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Daddy-O

Daddy-O is a slang term originating in African American jazz culture during the late 1940s, primarily used as a casual and familiar form of address between men to convey camaraderie, coolness, or affection.^[1] It emerged in the speech of jazz musicians and associated communities, with early documented use by New Orleans disc jockey Vernon Winslow, who adopted the moniker "Doctor Daddy-O" in 1949 as the first Black DJ to host a radio program on a white-owned station in the city.^[2] By the 1950s, the term had spread beyond Black communities to white beatnik subcultures and broader youth slang, often appearing in literature and music to evoke hip, rebellious vibes.^[1] The term's popularity peaked in the 1950s and 1960s, featuring in works by authors like Langston Hughes in his 1958 play Tambourines to Glory and Colin MacInnes in his 1959 novel Absolute Beginners, where it symbolized the era's countercultural energy.^[1] In music, it appeared in jazz and early rock 'n' roll contexts, such as the 1956 novelty song "Transfusion" by Nervous Norvus, which included the lyric "Hey daddy-o, make it type O." Its usage extended to denote a boyfriend, pimp, or even an exemplar of masculinity, though modern revivals often employ it ironically to reference mid-20th-century retro aesthetics.^[3] Beyond slang, "Daddy-O" has been adopted as a stage name by notable figures in entertainment, including hip-hop pioneer Glenn K. Bolton (born 1961), a founding member of the influential group Stetsasonic, known for producing and rapping in the 1980s and 1990s.^[4] It also titled a 1958 low-budget film noir directed by Lou Place, featuring detective tropes and beatnik elements, which captured the term's cultural resonance in post-war America.^[5] These associations highlight Daddy-O's enduring role in shaping informal language and pop culture identities.

Origins and Etymology

Historical Roots

The earliest documented use of "daddy-o" appears in 1913, as recorded in the School Journal, where it functions as a playful, affectionate variant of "daddy" in a narrative context involving a young woman addressing her father.^[6] Etymologists have speculated on possible linguistic precursors, including a proposed link to the Irish Gaelic term daideo, meaning "grandfather" and pronounced roughly as "dadge-oh." This connection was advanced by Daniel Cassidy in his 2007 book How the Irish Invented Slang: The Secret Language of the Crossroads, suggesting influence from Irish immigrant communities on American vernacular; however, Cassidy's methodologies have been widely criticized by linguists as unreliable pseudoscholarship, with the theory rejected as lacking evidence.^[7]^[8] Prior to the 1940s, "daddy-o" saw scattered employment in African American Vernacular English (AAVE) and nascent jazz milieus as a casual, endearing term of address for men, often implying familiarity or respect. Green's Dictionary of Slang traces an early instance to 1935 in African American usage, exemplifying its role in informal interpersonal exchanges.^[1] This development drew from the preexisting slang sense of "daddy" as a descriptor for a stylish, authoritative, or influential man—evident in 1920s American slang—and was enhanced by the "-o" suffix, a stylistic flourish common in hip or jive talk of the period to add rhythm or emphasis.^[9]^[1] These pre-1940s roots provided a foundation for the term's broader adoption in jazz scenes during the following decade.

Emergence in Jazz Culture

The term "daddy-o" first attained notable prominence in jazz slang around 1949, originating within "bop talk"—the rhythmic, improvisational vernacular of the bebop scene that flourished in New York and Chicago jazz clubs.^[10] This usage marked a shift toward informal, hip expressions among musicians, reflecting the genre's emphasis on innovation and insider camaraderie during the late 1940s. Bebop pioneers, navigating the after-hours world of venues like Minton's Playhouse in Harlem, employed such slang to signal shared cultural fluency and cool detachment from mainstream norms.^[11] Prominent figures like bandleader Cab Calloway helped embed "daddy-o" in jazz lexicon, using it in his 1947 track "Two Blocks Down, Turn to the Left" with lines such as "Say, Daddy-O, do you know where a cat can have a ball," to address peers in a laid-back, affectionate manner that underscored group solidarity and stylistic flair.^[1] Early bebop artists, including those in circles around Dizzy Gillespie and Charlie Parker, adopted the term similarly as a casual salutation, enhancing the improvisational flow of conversations that paralleled the music's syncopated rhythms. The "-o" suffix in "daddy-o" exemplified a broader pattern in jazz argot, where endings like this added a playful, percussive lilt to words, drawing from the era's spoken-word scatting and call-and-response traditions.^[11] The term's reach extended to radio broadcasts in the late 1940s, where disc jockeys leveraged it to bridge the gap between performers and listeners during live jazz programming. Holmes "Daddy-O" Daylie, for instance, debuted his show Daddy-O's Jazz Patio on Chicago's WAIT-AM in 1948, incorporating the phrase into his signature rhyming patter to create an intimate, energetic connection with audiences tuning into bebop sets.^[12] This on-air adoption amplified "daddy-o"'s role as a marker of authenticity in jazz culture, helping to disseminate the subculture's lingo beyond club walls.

Meaning and Usage

Linguistic Definition

"Daddy-o" functions primarily as a slang noun employed as a vocative interjection, serving as a casual and affectionate term of address for a man that conveys familiarity, coolness, or a sense of authority.^[3] This usage emerged as an extension of "daddy," augmented with the rhythmic "-o" suffix common in mid-20th-century American slang, particularly within jazz circles where it denoted camaraderie among musicians.^[3] For instance, it might appear in speech as "Hey, daddy-o!" to hail someone in an informal, hip manner.^[9] The term also carries extended meanings, including a boyfriend or male lover, a pimp, or an exemplar of masculinity, reflecting its roots in African American Vernacular English and jazz culture from the 1940s onward.^[1] These senses highlight its versatility beyond direct address, often appearing in literature and music to evoke relational or stereotypical roles. In terms of synonyms and variants, "daddy-o" aligns closely with other mid-20th-century slang terms of address such as "dude," "man," or "cat," all of which similarly targeted males in a laid-back, peer-oriented context.^[13] The term derives its diminutive, playful tone from the "-o" suffix, a morphological feature frequently appended to nouns or names for stylistic emphasis in colloquial English, as seen in formations like "kiddo" or "Johnny-o."^[14] This suffix imparts a rhythmic flair without altering the core semantics, maintaining the term's role as a direct address.^[15] Grammatically, "daddy-o" operates as a singular noun with no established formal plural form, given its primary function in direct address rather than referential counting.^[6] It is inherently gender-specific to males, reflecting its roots in addressing men, though later ironic applications have occasionally extended it beyond strict gender lines.^[3] Notably, it differs from related terms like "sugar daddy," which carries a specific connotation of a wealthy older man providing financial support to a younger companion in exchange for intimacy, lacking the casual, non-monetary familiarity of "daddy-o."^[16] In mid-20th-century American society, particularly during the 1950s and 1960s, "daddy-o" served primarily as an informal term of address in everyday greetings among friends, peers, or even strangers in urban environments such as cafes, jazz clubs, and city streets.^[9] This usage fostered a sense of immediate camaraderie in casual interactions, often initiating conversations in bohemian or countercultural gatherings where quick rapport was valued.^[17] The term's social functions included conveying hipness and cultural savvy, establishing equality among interlocutors regardless of status, and occasionally signaling flirtation in lighthearted exchanges.^[17] While rooted in the male-dominated circles of jazz musicians and enthusiasts, it became common in mixed-gender conversations, allowing women to address men playfully or assertively in social settings like after-hours clubs or street encounters. Its amplification within beatnik subcultures further embedded it in youth-driven dialogues that emphasized nonconformity.^[17] Regionally, "daddy-o" was more prevalent in urban areas of the U.S. East Coast, such as New York City's jazz scenes, and the Midwest, including Chicago's vibrant club districts where DJs and musicians popularized it during live broadcasts and parties. Its use extended to West Coast hubs like San Francisco's North Beach, but overall prevalence waned by the 1970s as broader slang shifts favored terms like "man" in countercultural speech and later "bro" in casual peer interactions. Representative examples of its phrasal integration appear in casual affirmations or rebukes, such as "Dig it, daddy-o," used to urge agreement or appreciation in a jazz cafe chat, or "Cool it, daddy-o," to temper enthusiasm during a street-side debate.^[9] These constructions highlighted its rhythmic, improvisational quality, mirroring the spontaneity of urban social life.^[17]

Cultural Impact

In Beatnik and 1950s Subcultures

In the 1950s, "daddy-o" integrated deeply into the beatnik lexicon as a term of address signifying camaraderie and cool detachment, emblematic of rebellion against the era's rigid postwar conformity. Influenced by the countercultural ethos of writers like Jack Kerouac and Allen Ginsberg, whose works such as On the Road and Howl celebrated jazz-infused spontaneity and existential freedom, beatniks embraced the slang to articulate their disdain for mainstream materialism and authority. This adoption positioned "daddy-o" as a linguistic marker of intellectual and artistic nonconformity, often uttered in improvisational speech patterns that mirrored bebop rhythms.^[18]^[19] Within 1950s youth subcultures, "daddy-o" flourished in bohemian enclaves like San Francisco's North Beach and Los Angeles' Venice, where it punctuated conversations in coffeehouses, poetry slams, and nascent rock 'n' roll gatherings. Venues such as the Gas House café served as hubs for these interactions, with the term signaling a shared affinity for jazz-inspired aesthetics and anti-establishment vibes among young intellectuals and artists. Its use helped foster a sense of community among those rejecting suburban normalcy, evoking an effortless "cool" that blended literary experimentation with musical improvisation.^[18] The term's prominence among predominantly white beatniks highlighted complex gender and racial dynamics, as it represented the appropriation of Black jazz slang originating from 1940s jive talk among African American musicians. Beat writers and their followers, often privileged urban youths, borrowed "daddy-o" to cultivate an aura of authenticity and rebellion, yet this emulation raised early critiques of cultural borrowing without acknowledgment of its roots in marginalized communities facing systemic racism. Such dynamics underscored beatnik culture's ambivalent relationship with jazz traditions, blending admiration with selective adoption that diluted original contexts.^[20]^[18] "Daddy-o" achieved peak popularity in 1950s media portrayals of hipsters, appearing in pulp novels and television to caricature beatnik life, such as the slang-laden dialogue of Maynard G. Krebs in the CBS series The Many Loves of Dobie Gillis (1959–1963), where it underscored the character's bongo-beating, work-averse persona. These depictions, while satirical, amplified the term's visibility in mainstream consciousness, embedding it in narratives of youthful deviance and exotic subcultural allure. This media saturation marked "daddy-o" as a cultural touchstone before its evolution into broader 1960s pop slang.^[18]

Evolution into Modern Slang

Following the peak of beatnik popularity in the 1950s and early 1960s, "Daddy-O" experienced a marked decline in everyday slang during the 1970s and 1980s, as the hippie counterculture and disco movements introduced expressions like "groovy"—associated with psychedelic and free-love contexts—and "dude," which gained traction through surf and party scenes. These shifts reflected broader cultural evolutions away from the introspective jazz-infused lingo of the Beats toward more communal, upbeat vernacular aligned with anti-establishment protests and dance-floor energy. A brief revival emerged in the 1990s amid a wave of retro nostalgia for mid-century aesthetics, particularly through swing revival bands and exhibitions celebrating beatnik heritage, such as the Walker Art Center's 1996 show Beat Culture and the New America, 1950–1965, which spotlighted the term's role in postwar artistic rebellion.^[21] This resurgence tied into a broader fascination with 1950s cool, though it remained niche and did not restore "Daddy-O" to mainstream parlance. In modern contexts from the 2000s onward, "Daddy-O" appears primarily in nostalgic or ironic usages within media, evoking vintage hipster vibes in indie films and occasional hip-hop references that nod to its jazz origins. Globally, the expression saw limited adoption in English-speaking regions influenced by transatlantic jazz imports, but it has since faded to rarity beyond core areas.^[22] As of 2025, "Daddy-O" endures as an archaic term, sporadically invoked in online memes, cultural podcasts, and 1950s-themed events to recapture beat-era authenticity, underscoring its status as a cultural relic rather than active slang.

Notable References

In Music

In the mid-1950s, "Daddy-O" gained prominence as a title in country-rockabilly music through Bonnie Lou's single of the same name, released on King Records in 1955. The track, written by Buford Abner, Charlie Gore, and Louie Innis, blended upbeat rhythms with playful lyrics addressing a romantic partner, achieving commercial success by peaking at number 14 on the Billboard Most Played by Jockeys chart in early 1956.^[23] This hit marked one of the earliest mainstream recordings to feature the term prominently, contributing to its association with youthful, rebellious energy in post-war American music. In 1958, Bonnie Lou expanded on the song's popularity with the album Daddy-O, a compilation that included the original track alongside other novelty and rockabilly numbers, further solidifying its place in the genre's early canon.^[24] The term reemerged in electronic dance music with the Wideboys' 2008 house track "Daddy O," featuring vocals by Shaznay Lewis of All Saints. Produced by the British duo Eddie Craig and Jim Sullivan, the song incorporated funky basslines and club-oriented beats, evoking nostalgic 1950s slang within a modern UK garage and speed garage framework, and it reached number 32 on the UK Singles Chart.^[25] Its release on All Around the World Records highlighted the enduring appeal of "Daddy-O" as a hook in dance contexts, blending retro motifs with contemporary production for nightclub play. In hip-hop, Stetsasonic's 1980s output bridged the slang's jazz origins to rap through the group's innovative use of live instrumentation and the persona of founder Daddy-O (Glenn Bolton). Albums like On Fire (1986) and In Full Gear (1988) on Tommy Boy Records featured tracks such as "Talkin' All That Jazz," where Daddy-O's rhymes and production incorporated scat-like vocal elements and jazz samples, adapting "Daddy-O" as a nod to hip-hop's improvisational roots while establishing the group as pioneers of the positive, band-led rap style. This usage exemplified how the term transitioned from 1950s jazz lingo to 1980s urban expression, with Daddy-O's leadership emphasizing lyrical dexterity over sampling-heavy production.^[26] Beyond these key works, "Daddy-O" appeared in jazz standards like Nat Adderley's "One for Daddy-O," a blues composition recorded by Cannonball Adderley in 1958 on the album Somethin' Else, featuring a notable Miles Davis trumpet solo and dedicating the piece to Chicago DJ Daddy-O Daylie. In the 1960s soul scene, Theresa Lindsey's 1966 single "Daddy-O" on Golden World Records delivered a laid-back R&B groove co-written by Billy Jackson and Don Davis, capturing the era's smooth, flirtatious vocal delivery. The term also surfaced in improvisational jazz scats, as heard in live performances by vocalists during beatnik-era sets, where "Daddy-O" served as a rhythmic syllable for spontaneous phrasing in bebop and cool jazz contexts.^[27]^[28]

In Film and Other Media

The term "Daddy-O" has appeared in various films and television productions, often evoking its origins in jazz and beatnik slang to denote coolness, familiarity, or ironic paternalism. In mid-20th-century media, it served as dialogue for hip or countercultural characters, reinforcing its association with 1950s subcultures.^[29] One prominent example is the 1958 American B-movie Daddy-O, directed by Lou Place and starring Dick Contino as Phil Macklin, a rock 'n' roll singer and truck driver who becomes entangled in a crime noir plot involving murder and extortion. The film incorporates beatnik aesthetics through its protagonist's laid-back demeanor and musical performances, using "Daddy-O" to highlight the era's slang-laden youth culture.^[30]^[31] In international cinema, the 2000 Filipino comedy Daddy O! Baby O!, directed by Eric Quizon and starring Dolphy as the middle-aged bachelor Mario Enriquez, employs the term to underscore themes of unexpected fatherhood. Mario fulfills a dying friend's wish by caring for his young daughter, leading to humorous clashes between his traditional values and her spirited personality, with "Daddy-O" symbolizing an affectionate, slang-infused paternal bond.^[32]^[33] A more contemporary take appears in the 2023 short film Daddy-O, produced as part of the 48 Hour Film Project and directed by Conor Forrest, starring Ryan Bannon as artist Kai Lee confronting two women claiming to be his daughters at an art auction. The narrative uses "Daddy-O" ironically to blend modern relational dynamics with echoes of vintage slang, emphasizing artistic and paternal revelations.^[34]^[35] On television, "Daddy-O" featured in 1950s-1960s sitcoms to flavor dialogue for beatnik-inspired characters, notably in episodes of The Many Loves of Dobie Gillis (1959-1963), where it was uttered by hip figures like Maynard G. Krebs (Bob Denver) to convey casual camaraderie amid teen romance and rebellion. This usage helped popularize the term in mainstream American viewing, tying it to the era's countercultural vibe.^[29]

People and Entities

Holmes "Daddy-O" Daylie (May 15, 1920 – February 6, 2003) was a pioneering African American radio personality in Chicago, renowned for his rhyming delivery and contributions to jazz and R&B broadcasting during the mid-20th century. Born in Covington, Tennessee, and raised on Chicago's South Side after the early deaths of his parents, Daylie began his radio career in 1948 as host of Daddy-O's Jazz Patio on WAIT-AM, where he showcased bebop and rhythm-and-blues records with improvisational monologues and humor that appealed to diverse audiences.^[12] Over the following decades, he worked at stations including WMAQ-AM and WAAF 950 AM, becoming one of the first Black broadcasters on major network-affiliated outlets and advocating for civil rights issues on air, such as through his Operation Christmas Basket initiative to combat hunger.^[36] His signature greeting, "This is your musical host who loves you most," and linguistic flair influenced subsequent DJs and helped launch artists like the Ramsey Lewis Trio by promoting their work and securing recording opportunities.^[36] Daylie retired in 1988 after four decades on the air, leaving a legacy as a trailblazer in Chicago's Black radio scene from the 1940s to the 1960s.^[12] Glenn K. Bolton, known professionally as Daddy-O (born February 20, 1961), is an American rapper, record producer, and hip-hop pioneer best recognized as a co-founder of the influential group Stetsasonic. Hailing from Brooklyn, New York, Bolton formed Stetsasonic in 1981, establishing the collective as an early proponent of live instrumentation and sampling in hip-hop, with key albums including On Fire (1986) and In Full Gear (1988) that blended jazz, funk, and social commentary.^[37] As a solo artist and producer, he has collaborated with figures like Mary J. Blige, Queen Latifah, and the Red Hot Chili Peppers, while co-founding Odad Truth Records in 2016 to support independent releases.^[37] In 2025, Daddy-O released the album East New York Stories on July 1, a 10-track project executive-produced by himself alongside Chuck D and others, reflecting on his East New York upbringing through themes of survival and ambition, available via Bandcamp and SpitSlam Records.^[38] His work continues to emphasize hip-hop's historical roots and technological evolution, including recent involvement with groups like CloudSpray since 2015.^[37] Bob "Daddy-O" Wade (January 6, 1943 – December 23, 2019) was a prominent Texas-based artist associated with the 1970s Cosmic Cowboy movement, celebrated for his monumental, whimsical sculptures that captured the outsized spirit of Southwestern culture. Based in Austin for over four decades, Wade created public installations using materials like wire mesh and polyurethane foam to amplify everyday objects and wildlife into roadside spectacles, blending pop art with Texas iconography.^[39] Notable works include a 40-foot-long iguana named Iggy, installed on the roof of Manhattan's Lone Star Cafe in the 1970s, and a 63-foot-high saxophone for a Houston blues nightclub, both designed to draw crowds and evoke the era's countercultural flair.^[39] His contributions to the Cosmic Cowboy aesthetic—merging hippie, country, and psychedelic elements—extended to pieces like giant chili peppers and armadillos, influencing public art in Texas and beyond until his death from cardiac arrest in Austin.^[39] Daddy O LBI is a boutique hotel and restaurant in Brant Beach on Long Beach Island, New Jersey, embodying a retro 1950s seashore theme with modern coastal amenities since its establishment in the 2010s. Featuring a distinctive red-and-white vintage exterior, the 22-room property offers chic, contemporary interiors just one block from the beach, including a rooftop bar for live music and year-round dining focused on American classics and craft cocktails.^[40] The venue's blend of nostalgic surf vibes and upscale comfort has made it a popular Jersey Shore destination, with seasonal operations extending indoor and outdoor experiences.^[40]

References

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daddy-o, n. - Green's Dictionary of Slang
1. (orig. US black, also dad-o) a term of address between males; note rare female term mammy-o in cit. 1969. ... 2. (orig. US) a boyfriend, male lover, husband.
[2]
Dr. Daddy-O: The first black DJ in New Orleans, changed local radio ...
Feb 28, 2022 · Vernon Winslow (aka, 'Dr. Daddy-O) came to the Crescent City in the late 40's as an Art Professor at Dillard University. "Race music ...
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DADDY-O Definition & Meaning - Dictionary.com
Slang., daddy. · Older Slang., a term of familiar address to a man, originally used by jazz musicians to display camaraderie.
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Daddy-O - Apple Music
A founder member of Stetsasonic, and for some time one of hip-hop's most influential figures, Daddy-O is remembered fondly as the Quincy Jones of rap.
[5]
daddy-o, n. meanings, etymology and more - Oxford English Dictionary
There are two meanings listed in OED's entry for the noun daddy-o. See 'Meaning & use' for definitions, usage, and quotation evidence.
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How the Irish Invented Slang: The Secret Language of the Crossroads
In a series of lively essays, this pioneering book proves that US slang has its strongest wellsprings in nineteenth-century Irish America.
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daddy, n. - Green's Dictionary of Slang
Grose Classical Dict. of the Vulgar Tongue (2nd, 3rd edn) n.p.: Daddy. Father. Old daddy; a familiar address to an old man.Missing: stylish | Show results with:stylish
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A Historical Dictionary of American Slang - alphaDictionary.com
1940s; daddy. ( n ) A rich male protector who usually expects favors from his female charge. Tillie has a (sugar) daddy who takes care of all her bills. 1920s ...Missing: pre- | Show results with:pre-
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Daddy - Etymology, Origin & Meaning
Originating c.1500 as a colloquial diminutive of dad with -y, "daddy" means father; slang "daddy-o" appeared by 1925, popularized in 1940s jazz lyrics.
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LANGUAGE OF JAZZ MUSICIANS STILL SWINGS ON RIFFS LAID ...
Sep 24, 1996 · Go slow, daddy-o. It's worth noting, however, that not everyone who tries to speak the language of jazz does so fluently. “In some cases ...
[11]
Holmes "Daddy-O" Daylie's Biography - The HistoryMakers
On Garroway's suggestion, Daylie enrolled in radio school to refine his skills and, in 1948, Daddy-O's Jazz Patio made its debut on station WAIT. Daddy-O's ...
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181 Slang Words by Decade: From 'Scram' to 'Slaps' | HowStuffWorks
Aug 7, 2024 · Daddy-O: A term of address, similar to "man" or "dude"; Decked out: Dressed up; Dig: To understand or appreciate something; Dullsville: A ...
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LINGUIST List 9.360: O-words: colloquial/slangy words ending in <o>
Mar 11, 1998 · The <-o> suffix was then frequently added to terms of address, such as "daddy-o", "Johnny-o", etc. Plenty of examples of this are to be ...
[14]
An Analysis of Two Case Studies of English Slang Words Ending in {o}
Aug 9, 2025 · ... grammatical category and the expression of pejorative/marginal traits. ... daddy-o daddy + -o. dago Sp. Diego. decko, dekko dikhu (Hindustani).<|control11|><|separator|>
[15]
SUGAR DADDY Definition & Meaning - Dictionary.com
Sugar daddy definition: a wealthy man who spends freely on a younger person, generally a woman or a gay man, in return for companionship or sexual intimacy.
[16]
[PDF] Jazz Aesthetics Speak Loud in Allen Ginsberg's Howl
jazz musical structure and improvisation. Feinstein informs us that “jazz culture infused poetry with hip, Daddy-o vernacular, jagging the syntax and, often ...
[17]
[PDF] Copyright by Clinton Robert Starr 2005 - University of Texas at Austin
... Daddy-O.” Yet beyond his lingo, clothing and comic. 61 clumsiness, there is ... believed that beatnik stereotypes should be countered with examples of the ...
[18]
1950s Slang - Fifties Web
Daddy-O – Term of address (Beats); D.D.T. (Drop Dead Twice) – Response: What, and look like you? Deck of Luckies – pack of Lucky Strike cigarettes (thanks to ...Missing: suffix | Show results with:suffix
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[PDF] dictionary of contemporary - slang
Slang has also been referred to as. 'the poetry of everyday life' or 'of the common man'. ... bro(ther) is used as a greeting between males, particularly in.
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Hip Hop Samples Jazz: Dynamics of Cultural memory and musical ...
Daddy-o of Stetsasonic reasoned in 1990: People always looked at the hip-hop movement as if you're sam- pling to get paid but we were sampling for all ...Missing: linking | Show results with:linking
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60 Cheeky British Slang Words and Phrases - People | HowStuffWorks
Jun 7, 2024 · Daddy-O: A term of address, similar to "man" or "dude"; Decked out: Dressed up; Dig: To understand or appreciate something; Dullsville: A ...Missing: mod | Show results with:mod
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Top Songs From 1955 - Top40weekly
DADDY-O –•– Bonnie Lou (King)-1 (50) 51 — THE BONNIE BLUE GAL –•– Mitch ...
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Daddy-O - Bonnie Lou | Album | AllMusic
Daddy-O by Bonnie Lou released in 1958. Find album reviews, track lists, credits, awards and more at AllMusic.
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https://www.allmusic.com/album/daddy-o-mw0000889836
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Rediscover Stetsasonic's 'In Full Gear' (1988) | Tribute - Albumism
Jun 10, 2023 · Daddy-O briefly pursued a solo career, and worked with Island Records to develop new hip-hop talent. Fruitkwan later re-named himself “Frukwan” ...
[26]
Revisiting “One For Daddy-O” - Jerry Jazz Musician
Nov 5, 2015 · The tune I have been stuck on is “One For Daddy-O,” a blues written by Cannonball's brother Nat that features a flawless blues solo by Miles.Missing: standards | Show results with:standards
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https://www.jerryjazzmusician.com/revisiting-one-for-daddy-o/
[28]
Where did the phrase 'daddy-o' come from? - Quora
Dec 1, 2016 · It is often used to reference a wealthy lover, as in the song, “My Heart Belongs to Daddy”, and the term “Sugar daddy”.What is the origin of the term 'Daddy'? - QuoraWhat is the meaning of the term 'daddy' when used in reference to a ...More results from www.quora.com
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season three: comedy central, 1991-1992 - Satellite News
Episode guide: 307- Daddy-O (with short: “Alphabet Antics”). Last modified on ... Dick Contino also appears in “Girls Town,” of course. Buttery Bruno ...
[30]
Original Movie Poster Research Collection, 1940-1962 - Listed by ...
Cast: Randy Sparks, Venetia Stevenson, Dick Foran, Jesse White, Dick Contino. ... Cast: Edmond O'Brien, Pamela Britton, Luther Adler. DADDY-O: AIP, 1959. 74m. b/w
[31]
Daddy O, Baby O! (2000) - IMDb
Rating 7/10 (34) Middle-aged bachelor Mario spent his life taking care of his eccentric sister Brenda. He sells goodies in a mobile cart for a living.Comedy | Drama · Full cast & crew · Plot
[32]
Daddy O! Baby O! | Rotten Tomatoes
Mario (Dolphy) takes in his friend's child (Serena Dalrymple) to fulfill a dying wish. His conscientious attitudes clash with the girl's spunky personality.
[33]
Daddy-O (2023) - IMDb
Rating 8/10 (14) At an art auction, celebrated artist Kai Lee encounters two young women claiming to be his daughters, unearthing disturbing truths about his past.Missing: short | Show results with:short
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Daddy-O (2023) - Release info - IMDb
Daddy-O (2023). Release info. Daddy-O. Jump to. Release date (1), Also known ... Release date. Canada. November 6, 2023(48 Hour Film Project, premiere). Also ...Missing: short | Show results with:short
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The Many Loves of Dobie Gillis - Wikipedia
The Many Loves of Dobie Gillis is an American sitcom starring Dwayne Hickman that aired on CBS from September 29, 1959, to June 5, 1963.The Affairs of Dobie Gillis · Florida Friebus · Frank Faylen · Sheila Kuehl
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HOLMES `DADDY-O' DAYLIE, 82 - Chicago Tribune
Feb 14, 2003 · In the late 1940s, Mr. Daylie began working as a radio host, and he brought along all the showmanship and jazz knowledge he picked up while ...Missing: biography | Show results with:biography
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PROFESSOR DADDY-O - SPITSLAM
Hip hop historian, music technologist and founder of the original socially conscious band “Stetsasonic”, Daddy-O is a living hip-hop legend.
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East New York Stories | @professordaddyo (Daddy-O of Stetsasonic)
Jul 1, 2025 · East New York Stories by @professordaddyo (Daddy-O of Stetsasonic), released 01 July 2025 1. Keep Dat featuring Lena Jackson 2.
[39]
Bob Wade, Sculptor of the Outlandishly Large, Dies at 76
Jan 12, 2020 · Bob Wade, Sculptor of the Outlandishly Large, Dies at 76. Known as Daddy-O, he created roadside, streetside and top-of-the-roof attractions in ...Missing: Cosmic | Show results with:Cosmic
[40]
ABOUT - Daddy O LBI
Welcome to Daddy O Restaurant, Bar & Hotel, where vintage surf vibes meet chic, coastal cool! Leave the mundane behind and dive into a world of laid-back luxury ...Missing: 1950s | Show results with:1950s