden moments, as heard in albums produced by . This method ensures the music retains a seismic, high-energy essence, evolving slightly across releases while maintaining a focus on stage-ready power. Crobot's live shows amplify these elements, delivering explosive, otherworldly sets that shake venues with their blend of swaggering , doom-y metal, and strangely sexy .

Key influences

Crobot's sound draws heavily from the foundational elements of 1970s , particularly the riff-driven intensity and bluesy undertones pioneered by bands like , , and Led Zeppelin. In s, frontman Brandon Yeagley has cited these acts as core inspirations, noting their influence on the band's groove-heavy riffs and dynamic song structures. Guitarist echoes this, crediting early exposure to Led Zeppelin's and Black Sabbath's classic tracks for shaping his playing style. The band also incorporates nods to and , with evident traces of Kyuss and in their psychedelic, riff-centric approach. Reviews highlight Kyuss's sludge-like guitar tones and Josh Homme's style as clear parallels in Crobot's heavier tracks, contributing to a hazy, desert-rock vibe. This stoner influence manifests in lyrics laced with psychedelic sci-fi themes, blending cosmic imagery with propulsive grooves. Further broadening their palette, Crobot pulls from 's raw, straightforward energy and Queens of the Stone Age's modern reinterpretation of . Yeagley has described as a foundational influence from his early days learning their songs, infusing the band's music with high-octane, no-frills drive. Similarly, Queens of the Stone Age's blend of fuzz and innovation resonates, as seen in Crobot's heavier, QOTSA-inspired edges alongside Rage Against the Machine's rhythmic punch. Thematically, Crobot's music is shaped by sci-fi and motifs, which tie directly into the band's name—a portmanteau of "" and "" reflecting their heavy sound and mechanical guitar effects—and their persona. Members' shared passion for works like the series, Star Wars, and authors such as and informs lyrics exploring spaceborne killers and supernatural realms, adding a layer of fantastical narrative to their foundation. This robotic, otherworldly aesthetic occasionally surfaces in live performances, where the band's energetic delivery amplifies the sci-fi flair.

Band members

Current lineup

The current lineup of Crobot, as of November 2025, consists of four members who contribute to the band's high-energy rock sound through their respective instruments and vocal roles. Brandon Yeagley serves as the and harmonica player, a role he has held since the band's formation in 2011. He is renowned for his charismatic stage presence, often drawing comparisons to iconic performers through his dynamic and engaging live performances. Chris Bishop handles guitar and backing vocals, also since 2011, and is one of the band's primary songwriters, particularly noted for crafting infectious riffs that drive their groove-heavy tracks. Willie Jansen joined in 2025 on and vocals, forming part of the band's refreshed alongside his brother; his contributions emphasize groove-laden elements in recent recordings like the single "Gun to My Head." Nico Jansen, Willie's brother, also joined in 2025 as the drummer, providing a solid rhythmic foundation that supports the band's tight, energetic performances on their ongoing tours.

Former members

Crobot's former members have played pivotal roles in shaping the band's sound during various phases of its development. The band's earliest incarnation featured Tony Kobel on drums and Sam Grim on bass prior to its official formation in ; both served as short-term contributors during the pre-debut period. Jake Figueroa joined as bassist in 2013 and departed in 2017, appearing on the band's debut album Something Supernatural (2014) and sophomore album Welcome to Fat City (2016). His tenure helped establish Crobot's foundational energy. Paul Figueroa, Jake's brother, served as drummer from 2013 to 2017 and was integral to the band's early groove-heavy rhythms alongside his sibling. The brothers' exit in early 2017 marked a significant lineup shift for the group. James Lascu served as from 2017 to around 2022, contributing to albums including Motherbrain (2019). Tim Peugh handled bass from around 2022 to 2023, appearing on Feel This (2022). Pat Seals handled bass duties from 2023 until 2025, contributing to the album (2024) while bolstering the band's live performances. Dan Ryan joined on in 2017 and remained through 2025, providing steady support for extensive touring during the Mascot Records period.

Discography

Studio albums

Crobot's debut studio album, Something Supernatural, was released on October 28, 2014, via . The album features 11 tracks, including "Legend of the Spaceborne Killer," "Nowhere to Hide," and "The Necromancer," blending with psychedelic elements. It peaked at number 8 on the Heatseekers Albums chart. The band's second full-length, Welcome to Fat City, arrived on September 23, 2016, also through , marking the final album with original bassist Jake Figueroa and drummer Paul Figueroa. Comprising 11 tracks such as "Welcome to Fat City," "Play It Cool," and "Not for Sale," it showcases a gritty, groove-oriented sound. The record reached number 13 on the Heatseekers Albums chart. In 2019, Crobot signed with Mascot Records and released Motherbrain on August 23, featuring 11 tracks like "," "Burn," and "Keep Me Down." Drawing on sci-fi inspirations in its thematic title and artwork, the received moderate radio airplay, particularly for the single "Low Life," which amassed over 20 million streams. It achieved a peak of number 6 on the Heatseekers Albums chart. Feel This, the fourth studio album, came out on June 3, 2022, via Mascot Records, with 12 tracks including the "Better Times," "Set You Free," and "Golden." Recorded live as a unit to capture raw energy, it peaked at number 5 on the Heatseekers Albums chart. The fifth , Obsidian, was self-released on September 13, 2024, through , containing 11 tracks such as "Obsidian," "Nothing," and "Metal." Produced by the band and exploring themes of the human condition, it continues their evolution without notable chart peaks reported as of late 2025. A deluxe edition, Obsidian (White Rabbit Deluxe Edition), was released on April 25, 2025, via , featuring the original 11 tracks plus three live recordings: "Happiness (Live at the Majestic Theater)," "Metal (Live at Pilger Ruh Brewery)," and "Obsidian (Live at Pilger Ruh Brewery)." Crobot's sixth studio album is slated for release in 2026, teased by the 2025 single "Gun to My Head," though full details on track listing and themes remain undisclosed.

Extended plays

Crobot's debut extended play, The Legend of the Spaceborne Killer, was self-released in 2012 as a four-track CD by the band's original lineup, marking their early independent phase before signing with a major label. The EP featured raw, fuzz-driven tracks including "The Legend of the Spaceborne Killer," "Weigh Me Down," "In the Undertow," and "Cosmic ," with the title track serving as the band's first and to gain underground attention. This release helped build their local following in and showcased their nascent blend of stoner and influences. In 2014, Crobot issued their self-titled EP through Wind-Up Records, available in digital and CD formats, which expanded on their debut with a polished production by Machine (producer for Lamb of God and Clutch). The four songs—"Legend of the Spaceborne Killer" (a re-recorded version of the 2012 track), "Nowhere to Hide," "La Mano de Lucifer," and "Skull of Geronimo"—highlighted frontman Brandon Yeagley's dynamic vocals and guitarist Chris Bishop's riff-heavy style, positioning the band for their full-length debut album. The EP's release was accompanied by live performances and media buzz, solidifying Crobot's presence in the hard rock scene. The band's third EP, Rat Child, arrived on June 18, 2021, via Mascot Label Group in digital, vinyl (limited green edition for Black Friday), and CD formats, featuring collaborations with notable metal figures. Comprising four tracks—"Mountain" (featuring of on bass), "Kiss It Goodbye" (with of on vocals), "Everyone Dies" (featuring Stix Zadinia of on drums), and the "Rat Child"—the release emphasized high-energy grooves and spots to bridge their post-pandemic comeback. This EP served as a teaser for subsequent albums, demonstrating Crobot's evolving network within the metal community.

Singles

Crobot's singles have primarily functioned as lead promotional releases to herald their studio albums, often featuring accompanying music videos or visualizers to amplify their hard rock energy and build fan anticipation. The band's breakthrough single, Nowhere to Hide, was released on May 13, 2014, serving as the lead track from their debut studio album Something Supernatural. An official music video premiered shortly after on May 14, 2014, via Revolver magazine, showcasing the band's raw, riff-driven style. In 2022, Crobot unveiled Better Times on March 10 as the lead single for their fourth album Feel This, with the announcement tying directly into the record's reveal and themes of resilience amid global challenges. The release included an official music video emphasizing upbeat, groove-oriented rock elements. On October 31, 2025, the group dropped Gun to My Head as the lead single previewing their sixth studio album, slated for spring 2026, marking a return after a brief hiatus with a fresh rhythm section. A visualizer accompanied the digital release, highlighting intense, high-stakes lyrical themes. Additional promotional singles include from the Feel This era, released digitally in 2022 with an official music video in September that year, capturing motifs of liberation and escape. From the 2019 album Motherbrain, tracks like were issued as singles, achieving significant radio play and peaking at number 10 on the Billboard Mainstream Rock Songs chart.